Diminished Seventh Chord
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Diminished Seventh Chord
The diminished seventh chord is a four-note chord (a seventh chord) composed of a root note, together with a minor third, a diminished fifth, and a diminished seventh above the root: (1, 3, 5, 7). For example, the diminished seventh chord built on C, commonly written as C7, has pitches C–E–G–B (A): : As such, a diminished seventh chord comprises a diminished triad plus a diminished seventh. Because of this, it can also be viewed as four notes all stacked in intervals of a minor third and can be represented by the integer notation . Since a diminished seventh interval is enharmonically equivalent to a major sixth, the chord is enharmonically equivalent to (1, 3, 5, 6). The diminished seventh chord occurs as a leading-tone seventh chord in the harmonic minor scale. It typically has dominant function and contains two diminished fifths, which often resolve inwards. In most sheet music books, the notation Cdim or C denotes a diminished seventh ...
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Diminished Triad
In music theory, a diminished triad (also known as the minor flatted fifth) is a triad consisting of two minor thirds above the root. It is a minor triad with a lowered ( flattened) fifth. When using chord symbols, it may be indicated by the symbols "dim", "", "m5", or "MI(5)". However, in most popular-music chord books, the symbol "dim" and "" represents a diminished seventh chord (a four-tone chord), which in some modern jazz books and music theory books is represented by the "dim7" or "7" symbols. For example, the diminished triad built on C, written as C, has pitches C–E–G: : The chord can be represented by the integer notation . In the common practice period, the diminished triad is considered dissonant because of the diminished fifth (or tritone). Harmonic function In major scales, a diminished triad occurs only on the seventh scale degree. For instance, in the key of C, this is a B diminished triad (B, D, F). Since the triad is built on the seventh scale de ...
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Chord Notation
Musicians use various kinds of chord names and symbols in different contexts to represent musical chords. In most genres of popular music, including jazz, pop, and rock, a chord name and its corresponding symbol typically indicate one or more of the following: # the root note (e.g. C), # the chord quality (e.g. minor or lowercase m, or the symbols or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords), # whether the chord is a triad, seventh chord, or an extended chord (e.g. 7), # any altered notes (e.g. sharp five, or 5), # any added tones (e.g. add2), and # the bass note if it is not the root (e.g. a slash chord). For instance, the name C augmented seventh, and the corresponding symbol C, or C, are both composed of parts 1 (letter 'C'), 2 ('aug' or '+'), and 3 (digit '7'). These indicate a chord formed by the notes C–E–G–B. The three parts of the symbol (C, aug, and 7) refer to the root C, the augmented (fifth ...
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University Of Chicago Press
The University of Chicago Press is the largest and one of the oldest university presses in the United States. It is operated by the University of Chicago and publishes a wide variety of academic titles, including ''The Chicago Manual of Style'', numerous academic journals, and advanced monographs in the academic fields. One of its quasi-independent projects is the BiblioVault, a digital repository for scholarly books. The Press building is located just south of the Midway Plaisance on the University of Chicago campus. History The University of Chicago Press was founded in 1890, making it one of the oldest continuously operating university presses in the United States. Its first published book was Robert F. Harper's ''Assyrian and Babylonian Letters Belonging to the Kouyunjik Collections of the British Museum''. The book sold five copies during its first two years, but by 1900 the University of Chicago Press had published 127 books and pamphlets and 11 scholarly journals, includ ...
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Oswald Jonas
Oswald Jonas (January 10, 1897 – March 19, 1978) was a music theorist and musicologist and student of Heinrich Schenker. Despite Schenker's conservative nationalist views Jonas was an admirer of Karl Kraus. In 1935, Jonas founded the Schenker Institut and began publishing ''Der Dreiklang'' with Felix Salzer. The Oswald Jonas Memorial Collection, housed at the University of California, Riverside Library, holds the complete diaries of Schenker and much of the correspondence and manuscripts of Erwin Ratz, Jonas's first student. His primary students include Felix Salzer, Ernst Oster, and Sylvan Kalib. He taught at Roosevelt University in Chicago from 1941 to 1964 and then until his death at the University of California Riverside, where his materials as well as Schenker's ''Nachlass'' is deposited in the Special Collections Library. See also *Klang (music) *Schenkerian analysis Schenkerian analysis is a method of analyzing tonal music based on the theories of Heinrich Schenker (18 ...
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