Dhaivat
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Dhaivat is the sixth
svara Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' ...
from the seven svaras of
Hindustani music Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sita ...
and
Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...
. Dhaivat is the long form of the syllable ध. For simplicity in pronouncing while singing the syllable, Dhaivat is pronounced as Dha (notation - D). It is also called as धैवत in the
Devanagri Devanagari ( ; , , Sanskrit pronunciation: ), also called Nagari (),Kathleen Kuiper (2010), The Culture of India, New York: The Rosen Publishing Group, , page 83 is a left-to-right abugida (a type of segmental writing system), based on the a ...
script.


Details

The following is the information about Dhaivat and its importance in
Indian classical music Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as '' Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not ...
: * Dhaivat is the sixth svara in an octave or
Saptak Saptak means "gamut" or "the series of eight notes". It denotes the set of swaras i.e. Ṣaḍja (Sa), Ṛiṣabha (Re), Gāndhāra (Ga), Madhyama (Ma), Panchama (Pa), Dhaivat (Dha), Niṣāda (Ni), Sadja (Sa) which comprise a musical scale ...
. * Dhaivat is the immediate next svara of Pancham (Pa). * The
svara Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' ...
of Dhaivat is and Shuddha. * It is said that Shadja is the basic svara from which all the other six svaras are produced. When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in
Marathi Marathi may refer to: *Marathi people, an Indo-Aryan ethnolinguistic group of Maharashtra, India *Marathi language, the Indo-Aryan language spoken by the Marathi people *Palaiosouda, also known as Marathi, a small island in Greece See also * * ...
. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Dha is formed from
Shadja Shadja is the first svara out of the seven svaras of Hindustani music and Carnatic music. Shadja is the long form of the syllable सा. For simplicity in pronouncing while singing the syllable, Shadja is pronounced as Sa (notation - S). It is a ...
. * The frequency of Dhaivat is 400 Hz. The frequencies of the seven svaras are also given below: Sa 240 Hz, Re 270 Hz, Ga 300 Hz, Ma 320 Hz, Pa 360 Hz, Dha 400 Hz, and Ni 450 Hz, Sa 480 Hz (Taar Saptak) ........ (and so on). Consequently, the Dha after the Pa of 320  Hz (Taar Saptak) has a frequency of 800  Hz i.e. the double of the Lower octave Dha. There are 3 Shruti's of Dhaivat. Previously the main Shruti, not only for Re but for all the other svaras, was on the last Shruti but now it is considered to be on the 1st Shrurti. For example, if these are the 3 Shruti's of Re then, Previously this was the position of the main Shruti of Re. ^ 1 2 3 ^ But now this position has become the main Shruti of Re. * All the other svaras except Shadja (Sa) and Pancham (Pa) can be or but Sa and Pa are always Shuddha svaras. And hence svaras Sa and Pa are called Achal Svaras , since these svaras don't move from their original position. Svaras Ra, Ga, Ma, Dha, Ni are called Chal Svaras, since these svaras move from their original position. Sa, Re, Ga, Ma, Pa, Dha, Ni - Shuddha Svaras Re, Ga, Dha, Ni - Svaras Ma - Svaras * Ragas from Bhairav Thaat,
Poorvi Thaat Pooja or pooja () is Pū of the eleven basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. Description Poorvi thaat adds a Komal Dhaivat to Marva thaat. These thaat ragas usually fea ...
,
Asavari Thaat Asavari () is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. Description Adding a Komal Dhaivat to Kafi Thaat results in the Asavari thaat. Raga Asavari is full of ' ...
, Bhairavi Thaat and Todi Thaat have Komal Dhaivat, rest of the
thaat A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because t ...
s have Shuddha Dhaivat. * Ragas where Dha is the Vadi svara - Raga Bhairav, etc. Ragas where Dha is the Samvadi svara - Raga Kalingda, etc. * Hypothetically speaking, Dha is said to be Dharma, Dharma as in, the three main gods,
Bhrama Bhrama (Sanskrit: भ्रम), in the context of Hindu thought, means – error, mistake, illusion, confusion, perplexity. But, it literally means – that which is not steady; and refers to error etc., caused by defects in the perceptive syste ...
,
Vishnu Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within t ...
and
Shiva Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hindu ...
were first created i.e. Sakar Bhrama (Sa) and then these three gods created Rishimuni i.e. Re and then
Gandharvas A gandharva () is a member of a class of celestial beings in Dharmic religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are ...
were created for singing and then lord Indra or Raja Indra i.e. Mahipal was created and once the Mahipal (Raja) or the king was created, the Praja or the common citizens or the people were made, and as people have their own Dharma or duty/religion, the religion was made. Dha is made the acronym of Dharma or the duty/religion for showing the importance of the syllable Dha. * Dhaivat is said to be sourced from the neighing of the
horse The horse (''Equus ferus caballus'') is a domesticated, one-toed, hoofed mammal. It belongs to the taxonomic family Equidae and is one of two extant subspecies of ''Equus ferus''. The horse has evolved over the past 45 to 55 million y ...
. * Dhaivat is associated with the planet
Jupiter Jupiter is the fifth planet from the Sun and the List of Solar System objects by size, largest in the Solar System. It is a gas giant with a mass more than two and a half times that of all the other planets in the Solar System combined, but ...
. * Dhaivat is associated with
Yellow Yellow is the color between green and orange on the spectrum of light. It is evoked by light with a dominant wavelength of roughly 575585 nm. It is a primary color in subtractive color systems, used in painting or color printing. In the R ...
colour.


See also

* List of Ragas in Hindustani classical music *
Svara Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' ...
*
Shadja Shadja is the first svara out of the seven svaras of Hindustani music and Carnatic music. Shadja is the long form of the syllable सा. For simplicity in pronouncing while singing the syllable, Shadja is pronounced as Sa (notation - S). It is a ...
(Sa) *
Rishabh Rishabhanatha, also ( sa, ऋषभदेव), Rishabhadeva, or Ikshvaku is the first (Supreme preacher) of Jainism and establisher of Ikshvaku dynasty. He was the first of twenty-four teachers in the present half-cycle of time in Jain co ...
(Re) * Gandhar (Ga) *
Madhyam Madhyam is the fourth svara from the seven svaras of Hindustani music and Carnatic music. This article is written from the Hindustani perspective. Madhyam is the long form of the syllable म. For simplicity in pronouncing while singing the sylla ...
(Ma) * Pancham (Pa) *
Nishad The Nishad are a Hindu caste, found in the Indian states of Bihar and Uttar Pradesh. In Bihar, the term refers to a group of around 20 communities whose traditional occupations centred on rivers, such as the Mallah. There have been demands for ...
(Ni) ----
Dha (svara) Dhaivat is the sixth svara from the seven svaras of Hindustani music and Carnatic music. Dhaivat is the long form of the syllable ध. For simplicity in pronouncing while singing the syllable, Dhaivat is pronounced as Dha (notation - D). It is ...


References

{{Reflist Hindustani music Carnatic music