![Da Vinci Vitruve Luc Viatour](https://upload.wikimedia.org/wikipedia/commons/2/22/Da_Vinci_Vitruve_Luc_Viatour.jpg)
Drawing is a
visual art
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts ...
that uses an instrument to mark
paper
Paper is a thin sheet material produced by mechanically or chemically processing cellulose fibres derived from wood, rags, grasses or other vegetable sources in water, draining the water through fine mesh leaving the fibre evenly distributed ...
or another
two-dimensional
In mathematics, a plane is a Euclidean (flat), two-dimensional surface that extends indefinitely. A plane is the two-dimensional analogue of a point (zero dimensions), a line (one dimension) and three-dimensional space. Planes can arise as s ...
surface. The instruments used to make a drawing are
pencils
A pencil () is a writing or drawing implement with a solid pigment core in a protective casing that reduces the risk of core breakage, and keeps it from marking the user's hand.
Pencils create marks by physical abrasion, leaving a trail ...
,
crayons
A crayon (or wax pastel) is a stick of pigmented wax used for writing or drawing. Wax crayons differ from pastels, in which the pigment is mixed with a dry binder such as gum arabic, and from oil pastels, where the binder is a mixture of wax a ...
,
pens
A pen is a common writing instrument that applies ink to a surface, usually paper, for writing or drawing. Early pens such as reed pens, quill pens, dip pens and ruling pens held a small amount of ink on a nib or in a small void or cavity whi ...
with
inks
Ink is a gel, sol, or solution that contains at least one colorant, such as a dye or pigment, and is used to color a surface to produce an image, text, or design. Ink is used for drawing or writing with a pen, brush, reed pen, or quill. Thicker ...
,
brushes
A brush is a common tool with bristles, wire or other filaments. It generally consists of a handle or block to which filaments are affixed in either a parallel or perpendicular orientation, depending on the way the brush is to be gripped durin ...
with
paints
Paint is any pigmented liquid, liquefiable, or solid mastic composition that, after application to a substrate in a thin layer, converts to a solid film. It is most commonly used to protect, color, or provide texture. Paint can be made in many ...
, or combinations of these, and in more modern times,
computer styluses with
graphics tablets or
gamepads
A gamepad is a type of video game controller held in two hands, where the fingers (especially thumbs) are used to provide input. They are typically the main input device for video game consoles.
Features
Gamepads generally feature a set of ...
in
VR drawing software.
A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is
paper
Paper is a thin sheet material produced by mechanically or chemically processing cellulose fibres derived from wood, rags, grasses or other vegetable sources in water, draining the water through fine mesh leaving the fibre evenly distributed ...
, although other materials, such as
cardboard
Cardboard is a generic term for heavy paper-based products. The construction can range from a thick paper known as paperboard to corrugated fiberboard which is made of multiple plies of material. Natural cardboards can range from grey to light b ...
,
vellum
Vellum is prepared animal skin or membrane, typically used as writing material. Parchment is another term for this material, from which vellum is sometimes distinguished, when it is made from calfskin, as opposed to that made from other anima ...
,
wood
Wood is a porous and fibrous structural tissue found in the stems and roots of trees and other woody plants. It is an organic materiala natural composite of cellulose fibers that are strong in tension and embedded in a matrix of lignin th ...
, plastic,
leather
Leather is a strong, flexible and durable material obtained from the tanning, or chemical treatment, of animal skins and hides to prevent decay. The most common leathers come from cattle, sheep, goats, equine animals, buffalo, pigs and hogs, ...
,
canvas
Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags ...
, and
board
Board or Boards may refer to:
Flat surface
* Lumber, or other rigid material, milled or sawn flat
** Plank (wood)
** Cutting board
** Sounding board, of a musical instrument
* Cardboard (paper product)
* Paperboard
* Fiberboard
** Hardboard, a ty ...
, have been used. Temporary drawings may be made on a
blackboard
A blackboard (also known as a chalkboard) is a reusable writing surface on which text or drawings are made with sticks of calcium sulphate or calcium carbonate, known, when used for this purpose, as chalk. Blackboards were originally made of ...
or
whiteboard
A whiteboard (also known by the terms marker board, dry-erase board, dry-wipe board, and pen-board) is a glossy, usually white surface for making non-permanent markings. Whiteboards are analogous to blackboards, but with a smoother surface al ...
. Drawing has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating ideas.
The wide availability of drawing instruments makes drawing one of the most common artistic activities.
In addition to its more artistic forms, drawing is frequently used in commercial
illustration
An illustration is a decoration, interpretation or visual explanation of a text, concept or process, designed for integration in print and digital published media, such as posters, flyers, magazines, books, teaching materials, animations, vid ...
,
animation
Animation is a method by which image, still figures are manipulated to appear as Motion picture, moving images. In traditional animation, images are drawn or painted by hand on transparent cel, celluloid sheets to be photographed and exhibited ...
,
architecture
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing building ...
,
engineering
Engineering is the use of scientific method, scientific principles to design and build machines, structures, and other items, including bridges, tunnels, roads, vehicles, and buildings. The discipline of engineering encompasses a broad rang ...
, and
technical drawing
Technical drawing, drafting or drawing, is the act and Academic discipline, discipline of composing Plan (drawing), drawings that Visual communication, visually communicate how something functions or is constructed.
Technical drawing is essent ...
. A quick, freehand drawing, usually not intended as a finished work, is sometimes called a
sketch. An
artist
An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse refers to a practitioner in the visual arts only. However, th ...
who practices or works in technical drawing may be called a
drafter
A drafter (also draughtsman / draughtswoman in British and Commonwealth English, draftsman / draftswoman or drafting technician in American and Canadian English) is an engineering technician who makes detailed technical drawings or plans for m ...
, draftsman, or draughtsman.
Overview
![Henri de Toulouse-Lautrec - Madame Palmyre with Her Dog, 1897](https://upload.wikimedia.org/wikipedia/commons/1/15/Henri_de_Toulouse-Lautrec_-_Madame_Palmyre_with_Her_Dog%2C_1897.jpg)
Drawing is one of the oldest forms of human expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper/other material, where the accurate representation of the visual world is expressed upon a plane surface. Traditional drawings were
monochrome
A monochrome or monochromatic image, object or palette is composed of one color (or values of one color). Images using only shades of grey are called grayscale (typically digital) or black-and-white (typically analog). In physics, monochrom ...
, or at least had little colour, while modern colored-pencil drawings may approach or cross a boundary between drawing and
painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ...
. In Western terminology, drawing is distinct from painting, even though similar
media
Media may refer to:
Communication
* Media (communication), tools used to deliver information or data
** Advertising media, various media, content, buying and placement for advertising
** Broadcast media, communications delivered over mass el ...
often are employed in both tasks. Dry media, normally associated with drawing, such as chalk, may be used in
pastel
A pastel () is an art medium in a variety of forms including a stick, a square a pebble or a pan of color; though other forms are possible; they consist of powdered pigment and a binder. The pigments used in pastels are similar to those use ...
paintings. Drawing may be done with a liquid medium, applied with brushes or pens. Using a brush for drawing is very widespread and here it is more the process of using lines and hatching, that characterises something as a drawing. Similar supports likewise can serve both: painting generally involves the application of liquid paint onto prepared canvas or panels, but sometimes an
underdrawing
Underdrawing is a preparatory drawing done on a painting ground before paint is applied, for example, an imprimatura or an underpainting. Underdrawing was used extensively by 15th century painters like Jan van Eyck and Rogier van der Weyden. These ...
is drawn first on that same support.
Drawing is often exploratory, with considerable emphasis on observation, problem-solving and composition. Drawing is also regularly used in preparation for a painting, further obfuscating their distinction. Drawings created for these purposes are called sketches.
There are several categories of drawing, including
figure drawing
A figure drawing is a drawing of the human form in any of its various shapes and postures using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, ...
,
cartooning
A cartoonist is a visual artist who specializes in both drawing and writing cartoons (individual images) or comics (sequential images). Cartoonists differ from comics writers or comic book illustrators in that they produce both the literary and ...
,
doodling
A doodle is a drawing made while a person's attention is otherwise occupied. Doodles are simple drawings that can have concrete representational meaning or may just be composed of random and abstract lines or shapes, generally without ever lift ...
, and
freehand
Freehand may refer to:
* Freehand drawing, a drawing made without the help of devices
* Freehand lace, a bobbin lace worked directly onto fabric
* , drumming technique
* Adobe FreeHand, software package
* ''Free Hand'', a 1975 album by Gentle Gian ...
. There are also many drawing methods, such as
line drawing, stippling,
shading
Shading refers to the depiction of depth perception in 3D models (within the field of 3D computer graphics) or illustrations (in visual art) by varying the level of darkness. Shading tries to approximate local behavior of light on the object's ...
, the surrealist method of
entopic graphomania (in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots), and tracing (drawing on a translucent paper, such as ''
tracing paper
Tracing paper is paper made to have low opacity, allowing light to pass through. It was originally developed for architects and design engineers to create drawings that could be copied precisely using the diazo copy process; it then found ma ...
'', around the outline of preexisting shapes that show through the paper).
A quick, unrefined drawing may be called a ''
sketch''.
In fields outside art,
technical drawing
Technical drawing, drafting or drawing, is the act and Academic discipline, discipline of composing Plan (drawing), drawings that Visual communication, visually communicate how something functions or is constructed.
Technical drawing is essent ...
s or plans of buildings, machinery, circuitry and other things are often called "drawings" even when they have been transferred to another medium by printing.
History
In communication
Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication.
It is believed that drawing was used as a specialised form of communication before the invention of the written language,
demonstrated by the production of
cave and rock paintings around 30,000 years ago (
Art of the Upper Paleolithic
The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe and Southeast Asia, beginning between about 40,000 to 35,000 years ago.
Non-figurative cave paintings, consisting of hand ste ...
).
These drawings, known as pictograms, depicted objects and abstract concepts. The sketches and paintings produced by Neolithic times were eventually stylised and simplified in to symbol systems (
proto-writing
Proto-writing consists of visible marks communicating limited information. Such systems emerged from earlier traditions of symbol systems in the early Neolithic, as early as the 7th millennium BC in Eastern Europe and China. They used ideograph ...
) and eventually into early
writing systems
A writing system is a method of visually representing verbal communication, based on a script and a set of rules regulating its use. While both writing and speech are useful in conveying messages, writing differs in also being a reliable form ...
.
In manuscripts
Before the widespread availability of paper in Europe,
monks
A monk (, from el, μοναχός, ''monachos'', "single, solitary" via Latin ) is a person who practices religious asceticism by monastic living, either alone or with any number of other monks. A monk may be a person who decides to dedicat ...
in European monasteries used drawings, either as
underdrawing
Underdrawing is a preparatory drawing done on a painting ground before paint is applied, for example, an imprimatura or an underpainting. Underdrawing was used extensively by 15th century painters like Jan van Eyck and Rogier van der Weyden. These ...
s for
illuminated manuscript
An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the ...
s on vellum or parchment, or as the final image. Drawing has also been used extensively in the field of science, as a method of discovery, understanding and explanation.
In science
![Galileo moon phases](https://upload.wikimedia.org/wikipedia/commons/7/7a/Galileo_moon_phases.jpg)
Drawing diagrams of observations is an important part of scientific study.
In 1609, astronomer
Galileo Galilei
Galileo di Vincenzo Bonaiuti de' Galilei (15 February 1564 – 8 January 1642) was an Italian astronomer, physicist and engineer, sometimes described as a polymath. Commonly referred to as Galileo, his name was pronounced (, ). He was ...
explained the changing phases of Venus and also the sunspots through his observational telescopic drawings.
In 1924, geophysicist
Alfred Wegener
Alfred Lothar Wegener (; ; 1 November 1880 – November 1930) was a German climatologist, geologist, geophysicist, meteorologist, and polar researcher.
During his lifetime he was primarily known for his achievements in meteorology and a ...
used illustrations to visually demonstrate the origin of the continents.
As artistic expression
Drawing is one of the easiest ways to visualise ideas and to express one's creativity; therefore it has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practice. Initially, artists used and reused wooden tablets for the production of their drawings. Following the widespread availability of paper in the 14th century, the use of drawing in the arts increased. At this point, drawing was commonly used as a tool for thought and investigation, acting as a study medium whilst artists were preparing for their final pieces of work. The
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...
brought about a great sophistication in drawing techniques, enabling artists to represent things more realistically than before, and revealing an interest in geometry and philosophy.
The invention of the first widely available form of
photography
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed ...
led to a shift in the hierarchy of the arts. Photography offered an alternative to drawing as a method for accurately representing visual phenomena, and traditional drawing practice was given less emphasis as an essential skill for artists, particularly so in Western society.
Notable artists and draftsmen
Drawing became significant as an art form around the late 15th century, with artists and master engravers such as
Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Due ...
and
Martin Schongauer
Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsatian engraver and painter. He was the most important ...
(–1491), the first Northern engraver known by name. Schongauer came from Alsace, and was born into a family of goldsmiths. Albrecht Dürer, a master of the next generation, was also the son of a goldsmith.
Old Master Drawings often reflect the history of the country in which they were produced, and the fundamental characteristics of a nation at that time. In 17th-century Holland, a Protestant country, there were almost no religious artworks, and, with no King or court, most art was bought privately. Drawings of landscapes or genre scenes were often viewed not as sketches but as highly finished works of art. Italian drawings, however, show the influence of Catholicism and the Church, which played a major role in artistic patronage. The same is often true of French drawings, although in the 17th century the disciplines of French Classicism meant drawings were less Baroque than the more free Italian counterparts, which conveyed a greater sense of movement.
In the 20th century
Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new fo ...
encouraged "imaginative originality" and some artists' approach to drawing became less literal, more abstract. World-renowned artists such as Pablo Picasso, Andy Warhol and Jean-Michel Basquiat helped challenge the status quo, with drawing being very much at the centre of their practice, and often re-interpreting traditional technique.
Basquiat's drawings were produced in many different mediums, most commonly ink, pencil, felt-tip or marker, and oil-stick, and he drew on any surface that came to hand, such as doors, clothing, refrigerators, walls and baseball helmets.
The centuries have produced a canon of notable artists and draftsmen, each with their own distinct language of drawing, including:
* 14th, 15th and 16th:
Leonardo da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially res ...
•
Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Due ...
•
Hans Holbein the Younger
Hans Holbein the Younger ( , ; german: Hans Holbein der Jüngere; – between 7 October and 29 November 1543) was a Germans, German-Swiss people, Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered o ...
•
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was insp ...
•
Pisanello
Pisanello (c. 1380/1395c. 1450/1455), born Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance and Quattroc ...
•
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of ...
* 17th:
Claude Claude may refer to:
__NOTOC__ People and fictional characters
* Claude (given name), a list of people and fictional characters
* Claude (surname), a list of people
* Claude Lorrain (c. 1600–1682), French landscape painter, draughtsman and etcher ...
•
Jacques de Gheyn II
Jacob de Gheyn II (also Jacques de Gheyn II) (c. 1565 – 29 March 1629) was a Dutch painter and engraver, whose work shows the transition from Northern Mannerism to Dutch realism over the course of his career.
Biography
De Gheyn was born ...
•
Guercino
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666),Miller, 1964 better known as Guercino, or il Guercino , was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vig ...
•
Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a ...
•
Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally consid ...
•
Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque traditio ...
•
Pieter Saenredam
Pieter Jansz. Saenredam (9 June 1597 – buried 31 May 1665) was a painter of the Dutch Golden Age, known for his distinctive paintings of whitewashed church interiors such as ''Interior of St Bavo's Church in Haarlem'' and '' Interior of the ...
* 18th:
François Boucher
François Boucher ( , ; ; 29 September 1703 – 30 May 1770) was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories ...
•
Jean-Honoré Fragonard
Jean-Honoré Fragonard (; 5 April 1732
(birth/baptism certificate)
– 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism. One of the most prolific ar ...
•
Giovanni Battista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an impo ...
•
Antoine Watteau
Jean-Antoine Watteau (, , ; baptised October 10, 1684died July 18, 1721) Alsavailablevia Oxford Art Online (subscription needed). was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, a ...
* 19th:
Aubrey Beardsley
Aubrey Vincent Beardsley (21 August 187216 March 1898) was an English illustrator and author. His black ink drawings were influenced by Woodblock printing in Japan, Japanese woodcuts, and depicted the grotesque, the decadent, and the erotic. He ...
•
Paul Cézanne
Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a ...
•
Jacques-Louis David
Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassicism, Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in ...
•
Honoré Daumier
Honoré-Victorin Daumier (; February 26, 1808February 10, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the second N ...
•
Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings.
Degas also produced bronze sculptures, prints and drawings. Degas is es ...
•
Théodore Géricault
Jean-Louis André Théodore Géricault (; 26 September 1791 – 26 January 1824) was a French painter and lithographer, whose best-known painting is ''The Raft of the Medusa''. Although he died young, he was one of the pioneers of the Romantic ...
•
Francisco Goya
Francisco José de Goya y Lucientes (; ; 30 March 174616 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and ...
•
Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic ...
•
Pierre-Paul Prud'hon
Pierre-Paul Prud'hon (, 4 April 1758 – 16 February 16, 1823) was a French Romantic Painting, painter and drawing, draughtsman best known for his allegorical paintings and portraits such as ''Madame Georges Anthony and Her Two Sons'' (1796). He ...
•
Odilon Redon
Odilon Redon (born Bertrand Redon; ; 20 April 18406 July 1916) was a French Symbolism (arts), symbolist painter, printmaker, Drawing, draughtsman and pastellist.
Early in his career, both before and after fighting in the Franco-Prussian War, he ...
•
John Ruskin
John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and politi ...
•
Georges Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough su ...
•
Henri de Toulouse-Lautrec
Comte Henri Marie Raymond de Toulouse-Lautrec-Monfa (24 November 1864 – 9 September 1901) was a French painter, printmaker, draughtsman, caricaturist and illustrator whose immersion in the colourful and theatrical life of Paris in the ...
•
Vincent van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionism, Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2 ...
* 20th:
Max Beckmann
Max Carl Friedrich Beckmann (February 12, 1884 – December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920 ...
•
Jean Dubuffet
Jean Philippe Arthur Dubuffet (31 July 1901 – 12 May 1985) was a French Painting, painter and sculpture, sculptor. His idealistic approach to aesthetics embraced so-called "low art" and eschewed traditional standards of beauty in favor of what ...
•
M. C. Escher
Maurits Cornelis Escher (; 17 June 1898 – 27 March 1972) was a Dutch graphic artist who made mathematically inspired woodcuts, lithographs, and mezzotints.
Despite wide popular interest, Escher was for most of his life neglected in t ...
•
Arshile Gorky
Arshile Gorky (; born Vostanik Manoug Adoian, hy, Ոստանիկ Մանուկ Ատոյեան; April 15, 1904 – July 21, 1948) was an Armenian-American painter who had a seminal influence on Abstract Expressionism. He spent the last years of his ...
•
George Grosz
George Grosz (; born Georg Ehrenfried Groß; July 26, 1893 – July 6, 1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objec ...
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Paul Klee
Paul Klee (; 18 December 1879 – 29 June 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. Klee was a natural draftsman who experimented wi ...
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Oskar Kokoschka
Oskar Kokoschka (1 March 1886 – 22 February 1980) was an Austrian artist, poet, playwright, and teacher best known for his intense Expressionism, expressionistic portraits and landscapes, as well as his theories on vision that influenced the ...
•
Käthe Kollwitz
Käthe Kollwitz ( born as Schmidt; 8 July 1867 – 22 April 1945) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including ''The Weavers'' and ''T ...
•
Alfred Kubin
Alfred Leopold Isidor Kubin (10 April 1877 – 20 August 1959) was an Austrian printmaker, illustrator, and occasional writer. Kubin is considered an important representative of Symbolism (arts), Symbolism and Expressionism.
Biography
Kubin wa ...
•
André Masson
André-Aimé-René Masson (4 January 1896 – 28 October 1987) was a French artist.
Biography
Masson was born in Balagny-sur-Thérain, Oise, but when he was eight his father's work took the family first briefly to Lille and then to Brussel ...
•
Alphonse Mucha
Alfons Maria Mucha (; 24 July 1860 – 14 July 1939), known internationally as Alphonse Mucha, was a Czech painter, illustrator and graphic artist, living in Paris during the Art Nouveau period, best known for his distinctly stylized and decorat ...
•
Jules Pascin
Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin (; erroneously or ), Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen ...
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Pablo Picasso
Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th ce ...
•
Egon Schiele
Egon Leo Adolf Ludwig Schiele (; 12 June 1890 – 31 October 1918) was an Austrian Expressionist painter. His work is noted for its intensity and its raw sexuality, and for the many self-portraits the artist produced, including nude self-portr ...
•
Jean-Michel Basquiat
Jean-Michel Basquiat (; December 22, 1960 – August 12, 1988) was an American artist who rose to success during the 1980s as part of the Neo-expressionism movement.
Basquiat first achieved fame as part of the graffiti duo SAMO, alongside Al ...
•
Andy Warhol
Andy Warhol (; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American visual artist, film director, and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationsh ...
Materials
The ''medium'' is the means by which ink, pigment, or color are delivered onto the drawing surface. Most drawing media either are dry (e.g.
graphite
Graphite () is a crystalline form of the element carbon. It consists of stacked layers of graphene. Graphite occurs naturally and is the most stable form of carbon under standard conditions. Synthetic and natural graphite are consumed on large ...
,
charcoal
Charcoal is a lightweight black carbon residue produced by strongly heating wood (or other animal and plant materials) in minimal oxygen to remove all water and volatile constituents. In the traditional version of this pyrolysis process, cal ...
,
pastels
A pastel () is an art medium in a variety of forms including a stick, a square a pebble or a pan of color; though other forms are possible; they consist of powdered pigment and a binder. The pigments used in pastels are similar to those use ...
,
Conté
Conté (), also known as Conté sticks or Conté crayons, are a drawing medium composed of compressed powdered graphite or charcoal mixed with a clay base, square in cross-section. They were invented in 1795 by Nicolas-Jacques Conté, who create ...
,
silverpoint
Silverpoint (one of several types of metalpoint) is a traditional drawing technique first used by medieval scribes on manuscripts.
History
A silverpoint drawing is made by dragging a silver rod or wire across a surface, often prepared with gesso ...
), or use a fluid solvent or carrier (
marker,
pen and ink
A pen is a common writing instrument that applies ink to a surface, usually paper, for writing or drawing. Early pens such as reed pens, quill pens, dip pens and ruling pens held a small amount of ink on a nib or in a small void or cavity whic ...
). Watercolor pencils can be used dry like ordinary pencils, then moistened with a wet brush to get various painterly effects. Very rarely, artists have drawn with (usually decoded)
invisible ink
Invisible ink, also known as security ink or sympathetic ink, is a substance used for writing, which is invisible either on application or soon thereafter, and can later be made visible by some means, such as heat or ultraviolet light. Invisible ...
. Metalpoint drawing usually employs either silver or lead. More rarely used are gold, platinum, copper, brass, bronze, and tinpoint.
Paper comes in a variety of different sizes and qualities, ranging from newspaper grade up to high quality and relatively expensive paper sold as individual sheets. Papers vary in texture, hue, acidity, and strength when wet. Smooth paper is good for rendering fine detail, but a more "toothy" paper holds the drawing material better. Thus a coarser material is useful for producing deeper contrast.
Newsprint and typing paper may be useful for practice and rough
sketches.
Tracing paper
Tracing paper is paper made to have low opacity, allowing light to pass through. It was originally developed for architects and design engineers to create drawings that could be copied precisely using the diazo copy process; it then found ma ...
is used to experiment over a half-finished drawing, and to transfer a design from one sheet to another.
Cartridge paper Cartridge paper is a type of high-quality heavy paper used for illustration and drawing. The term "cartridge" refers to the history of the paper originally being used for making paper cartridges for early breechloading firearm
A firearm is any ...
is the basic type of drawing paper sold in pads.
Bristol board
Bristol board (also referred to as Bristol paper or super white paper) is an uncoated, machine-finished paperboard. It is not named after the city of Bristol in the southwest of England but rather after Frederick Hervey, 4th Earl of Bristol, a ...
and even heavier acid-free boards, frequently with smooth finishes, are used for drawing fine detail and do not distort when wet media (ink, washes) are applied. Vellum is extremely smooth and suitable for very fine detail. Coldpressed watercolor paper may be favored for ink drawing due to its texture.
Acid-free, archival quality paper keeps its color and texture far longer than
wood pulp
Pulp is a lignocellulosic fibrous material prepared by chemically or mechanically separating cellulose fibers from wood, fiber crops, waste paper, or rags. Mixed with water and other chemical or plant-based additives, pulp is the major raw mate ...
based paper such as
newsprint
Newsprint is a low-cost, non-archival paper consisting mainly of wood pulp and most commonly used to print newspapers and other publications and advertising material. Invented in 1844 by Charles Fenerty of Nova Scotia, Canada, it usually has an ...
, which turns yellow and becomes brittle much sooner.
The basic tools are a
drawing board
A drawing board (also drawing table, drafting table or architect's table) is, in its antique form, a kind of multipurpose desk which can be used for any kind of drawing, writing or impromptu sketching on a large sheet of paper or for reading a l ...
or table,
pencil sharpener
A pencil sharpener (also referred to as pencil pointer or in Ireland as a parer or topper) is a tool for sharpening a pencil's writing point by shaving away its worn surface. Pencil sharpeners may be operated manually or by an electric motor. ...
and
eraser
An eraser (also known as a rubber in some Commonwealth countries, including South Africa from the material first used) is an article of stationery that is used for removing marks from paper or skin (e.g. parchment or vellum). Erasers have a ...
, and for ink drawing,
blotting paper
Blotting paper, called bibulous paper, is a highly absorbent type of paper or other material. It is used to absorb an excess of liquid substances (such as ink or oil) from the surface of writing paper or objects. Blotting paper referred to as b ...
. Other tools used are
circle compass
A compass, more accurately known as a pair of compasses, is a technical drawing instrument that can be used for inscribing circles or arcs. As dividers, it can also be used as a tool to mark out distances, in particular, on maps. Compasses c ...
,
ruler
A ruler, sometimes called a rule, line gauge, or scale, is a device used in geometry and technical drawing, as well as the engineering and construction industries, to measure distances or draw straight lines.
Variants
Rulers have long ...
, and
set square
A set square or triangle (American English) is an object used in engineering and technical drawing, with the aim of providing a straightedge at a right angle or other particular planar angle to a baseline.
The simplest form of set square is a ...
.
Fixative is used to prevent pencil and crayon marks from smudging.
Drafting tape Drafting Tape, also known as artist's tape, is similar to masking tape in that it has a wide variety of uses, but differs in several key areas.
# Drafting tape should not leave a sticky residue behind
#Drafting tape is easily removable, even from d ...
is used to secure paper to drawing surface, and also to mask an area to keep it free of accidental marks, such as sprayed or spattered materials and washes. An easel or slanted table is used to keep the drawing surface in a suitable position, which is generally more horizontal than the position used in painting.
Technique
![Watteau jeune fille](https://upload.wikimedia.org/wikipedia/commons/9/92/Watteau_jeune_fille.jpg)
Almost all draftsmen use their hands and fingers to apply the media, with the exception of some handicapped individuals who draw with their mouth or feet.
Prior to working on an image, the artist typically explores how various media work. They may try different drawing implements on practice sheets to determine value and texture, and how to apply the implement to produce various effects.
![Raphaël - Étude Madone d'Albe 1](https://upload.wikimedia.org/wikipedia/commons/4/46/Rapha%C3%ABl_-_%C3%89tude_Madone_d%27Albe_1.jpg)
The artist's choice of drawing strokes affects the appearance of the image. Pen and ink drawings often use
hatching
Hatching (french: hachure) is an artistic technique used to create tonal or shading effects by drawing (or painting or scribing) closely spaced parallel lines. (It is also used in monochromatic representations of heraldry to indicate what the ...
– groups of parallel lines. Cross-hatching uses hatching in two or more different directions to create a darker tone. Broken hatching, or lines with intermittent breaks, form lighter tones – and controlling the density of the breaks achieves a gradation of tone.
Stippling
Stippling is the creation of a pattern simulating varying degrees of solidity or shading by using small dots. Such a pattern may occur in nature and these effects are frequently emulated by artists.
Art
In printmaking, stipple engraving is ...
uses dots to produce
tone,
texture
Texture may refer to:
Science and technology
* Surface texture, the texture means smoothness, roughness, or bumpiness of the surface of an object
* Texture (roads), road surface characteristics with waves shorter than road roughness
* Texture (c ...
and
shade. Different textures can be achieved depending on the method used to build tone.
Drawings in dry media often use similar techniques, though pencils and drawing sticks can achieve continuous variations in tone. Typically a drawing is filled in based on which hand the artist favors. A right-handed artist draws from left to right to avoid smearing the image.
Erasers
An eraser (also known as a rubber in some Commonwealth countries, including South Africa from the material first used) is an article of stationery that is used for removing marks from paper or skin (e.g. parchment or vellum). Erasers have a ...
can remove unwanted lines, lighten tones, and clean up stray marks. In a sketch or outline drawing, lines drawn often follow the contour of the subject, creating depth by looking like shadows cast from a light in the artist's position.
Sometimes the artist leaves a section of the image untouched while filling in the remainder. The shape of the area to preserve can be painted with
masking fluid or cut out of a
frisket
A frisket is any material that protects areas of a work from unintended change.
Letterpress
On a sheet-fed letterpress printing machine, a frisket is a sheet of oiled paper that covers the space between the type or ''cuts'' (illustrations) and t ...
and applied to the drawing surface, protecting the surface from stray marks until the mask is removed.
Another method to preserve a section of the image is to apply a spray-on ''fixative'' to the surface. This holds loose material more firmly to the sheet and prevents it from smearing. However the fixative spray typically uses chemicals that can harm the respiratory system, so it should be employed in a well-ventilated area such as outdoors.
Another technique is
subtractive drawing
Subtractive drawing is a technique in which the drawing surface is covered with graphite or charcoal marks and then erased to make the image. This technique is often used to add texture, establish tonal shapes, or create the appearance of reflected ...
in which the drawing surface is covered with graphite or charcoal and then erased to make the image.
Tone
Shading is the technique of varying the tonal values on the paper to represent the shade of the material as well as the placement of the shadows. Careful attention to reflected light, shadows and highlights can result in a very realistic rendition of the image.
Blending uses an implement to soften or spread the original drawing strokes. Blending is most easily done with a medium that does not immediately
fix itself, such as graphite, chalk, or charcoal, although freshly applied ink can be smudged, wet or dry, for some effects. For shading and blending, the artist can use a
blending stump,
tissue, a
kneaded eraser
Two kneaded erasers. A newer eraser is on the left, and an older eraser on the right. The older eraser is darker due to the charcoal.html"_;"title="graphite_and_charcoal">graphite_and_charcoal_dust_that_has_become_incorporated_into_the_eraser
A ...
, a fingertip, or any combination of them. A piece of
chamois
The chamois (''Rupicapra rupicapra'') or Alpine chamois is a species of goat-antelope native to mountains in Europe, from west to east, including the Alps, the Dinarides, the Tatra and the Carpathian Mountains, the Balkan Mountains, the Ril ...
is useful for creating smooth textures, and for removing material to lighten the tone. Continuous tone can be achieved with graphite on a smooth surface without blending, but the technique is laborious, involving small circular or oval strokes with a somewhat blunt point.
Shading techniques that also introduce texture to the drawing include
hatching
Hatching (french: hachure) is an artistic technique used to create tonal or shading effects by drawing (or painting or scribing) closely spaced parallel lines. (It is also used in monochromatic representations of heraldry to indicate what the ...
and
stippling
Stippling is the creation of a pattern simulating varying degrees of solidity or shading by using small dots. Such a pattern may occur in nature and these effects are frequently emulated by artists.
Art
In printmaking, stipple engraving is ...
. A number of other methods produce texture. In addition to the choice of paper, drawing material and technique affect texture. Texture can be made to appear more realistic when it is drawn next to a contrasting texture; a coarse texture is more obvious when placed next to a smoothly blended area. A similar effect can be achieved by drawing different tones close together. A light edge next to a dark background stands out to the eye, and almost appears to float above the surface.
Form and proportion
![Human body proportions2](https://upload.wikimedia.org/wikipedia/commons/f/f8/Human_body_proportions2.svg)
Measuring the dimensions of a subject while blocking in the drawing is an important step in producing a realistic rendition of the subject. Tools such as a
compass
A compass is a device that shows the cardinal directions used for navigation and geographic orientation. It commonly consists of a magnetized needle or other element, such as a compass card or compass rose, which can pivot to align itself with ...
can be used to measure the angles of different sides. These angles can be reproduced on the drawing surface and then rechecked to make sure they are accurate. Another form of measurement is to compare the relative sizes of different parts of the subject with each other. A finger placed at a point along the drawing implement can be used to compare that dimension with other parts of the image. A
ruler
A ruler, sometimes called a rule, line gauge, or scale, is a device used in geometry and technical drawing, as well as the engineering and construction industries, to measure distances or draw straight lines.
Variants
Rulers have long ...
can be used both as a
straightedge
A straightedge or straight edge is a tool used for drawing straight lines, or checking their straightness. If it has equally spaced markings along its length, it is usually called a ruler.
Straightedges are used in the automotive service and ma ...
and a device to compute proportions.
When attempting to draw a complicated shape such as a human figure, it is helpful at first to represent the form with a set of primitive volumes. Almost any form can be represented by some combination of the cube, sphere, cylinder, and cone. Once these basic volumes have been assembled into a likeness, then the drawing can be refined into a more accurate and polished form. The lines of the primitive volumes are removed and replaced by the final likeness. Drawing the underlying construction is a fundamental skill for representational art, and is taught in many books and schools. Its correct application resolves most uncertainties about smaller details, and makes the final image look consistent.
A more refined art of
figure drawing
A figure drawing is a drawing of the human form in any of its various shapes and postures using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, ...
relies upon the artist possessing a deep understanding of anatomy and the human proportions. A trained artist is familiar with the skeleton structure, joint location, muscle placement, tendon movement, and how the different parts work together during movement. This allows the artist to render more natural poses that do not appear artificially stiff. The artist is also familiar with how the proportions vary depending on the age of the subject, particularly when drawing a portrait.
Perspective
![2-punktperspektive](https://upload.wikimedia.org/wikipedia/commons/1/18/2-punktperspektive.svg)
Linear perspective is a method of portraying objects on a flat surface so that the dimensions shrink with distance. Each set of parallel, straight edges of any object, whether a building or a table, follows lines that eventually converge at a vanishing point. Typically this convergence point is somewhere along the horizon, as buildings are built level with the flat surface. When multiple structures are aligned with each other, such as buildings along a street, the horizontal tops and bottoms of the structures typically converge at a vanishing point.
When both the fronts and sides of a building are drawn, then the parallel lines forming a side converge at a second point along the horizon (which may be off the drawing paper.) This is a two-point perspective. Converging the vertical lines to a third point above or below the horizon then produces a three-point perspective.
![Joeri Van Royen](https://upload.wikimedia.org/wikipedia/commons/4/44/Joeri_Van_Royen.jpg)
Depth can also be portrayed by several techniques in addition to the perspective approach above. Objects of similar size should appear ever smaller the further they are from the viewer. Thus the back wheel of a cart appears slightly smaller than the front wheel. Depth can be portrayed through the use of texture. As the texture of an object gets further away it becomes more compressed and busy, taking on an entirely different character than if it was close. Depth can also be portrayed by reducing the contrast in more distant objects, and by making their colors less saturated. This reproduces the effect of atmospheric haze, and cause the eye to focus primarily on objects drawn in the foreground.
Composition
The
composition
Composition or Compositions may refer to:
Arts and literature
*Composition (dance), practice and teaching of choreography
*Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include v ...
of the image is an important element in producing an interesting work of
artistic merit
Artistic merit is the artistic quality or value of any given work of art, music, film, literature, sculpture or painting.
Obscenity and literary merit
The 1921 US trial of James Joyce's novel ''Ulysses'' concerned the publication of the ''Nausi ...
. The artist plans element placement in the art to communicate ideas and feelings with the viewer. The composition can determine the focus of the art, and result in a harmonious whole that is aesthetically appealing and stimulating.
The
illumination of the subject is also a key element in creating an artistic piece, and the interplay of
light and shadow is a valuable method in the artist's toolbox. The
placement of the light sources can make a considerable difference in the type of message that is being presented. Multiple light sources can wash out any wrinkles in a person's face, for instance, and give a more youthful appearance. In contrast, a single light source, such as harsh daylight, can serve to highlight any texture or interesting features.
When drawing an object or figure, the skilled artist pays attention to both the area within the silhouette and what lies outside. The exterior is termed the
negative space
Negative space, in art, is the empty space around and between the subject(s) of an image. Negative space may be most evident when the space around a subject, not the subject itself, forms an interesting or artistically relevant shape, and su ...
, and can be as important in the representation as the figure. Objects placed in the background of the figure should appear properly placed wherever they can be viewed.
A
study
Study or studies may refer to:
General
* Education
**Higher education
* Clinical trial
* Experiment
* Observational study
* Research
* Study skills, abilities and approaches applied to learning
Other
* Study (art), a drawing or series of drawi ...
is a draft drawing that is made in preparation for a planned final image. Studies can be used to determine the appearances of specific parts of the completed image, or for experimenting with the best approach for accomplishing the end goal. However a well-crafted study can be a piece of art in its own right, and many hours of careful work can go into completing a study.
Process
![Munich - Two young women drawing - 5814](https://upload.wikimedia.org/wikipedia/commons/5/59/Munich_-_Two_young_women_drawing_-_5814.jpg)
Individuals display differences in their ability to produce visually accurate drawings. A visually accurate drawing is described as being "recognized as a particular object at a particular time and in a particular space, rendered with little addition of visual detail that can not be seen in the object represented or with little deletion of visual detail".
Investigative studies have aimed to explain the reasons why some individuals draw better than others.
One study posited four key abilities in the drawing process: motor skills required for mark-making, the drawer's own perception of their drawing, perception of objects being drawn, and the ability to make good representational decisions.
Following this hypothesis, several studies have sought to conclude which of these processes are most significant in affecting the accuracy of drawings.
![Ingres Academic Study (detail) 03](https://upload.wikimedia.org/wikipedia/commons/b/b9/Ingres_Academic_Study_%28detail%29_03.jpg)
;
Motor control
Motor control is the regulation of movement in organisms that possess a nervous system. Motor control includes reflexes as well as directed movement.
To control movement, the nervous system must integrate multimodal sensory information (both f ...
Motor control is an important physical component in the 'Production Phase' of the drawing process. It has been suggested that motor control plays a role in drawing ability, though its effects are not significant.
;
Perception
Perception () is the organization, identification, and interpretation of sensory information in order to represent and understand the presented information or environment. All perception involves signals that go through the nervous system ...
It has been suggested that an individual's ability to perceive an object they are drawing is the most important stage in the drawing process.
This suggestion is supported by the discovery of a robust relationship between perception and drawing ability.
This evidence acted as the basis of
Betty Edwards
Betty Edwards (born 1926 in San Francisco, California) is an American art teacher and author best known for her 1979 book ''Drawing on the Right Side of the Brain'' (, in its 4th edition). She taught and did research at the California State U ...
' how-to-draw book, ''
Drawing on the Right Side of the Brain
Betty Edwards (born 1926 in San Francisco, California) is an American art teacher and author best known for her 1979 book ''Drawing on the Right Side of the Brain'' (, in its 4th edition). She taught and did research at the California State ...
''. Edwards aimed to teach her readers how to draw, based on the development of the reader's perceptual abilities.
Furthermore, the influential artist and art critic
John Ruskin
John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and politi ...
emphasised the importance of perception in the drawing process in his book ''The Elements of Drawing''. He stated that "For I am nearly convinced, that once we see keenly enough, there is very little difficult in drawing what we see".
;
Visual memory
Visual memory describes the relationship between perceptual processing and the encoding, storage and retrieval of the resulting neural representations. Visual memory occurs over a broad time range spanning from eye movements to years in order ...
This has also been shown to influence one's ability to create visually accurate drawings.
Short-term memory
Short-term memory (or "primary" or "active memory") is the capacity for holding a small amount of information in an active, readily available state for a short interval. For example, short-term memory holds a phone number that has just been recit ...
plays an important part in drawing as one's gaze shifts between the object they are drawing and the drawing itself.
;
Decision-making
In psychology, decision-making (also spelled decision making and decisionmaking) is regarded as the Cognition, cognitive process resulting in the selection of a belief or a course of action among several possible alternative options. It could be ...
Some studies comparing artists to non-artists have found that artists spend more time thinking strategically while drawing. In particular, artists spend more time on 'metacognitive' activities such as considering different hypothetical plans for how they might progress with a drawing.
See also
*
Academy figure
A figure drawing is a drawing of the human form in any of its various shapes and postures using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, ...
*
Architectural drawing
*
Composition
Composition or Compositions may refer to:
Arts and literature
*Composition (dance), practice and teaching of choreography
*Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include v ...
*
Contour drawing
Contour drawing is an art technique in which the artist sketches the style of the subject by drawing lines that result in a drawing that is essentially an outline (the French word meaning "outline"). The purpose of contour drawing is to empha ...
*
Diagram
A diagram is a symbolic representation of information using visualization techniques. Diagrams have been used since prehistoric times on walls of caves, but became more prevalent during the Enlightenment. Sometimes, the technique uses a three- ...
*
Digital illustration
Digital illustration or computer illustration is the use of digital tools to produce images under the direct manipulation of the artist, usually through a pointing device such as a tablet or a mouse. It is distinguished from computer-''generated' ...
*
Engineering drawing
An engineering drawing is a type of technical drawing that is used to convey information about an object. A common use is to specify the geometry necessary for the construction of a component and is called a detail drawing. Usually, a number of ...
*
Figure drawing
A figure drawing is a drawing of the human form in any of its various shapes and postures using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, ...
*
Geometric drawing
*
Graphic design
Graphic design is a profession, academic discipline and applied art whose activity consists in projecting visual communications intended to transmit specific messages to social groups, with specific objectives. Graphic design is an interdiscipli ...
*
Illustration
An illustration is a decoration, interpretation or visual explanation of a text, concept or process, designed for integration in print and digital published media, such as posters, flyers, magazines, books, teaching materials, animations, vid ...
*
Landscape painting
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent compos ...
*
Negro (lead pencil)
Negro is the name of an artist's drawing medium, consisting of black pencil lead often encased in a wooden or paper tool. Its history and uses are common knowledge among illustrators and historians interested in illustrative art.Borgman, Harry (200 ...
*
Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ...
*
Plumbago drawing
Plumbago drawings are graphite drawings from the 17th and 18th centuries. There was a group of artists whose work in plumbago is remarkable for their portraits drawn with finely pointed pieces of graphite and on vellum. These works were initially ...
*
Sketch (drawing)
A sketch (ultimately from Greek σχέδιος – ''schedios'', "done extempore") is a rapidly executed freehand drawing that is not usually intended as a finished work.Dian ...
*
Subtractive drawing
Subtractive drawing is a technique in which the drawing surface is covered with graphite or charcoal marks and then erased to make the image. This technique is often used to add texture, establish tonal shapes, or create the appearance of reflected ...
*
Technical drawing
Technical drawing, drafting or drawing, is the act and Academic discipline, discipline of composing Plan (drawing), drawings that Visual communication, visually communicate how something functions or is constructed.
Technical drawing is essent ...
*
Visual arts
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts al ...
*
Image
An image is a visual representation of something. It can be two-dimensional, three-dimensional, or somehow otherwise feed into the visual system to convey information. An image can be an artifact, such as a photograph or other two-dimensiona ...
References
Notes
Further reading
* Edwards, Betty. ''The New Drawing on the Right Side of the Brain'', HarperCollins Publishers Ltd; 3Rev Ed edition, 2001,
* Brommer, Gerald F. ''Exploring Drawing''. Worcester, Massachusetts: Davis Publications. 1988.
* Bodley Gallery, New York, ''Modern master drawings'', 1971, .
*
* Hillberry, J.D. ''Drawing Realistic Textures in Pencil'', North Light Books, 1999, .
* Landa, Robin. Take a line for a walk: A Creativity Journal. Boston: Wadsworth, 2011.
* Lohan, Frank. ''Pen & Ink Techniques'', Contemporary Books, 1978, .
* Ruskin, J. (1857). The Elements of Drawing. Mineola, NY: Dover Publications Inc.
* Spears, Heather. ''The Creative Eye.'' London: Arcturus. 2007. .
* World Book, Inc. ''The World Book Encyclopedia Volume 5'', 1988, .
* ''Drawing/Thinking: Confronting an Electronic Age'', edited by Marc Treib, 2008,
External links
Timeline of Drawing Development in Children an essay about the craft of drawing, by artist Norman Nason. Archived from th
on April 25, 2012.
*
''Leonardo da Vinci: anatomical drawings from the Royal Library, Windsor Castle'' exhibition catalog fully online as PDF from The Metropolitan Museum of Art (a great drawing resource).
''Leonardo da Vinci, Master Draftsman'' exhibition catalog fully online as PDF from The Metropolitan Museum of Art (a great drawing resource).
A summary of how drawing was used as part of the artistic process in the Middle Ages.
* Ganes
drawing is a popular drawing technique used in India that usually involves drawing a full-body illustration of Ganesh drawing is often practiced in the presence of Ganesh statues and devotees.
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