Dimitar Kondovski on:
[Wikipedia]
[Google]
[Amazon]
Dimitar Kondovski ( mk, Димитар Кондовски, ;1927 - 1993) was a
The geometric phase was his most characteristic phase. In this phase, he synchronized dialogue with Byzantine and Macedonian folk tradition. His more recent work had a tendency to synthesize carefully selected sequences of the spiritual - the aesthetic and plastic repertoire of medieval art and those forms of nonfigurative and associated art, as it tradicionalist tissue could allow modern cohesion. His painting was a complex composite assemblage, with delicate and formal structures using various aesthetic and visual data, in order to become a work of art autonomous aesthetic phenomenon. These are bands that resemble the cult, sacred objects: through them constantly goes to a modern sense of the artist's inner needs, spiritual ritual, and aesthetics of these pieces to fit into the current art movement, the meditative and skeptics understanding of the world.
Dimitar Kondovski Biography and GalleryArtFact - Dimitar Kondovski
*http://wiki.cultured.com/people/Dimitar_Kondovski/ 1923 births 1993 deaths Macedonian artists 20th-century Macedonian painters Yugoslav painters {{NorthMacedonia-painter-stub
Dimitar Kondovski ( mk, Димитар Кондовски, ;1927 - 1993) was a Macedonian
Macedonian most often refers to someone or something from or related to Macedonia.
Macedonian(s) may specifically refer to:
People Modern
* Macedonians (ethnic group), a nation and a South Slavic ethnic group primarily associated with North M ...
painter, critic and professor.
Education and career
He was born inPrilep
Prilep ( mk, Прилеп ) is the fourth-largest city in North Macedonia. It has a population of 66,246 and is known as "the city under Marko's Towers" because of its proximity to the towers of Prince Marko.
Name
The name of Prilep appear ...
and studied at the Academy of Fine Arts in Belgrade. Kondovski spearheaded the first wave of post-war generation of artists Macedonia, and was part of "Today" and "Dawn" as performed by the great masters who preceded him: Dimitar Avramovski–Pandilov
Dimitar Avramovski–Pandilov ( mk, Димитар Аврамовски-Пандилов) (aka ''Dimitar Pandilov''; 1 March 1898, in Tresonče – 26 July 1963) is considered the first impressionist painter, the founder of modern Macedonian art. ...
, Lazar Ličenoski
Lazar Ličenoski ( Macedonian: Лазар Личеноски; Galicnik, 26 March 1901 – Skopje, 10 April 1964) was one of the first Macedonian expressionist painters and one of the most authentic painters of landscape, in which he imported fo ...
, Nikola Martinoski
Nikola Martinoski (18 August 1903 – 7 February 1973), sometimes spelled Martinovski ( mk, Никола Мартиноски), was a Yugoslav Aromanian painter. He is considered as a founder of contemporary Macedonian art. Martinoski is best ...
, and Borko Lazeski. He was a professor at the Pedagogical Academy in Skopje. He was one of the key figures in the painting Barbie Casual Fashion in the second half of the last century. He had 15 solo exhibitions in Macedonia, the former Yugoslavia, the United States and Canada, and participated in many representative group presentations in prestigious galleries worldwide. His works reflect the rich tradition of medieval Macedonian art. He is one of the founders of the art-graphic activity in Macedonia, and is the author of more than 2,000 illustrations and 200 scenery for television shows, theater, opera and ballet performances.
Painting Style
The geometric phase was his most characteristic phase. In this phase, he synchronized dialogue with Byzantine and Macedonian folk tradition. His more recent work had a tendency to synthesize carefully selected sequences of the spiritual - the aesthetic and plastic repertoire of medieval art and those forms of nonfigurative and associated art, as it tradicionalist tissue could allow modern cohesion. His painting was a complex composite assemblage, with delicate and formal structures using various aesthetic and visual data, in order to become a work of art autonomous aesthetic phenomenon. These are bands that resemble the cult, sacred objects: through them constantly goes to a modern sense of the artist's inner needs, spiritual ritual, and aesthetics of these pieces to fit into the current art movement, the meditative and skeptics understanding of the world.
Accomplishments
He won in 1964 The October Award (Oktomvriska prize) of the Federal Republic of Macedonia for painting, and prizes at the 8th Mediterranean Biennale in Alexandria and the 3rd Belgrade Triennial in Belgrade. He was the author of the monumental painting facility in Zhelezarnicata in Skopje 1967. He is considered to be one of the most distinguished names in the field of scenography, along with Vasilie Popovic-Cico,Tomo Vladimirski
Tomo Vladimirski ( mk, Томо Владамирски; 1904–1971) was a Macedonian painter, considered to be one of the founders of Macedonian painting.
Career
Artist during the War period were limited in their creativity due to necessary con ...
, Branko Kostovski, Dime Sumka, and Vladimir Georgievski.
A stamp was issued by the Macedonian government on April 15, 2012, in honor of the 75th anniversary of his birth.
References
External links
Dimitar Kondovski Biography and Gallery
*http://wiki.cultured.com/people/Dimitar_Kondovski/ 1923 births 1993 deaths Macedonian artists 20th-century Macedonian painters Yugoslav painters {{NorthMacedonia-painter-stub