Crucifixion (Francis Bacon, 1965)
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''Crucifixion'' is a 1965 triptych painted by the Irish-born artist
Francis Bacon Francis Bacon, 1st Viscount St Alban (; 22 January 1561 – 9 April 1626), also known as Lord Verulam, was an English philosopher and statesman who served as Attorney General and Lord Chancellor of England. Bacon led the advancement of both ...
. Across each of the three panels, the work shows three forms of violent death. This triptych was the third such which Bacon painted relating to the
Crucifixion Crucifixion is a method of capital punishment in which the victim is tied or nailed to a large wooden cross or beam and left to hang until eventual death from exhaustion and asphyxiation. It was used as a punishment by the Persians, Carthagin ...
, and follows 1944's ''
Three Studies for Figures at the Base of a Crucifixion ''Three Studies for Figures at the Base of a Crucifixion'' is a 1944 triptych painted by the Anglo-Irish people, Irish-born British artist Francis Bacon (artist), Francis Bacon. The canvasses are based on the Erinyes, Eumenides—or Furies—of ...
'', and the ''
Three Studies for a Crucifixion ''Three Studies for a Crucifixion'' is a 1962 triptych oil painting by Francis Bacon. It was completed in March 1962 and comprises three separate canvases, each measuring . The work is held by the Solomon R. Guggenheim Museum in New York. Back ...
'' of 1962. For Bacon, images of the crucifixion were "a magnificent armature on which you can
ork Ork or ORK may refer to: * Ork (folklore), a mountain demon of Tyrol folklore * ''Ork'' (video game), a 1991 game for the Amiga and Atari ST systems * Ork (''Warhammer 40,000''), a fictional species in the ''Warhammer 40,000'' universe * ''Ork!'' ...
about your own feelings and sensations ... You are working on all sorts of very private feelings about behaviour and the way life is".Zweite, 142. The 1965 work closely follows the 1962 triptych in mood, colour and form, and continues the artist's preoccupation with the imagery of the slaughterhouse.Davies & Yard, 44 However, whereas the earlier work had an urgency and sense of struggle, the 1965 crucifixion shows defeated and butchered figures splayed on beds and hanging upside down on hooks. In the left hand panel a human carcass is shown lying on the bed. The figure is covered in splintlike bandages which, according to the art critic Hugh Davies, suggest "the frilly parer collars used by butchers to dress up joints of meat". In the central panel a half human, half animal hybrid figure hangs upside down from an angled scaffold structure. On the right hand canvas, two men are shown watching the scene. They have been described by Davies as possibly being intended as "tormentors, witnesses, or fellow victims".Davies & Yard, 45 Bacon told
David Sylvester Anthony David Bernard Sylvester (21 September 1924 – 19 June 2001) was a British art critic and curator. Although he received no formal education in the arts, during his long career he was influential in promoting modern artists, in particula ...
, :I've always been very moved by pictures about slaughterhouses and meat, and to me that belong very much to the whole thing of the Crucifixion. There've been extraordinary photographs which have been done of animals just being taken up before they were slaughtered; and the smell of death. We don't know, of course, but it appears by these photographs that they're so aware of what is going to happen to them, they do everything to attempt to escape. I think these pictures were very much based on that kind of thing, which to me is very, very near this whole thing of the Crucifixion. I know for religious people, for Christians, the Crucifixion has a totally different significance. But as a non-believer, it was just an act of man's behaviour to another".


See also

*
List of paintings by Francis Bacon This is an incomplete list of paintings by the Irish-born British painter Francis Bacon (1909–1992). 1930s ;c.1929–30 *''Painting'' (Oil on canvas, 91.5 cm × 61 cm, Private Collection (long term loan to the Tate Gallery)) ;1933 *' ...


Notes


Sources

* Davies, Hugh; Yard, Sally,. ''Francis Bacon''. New York: Cross River Press, 1986. * Zweite, Armin. ''The Violence of the Real''. London: Thames and Hudson, 2000. {{Francis Bacon (artist) 1965 paintings Triptychs Paintings by Francis Bacon