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Three Studies For Figures At The Base Of A Crucifixion
''Three Studies for Figures at the Base of a Crucifixion'' is a 1944 triptych painted by the Anglo-Irish people, Irish-born British artist Francis Bacon (artist), Francis Bacon. The canvasses are based on the Erinyes, Eumenides—or Furies—of Aeschylus's ''Oresteia'', and depict three writhing anthropomorphic creatures set against a flat Shades of orange#Burnt orange, burnt orange background. It was executed in oil paint and oil pastel, pastel on Sundeala fibre board and completed within two weeks. The triptych summarises themes explored in Bacon's previous work, including his examination of Pablo Picasso, Picasso's Biomorphism, biomorphs and his interpretations of the Crucifixion and the Greek Furies. Bacon did not realise his original intention to paint a large crucifixion scene and place the figures at the foot of the cross. The ''Three Studies'' are generally considered Bacon's first mature piece;Melvyn Bragg, Bragg, Melvyn. "Francis Bacon". ''South Bank Show''. BBC docume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Studies For Figures At The Base Of A Crucifixion
''Three Studies for Figures at the Base of a Crucifixion'' is a 1944 triptych painted by the Anglo-Irish people, Irish-born British artist Francis Bacon (artist), Francis Bacon. The canvasses are based on the Erinyes, Eumenides—or Furies—of Aeschylus's ''Oresteia'', and depict three writhing anthropomorphic creatures set against a flat Shades of orange#Burnt orange, burnt orange background. It was executed in oil paint and oil pastel, pastel on Sundeala fibre board and completed within two weeks. The triptych summarises themes explored in Bacon's previous work, including his examination of Pablo Picasso, Picasso's Biomorphism, biomorphs and his interpretations of the Crucifixion and the Greek Furies. Bacon did not realise his original intention to paint a large crucifixion scene and place the figures at the foot of the cross. The ''Three Studies'' are generally considered Bacon's first mature piece;Melvyn Bragg, Bragg, Melvyn. "Francis Bacon". ''South Bank Show''. BBC docume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diaphanous
In the field of optics, transparency (also called pellucidity or diaphaneity) is the physical property of allowing light to pass through the material without appreciable scattering of light. On a macroscopic scale (one in which the dimensions are much larger than the wavelengths of the photons in question), the photons can be said to follow Snell's law. Translucency (also called translucence or translucidity) allows light to pass through, but does not necessarily (again, on the macroscopic scale) follow Snell's law; the photons can be scattered at either of the two interfaces, or internally, where there is a change in index of refraction. In other words, a translucent material is made up of components with different indices of refraction. A transparent material is made up of components with a uniform index of refraction. Transparent materials appear clear, with the overall appearance of one color, or any combination leading up to a brilliant spectrum of every color. The opposite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Peppiatt
Michael Henry Peppiatt (born 9 October 1941) is an English art historian, curator and writer. Biography Son of Edward George Peppiatt (died 1983), B.Sc, ARCS, of Silver Birches, Stocking Pelham, near Buntingford, Hertfordshire, technical and production director for a pharmaceutical manufacturing company, and Elsa Eugénie (née Schlaich; died 1997). Education and career Michael Peppiatt studied at Brentwood School, Essex, at the University of Göttingen, and at Trinity Hall, Cambridge (BA 1964, MA 1985, PhD) and subsequently joined ''The Observer'' as a junior art critic. He then went to Paris to take up an editorial job at '' Réalités'' magazine, where he remained until 1969, when he was appointed arts editor at ''Le Monde''. In the mid-1970s he began reporting on cultural events across Europe for ''The New York Times'' and ''The Financial Times'', becoming Paris correspondent for several art magazines, notably ''Art News'' and ''Art International''. In 1985, Peppia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the ''Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Infrared
Infrared (IR), sometimes called infrared light, is electromagnetic radiation (EMR) with wavelengths longer than those of visible light. It is therefore invisible to the human eye. IR is generally understood to encompass wavelengths from around 1 millimeter (300 GHz) to the nominal red edge of the visible spectrum, around 700 nanometers (430 THz). Longer IR wavelengths (30 μm-100 μm) are sometimes included as part of the terahertz radiation range. Almost all black-body radiation from objects near room temperature is at infrared wavelengths. As a form of electromagnetic radiation, IR propagates energy and momentum, exerts radiation pressure, and has properties corresponding to both those of a wave and of a particle, the photon. It was long known that fires emit invisible heat; in 1681 the pioneering experimenter Edme Mariotte showed that glass, though transparent to sunlight, obstructed radiant heat. In 1800 the astronomer Sir William Herschel discovered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mocking Of Christ (Grünewald)
''The Mocking of Christ'' (German: ''Die Verspottung Christi'') is an early oil on wood painting (1503–1505) by Matthias Grünewald. It is located today in the Alte Pinakothek, Munich. Description Christ sits blindfolded on a low stone wall. His hands and arms are bound with a rope. A torturer who pulls on the rope stands before him, with his back turned to the viewer. Another stands behind Christ and tugs on his hair and has raised his fist to strike him. On the right a man with a staff in his left hand and with his other holds back the second torturer, who appears not to notice him. An older man faces the man with the staff, and lays his hands upon the latter's shoulders, and appears to be conversing with him. In the background are three further men: on the left a musician who plays a flute with one hand while beating a small drum with the other, a youth near the center of the image, and an older man on the right. Details File:Mathis Gothart Grünewald 064.jpg, Detail of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathis Gothart Grünewald 062
Mathis is a name of French origin. It is common as a surname and is also a masculine given name. People with the surname *Buster Mathis (1943–1995), American heavyweight boxer * Buster Mathis Jr. (born 1970), American heavyweight boxer *Clint Mathis (born 1976), American soccer player * Damarri Mathis (born 1999), American football player *Dawson Mathis (1940–2017), American politician *Doug Mathis (born 1983), American baseball player *Edith Mathis (born 1938), Swiss singer *Émile Mathis (1880–1956), German-French automobile pioneer *George Mathis (also G. S. Mathis), pseudonym of Mátyás Seiber (1905–1960), Hungarian-born composer *Greg Mathis (born 1960), American judge *Ida Elizabeth Brandon Mathis (1857–1925), American agricultural reformer * James C. Mathis III (born 1974), American voice actor *Jeff Mathis (born 1983), American baseball catcher * Jill Mathis (born 1964), American photographer *Johnny Mathis (born 1935), American pop singer *Kevin Mathis (born 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canvas
Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags, electronic device cases, and shoes. It is popularly used by artists as a painting surface, typically stretched across a wooden frame. Modern canvas is usually made of cotton or linen, or sometimes polyvinyl chloride (PVC), although historically it was made from hemp. It differs from other heavy cotton fabrics, such as denim, in being plain weave rather than twill weave. Canvas comes in two basic types: plain and duck. The threads in duck canvas are more tightly woven. The term ''duck'' comes from the Dutch word for cloth, ''doek''. In the United States, canvas is classified in two ways: by weight (ounces per square yard) and by a graded number system. The numbers run in reverse of the weight so a number 10 canvas is lighter than number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fons Et Origo
Fons et origo is a Latin term meaning "source and origin". Typical usage of the term describes Athens as the ''fons et origo'' of democracy, or Italy as the ''fons et origo'' of classical music. Lancelot Ware (1915–2000), the founder of Mensa, was awarded the honorary title ''Fons et Origo'' by the society in 1987. References {{reflist *Collected Works. "I seem to be the fons et origo of all the evil imputed to the ndian Ndian is a department of Southwest Region in Cameroon. It is located in the humid tropical rainforest zone about southeast of Yaoundé, the capital. History Ndian division was formed in 1975 from parts of Kumba and Victoria divisions and is ...Congress." (1943) *Quoted in ''Gandhi and Churchill'' by Arthur Herman, (2008) Bantam Dell, NY, NY Latin words and phrases ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Everett Millais
Sir John Everett Millais, 1st Baronet, ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting ''Christ in the House of His Parents'' (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, ''Ophelia'', in 1851–52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
