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In the
United States The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 U.S. state, states, a Washington, D.C., federal district, five ma ...
, creator ownership in comics is an arrangement in which the
comic book A comic book, also called comicbook, comic magazine or (in the United Kingdom and Ireland) simply comic, is a publication that consists of comics art in the form of sequential juxtaposed panel (comics), panels that represent individual scenes. ...
creator retains full ownership of the material, regardless of whether the work is
self-published Self-publishing is the publication of media by its author at their own cost, without the involvement of a publisher. The term usually refers to written media, such as books and magazines, either as an ebook or as a physical copy using POD (pr ...
or published by a corporate publisher. In some fields of publishing, such as fiction writing, creator ownership has historically been standard. In other fields—such as comics, recorded music, or
motion pictures A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere ...
—creator ownership has traditionally been uncommon, with either
work for hire A work made for hire (work for hire or WFH), in copyright law in the United States, is a work that is subject to copyright and is created by employees as part of their job or some limited types of works for which all parties agree in writing to the ...
or publisher purchase of the material being standard practice. This article traces the changing standards of the comic book industry.


History


Early twentieth century

In 1906, Richard F. Outcault took his creation '' Buster Brown'' from the '' New York Herald'' to the ''
New York American :''Includes coverage of New York Journal-American and its predecessors New York Journal, The Journal, New York American and New York Evening Journal'' The ''New York Journal-American'' was a daily newspaper published in New York City from 1937 t ...
''. Outcault had not applied for a copyright to Buster Brown, but asserted a "common-law title"—what comics historian Don Markstein asserted is one of the earliest claims to creators' rights. The court decided the ''Herald'' owned the ''Buster Brown'' name and title and the copyright on the strips it published, but the characters themselves were too intangible to qualify for copyright or trademark. This freed Outcault to continue the strip in the ''American'' as long as he did not use the ''Buster Brown'' name.


1960s

Creator-owned titles began to appear during the late-1960s
underground comix Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, ...
movement; these themes were exemplified in the formation of Rip Off Press, the United Cartoon Workers of America (UCWA), and
Cartoonists' Co-Op Press Cartoonists Co-op Press was an underground comix publishing cooperative based in San Francisco that operated from 1973 to 1974. It was a self-publishing venture by cartoonists Kim Deitch, Bill Griffith, Jerry Lane, Jay Lynch, Willy Murphy, Diane N ...
. Rip Off Press was founded in 1969 by four men—two of whom were
cartoon A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved over time, but the modern usage usually refers to either: an image or series of imag ...
ists Gilbert Shelton and Jack Jackson—as a sort of cartoonists'
cooperative A cooperative (also known as co-operative, co-op, or coop) is "an autonomous association of persons united voluntarily to meet their common economic, social and cultural needs and aspirations through a jointly owned and democratically-contro ...
, an alternative publishing venue to burgeoning Bay Area publishers like the Print Mint, Apex Novelties, and Company & Sons.


1970s

The United Cartoon Workers of America was an informal union organized in 1970Goodrick, Susan. "Introduction", ''The Apex Treasury of Underground Comics'' (Links Books/Quick Fox, 1974). by cartoonists
Robert Crumb Robert Dennis Crumb (; born August 30, 1943) is an American cartoonist and musician who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contem ...
, Justin Green,
Bill Griffith William Henry Jackson Griffith (born January 20, 1944) is an American cartoonist who signs his work Bill Griffith and Griffy. He is best known for his surreal comedy, surreal daily comic strip ''Zippy the Pinhead, Zippy''. The catchphrase "Are w ...
, Nancy Griffith,
Art Spiegelman Art Spiegelman (; born Itzhak Avraham ben Zeev Spiegelman on February 15, 1948) is an American cartoonist, editor, and comics advocate best known for his graphic novel '' Maus''. His work as co-editor on the comics magazines '' Arcade'' and '' R ...
,
Spain Rodriguez Manuel Rodriguez (March 2, 1940 – November 28, 2012), better known as Spain or Spain Rodriguez, was an American underground cartoonist who created the character Trashman. His experiences on the road with the motorcycle club, the Road Vultures M ...
, Roger Brand, and Michele Brand. Members of the UCWA agreed that all cartoonists would demand the same rate per page of comics, whether they were stars like Crumb or being published for the first time. They also agreed to not work for any publisher who had "cheated" other cartoonists.
Dennis Kitchen Denis Kitchen (born August 27, 1946) is an American underground cartoonist, publisher, author, agent, and the founder of the Comic Book Legal Defense Fund. Early life Kitchen grew up in Wisconsin, attending William Horlick High School, Racine, ...
's Kitchen Sink Press formed the "Local 2 — Milwaukee" branch of the UCWA, and the UCWA brand appeared on a number of comix from that era. Cartoonists' Co-Op Press was a 1973–1974
self-publishing Self-publishing is the publication of media by its author at their own cost, without the involvement of a publisher. The term usually refers to written media, such as books and magazines, either as an ebook or as a physical copy using POD (pr ...
venture by cartoonists Griffith, Spiegelman, Kim Deitch, Jerry Lane, Jay Lynch, Willy Murphy, and Diane Noomin. Like Rip Off Press, it was founded as an alternative to the existing underground publishers, which were perceived as not being honest with their accounting practices. The short-lived genre publisher Atlas/Seaboard Comics, which operated from 1974–1975, offered some of the highest rates in the industry, plus return of artwork to artists and author rights to original character creations. Up to the mid-1970s, most comic book publishers kept all original pages, in some cases destroying them in lieu of storing them safely. By 1974, James Warren's
Warren Publishing Warren Publishing was an American magazine company founded by James Warren, who published his first magazines in 1957 and continued in the business for decades. Magazines published by Warren include '' After Hours'', '' Creepy'', '' Eerie'', '' F ...
began changing the industry's
work-for-hire A work made for hire (work for hire or WFH), in copyright law in the United States, is a work that is subject to copyright and is created by employees as part of their job or some limited types of works for which all parties agree in writing to th ...
dynamic by offering higher page-rates than
DC Comics DC Comics, Inc. (doing business as DC) is an American comic book publisher and the flagship unit of DC Entertainment, a subsidiary of Warner Bros. Discovery. DC Comics is one of the largest and oldest American comic book companies, with their f ...
or
Marvel Comics Marvel Comics is an American comic book publisher and the flagship property of Marvel Entertainment, a divsion of The Walt Disney Company since September 1, 2009. Evolving from Timely Comics in 1939, ''Magazine Management/Atlas Comics'' in 19 ...
, and allowing the artists to retain their original artwork,Cooke, Jon B
"Wrightson's Warren Days"
''Comic Book Artist'' #4 (Spring 1999).
giving creators the option to gain extra income by selling the pages to collectors. Nonetheless, Warren Publishing retained all creator's rights. As James Warren once told artist Bernie Wrightson: By 1975 or 1976, both DC and Marvel also began returning artists' original pages to them. During the 1970s, artist
Neal Adams Neal Adams (June 15, 1941 – April 28, 2022) was an American comic book artist. He was the co-founder of the graphic design studio Continuity Associates, and was a Creator ownership, creators-rights advocate who helped secure a pension and re ...
was politically active in the industry, and attempted to unionize its creative community. Adams attempted to form the Comics Creators Guild, with a contentious meeting in May 1978 attended by Cary Bates,
Howard Chaykin Howard Victor Chaykin (; born October 7, 1950) is an American comic book artist and writer. Chaykin's influences include his one-time employer and mentor, Gil Kane, and the mid-20th century illustrators Robert Fawcett and Al Parker. Early lif ...
, Chris Claremont,
Steve Ditko Stephen John Ditko Page contains two reproductions from school yearbooks. A 1943 Garfield Junior High School yearbook excerpt lists "Stephen Ditko". A 1945 Johnstown High School yearbook excerpt lists "Stephen J. Ditko" under extracurricular act ...
, Michael Golden, Archie Goodwin, Paul Levitz, Bob McLeod, Frank Miller, Carl Potts, Marshall Rogers, Jim Shooter,
Walt Simonson Walter Simonson (born September 2, 1946) is an American comic book writer and artist, best known for a run on Marvel Comics' ''Thor (Marvel Comics), Thor'' from 1983 to 1987, during which he created the character Beta Ray Bill. He is also known f ...
, Jim Starlin, Len Wein, and
Marv Wolfman Marvin Arthur Wolfman (born May 13, 1946) is an American comic book and novelization writer. He worked on Marvel Comics's '' The Tomb of Dracula'', for which he and artist Gene Colan created the vampire-slayer Blade, and DC Comics's ''The New ...
. The effort failed to get off the ground. In addition, Adams, along with the Joker creator Jerry Robinson, notably and vocally helped lead the lobbying efforts that resulted in Superman creators
Jerry Siegel Jerome Siegel ( ; October 17, 1914 – January 28, 1996) Roger Stern. ''Superman: Sunday Classics: 1939–1943'' DC Comics/Kitchen Sink Press, Inc./Sterling Publishing; 2006 was an American comic book writer. He is the co-creator of Superman, ...
and
Joe Shuster Joseph Shuster (; July 10, 1914 – July 30, 1992), professionally known simply as Joe Shuster, was a Canadian-American comic book artist best known for co-creating the DC Comics character Superman, with Jerry Siegel, in ''Action Comics'' #1 ...
receiving decades-overdue credit and some financial remuneration from Superman publisher
DC Comics DC Comics, Inc. (doing business as DC) is an American comic book publisher and the flagship unit of DC Entertainment, a subsidiary of Warner Bros. Discovery. DC Comics is one of the largest and oldest American comic book companies, with their f ...
.
Marvel Comics Marvel Comics is an American comic book publisher and the flagship property of Marvel Entertainment, a divsion of The Walt Disney Company since September 1, 2009. Evolving from Timely Comics in 1939, ''Magazine Management/Atlas Comics'' in 19 ...
had a mixed history of responding to the issue of creator's rights. In 1978, Marvel and Howard the Duck writer Steve Gerber clashed over issues of creative control, and Gerber was abruptly removed from the series. This was the first highly publicized creator's rights case in American comics, and attracted support from major industry figures. Gerber subsequently launched a lengthy legal battle for control of Howard the Duck, culminating in a 1981 lawsuit.


1980s

In 1980 Marvel created the mature readers anthology '' Epic Illustrated'', offering its writers and artists ownership rights and royalties in place of the industry-standard work for hire contracts. The success of ''Epic Illustrated'' led to the 1982 formation of the long-running imprint
Epic Comics Epic Comics (also known as the Epic Comics Group)Shooter, Jim. "Bullpen Bulletins: The Truth About the Epic Comics Group!" Marvel comics cover-dated November 1982. was an imprint of Marvel Comics from 1982 to 1996. A spin-off of the publisher's ...
, which specialized in creator-owned titles. Around this same period, however, industry legend
Jack Kirby Jack Kirby (born Jacob Kurtzberg; August 28, 1917 – February 6, 1994) was an American comics artist, comic book artist, writer and editor, widely regarded as one of the medium's major innovators and one of its most prolific and influential c ...
, co-creator of many of Marvel's most popular characters, came into dispute with the company over the disappearance of original pages of artwork from some of his most famous and popular titles. Kirby had quit working for Marvel in 1979, angry over what he perceived as the company's mistreatment of him. Best-selling creators like
Alan Moore Alan Moore (born 18 November 1953) is an English author known primarily for his work in comic books including ''Watchmen'', '' V for Vendetta'', ''The Ballad of Halo Jones'', ''Swamp Thing'', ''Batman:'' ''The Killing Joke'', and ''From Hell ...
, Frank Miller, and many other stars became vocal advocates for Kirby. Neal Adams also petitioned to have ''his'' Marvel originals returned, and the pair won their battle in 1987, when Marvel returned original artwork to him and Kirby, among others. This decision helped lead to the modern industry's standard practice of returning original artwork to the artist, who can earn additional income from art sales to collectors. Beginning in the 1980s, several new publishers and imprints went into business, offering comics writers and artists the opportunity to have their work published while retaining the copyrights to the characters and the stories. Publishers like Pacific Comics and
Eclipse Comics Eclipse Comics was an American comic book publisher, one of several independent publishers during the 1980s and early 1990s. In 1978, it published the first graphic novel intended for the newly created comic book specialty store market. It was ...
were strong promoters of creator-owned superhero properties; their enticement of popular creators (such as Kirby) to their pages helped push the issue to the fore and put pressure on industry giants Marvel and DC. The alternative and independent publishers
Fantagraphics Fantagraphics (previously Fantagraphics Books) is an American publisher of alternative comics, classic comic strip anthologies, manga, magazines, graphic novels, and the erotic Eros Comix imprint. History Founding Fantagraphics was fou ...
and
Dark Horse Comics Dark Horse Comics is an American comic book, graphic novel, and manga publisher founded in Milwaukie, Oregon by Mike Richardson in 1986. The company was created using funds earned from Richardson's chain of Portland, Oregon comic book shops known ...
entered the field during this period as well. Creator-owned properties allowed series to continue with multiple publishers as circumstances required; ''
Usagi Yojimbo is a comic book series created by Stan Sakai. It is set primarily at the beginning of the Edo period of Japanese history and features anthropomorphic animals replacing humans. The main character is a rabbit '' rōnin'', Miyamoto Usagi, whom ...
'' for instance has been published by four succeeding publishing houses. In the mid-to-late 1980s, creator ownership became a ''
cause célèbre A cause célèbre (,''Collins English Dictionary – Complete and Unabridged'', 12th Edition, 2014. S.v. "cause célèbre". Retrieved November 30, 2018 from https://www.thefreedictionary.com/cause+c%c3%a9l%c3%a8bre ,''Random House Kernerman Webs ...
'' among many comics creators, including those working in the dominant genre of superheroes. Creators' repeated clashes with
DC Comics DC Comics, Inc. (doing business as DC) is an American comic book publisher and the flagship unit of DC Entertainment, a subsidiary of Warner Bros. Discovery. DC Comics is one of the largest and oldest American comic book companies, with their f ...
, First Comics, and other publishers led to an industry-wide debate about the issue; and in the fall of 1988, DC revised the company's work-for-hire agreements to give more power to individual creators. Writer
Alan Moore Alan Moore (born 18 November 1953) is an English author known primarily for his work in comic books including ''Watchmen'', '' V for Vendetta'', ''The Ballad of Halo Jones'', ''Swamp Thing'', ''Batman:'' ''The Killing Joke'', and ''From Hell ...
became increasingly concerned at the lack of creator's rights in British comics.Bishop, David. '' Thrill-Power Overload'', p. 105-106 In 1985, he noted that he had stopped working for all British publishers except
IPC IPC may refer to: Computing * Infrastructure protection centre or information security operations center * Instructions per cycle or instructions per clock, an aspect of central-processing performance * Inter-process communication, the sharin ...
, publishers of '' 2000 AD'', "purely for the reason that IPC so far have avoided lying to me, cheating me or generally treating me like crap". He joined other creators in decrying the wholesale relinquishing of all rights, and in 1986 stopped writing for ''2000 AD'' as well. Moore's outspoken opinions and principles, particularly on the subject of creator's rights and ownership, would see him burn bridges with a number of other publishers over the course of his career. Heidi MacDonald's interview with Moore, 1 November 2005. Originally at
Mile High Comics Mile High Comics is an online retailer and a chain of three Colorado comic book stores founded by Chuck Rozanski in 1969 from his parents' basement in Colorado Springs, Colorado. History In 1969, when Chuck Rozanski was 13, he began working ...
/Comicon.com's ''The Beat''; accessed through th
Internet Archive
an

Accessed 26 September 2008.


Creator's Bill of Rights

In November 1988 a number of independent comic book artists and writers drafted the Creator's Bill of Rights, a document designed to protect their rights as creators and aid against their exploitation by corporate work for hire practices. Issues covered by the Bill included giving creators proper credit for their characters and stories, profit-sharing, distribution, fair contracts, licensing, and return of original artwork. Through a series of meetings, a document was finalized at the "Northampton Summit" held in
Northampton, Massachusetts The city of Northampton is the county seat of Hampshire County, Massachusetts, United States. As of the 2020 census, the population of Northampton (including its outer villages, Florence and Leeds) was 29,571. Northampton is known as an a ...
, and signed by all in attendance. Scott McCloud was the principal author of the Bill;"Creator's Rights". ''The Comics Journal'' #137 (September 1990), p. 65-71. other artists and writers participating in the Bill's creation included
Dave Sim Dave Sim (born 17 May 1956) is a Canadian cartoonist and publisher, best known for his comic book '' Cerebus'', his artistic experimentation, his advocacy of self-publishing and creators' rights, and his controversial political and philosophica ...
, Steve Bissette, Larry Marder, Rick Veitch, Peter Laird, and
Kevin Eastman Kevin Brooks Eastman (born May 30, 1962) is an American comic book artist and writer best known for co-creating the Teenage Mutant Ninja Turtles with Peter Laird. Eastman was also formerly the editor and publisher of the magazine '' Heavy Metal ...
. In the end, however, many prominent comic book professionals, including some involved in its drafting, hold that the Creator's Bill of Rights itself had little or no impact on the industry.


1990s

In 1990, Creator's Bill of Rights signatory Kevin Eastman founded the creator-friendly
Tundra Publishing Tundra Publishing was a Northampton, Massachusetts-based comic book publisher founded by Kevin Eastman in 1990. The company was founded to provide a venue for adventurous, creator-owned work by talented cartoonists and illustrators. Its publica ...
to embody the ideals of the Bill from a publishers' standpoint. As part of the initial group who "got together to form the" Bill, Eastman felt obligated to expand it beyond theory and into practice, providing a creator-friendly forum for comics creators to work for a publisher while maintaining ownership of their work.Wiater, Stanley & Bissette, Stephen R. (ed.s) ''Comic Book Rebels: Conversations with the Creators of the New Comics'' (Donald I. Fine, Inc. 1993) . Tundra went bankrupt in 1993. In 1992 a number of popular Marvel artists formed their own company,
Image Comics Image Comics is an American comic book publisher and is the third largest comic book and graphic novel publisher in the industry in both unit and market share. It was founded in 1992 by several high-profile illustrators as a venue for creator-o ...
, which would serve as a prominent example of creator-owned comics publishing. Propelled by star power and upset that they did not own the popular characters they created for Marvel, several illustrators, including the ''
X-Men The X-Men are a superhero team appearing in American comic books published by Marvel Comics, first appearing in ''The X-Men'' #1 by artist/co-plotter Jack Kirby and writer/editor Stan Lee in 1963. Although initially cancelled in 1970 due to ...
''s
Jim Lee Jim Lee ( Korean 이용철; born August 11, 1964) is a Korean American comic-book artist, writer, editor, and publisher. He is currently the Publisher and Chief Creative Officer of DC Comics. In recognition of his work, Lee has received a H ...
, '' The New Mutants/ X-Force''s Rob Liefeld, and '' Spider-Man''s Todd McFarlane formed Image, an umbrella label under which several autonomous, creator-owned companies existed."Bye Bye Marvel; Here Comes Image: Portacio, Claremont, Liefeld, Jim Lee Join McFarlane's New Imprint at Malibu", ''The Comics Journal'' #148 (February 1992), pp. 11-12. Image properties, such as '' WildC.A.T.s'', '' Gen¹³'', '' Witchblade'' and especially McFarlane's '' Spawn'' provided brisk competition for long-standing superheroes. Many popular creators followed Image's lead and attempted to use their star power to launch their own series; ones for which they would have licensing rights and editorial control. Chris Claremont, famous for his long run as the writer of '' Uncanny X-Men'', created ''
Sovereign Seven ''Sovereign Seven'' is a creator-owned American comic book series, created by Chris Claremont and Dwayne Turner, and published by DC Comics. Publication history Launched in April 1995, ''Sovereign Seven'' was created by writer Chris Claremont a ...
'' for DC; Joe Madureira, also made popular by ''Uncanny X-Men'', launched '' Battle Chasers'' for WildStorm Productions; and Kurt Busiek, Alex Ross, and Brent Anderson created ''
Astro City ''Kurt Busiek's Astro City'' is an American superhero anthology comic book series centered on a fictional American city of that name. Created and written by Kurt Busiek, the series is mostly illustrated by Brent Anderson, with character designs ...
'' for Image. DC's
Vertigo Vertigo is a condition where a person has the sensation of movement or of surrounding objects moving when they are not. Often it feels like a spinning or swaying movement. This may be associated with nausea, vomiting, sweating, or difficulties ...
imprint, launched in 1993, was the company's first successful attempt to routinely publish creator-owned series (right from its launch with Peter Milligan and Duncan Fegredo's '' Enigma''). From the start, Vertigo founding editor Karen Berger was committed to creator-owned projects, working on several " erelf with new writers and artists" as well as established names, with the express intention of "trying to bring new people into the industry, as well as use some of the best creators in comics"."Interview with Karen Berger", ''Advance Comics'' #49 (Capital City Distribution, January 1993). In addition to creator-owned series set in their own continuity, such as '' Enigma'' and ''
Fallen Angel In the Abrahamic religions, fallen angels are angels who were expelled from heaven. The literal term "fallen angel" never appears in any Abrahamic religious texts, but is used to describe angels cast out of heaven"Mehdi Azaiez, Gabriel Said ...
'', DC published several creator-owned series, such as ''Sovereign Seven'' and ''Xero'', that were set within the
DC Universe The DC Universe (DCU) is the fictional shared universe where most stories in American comic book titles published by DC Comics take place. Superheroes such as Superman, Batman, Wonder Woman, Robin, Martian Manhunter, The Flash, Green Lante ...
. In 1994, Dark Horse Comics founded the
Legend A legend is a genre of folklore that consists of a narrative featuring human actions, believed or perceived, both by teller and listeners, to have taken place in human history. Narratives in this genre may demonstrate human values, and possess ...
imprint in part to provide star creators like Frank Miller and John Byrne an avenue for creator-owned projects.


References

* *


Further reading

* Groth, Gary. "Editorial: Creator's Rights: The Latest Panacea," ''The Comics Journal'' #87 (Dec. 1983), pp. 6–8. * ''The Comics Journal'' #121 (April 1985) — special issue on creator's rights and
DC Comics DC Comics, Inc. (doing business as DC) is an American comic book publisher and the flagship unit of DC Entertainment, a subsidiary of Warner Bros. Discovery. DC Comics is one of the largest and oldest American comic book companies, with their f ...
: ** Friedrich, Mike. "Ownerous Differences," p. 21. ** Grant, Steven. "What Dick Said," p. 24. ** Slifer, Roger. "Screwed by DC," p. 25. ** McEnroe, Richard S. "Lies, Damned Lies, & Dick Giordano," pp. 25–27. ** McEnroe, Richard S. "Copyrights & Consequences," pp. 41–44. ** McEnroe, Richard S. "Packaging: Work-For-Hire in the Real Publishing Industry," p. 44. * ''The Comics Journal'' #137 (Sept. 1990) — special coverage of the Creator's Bill of Rights, including the full text of the Bill: ** "Creator's Rights," pp. 65–71. ** "What Are Creators' Rights?," pp. 66–71. ** Groth, Gary. "Steven Bissette and Scott McCloud," pp. 72–92. ** Groth, Gary. "Creator vs. Corporate Ownership," pp. 101–106: on "creators' rights," Mark Askwith, Steve Bissette,
Steve Saffel ''yes'Steve is a masculine given name, usually a short form (hypocorism) of Steven or Stephen Notable people with the name include: steve jops * Steve Abbott (disambiguation), several people * Steve Adams (disambiguation), several people * Steve ...
, and
Bill Sienkiewicz Boleslav William Felix Robert Sienkiewicz ( ; born May 3, 1958) is an American artist known for his work in comic books—particularly for Marvel Comics' ''New Mutants'', ''Moon Knight,'' and ''Elektra: Assassin''. Sienkiewicz's work in the 1980s ...
. * "Alan Moore Refuses Marvel Permission to Reprint Dr. Who Work," ''The Comics Journal'' #102 (Sept. 1985), p. 19. * "The Work-Made-For-Hire Contract, a Legal Definition," ''The Comics Journal'' #104 (Jan. 1986), p. 11. * "Comics Contracts: What the Various Companies Offer," ''The Comics Journal'' #113 (Dec. 1986), pp. 19–232. * "UK Creator Rights Panel Argues the Kirby-Marvel Dispute," ''The Comics Journal'' #114 (Feb. 1987), pp. 23–24. * Plowright, Frank. "And As Ye Reap Shall Ye Sow," ''The Comics Journal'' #122 (June 1988), p. 11: Editorial on British comics and creators' rights. * "What the Copyright Law Says," ''The Comics Journal'' #130 (July 1989), p. 12. * "Creator's Rights in the Real World," ''The Comics Journal'' #139 (Dec. 1990), pp. 110–114. * Berntsen, Christian and Relkin, Richard. "Cultural Corner," ''Comic Culture'' vol. 1, # 3 (Jan./Feb. 1993), pp. 16–17: on creators' rights; includes text (draft) of "A Bill of Rights for Comic Creators." * Rodi, Rob. "Blood & Thunder: Rights and Reason," ''The Comics Journal'' #171 (Sept. 1994), pp. 2, 6. * Mescallado, Ray. "Fanboi Politik: Creator's Rights in the Mainstream," ''The Comics Journal'' #215 (Aug. 1999), pp. 119–120. {{refend Comics industry Comics terminology Copyright law Intellectual property activism