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Bernie Wrightson
Bernard Albert Wrightson (October 27, 1948 – March 18, 2017), sometimes credited as Bernie Wrightson, was an American artist, known for co-creating the Swamp Thing, his adaptation of the novel ''Frankenstein'' illustration work, and for his other horror comics and illustrations, which feature his trademark intricate pen and brushwork. Early life Wrightson was born October 27, 1948, in Dundalk, Maryland. He received training in art from watching Jon Gnagy on television, reading comics, particularly those of EC, as well as through a correspondence course from the Famous Artists School. His artistic influences were Frank Frazetta, Al Williamson, Al Dorne, Graham Ingels, Jack Davis and Howard Pyle. He published a piece of fan art, containing a headstone bearing the inscription "Berni Wrightson, Dec. 15, 1965", on page 33 of Warren Publishing's ''Creepy'' #9 (cover-dated June 1966). Career In 1966, Wrightson began working for ''The Baltimore Sun'' newspaper as an illustrator. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dallas Comic Con
Fan Expo Dallas, previously known as Dallas Comic Con (or DCC for short), is a three-day speculative fiction, (including comic books and Video game, gaming) fan convention held annually in the Dallas, Texas area. Larger in scale than the Dallas Fan Days events under the same management, Fan Expo Dallas focuses on comic book artists, writers, and publishers. These events usually also feature question and answer sessions, a large dealers room, and autograph-signing with a number of famous comic and media guests. The event is produced by Informa doing business as Fan Expo HQ. History In 2002, Ben Stevens, producer of the Sci-Fi Expo (1994–present), and Philip Wise, owner orebelscum.comand TheForce.Net, theforce.net, brought on consultant Mark Walters (of the defunct Dallas Fantasy Fair, who had staged the Dallas Comic & Toy Fest from 2000 to 2002) and produced the first Dallas Comic Con. The show attracted 5,000 attendees. Starting with the October 2012 show, Dallas Comic Con expa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Famous Artists School
Famous Artists School is an art Distance education, correspondence course institution, in operation since 1948. The school was founded by members of the New York Society of Illustrators, principally Albert Dorne and Norman Rockwell. History The Famous Artists School was founded in 1948 in Westport, Connecticut, Westport, Connecticut, United States, U.S.A. The idea was conceived by members of the New York Society of Illustrators (SOI), but due to the Society's legal status, could not be operated by it. SOI member Albert Dorne led the initiative to set up a separate entity, and recruited the support of Norman Rockwell, who was also an SOI member. For the founding faculty, Dorne recruited John Carlton Atherton, Austin Briggs, Stevan Dohanos, Robert Fawcett, Peter Helck, Fred Ludekens, Al Parker (artist), Al Parker, Norman Rockwell, Ben Stahl (artist), Ben Stahl, Harold von Schmidt, Jon Whitcomb, and Dong Kingman. By 1960, annual revenue of $7 million was eight times the sales of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequential Art
In comics studies, sequential art is a term proposed by comics artist Will EisnerWill Eisner, '' Comics and Sequential Art'', Poorhouse Press, 1990 (1st ed.: 1985), p. 5. to describe art forms that use images deployed in a specific order for the purpose of graphic storytellingWill Eisner, '' Graphic Storytelling and Visual Narrative'', W. W. Norton, 2008 (1st. ed.: Poorhouse Press, 1996), "Introduction: Comics as a Medium." (i.e., narration of graphic stories) or conveying information. The best-known example of sequential art is comics. Etymology The term "sequential art" was coined in 1985 by comics artist Will Eisner in his book '' Comics and Sequential Art''. Eisner analyzed this form into four elements: design, drawing, caricature, and writing. Scott McCloud, another comics artist, elaborated the explanation further, in his books ''Understanding Comics'' (1993) and '' Reinventing Comics'' (2000). In ''Understanding Comics'', he notes that the movie roll, before it is being proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic-book Convention
A comic book convention or comic-con is an event with a primary focus on comic books and comic book culture, in which comic book fans gather to meet creators, experts, and each other. Commonly, comic conventions are multi-day events hosted at convention centers, hotels, or college campuses. They feature a wide variety of activities and panels, with a larger number of attendees participating in cosplay than most other types of fan conventions. Comic book conventions are also used as a vehicle for industry, in which publishers, distributors, and retailers represent their comic-related releases. Comic book conventions may be considered derivatives of science-fiction conventions, which began in the late 1930s. Comic-cons were traditionally organized by fans on a not-for-profit basis,Siegel, Howard P. "Made in America," '' BEM'' #16 (Dec. 1977): "These early conventions were run by purists for panelologists, and not meant to be commercially overbearing or expensive to go to." thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover-date
The cover date of a periodical publication is the date displayed on the cover, which is not necessarily the true date of publication (the on-sale date or release date); later cover dates are common in magazine and comic book publishing. More unusually, ''Le Monde'' is a daily newspaper published the afternoon before its cover date. For some publications, the cover date may not be found on the cover, but rather on an inside jacket or on an interior page. Magazines In the United States, Canada, and the United Kingdom, the standard practice is to display on magazine covers a date which is some weeks or months in the future from the publishing or release date. There are two reasons for this discrepancy: first, to allow magazines to continue appearing "current" to consumers even after they have been on sale for some time (since not all magazines will be sold immediately), and second, to inform newsstands when an unsold magazine can be removed from the stands and returned to the publishe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creepy (magazine)
''Creepy'' was an American horror (genre), horror-comics magazine launched by Warren Publishing in 1964. Like ''Mad (magazine), Mad'', it was a black-and-white newsstand publication in a magazine format and did not carry the seal of the Comics Code Authority. An anthology magazine, it initially was published quarterly but later went bimonthly. Each issue's stories were introduced by the host character, Uncle Creepy. Its sister publications were ''Eerie'' and ''Vampirella''. Launch Illustrator and editor Russ Jones, the founding editor of ''Creepy'' in 1964, said he approached ''Famous Monsters of Filmland'' magazine publisher James Warren (publisher), Jim Warren with the idea of horror comics similar to the 1950s' EC Comics comic books. Warren also choose not to use the comics industry's voluntary self-censorship Comics Code Authority for his black and white magazines. Warren eventually agreed. Jones recalled that: Joe Orlando was not only an illustrator for ''Creepy'' but also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warren Publishing
Warren Publishing was an American magazine company founded by James Warren (publisher), James Warren, who published his first magazines in 1957 and continued in the business for decades. Magazines published by Warren include ''After Hours (magazine), After Hours'', ''Creepy (magazine), Creepy'', ''Eerie'', ''Famous Monsters of Filmland'', ''Help! (magazine), Help!'', and ''Vampirella''. Initially based in Philadelphia, Pennsylvania, the company moved by 1965 to New York City. Publishing history Founding Begun by James Warren, Warren Publishing's initial publications were the horror fiction, horror-fantasy--science fiction movie magazine ''Famous Monsters of Filmland'' and ''Monster World'', both edited by Forrest J Ackerman. Warren soon published ''Spacemen (magazine), Spacemen'' magazine and in 1960 ''Help! (magazine), Help!'' magazine, with the first employee of the magazine being Gloria Steinem. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fan Art
Fan art or fanart is artwork created by fans of a work of fiction and derived from a series character or other aspect of that work. They are usually done by amateur artists, semi-professionals or professionals. As fan labor, fan art refers to artworks that are neither created nor (normally) commissioned or endorsed by the creators of the work from which the fan art derives. A different, older meaning of the term is used in science fiction fandom, where fan art traditionally describes ''original'' (rather than derivative) artwork related to science fiction or fantasy, created by fan artists, and appearing in low- or non-paying publications such as semiprozines or fanzines, and in the art shows of science fiction conventions. The Hugo Award for Best Fan Artist has been given each year since 1967 for artists who create such works. Like the term fan fiction (although to a lesser extent), this traditional meaning is now sometimes confused with the more recent usage described a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Pyle
Howard Pyle (March 5, 1853 – November 9, 1911) was an American illustrator and author, primarily of books for young people. He was a native of Wilmington, Delaware, and he spent the last year of his life in Florence, Italy. In 1894, he began teaching illustration at the Drexel Institute of Art, Science, and Industry (now Drexel University). Among his students there were Violet Oakley, Maxfield Parrish, and Jessie Wilcox Smith. After 1900, he founded his own school of art and illustration named the Howard Pyle School of Illustration Art. Scholar Henry C. Pitz later used the term Brandywine School for the illustration artists and Wyeth family artists of the Brandywine region, several of whom had studied with Pyle. He had a lasting influence on a number of artists who became notable in their own right; N. C. Wyeth, Frank Schoonover, Thornton Oakley, Allen Tupper True, Stanley Arthur, and numerous others studied under him. His 1883 classic publication ''The Merry Adventures of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Davis (cartoonist)
John Burton Davis Jr. (December 2, 1924 – July 27, 2016) was an American cartoonist and illustrator, known for his advertising art, magazine covers, film posters, record album art and numerous comic book stories. He was one of the founding cartoonists for ''Mad (magazine), Mad'' in 1952. His cartoon characters are characterized by extremely distorted anatomy, including big heads, skinny legs and large feet. Early life Davis was born December 2, 1924, in Atlanta, Georgia. As a child, he adored listening to Bob Hope on the radio and tried to draw him, despite not knowing what Hope looked like. Career Early work Davis saw comic book publication at the age of 12 when he contributed a cartoon to the reader's page of ''Tip Top Comics'' No. 9 (December 1936). After drawing for his high school newspaper and yearbook, he spent three years in the U.S. Navy, where he contributed to the daily ''Navy News.'' Attending the University of Georgia on the G.I. Bill, he drew for the campus ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Ingels
Graham J. Ingels (; June 7, 1915April 4, 1991) was a comic book and magazine illustrator best known for his work in EC Comics during the 1950s, notably on ''The Haunt of Fear'' and ''Tales from the Crypt'', horror titles written and edited by Al Feldstein, and '' The Vault of Horror'', written and edited by Feldstein and Johnny Craig. Ingels' flair for horror led EC to promote him as Ghastly Graham Ingels, and he began signing his work "Ghastly" in 1952. Pulp illustrator Born in Cincinnati, Ingels began working at age 14 after the death of his father, commercial artist Don Ingels. Graham was 16 when he entered the art field drawing theater displays. He studied at New York's Hawthorne School of Art Graham and Gertrude Ingels married when he was starting as a freelancer at age 20. He entered the U.S. Navy in 1943, and he began working that same year for Fiction House Publications, both in their pulp magazines and their comic book division. Black and white illustrations signed G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Dorne
Albert Dorne (February 7, 1906 - December 15, 1965) was an American illustrator and entrepreneur, and was co-founder of correspondence schools for aspiring artists, photographers, and writers. Dorne was co-founder of the Code of Ethics and Fair Practices of the Profession of Commercial Art and Illustration. Biography Dorne was born in the slums of New York City's East Side, and had a troubled childhood plagued with tuberculosis and heart problems.Watson, E.W. (May 1943). "Albert Dorne," ''American Artist'', vol. 7, #5, p. 13. He would cut classes to study art in the museums, eventually quitting school altogether to support his family. After numerous jobs such as managing a newsstand and acting as an office boy,Dorne entry AskART.com. Accessed June 19, 2015. as well as a short [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
