Confield
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''Confield'' is the sixth album by British electronic music duo Autechre, released 30 April 2001 by Warp Records.


Background and production

With ''Confield'', Sean Booth and Rob Brown largely abandoned the warm ambient sounds of their earlier works such as '' Amber'' and ''
Tri Repetae ''Tri Repetae'' (stylised as ''tri repetae.'') is the third studio album by English electronic music duo Autechre, released on 6 November 1995 by Warp in the United Kingdom. In contrast to the duo's previous albums, ''Incunabula'' (1993) and ''Am ...
'' in favour of more chaotic and abstract sound palettes and methods of composition that they had been pursuing with '' LP5'', ''
EP7 ''EP7'' is the seventh EP by the electronic music group Autechre, released by Warp Records on 7 June 1999. It is classified as an EP by the band despite being long enough to qualify as an album. The record was released in two parts on vinyl, name ...
'', and '' Peel Session 2''. ''Confield'' saw the experimental use of computer programs, specifically Max/MSP, to form the basis of songs instead of stand-alone synthesizers. According to Booth, "Most of ''Confield'' came out of experiments with Max that weren't really applicable in a club environment." Like ''EP7'' before it and their 2003 release ''
Draft 7.30 ''Draft 7.30'' is the seventh album by English electronic music duo Autechre, released on 7 April 2003 by Warp Records. Around the time of the album's release, Sean Booth stated in an interview that " hythmdoesn't seem to limit us in the way it ...
'', Booth and Brown make use of generative sequences on ''Confield''. However, in an interview following the release of ''Draft 7.30'', Booth explained that although the beats they create using generative sequences may seem completely random to some, he and Brown exercised tight control over the limits and rules of what the beats could do. " n ''Confield''you have something that some people would call random, but I would say is quantifiable," Booth said. "It seems that for a lot of people, if they hear something that doesn't sound regular, they assume it's random. If live musicians were playing it, they'd probably call it jazz or something. But the fact that it's coming out of a computer, as they perceive it, somehow seems to make it different. For me it's just messing around with a lot of analogue sequencers and drum machines. It's like saying, 'I want this to go from this beat to that beat over this amount of time, with this curve, which is shaped according to this equation.'"


Reception

'' Pitchfork'' gave the album an 8.8/10, claiming that, "For those willing to take these times in stride, Confield promises elegant production, accessibility in moderation, and one of the most enveloping, thought-provoking listening experiences to come forth from leftfield this year." However, AllMusic, giving the album only a 3/5, argued that Confield was "a record to respect, not enjoy," a viewpoint expressed by other review outlets. '' The Washington Post''s Mark Jenkins said that the duo had progressed from "making music that sounds odd" to "craft ngits music to sound wrong", further commenting that the pair now sounded "ragged and fidgety" rather than "smooth and pulsing" as in the past. He said many of the songs sounded as though the CD player was skipping, and said the album was more madness than method. Fiona Shepherd of '' The Scotsman'' held a similar view, saying the album sounded like "a malfunctioning dishwasher or a CD jumping. Forever." Despite the record's controversial nature, the album scores an average of 82/100 at Metacritic based on ten reviews, the highest average for any Autechre album on the site.


Covers

In 2009, chamber orchestra Alarm Will Sound recorded a version of "Cfern" on their album ''a/rhythmia''.


Track listing


References


External links


''Confield''
at the official Warp discography (features audio clips). {{Authority control 2001 albums Autechre albums Warp (record label) albums Experimental music albums