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LP5
''LP5'' is the untitled fifth studio album by English electronic music duo Autechre, released on 13 July 1998 on Warp. No title was printed anywhere within the artwork, in line with the later EP ''EP7''; it has also been called ''Autechre'', as well as ''Album'', as listed on promotional copies. With the album, Autechre began abandoning the considerably warm and organic sounds of earlier albums like ''Amber'' in favor of a fine-tuned, technical style they had begun exploring on '' Chiastic Slide'' and the ''Cichlisuite'' EP, while also incorporating influences from electroacoustic music. Production The track "Drane2" is a response to Aphex Twin's " Bucephalus Bouncing Ball", which, according to Sean Booth, is an answer to Autechre's earlier track " Drane":"yeah we did the track drane, which had that exponential speeding-up delay thing happening, and then rich did that bouncing ball track, and we answered it with drane2 which was the same delay trick but feeding percussion into ...
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Autechre
Autechre () is an English electronic music duo consisting of Rob Brown and Sean Booth, both from Rochdale, Greater Manchester. Formed in 1987, they are among the best known acts signed to UK electronic label Warp Records, through which all of Autechre's full-length albums have been released beginning with their 1993 debut ''Incunabula''. They gained initial recognition when they were featured on Warp's 1992 compilation ''Artificial Intelligence. Influenced by styles such as 1980s electro and hip hop, the music of Autechre has evolved throughout their career from early, melodic techno recordings to later works often considered abstract and experimental, featuring complex composition and few stylistic conventions. Their work has been associated with the 1990s electronic genre known as intelligent dance music (IDM),
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Autechre Albums
Autechre () is an English electronic music duo consisting of Rob Brown and Sean Booth, both from Rochdale, Greater Manchester. Formed in 1987, they are among the best known acts signed to UK electronic label Warp Records, through which all of Autechre's full-length albums have been released beginning with their 1993 debut ''Incunabula''. They gained initial recognition when they were featured on Warp's 1992 compilation ''Artificial Intelligence. Influenced by styles such as 1980s electro and hip hop, the music of Autechre has evolved throughout their career from early, melodic techno recordings to later works often considered abstract and experimental, featuring complex composition and few stylistic conventions. Their work has been associated with the 1990s electronic genre known as intelligent dance music (IDM),
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Cichlisuite
''Cichlisuite'' is the sixth EP by electronic music duo Autechre, released on August 26, 1997 by Warp Records. The EP was simultaneously released on CD and as two 12” records, all with unique cover art by The Designers Republic. ''Cichlisuite'' is Autechre's third release of 1997, following ''Chiastic Slide'' and the ''Envane ''Envane'' is the fifth EP by British electronic music duo Autechre, released by Warp Records on 27 January 1997. The EP consists of four tracks. Like Autechre's previous EP ''Anvil Vapre'', ''Envane'' was originally released both in a CD ver ...'' EP. The EP's title references the track "Cichli" (pronouced "sickly") from ''Chiastic Slide''. All versions of the EP also include the statement “Mechanically Reclaimed by Autechre” on the cover, implying that the tracks are remixes, reworkings, or otherwise sourced from pre-existing material, though the statement is unclear. Autechre has said that several tracks on ''Cichlisuite'' were made entirel ...
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Peel Session (Autechre EP)
''Peel Session'' is a release by electronic duo Autechre, released on vinyl and CD by Warp Records on 11 January 1999. It consists of material recorded for John Peel's Radio 1 sessions in late 1995. The session was first broadcast on 13 October 1995. The sleeve is designed by Sheffield-based design agency The Designers Republic. "Drane" was selected by Warp Records co-founder Steve Beckett as one of his 14 absolute favourite tracks from the Warp catalogue for the ''Warp20 (Chosen)'' compilation. Track listing References External links ''Peel Session''at the Warp Records official website {{Authority control 1999 EPs Autechre Autechre () is an English electronic music duo consisting of Rob Brown and Sean Booth, both from Rochdale, Greater Manchester. Formed in 1987, they are among the best known acts signed to UK electronic label Warp Records, through which all of Au ... Live EPs Autechre EPs 1999 live albums Warp (record label) live albums Warp (record label) ...
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Chiastic Slide
''Chiastic Slide'' is the fourth studio album by the British electronic music group Autechre, released 17 February 1997 by Warp Records. The album saw the duo continue to move further away from the ambient techno sound of their early releases, employing harsher, glitchier beats. Though not initially met with the same critical acclaim as ''Tri Repetae'' or ''LP5'', ''Chiastic Slide'' was eventually recognized by critics as an innovative and "enormously influential" album. Release ''Chiastic Slide'' was released on 17 February 1997. It did not receive a release in the United States until Warp Records began distributing its own releases there in 2001. Autechre referenced the fourth track, "Cichli", in the name of their subsequent EP ''Cichlisuite'' (1997). The sleeve was designed by Sheffield-based design agency The Designers Republic. Reception Allmusic critic John Bush panned ''Chiastic Slide'' as being an underwhelming follow-up to 1995's ''Tri Repetae'', saying it was to ...
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Ensoniq ASR-10
The Ensoniq ASR-10 was a sampling keyboard produced by Ensoniq between 1992 and 1998. The ASR-10 was a follow up product to the very popular Ensoniq EPS and Ensoniq EPS-16+ performance samplers, and was also available with a piano style weighted keyboard (ASR-88) and a rackmount version (ASR-10R). At the time, the machine was one of the most powerful samplers available. Features The ASR-10 (Advanced Sampling Recorder) was essentially the third generation of the EPS series of samplers, sharing the same basic architecture and user interface as the earlier EPS and EPS-16 Plus. The ASR-10, like its predecessors, was a true performance orientated sampling workstation, and did not require a computer or additional equipment in order to create a complete song. It included a powerful and flexible effects unit, polyphonic aftertouch, an advanced MIDI sequencer, load-while-playing abilities, and a powerful multi-layered synthesis engine. The supplied "Musician's Manual" lived up to ...
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Hidden Track
In the field of recorded music, a hidden track (sometimes called a ghost track, secret track or unlisted track) is a song or a piece of audio that has been placed on a CD, audio cassette, LP record, or other recorded medium, in such a way as to avoid detection by the casual listener. In some cases, the piece of music may simply have been left off the track listing, while in other cases, more elaborate methods are used. In rare cases, a 'hidden track' is actually the result of an error that occurred during the mastering stage production of the recorded media. However, since the rise of digital and streaming services such as iTunes and Spotify in the late 2000s and early 2010s, the inclusion of hidden tracks has declined on studio albums. It is occasionally unclear whether a piece of music is 'hidden.' For example, " Her Majesty," which is preceded by fourteen seconds of silence, was originally unlisted on The Beatles' ''Abbey Road'' but is listed on current versions of the alb ...
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Simon & Schuster
Simon & Schuster () is an American publishing company and a subsidiary of Paramount Global. It was founded in New York City on January 2, 1924 by Richard L. Simon and M. Lincoln Schuster. As of 2016, Simon & Schuster was the third largest publisher in the United States, publishing 2,000 titles annually under 35 different imprints. History Early years In 1924, Richard Simon's aunt, a crossword puzzle enthusiast, asked whether there was a book of ''New York World'' crossword puzzles, which were very popular at the time. After discovering that none had been published, Simon and Max Schuster decided to launch a company to exploit the opportunity.Frederick Lewis Allen, ''Only Yesterday: An Informal History of the 1920s'', p. 165. . At the time, Simon was a piano salesman and Schuster was editor of an automotive trade magazine. They pooled , equivalent to $ today, to start a company that published crossword puzzles. The new publishing house used "fad" publishing to publish bo ...
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The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Le ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ...
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Omnibus Press
Omnibus Press is a publisher of music-related books. It publishes around 30 new titles a year to add to a backlist of over 250 titles currently in print. History Omnibus Press was launched in 1972 as a general non-fiction publisher to complement the sheet music published and distributed by its parent company Music Sales Group. Music Sales had launched a separate company called Book Sales Ltd and the earliest Book Sales catalogue, issued in the early 70s, included compilations of underground comic strips, art and photography titles and one of the earliest books on the then newly discovered art of video. After former ''Melody Maker'' music journalist Chris Charlesworth joined as Omnibus editor in 1983, it was decided to concentrate exclusively on music books, and among its earliest acquisitions was Rock Family Trees by music archivist Pete Frame which remains in print and have been the basis of two BBC TV series. Over the succeeding decades Omnibus has published many biographies ...
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ...
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