Polish
composer Witold Lutosławski
Witold Roman Lutosławski (; 25 January 1913 – 7 February 1994) was a Polish composer and conductor. Among the major composers of 20th-century classical music, he is "generally regarded as the most significant Polish composer since Szyman ...
's Concerto for Orchestra was written in the years 1950–54, on the initiative of the artistic director of the
Warsaw Philharmonic
The Warsaw National Philharmonic Orchestra ( pl, Orkiestra Filharmonii Narodowej w Warszawie) is a Polish orchestra based in Warsaw. Founded in 1901, it is one of Poland's oldest musical institutions.
History
The orchestra was conceived on ...
,
Witold Rowicki
Witold Rowicki (born ''Witold Kałka'', 26 February 1914 in Taganrog, Russian Empire – 1 October 1989 in Warsaw) was a Polish conductor. He held principal conducting positions with the Warsaw Philharmonic Orchestra and the Bamberg Symphony O ...
, to whom it is dedicated. It is written in three movements, lasts about 30 minutes, and constitutes the last stage and a crowning achievement of the
folkloristic style in Lutosławski's work.
That style, inspired by the music of the
Kurpie
Kurpie () is one of a number of ethnic regions in Poland, noted for its unique traditional customs, such as its own types of traditional costume, traditional dance and distinctive type of architecture and livelihoods. Kurpie is also the name of t ...
region, went back in him to the pre-1939 years. Having written a series of small folkloristic pieces for various instruments and their combinations (piano, clarinet with piano, chamber ensemble,
orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families.
There are typically four main sections of instruments:
* bowed string instruments, such as the violin, viola, c ...
, voice with orchestra), Lutosławski decided to use his experience of stylisation of Polish folklore in a bigger work. However, the Concerto for Orchestra differs from Lutosławski's earlier folkloristic pieces not only in that it is more extended, but also that what is retained from folklore is only melodic themes. The composer moulds them into a different reality, lending them new harmony, adding
atonal
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a ...
counterpoints, turning them into
neo-baroque forms.
Orchestration
The score calls for a large orchestra consisting of three
flutes (two doubling
piccolo), three
oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range.
...
s (one doubling
cor anglais), three
clarinets (one doubling
bass clarinet), three
bassoons (one doubling
contrabassoon), four
horns Horns or The Horns may refer to:
* Plural of Horn (instrument), a group of musical instruments all with a horn-shaped bells
* The Horns (Colorado), a summit on Cheyenne Mountain
* ''Horns'' (novel), a dark fantasy novel written in 2010 by Joe Hill ...
, four
trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...
s, four
trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate ...
s,
tuba
The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the ne ...
,
timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally ...
,
snare
SNARE proteins – " SNAP REceptor" – are a large protein family consisting of at least 24 members in yeasts, more than 60 members in mammalian cells,
and some numbers in plants. The primary role of SNARE proteins is to mediate vesicle f ...
,
tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is wide ...
and
bass drum,
cymbals,
tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though ...
,
tam-tam
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs ...
,
xylophone
The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel (which uses metal bars), the xylophone essentially consists of a set of tuned wooden keys arranged in ...
,
bells,
celesta, two
harps,
piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keybo ...
and
strings.
Structure
The three movements are:
#''Intrada: Allegro maestoso'' — a sort of extended two-subject
overture beginning in 9/8 on an ostinato drum beat more threatening, if anything, than that which begins the
Brahms First Symphony.
#''Capriccio notturno ed Arioso: Vivace'' — the
Capriccio is an airy, virtuoso
scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often re ...
, the main subject of which is intoned by the violin, followed by the remainder of the strings and woodwinds. It is followed by an expressive
Arioso
In classical music, arioso (also aria parlante ) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose in the 16th ...
initiated by the brass section. The reprisal of the capriccio is intoned by the cellos and harp, the theme bowed, then with pizzicato. It is concluded with the ominous rumblings of the drums, double-basses and bass clarinet.
#''Passacaglia, Toccata e Corale: Andante con moto — Allegro giusto'' — in three sections: the
Passacaglia
The passacaglia (; ) is a musical form that originated in early seventeenth-century Spain and is still used today by composers. It is usually of a serious character and is often based on a bass- ostinato and written in triple metre.
Origin
The t ...
being a set of variations on a brooding theme played by the double-basses; followed by a vivacious and dynamic
Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtu ...
; and the (instrumental)
Corale.
The Corale's second appearance produces a solemn finale for the monumental construction, the material for which is borrowed from a nineteenth-century collection compiled by the Polish
ethnologist
Ethnology (from the grc-gre, ἔθνος, meaning 'nation') is an academic field that compares and analyzes the characteristics of different peoples and the relationships between them (compare cultural, social, or sociocultural anthropology) ...
Oskar Kolberg
Henryk Oskar Kolberg (22 February 1814 – 3 June 1890) was a Polish ethnographer, folklorist, and composer active during the foreign Partitions of Poland.[aleatoricism
Aleatoricism or aleatorism, the noun associated with the adjectival aleatory and aleatoric, is a term popularised by the musical composer Pierre Boulez, but also Witold Lutosławski and Franco Evangelisti, for compositions resulting from "action ...](_blank)
in the early 1960s, he attempted to distance himself from the Concerto for Orchestra, though he conducted it in Copenhagen in August 1967 upon receiving a $10,000 prize from a Danish foundation.
References
{{DEFAULTSORT:Concerto for Orchestra (Lutoslawski)
Concertos by Witold Lutosławski
Lutoslawski
1954 compositions