Witold Rowicki
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Witold Rowicki
Witold Rowicki (born ''Witold Kałka'', 26 February 1914 in Taganrog, Russian Empire – 1 October 1989 in Warsaw) was a Polish conductor. He held principal conducting positions with the Warsaw Philharmonic Orchestra and the Bamberg Symphony Orchestra. Witold Lutoslawski's Concerto for Orchestra was dedicated to him. Biography Rowicki arrived in Poland in 1923, attending schools in Żywiec and Nowy Sącz before matriculating at the conservatory in Kraków. He studied violin under Artur Malawski and theory under director Michał Piotrowski and made his conducting debut, while still a student, in 1933. Graduating in 1938, he was appointed professor of violin at the conservatory and spent the occupation years in Kraków. After the Soviet expulsion of the Nazis from Poland, Rowicki revived the defunct Polish National Radio Symphony Orchestra, which had disbanded during the war, in Katowice. Between 1950 and 1955, and again between 1958 and 1977, Rowicki was the director of the W ...
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Witold Rowicki
Witold Rowicki (born ''Witold Kałka'', 26 February 1914 in Taganrog, Russian Empire – 1 October 1989 in Warsaw) was a Polish conductor. He held principal conducting positions with the Warsaw Philharmonic Orchestra and the Bamberg Symphony Orchestra. Witold Lutoslawski's Concerto for Orchestra was dedicated to him. Biography Rowicki arrived in Poland in 1923, attending schools in Żywiec and Nowy Sącz before matriculating at the conservatory in Kraków. He studied violin under Artur Malawski and theory under director Michał Piotrowski and made his conducting debut, while still a student, in 1933. Graduating in 1938, he was appointed professor of violin at the conservatory and spent the occupation years in Kraków. After the Soviet expulsion of the Nazis from Poland, Rowicki revived the defunct Polish National Radio Symphony Orchestra, which had disbanded during the war, in Katowice. Between 1950 and 1955, and again between 1958 and 1977, Rowicki was the director of the W ...
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London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ...
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Prokofiev
Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''., group=n (27 April [O.S. 15 April] 1891 – 5 March 1953) was a Russian composer, pianist, and Conducting, conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from ''The Love for Three Oranges,'' the suite Lieutenant Kijé (Prokofiev), ''Lieutenant Kijé'', the ballet Romeo and Juliet (Prokofiev), ''Romeo and Juliet''—from which "Dance of the Knights" is taken—and ''Peter and the Wolf.'' Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven Symphony, symphonies, eight ballets, five piano concertos, two violin concertos, a Cello Concerto (Prokofiev), cello conce ...
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Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ...
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Karol Szymanowski
Karol Maciej Szymanowski (; 6 October 188229 March 1937) was a Polish composer and pianist. He was a member of the modernist Young Poland movement that flourished in the late 19th and early 20th century. Szymanowski's early works show the influence of the late Romantic German school as well as the early works of Alexander Scriabin, as exemplified by his Étude Op. 4 No. 3 and his first two symphonies. Later, he developed an impressionistic and partially atonal style, represented by such works as the Third Symphony and his Violin Concerto No. 1. His third period was influenced by the folk music of the Polish Górale people, including the ballet ''Harnasie'', the Fourth Symphony, and his sets of Mazurkas for piano. ''King Roger,'' composed between 1918 and 1924, remains Szymanowski's most popular opera. His other significant works include ''Hagith'', Symphony No. 2, ''The Love Songs of Hafiz'', and '' Stabat Mater''. Szymanowski was awarded the highest national honors, in ...
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Mieczysław Karłowicz
Mieczysław Karłowicz (, 11 December 18768 February 1909) was a Polish composer and conductor. Life Mieczysław Karłowicz was born in Vishneva, in the Vilna Governorate of the Russian Empire (now in Belarus) into a noble family belonging to Clan Ostoja. His father Jan was a Polish linguist, lexicographer, and musician. As a child, Karłowicz studied violin, for which he later composed his only concerto. Karłowicz studied in Warsaw with Zygmunt Noskowski, Stanisław Barcewicz, Piotr Maszyński, and Gustaw Roguski. He later studied in Berlin with Heinrich Urban, to whom he dedicated his ''Serenade for Strings'', which he composed and performed while Urban's student. From 1906 to 1907 he studied conducting with Arthur Nikisch. Career Karłowicz's music is of a late Romantic character. He was a great admirer of Pyotr Ilyich Tchaikovsky whose Symphony No. 6 he praised. Tchaikovsky's influence can be heard in Karłowicz's earlier works, most notably the E minor symphony and ...
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Lithuanian Rhapsody
''Lithuanian Rhapsody'' (Polish ''Rapsodia litewska'') in A minor, Op. 11 is the third of Mieczysław Karłowicz's six symphonic poems. A typical performance lasts 18—20 minutes. History Origins of the composition The ''Lithuanian Rhapsody'' differs from the other of Karłowicz's symphonic poems in the way that it was not inspired by any narrative or philosophical concern. It is a highly personal work and originates in the composer's own roots: he spent his early years in Lithuania (his family were Polish landowners). Moreover, unlike other compositions by Karłowicz, the ''Rhapsody'' is based on actual folk material (Lithuanian and Belarusian melodies), much of which was collected by the composer in 1900 while on vacation at his family estate. This is how he wrote about the piece in a letter to his friend Adolf Chybiński (24 Nov 1906): According to Leszek Polony, the leading Polish authority on Karłowicz, the ''Rhapsody'' had to do with "recollections of childhood, ...
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Violin Concerto (Karłowicz)
A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day. Many major composers have contributed to the violin concerto repertoire, with the best known works including those by Bach, Bartók, Beethoven, Brahms, Bruch, Dvořák, Khachaturian, Mendelssohn, Mozart, Paganini, Prokofiev, Sarasate, Shostakovich, Sibelius, Tchaikovsky, and Vivaldi. Traditionally a three-movement work, the violin concerto has been structured in four movements by a number of modern composers, including Dmitri Shostakovich, Igor Stravinsky, and Alban Berg. In some violin concertos, especially from the Baroque and modern eras, the violin (or group of violins) is accompanied by a chamber ensemble rather than an orchestra—for instance, in Vivaldi's ''L'estro armonico'', originally scored for f ...
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Wojciech Kilar
Wojciech Kilar (; 17 July 1932 – 29 December 2013) was a Polish classical and film music composer. One of his greatest successes came with his score to Francis Ford Coppola's '' Bram Stoker's Dracula'' in 1992, which received the ASCAP Award and the nomination for the Saturn Award for Best Music. In 2003, he won the César Award for Best Film Music written for '' The Pianist'', for which he also received a BAFTA nomination. Biography Kilar was born on 17 July 1932 in Lwów (then Poland; since 1945 Lviv in UkrSSR, now Ukraine). His father was a gynecologist and his mother was a theater actress. Kilar spent most of his life from 1948 in the city of Katowice in Southern Poland, married (from April 1966 to November 2007) to Barbara Pomianowska, a pianist. Kilar was 22 years old when he met 18-year-old Barbara, his future wife. Education After studying piano under Maria Bilińska-Riegerowa and harmony under Artur Malawski, he moved from Kraków to Katowice in 1948, where h ...
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Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movement (music), movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), Brass instrument, brass, Woodwind instrument, woodwind, and Percussion instrument, percussion Musical instrument, instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a Full score, musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Ludwig van Beethoven, Beethoven's Symphony No. 9 (Bee ...
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Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ...
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Wiener Symphoniker
The Vienna Symphony (Vienna Symphony Orchestra, german: Wiener Symphoniker) is an Austrian orchestra based in Vienna. Its primary concert venue is the Vienna Konzerthaus. In Vienna, the orchestra also performs at the Musikverein and at the Theater an der Wien. History In 1900, Ferdinand Löwe founded the orchestra as the ''Wiener Concertverein'' (Vienna Concert Society). In 1913 it moved into the Konzerthaus, Vienna. In 1919 it merged with the Tonkünstler Orchestra. In 1933 it acquired its current name. Despite a lull in concert attendance after the introduction of radio during the 1920s, the orchestra survived until the invasion of Austria in 1938 and became incorporated into the German Culture Orchestras. As such, they were used for purposes of propaganda until, depleted by assignments to work in munitions factories, the orchestra closed down on September 1, 1944. Their first post-war concert occurred on September 16, 1945, performing Gustav Mahler's Symphony No. 3. Under t ...
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