Come Inside (Thompson Twins Song)
   HOME

TheInfoList



OR:

"Come Inside" is a song by British pop group Thompson Twins, released in 1991 as the lead single from their eighth studio album ''
Queer ''Queer'' is an umbrella term for people who are not heterosexual or cisgender. Originally meaning or , ''queer'' came to be used pejoratively against those with same-sex desires or relationships in the late 19th century. Beginning in the lat ...
''. It was written and produced by Alannah Currie and Tom Bailey. The single peaked at No. 56 in the UK and spent four weeks on the chart. The single also peaked at No. 7 on the US ''Billboard'' Dance Music/Club Play Singles Chart. The single had a music video filmed to promote it.


Background

Speaking of the song's meaning, Bailey told ''
The Advocate An advocate is a professional in the field of law. The Advocate, The Advocates or Advocate may also refer to: Magazines * ''The Advocate'' (LGBT magazine), an LGBT magazine based in the United States *''The Harvard Advocate'', a literary magazin ...
'' in 1991, "It's about a breakthrough between two people, the act of penetration. The song is inspired by
William Blake William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. ...
's poem 'The Doors of Deception,' which, as Blake wrote, are hard to open wide. It's amazing how people are not willing to open their minds, but are more than ready to open their legs."


Release

"Come Inside" was initially released in the UK under the moniker 'Feedback Max feat. T.T.' to disguise the identity of the band to club DJs. In a 1991 interview with
Kiss FM Kiss FM, Kiss Radio or variants may refer to: Asia-Oceania * Various Kiss FM-branded stations in the Philippines ** 95.1 Kiss FM, Lucena, Quezon ** 102.3 Kiss FM, Tagbilaran, Bohol * Kiss92 FM, Singapore * KISS 969, Sri Lanka * Kiss Radio Taiwan ...
, Bailey explained the thinking behind hiding the Thompson Twins name on the single:


Critical reception

Upon its release, ''
Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertise ...
'' described "Come Inside" as a "moody and rhythmic pop confection". They added, "Its reliable knack for crafting clever lyrics and insinuating hooks makes this a good best for attention at top 40, modern rock, and club levels. Tom Bailey's voice has never sounded better." The radio industry trade publication ''The Network Forty'' considered the song "catchy" and noted that Thompson Twins "are back and stronger than ever". Simon Price of ''
Melody Maker ''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born ...
'' felt it showed the Thompson Twins had "gone baggy" which "means a C&C Music Factory remix and lines like 'close your eyes, kiss the sky'". He concluded, "As embarrassing as seeing your parents dancing to House music, as convincing as a
Linda McCartney Linda Louise McCartney, Lady McCartney ( Eastman; September 24, 1941 – April 17, 1998) was an American photographer, musician, animal rights activist, vegetarian cookbook author and advocate, and entrepreneur. She was the keyboardist in th ...
techno-bleep project. Hilarious." Simon Williams of ''
NME ''New Musical Express'' (''NME'') is a British music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a f ...
'' wrote, "If Electronic had made 'Come Inside', relatively sane people would indeed be ejaculating forth within the confines of their cotton briefs. Alas, it's only those sad old Thompson Twins getting all dancey." In a review of ''Queer'', Larry Flick of ''Billboard'' stated: "The first single "Come Inside" sets the mood nicely with its slow and sleazy rhythms and sing-along chorus". Ira Robbins of the '' Trouser Press Record Guide'' said: "There is a dark, edgy undercurrent to Bailey's singing - like eau de Foetus, diluted to a safe concentration - and in the arrangements of songs like ''Come Inside'', ''Groove On'' and ''The Saint,'' but the album's general tone is upbeat, atmospheric and clubby."


Formats

7-inch single #"Come Inside (C & C Club Mix Edit)" - 3:20 #"Come Inside (Feedback Max House Mix Edit)" - 4:04 12-inch single #"Come Inside (C & C Club Mix Edit)" - 3:20 #"Come Inside (Feedback Max House Mix)" - 5:53 12-inch single (US only) #"Come Inside (Turn The Knob Mix)" - 10:10 #"Come Inside (Feedback Max Chill Out Remix)" - 6:25 #"Come Inside (Feedback Max House Mix)" - 5:51 #"The Saint (Def Sonic 12" Mix)" - 7:46 #"The Saint (Red Zone Dub)" - 5:32 #"The Saint (8th Street Dub)" - 5:32 Double 12-inch gatefold single (US only) #"Come Inside (Turn The Knob Mix)" - 10:10 #"Come Inside (Dub Inside)" - 5:00 #"Come Inside (Feedback Max Chill Out Remix)" - 6:25 #"Come Inside (Rock A Dub)" - 8:04 #"Come Inside (Alternative 12" Remix)" - 5:26 #"Come Inside (Single Edit)" - 3:58 #"Come Inside (Feedback Max House Mix)" - 5:51 #"Come Inside (Feedback Max Dub)" - 4:04 CD single #"Come Inside (C+C Club Mix Edit)" - 3:20 #"Come Inside (Feedback Max House Mix)" - 5:53 #"Come Inside (LP Version)" - 3:57 CD single (US only) #"Come Inside (Single Edit)" - 3:58 #"Come Inside (Turn The Knob Mix)" - 10:10 #"Come Inside (Feedback Max Chill Out Remix)" - 6:25 #"The Saint (Def Sonic 12" Mix)" - 7:46 #"The Saint (Red Zone Dub)" - 5:32 #"Come Inside (Feedback Max House Mix)" - 5:51 #"Come Inside (Turn The Knob Edit)" - 3:57 CD single (US promo) #"Come Inside" - 4:00


Personnel

* Editor – George Morel, Ricky Crespo * Recording Engineer, Mixer – Lloyd Puckitt * Additional Producer – Feedback Max, George Morel, Ricky Crespo * Assistant Producer – Keith Fernley * Producer, Writer, Vocals – Alannah Currie, Tom Bailey * Design – Graham Wood, John Warwicker * Recording Engineer, Mixer – John Poppo * Photography – Mike Owen * Additional Producer, Remixer – David Morales


Charts


References

{{authority control 1991 songs 1991 singles Thompson Twins songs Songs written by Alannah Currie Songs written by Tom Bailey (musician) Warner Records singles