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Clarence Kolster (September 6, 1895 – May 6, 1972) was an American film editor, active during the later years of the silent era, right through the 1950s.


Biography

Born in Plattsburgh, New York, in 1895, Clarence began his film career editing the 1922 silent film ''Rags to Riches''. During his 30-year career, he would edit almost 100 films, in addition to working as assistant director on the 1924 film ''The Lighthouse by the Sea''. His career would include such classics as ''
The Painted Desert ''The Painted Desert'' is a 1931 American pre-Code Western film released by Pathé Exchange. Produced by E. B. Derr, it was directed by Howard Higgin, who also co-wrote the screenplay with Tom Buckingham. The picture stars low-budget Western ...
'', also in 1931, which featured Clark Gable's first speaking role; the 1946 remake of ''
Of Human Bondage ''Of Human Bondage'' is a 1915 novel by W. Somerset Maugham. The novel is generally agreed to be Maugham's masterpiece and to be strongly autobiographical in nature, although he stated, "This is a novel, not an autobiography; though much in i ...
''; ''
Always Leave Them Laughing ''Always Leave Them Laughing'' is a 1949 musical comedy-drama film directed by Roy Del Ruth and starring Milton Berle and Virginia Mayo. Plot Unoriginal comic Kip Cooper meets aspiring showgirl Fay Washburn at a second rate hotel in Asbury Park, ...
'', starring
Milton Berle Milton Berle (born Mendel Berlinger; ; July 12, 1908 – March 27, 2002) was an American actor and comedian. His career as an entertainer spanned over 80 years, first in silent films and on stage as a child actor, then in radio, movies and tel ...
and
Virginia Mayo Virginia Mayo (born Virginia Clara Jones; November 30, 1920 – January 17, 2005) was an American actress and dancer. She was in a series of comedy films with Danny Kaye and was Warner Brothers' biggest box-office money-maker in the late 1940s. ...
; and 1958's ''
Our Miss Brooks ''Our Miss Brooks'' is an American sitcom starring Eve Arden as a sardonic high-school English teacher. It began as a radio show broadcast on CBS from 1948 to 1957. When the show was adapted to television (1952–56), it became one of the medi ...
'' starring
Eve Arden Eve Arden (born Eunice Mary Quedens, April 30, 1908 – November 12, 1990) was an American film, radio, stage and television actress. She performed in leading and supporting roles for nearly six decades. Beginning her film career in 1929 ...
. But Kolster's crowning achievement was his first mega-hit, the 1931 version of ''
Frankenstein ''Frankenstein; or, The Modern Prometheus'' is an 1818 novel written by English author Mary Shelley. ''Frankenstein'' tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific ex ...
'', starring Boris Karloff. Kolster's editing of when the monster is revealed has been called, "... possibly the most distinguished piece of cutting in all of horror movie history." In addition, the creation sequence, the monster finding the small child by the lake, and the confrontation between the monster and Frankenstein's bride, have all become iconic scenes in film history, often imitated and parodied in later pictures. In 1958, Kolster would make the switch from the big screen to the small screen, where he worked on several television series, including ''
Maverick Maverick, Maveric or Maverik may refer to: History * Maverick (animal), an unbranded range animal, derived from U.S. cattleman Samuel Maverick Aviation * AEA Maverick, an Australian single-seat sportsplane design * General Aviation Design Burea ...
'' and ''
77 Sunset Strip ''77 Sunset Strip'' is an American television Private investigator#PIs in fiction, private detective drama series created by Roy Huggins and starring Efrem Zimbalist Jr., Roger Smith (actor), Roger Smith, Richard Long (actor), Richard Long (fr ...
''. Kolster retired in 1962, and would die 10 years later.


Filmography

(as per AFI's database)


References


External links

* * {{DEFAULTSORT:Kolster, Clarence 1895 births 1972 deaths American film editors