![A Doll's House (6940143217)](https://upload.wikimedia.org/wikipedia/commons/4/45/A_Doll%27s_House_%286940143217%29.jpg)
In
theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The perform ...
, a box set is a set with a
proscenium
A proscenium ( grc-gre, προσκήνιον, ) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor ...
arch stage and three walls. The proscenium opening is the
fourth wall
The fourth wall is a performance convention in which an invisible, imaginary wall separates actors from the audience. While the audience can see through this ''wall'', the convention assumes the actors act as if they cannot. From the 16th cen ...
. Box sets create the illusion of an interior room on the stage, and are contrasted with earlier forms of sets which contained sliding flaps and gaps between set pieces.
Box sets were introduced to the English theatre by
Elizabeth Vestris. They were popularized by
Marie Wilton
Marie Effie Wilton, Lady Bancroft (1839–1921) was an English actress and theatre manager. She appeared onstage as Marie Wilton until after her marriage in December 1867 to Squire Bancroft, when she adopted his last name. Bancroft and her husb ...
at the
Prince of Wales's Royal Theatre. They later became a feature of
realist theatre, and an example of the "fourth wall removed" principle that characterized the work of noted realists such as
Henrik Ibsen
Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playw ...
's ''
A Doll's House
''A Doll's House'' (Danish and nb, Et dukkehjem; also translated as ''A Doll House'') is a three-act play written by Norwegian playwright Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having bee ...
'',
George Bernard Shaw
George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from ...
's ''
Pygmalion
Pygmalion or Pigmalion may refer to:
Mythology
* Pygmalion (mythology), a sculptor who fell in love with his statue
Stage
* ''Pigmalion'' (opera), a 1745 opera by Jean-Philippe Rameau
* ''Pygmalion'' (Rousseau), a 1762 melodrama by Jean-Jacques ...
'', and
Anton Chekhov
Anton Pavlovich Chekhov (; 29 January 1860 Old Style date 17 January. – 15 July 1904 Old Style date 2 July.) was a Russian playwright and short-story writer who is considered to be one of the greatest writers of all time. His career ...
's ''
The Seagull
''The Seagull'' ( rus, Ча́йка, r=Cháyka, links=no) is a play by Russian dramatist Anton Chekhov, written in 1895 and first produced in 1896. ''The Seagull'' is generally considered to be the first of his four major plays. It dramatises t ...
''.
Nineteenth-century theatrical scenery Theatre in the nineteenth century was noted for its changing philosophy from the Romanticism and Neoclassicism that dominated Europe since the late 18th century to Realism and Naturalism in the latter half of the 19th century before it eventually ...
In the play style of
realism
Realism, Realistic, or Realists may refer to:
In the arts
*Realism (arts), the general attempt to depict subjects truthfully in different forms of the arts
Arts movements related to realism include:
*Classical Realism
*Literary realism, a move ...
, the box set of the stage was a room with either a plain black backdrop or three walls. The
fourth wall
The fourth wall is a performance convention in which an invisible, imaginary wall separates actors from the audience. While the audience can see through this ''wall'', the convention assumes the actors act as if they cannot. From the 16th cen ...
was invisible, separating the characters from the audience, and the ceiling was tilted down at the far end of the stage and up toward the audience. Doors slammed instead of swinging when being shut, as in reality.
References
Scenic design
Parts of a theatre
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