Scenic Design
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Scenic Design
Scenic design (also known as scenography, stage design, or set design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained professionals, holding B.F.A. or M.F.A. degrees in theatre arts. Scenic designers create sets and scenery that aim to support the overall artistic goals of the production. There has been some consideration that scenic design is also production design; however, it is generally considered to be a part of the visual production of a film or television. Scenic designer The scenic designer works with the director and other designers to establish an overall visual concept for the production and design the stage environment. They are responsible for developing a complete set of design drawings that include the following: *''basic ground plan'' showing all stationary and scenic elements; *''composite ground plan'' showing all moving scenic ele ...
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Marcel Jambon - Giuseppe Verdi - Otello Act I Set Design Model
Marcel may refer to: People * Marcel (given name), people with the given name Marcel * Marcel (footballer, born August 1981), Marcel Silva Andrade, Brazilian midfielder * Marcel (footballer, born November 1981), Marcel Augusto Ortolan, Brazilian striker * Marcel (footballer, born 1983), Marcel Silva Cardoso, Brazilian left back * Marcel (footballer, born 1992), Marcel Henrique Garcia Alves Pereira, Brazilian midfielder * Marcel (singer), American country music singer * Étienne Marcel (died 1358), provost of merchants of Paris * Gabriel Marcel (1889–1973), French philosopher, Christian existentialist and playwright * Jean Marcel (died 1980), Madagascan Anglican bishop * Jean-Jacques Marcel (1931–2014), French football player * Rosie Marcel (born 1977), English actor * Sylvain Marcel (born 1974), Canadian actor * Terry Marcel (born 1942), British film director * Claude Marcel (1793-1876), French diplomat and applied linguist Other uses * Marcel (''Friends''), a fictional monkey ...
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Artistic Rendering
Non-photorealistic rendering (NPR) is an area of computer graphics that focuses on enabling a wide variety of expressive styles for digital art, in contrast to traditional computer graphics, which focuses on photorealism. NPR is inspired by other artistic modes such as painting, drawing, technical illustration, and animated cartoons. NPR has appeared in movies and video games in the form of cel-shaded animation (also known as " toon" shading) as well as in scientific visualization, architectural illustration and experimental animation. History and criticism of the term The term ''non-photorealistic rendering'' is believed to have been coined by the SIGGRAPH 1990 papers committee, who held a session entitled "Non Photo Realistic Rendering". The term has received some criticism: * The term " photorealism" has different meanings for graphics researchers (see "photorealistic rendering") and artists. For artists—who are the target consumers of NPR techniques—it refers to a s ...
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Aleksandra Ekster
Alexandra () is the feminine form of the given name Alexander (, ). Etymologically, the name is a compound of the Greek verb (; meaning 'to defend') and (; GEN , ; meaning 'man'). Thus it may be roughly translated as "defender of man" or "protector of man". The name Alexandra was one of the epithets given to the Greek goddess Hera and as such is usually taken to mean "one who comes to save warriors". The earliest attested form of the name is the Mycenaean Greek ( or //), written in the Linear B syllabic script.Tablet MY V 659 (61). Alexandra and its masculine equivalent, Alexander, are both common names in Greece as well as countries where Germanic, Romance, and Slavic languages are spoken. Variants * Alejandra, Alejandrina (diminutive) (Spanish) * Aleksandra (Александра) (Albanian, Bulgarian, Estonian, Latvian, Lithuanian, Macedonian, Polish, Russian, Serbo-Croatian) * Alessandra (Italian) * Alessia (Italian) * Alex (various languages) * Alexa (English, ...
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Cyro Del Nero
Cyro Del Nero (December 28, 1931 – July 30, 2010) was a Brazilian scenographer and set designer. Del Nero worked in the theater, television and film industries for more than 50 years. He was also a professor of theatrical costume and stage design at the University of São Paulo. Del Nero was born in Brás, a district in Sao Paulo. He worked as an art director and set director at several Brazilian television networks during his career including Rede Bandeirantes, Rede Globo, Rede Tupi and Rede Excelsior. He was the head art director of the Rede Globo television news magazine, ''Fantástico'', designing many of the sets and the overall look of the show. In theater, Del Nero worked at the Theatro Municipal of São Paulo and the Teatro Brasileiro de Comédia, collaborating with well-known figures within the Brazilian theater community, including Cacilda Becker, Bibi Ferreira, Antônio Abujamra and Gianfrancesco Guarnieri. In 1962 he was awarded with Prêmio Saci. Cyro Del Nero ...
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Caspar Neher
Caspar Neher (born Rudolf Ludwig Caspar Neher; 11 April 1897 – 30 June 1962) was an Austrian-German scenographer and librettist, known principally for his career-long working relationship with Bertolt Brecht. Neher was born in Augsburg. He and Brecht were school friends who were separated for a time by the First World War, during which Neher was awarded the Iron Cross, Second Class (on 2 February 1918). In 1919, he studied under Angelo Jank at the Academy of Fine Arts, Munich. He was first engaged professionally by the Munich Kammerspiele in 1922, although his designs for its production of Brecht's ''Drums in the Night'' were rejected.Willett (1986, 119). On 18 August 1923, Neher married Erika Tornquist in Graz. Their son, Georg, was born on 14 October 1924.Willett (1986, 120). In autumn of 1926, Neher became the staff designer at the Berlin Staatstheater. A year later, he became head of design at the Grillo-Theater in Essen, Germany, where he designed 8 operas and 11 pla ...
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Barry Kay
Barry Kay (1932 – 1985) was an Australian stage and costume designer of international renown. After having studied painting at the Académie Julian in Paris and theatre design in Melbourne, he settled in London in 1956. In the course of his career, lasting almost four decades, he designed for the ballet, opera and theatre alike, working with established directors and choreographers at major theatres and opera houses and their companies worldwide. Kay's emphasis lay in pioneering three-dimensional stage set designs for the ballet. By breaking away from the traditional use of "flat wings" scenery, in designing for the theatre he expanded on the revolutionary ideas of the Russian Constructivists and the Italian Futurists in the early part of the 20th century. Among others, he designed for the choreographers Walter Gore, Peter Darrell, Kenneth MacMillan and Rudolf Nureyev, as well as for ballet companies such as Western Theatre Ballet (now Scottish Ballet), The Royal Ballet ...
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Antony McDonald
Antony McDonald is a British opera and theatre designer and director. In 2013, McDonald won the Set Design Award at the International Opera Awards. He won the Golden Mask for best costume design in a musical production (Russia) for '' L'Enfant et les Sortileges'' at the Bolshoi Moscow, and the Irish Times ''The Irish Times'' is an Irish daily broadsheet newspaper and online digital publication. It launched on 29 March 1859. The editor is Ruadhán Mac Cormaic. It is published every day except Sundays. ''The Irish Times'' is considered a newspaper ... Best Costume design award for Gerald Barry's opera ''The Importance of Being Earnest''. References {{DEFAULTSORT:McDonald, Antony Living people British theatre people Year of birth missing (living people) ...
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Alison Chitty
Alison Chitty (born 16 October 1948) is an Olivier Award winning production designer and set and costume designer, known for her collaborations with Mike Leigh, Francesca Zambello, Peter Gill and Sir Peter Hall. She is also the Director of the Motley Theatre Design Course, a successor to Motley Theatre Design Group. Both organisations included Margaret Harris as one of their founders. She studied at Saint Martin's School of Art and the Central School of Art and Design,National Life Stories: An Oral History of British Theatre Design: Sound Archive catalogue reference number: C1173
British Library. Accessed September 2013.
and subsequently was resident at the
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Alexandre Benois
Alexandre Nikolayevich Benois (russian: Алекса́ндр Никола́евич Бенуа́, also spelled Alexander Benois; ,Salmina-Haskell, Larissa. ''Russian Paintings and Drawings in the Ashmolean Museum''. pp. 15, 23-24. Published by Ashmolean Museum, 1989 Saint Petersburg9 February 1960, Paris) was a Russian artist, art critic, historian, preservationist and founding member of ''Mir iskusstva'' (World of Art), an art movement and magazine.Owen, Bobbi. ''Costume Design on Broadway: Designers and Their Credits, 1915-1985''. p. 19 Greenwood Press: New York, 1987 As a designer for the Ballets Russes under Sergei Diaghilev, Benois exerted what is considered a seminal influence on the modern ballet and stage design. Early life and education Alexandre was born into the artistic and intellectual Benois family, prominent members of the 19th- and early 20th-century Russian intelligentsia. His mother Camilla (Russian: Камилла Альбертовна Кавос, and then ...
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Boris Aronson
Boris Aronson (October 15, 1898 – November 16, 1980) was an American scenic designer for Broadway and Yiddish theatre. He won the Tony Award for Scenic Design six times in his career. Biography The son of a Rabbi, Aronson was born in Kiev, in the Russian Empire (in present-day Ukraine), and enrolled in art school during his youth. Aronson became an apprentice to the designer Aleksandra Ekster, who introduced him to the directors Vsevolod Meyerhold and Alexander Tairov, who influenced him. These three theatre and art veterans were advocates of the Constructivist school in Russia, as opposed to Stanislavski's form of Realism, and they convinced Aronson to embrace the Constructivist style. Aronson worked for some years in Moscow and Germany. In Berlin he exhibited at the seminal Van Diemen Gallery "First Exhibition of Russian Art", alongside the Constructivists El Lissitzky and Naum Gabo, which introduced Constructivism to the West. He wrote two books in Berlin, on Marc Cha ...
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Adolphe Appia
Adolphe Appia (1 September 1862 – 29 February 1928), son of Red Cross co-founder Louis Appia, was a Swiss architect and theorist of stage lighting and décor. Early life Adolphe Appia was raised in Geneva, Switzerland, in a "strictly Calvinistic home".:7 He attended boarding school at the Collège de Vevey starting in 1873 at the age of 11, where he remained until 1879.:7 He saw his first professional theatre production at the age of 16, when he attended a production of Charles Gounod's ''Faust''.:8 He studied music at the Leipzig Conservatory (1882–83) and at a music school in Dresden (1886–90).:8 Career Appia is best known for his many scenic designs for Wagner’s operas.:7 He rejected painted two-dimensional sets for three-dimensional "living" sets because he believed that shade was as necessary as light to form a connection between the actor and the setting of the performance in time and space. Through the use of control of light intensity, colour and manipulation ...
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Property Master
The property master, often called the prop(s) master, is an artistic and organizational employee in a film, television or theatrical production who is responsible for purchasing, acquiring, manufacturing, properly placing, and/or overseeing any props needed for a production. The property master also works with other members of the production managing the physical appearance of the stage or set; for example, they might work with the script supervisor to maintain set continuity. The property master is on staff during preproduction, develops the stylistic concept of the physical production, then continues on as a member of the physical shooting/production crew. A person responsible for purchasing the props can be called a props buyer or production buyer. Role During preproduction, the props master develops a props breakdown. This is essentially mapping out the logical progression of each prop throughout the story. In film and television productions the props master maintains the lo ...
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