Bodley Codex
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The Codex Bodley is an important
pictographic A pictogram, also called a pictogramme, pictograph, or simply picto, and in computer usage an icon An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic ch ...
manuscript and example of Mixtec historiography. It was named after the colloquial name of the
Bodleian Library The Bodleian Library () is the main research library of the University of Oxford, and is one of the oldest libraries in Europe. It derives its name from its founder, Sir Thomas Bodley. With over 13 million printed items, it is the second- ...
, where it has been stored since the 17th century.


History

While the exact date of its creation is difficult to establish, judging from its content and style, it was completed before the 1521 Spanish conquest of Mexico. The history of the Codex Bodley before becoming part of the Bodleian Library's collection at the beginning of the 17th century is not known.
J. Eric Thompson Sir John Eric Sidney Thompson (31 December 1898 – 9 September 1975) was a leading English Mesoamerican archaeologist, ethnohistorian, and epigrapher. While working in the United States, he dominated Maya studies and particularly the study o ...
, British archaeologist and Mayan expert, has suggested that the manuscript's previous owner was Bishop Heronymous Osorius of Faro, Portugal. The codex may have been looted by Robert Devereux, 2nd Earl of Essex, and given to his friend Thomas Bodley in the sixteenth century. The Bodleian Library holds four other Mesoamerican codices: Codex Laud, Codex Mendoza, Codex Selden and the Selden Roll.


Description

The codex is made of deerskin that is 6.7 metres or 22 feet long. The animal skin was folded
accordion Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed ...
style to form the distinct pages. Each page was then covered with a white base paint coat and then divided with red bands that extend horizontally. The obverse has five bands while the reverse is only divided into four. The condition of the codex has faded over time with many of the pages missing parts of the pictography.


Reading the codex

The manuscript can be read from right to left on two sides; the obverse and the reverse. The obverse consists of pages 1 through 20 while the reverse starts on page 40 and finishes on page 21. The obverse ends with a genealogy and names Lord Four Deer as the last lord of the Tilantongo dynasty. On the other hand, Page 21 of the reverse names Lord Eight Grass as being the last king of Tiaxiaco. Eight Grass's name-glyph is at bottom center, above the 9-Deer glyph (photo).


Genealogy

The Codex Bodley offers a relatively complete review of family relationships among the dynasties of the main '' cacicazgos'' (community kingdoms) in the Mixteca Alta region. This information is indispensable for anyone studying Mixtec
kinship In anthropology, kinship is the web of social relationships that form an important part of the lives of all humans in all societies, although its exact meanings even within this discipline are often debated. Anthropologist Robin Fox says that ...
, policies around marital alliances, and peer polity interaction.Jansen, Maarten E. R. G. N (2001). "Bodley, Codex." In Davíd Carrasco
The Oxford Encyclopedia of Mesoamerican Cultures
'. : New York : Oxford University Press.
Academic interest in the codex has focused on the Tilantongo and Tiaxiaco dynasties depicted on both sides of the manuscript, who once lived in the modern day Mexican State of Oaxaca. In 1949, the archaeologist Alfonso Caso was able to determine the primary line of descent for the royal family of Tilantongo and how the family affected Teozacoalco after the creation sagas that are described in the story of War of Heaven and Eight Deer stories. The Tilantongo people had an isolated past but the story of Eight Deer story provides a direct connection to the highest ranked dynasty in Mixteca. The reverse of the ''Codex Bodley'' tells the story from a different angle. It starts off by describing Apoala as a creation place (in contrast to Achiutla in the obverse). It goes on to describe the royal house of the Red and White Bundle after the War of Heaven. This is the rival family to the Tilantongo. Four Wind's biography is then used to connect a remote past that the family of the Red and White Bundle had to the promising future of Tiaxiaco.


Gallery

File:Codex Bodley (2).jpg, Other pages of the Bodley Codex on display at the Bodelian Library File:Codex Bodley (3).jpg, File:Codex Bodley (4).jpg,


References


Pohl, John. "FAMSI - John Pohl's - Ancient Books - Mixtec Group Codices - Codex Bodley." FAMSI - John Pohl's - Ancient Books - Mixtec Group Codices - Codex Bodley. Foundation for the Advancement of Mesoamerica Studies Inc, n.d. Web. 17 November 2013.


External links

{{commons category

Timeline of Mexico, 1000–1400 AD
MS Mex. d. 1
Images available on Digital Bodleian
MS Mex. d. 1
In the Bodleian Libraries catalogue of Medieval Manuscripts 16th-century books Bodley, Codex Bodleian Library collection