Giuseppe Riccardo "Beppe" Devalle (8 April 1940 – 4 February 2013) was an Italian

painter Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ...

and

collagist Collage (, from the french: coller, "to glue" or "to stick together";) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an Assemblage (art), assemblage of different forms, thus creat ...

, acknowledged as one of the most interesting and highly appreciated artists of the last few decades of Italian painting. He always refuted the prevailing trends of the day so as to create and distinguish his own individual style: this may explain why Devalle has often been overlooked and placed as something of an outsider. He has been known as a master of photomontage and defined as a creator of the 'New Epic Italian style'.

Early life and experiences

Devalle was born in

Turin Turin ( , Piedmontese language, Piedmontese: ; it, Torino ) is a city and an important business and cultural centre in Northern Italy. It is the capital city of Piedmont and of the Metropolitan City of Turin, and was the first Italian capital ...

on 8 April 1940. During the war his family first evacuated to

Cherasco Cherasco is a ''comune'' (municipality) in the Province of Cuneo in the Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian ...

, the birthplace of his paternal grandparents, and then to

Lanzo Torinese Lanzo Torinese (''Lans'' in Piedmontese and arpitan) is a ''comune'' (municipality) in the Metropolitan City of Turin, region of Piedmont, northwestern Italy. It is located about northwest of Turin at the mouth of the Valli di Lanzo. History L ...

, from 1943-1945. On returning to Turin in 1945, he attended elementary and then secondary school without much enthusiasm. In 1955 he was admitted to the Liceo Artistico dell’ Accademia Albertina, after having studied all summer with the Casoni brothers, on the advice of

Felice Casorati Felice Casorati (December 4, 1883 – March 1, 1963) was an Italian painter, sculptor, and printmaker. The paintings for which he is most noted include figure compositions, portraits and still lifes, which are often distinguished by unusua ...

, whom he had met through common friends of his parents. During the years of his attendance at the Liceo, he came in contact with the avant-garde world of contemporary art, thanks to his acquaintance with sculptors, Sandro Cherchi and Franco Garelli. He frequented the USIS Library in Turin, and in 1958 he went to the

PAC Pac or PAC may refer to: Military * Rapid Deployment Force (Malaysia), an armed forces unit * Patriot Advanced Capability, of the MIM-104 Patriot missile * Civil Defense Patrols (''Patrullas de Autodefensa Civil''), Guatemalan militia and paramili ...

Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...

, to see the exhibition of American painting; a visit which marked the beginning of his interest in Gorky and particularly in

abstract expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...

. In 1958 he was admitted to the annual ''Promotrice delle Belle Arti'' in Turin. He completed his diploma at the Liceo and then, for a few years, worked as a cost estimator in his father's firm, which specialised in metal structural work. At the same time, he enrolled in the Accademia Albertina, taking a course in

stage design Scenic design (also known as scenography, stage design, or set design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained ...

. The first outcome of this decision was his coming into contact with the thinking and aesthetics of contemporary theatre ( Beckett, Ionesco, Albee, etc.).

Career

Beginnings 1961–72

In 1961, in an exhibition with Gianluigi Mattia, he exhibited large-scale works at the Circolo degli Artisti. In the same year,

Holden Caulfield Holden Caulfield (identified as "Holden Morrisey Caulfield" in the story "Slight Rebellion Off Madison" , and "Holden V. Caulfield" in ''The Catcher In The Rye'') is a fictional character in the works of author J. D. Salinger. He's most famous ...

—the protagonist of

J. D. Salinger Jerome David Salinger (; January 1, 1919 January 27, 2010) was an American author best known for his 1951 novel ''The Catcher in the Rye''. Salinger got his start in 1940, before serving in World War II, by publishing several short stories in '' ...

's ''

The Catcher in the Rye ''The Catcher in the Rye'' is an American novel by J. D. Salinger that was partially published in serial form from 1945–46 before being novelized in 1951. Originally intended for adults, it is often read by adolescents for its themes of angst ...

''—became his favorite and ideal character is a series of pastels, along with ''Alice in Wonderland'' by

Lewis Carroll Charles Lutwidge Dodgson (; 27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English author, poet and mathematician. His most notable works are ''Alice's Adventures in Wonderland'' (1865) and its sequel ...

during 1962–63. In 1963, Bompiani Almanac (dedicated to American Pop Art), the exhibition held at the gallery Il Punto of Remo Pastori and Gianenzo Sperone, and above all, the friendship with Michelangelo Pistoletto, spurred him to make direct use of photographic images. In particular, he used the pages of magazines like ''Look'', ''Life'', ''L'Espresso'', and '' Paris Match'', in which enquiries, documentaries, and ads all co-existed; anticipating television, which was still structured along theatrical lines. Thus he created his first

photomontages Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. Sometimes the resulting composite image is photographed so that the final image ...

. In 1963 he graduated from Accademia Albertina and was immediately invited to various important exhibits, among which ''Alternative attuali''; L'Aquila; the Tokyo Biennale; and the museum of Ixelles, Brussels. In 1964 his ''Alice in Wonderland'' sheets and his large scale acrylic-Pop painting are on a Solo Exhibition at the prestigious Galleria Galatea of Turin, under the curation of Luigi Carluccio. In the following years, Devalle took part in the first ''Mostra Mercato'' held in the halls of the Palazzo Strozzi in Florence, and in 1965 another Solo Exhibition at the Galleria Milano, Milan, where he exhibited a new series of acrylic and coloured pencil works. In those years Devalle also received various prizes, among which: the Città di Torino Giovani, the F.P. Michetti Prize (1963–64), the Città di Spoleto Prize (1963), and the San Fedele Prize (1966). In 1965 he was a guest of the XXXIII

Venice Biennale The Venice Biennale (; it, La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of ...

by Nello Ponente. In the same year he started to paint the ''Room-Landscapes'' (paesaggi-stanza), placing extensions of the paintings—parallelepipeds, tetrahedrons, and pyramids—next to canvases in order to modify the apparent placement of the painting, putting it in relation to the room containing it. In 1967, he took part in the touring ''Salone Internazionale dei Giovani'' organised by the PAC, and curated by Guido Ballo. He presented these large scale tridimensional acrylic painting in a series of important one-man exhibitions: at the Studio d'Arte Condotti in Rome; at the Galleria Blu in Milan; at the La Nuova Loggia in Bologna; and at Christian Stein, Turin. This period concluded with the exhibition of his last "room-works" at the XXXVI Venice Biennale in 1972.

Photomontages 1972–83

In the late 1960s Devalle put aside large-scale works and acrylic colours and began to work with photomontages. He used pictures taken from fashion magazines, instead of from news magazines as in his works of 1963–1969. Through rigorous use of geometry, Devalle explored the faces and figures he appropriated from magazines, to produce new structural frameworks, the results of which Devalle called "real surprises". Invited by Renato Barilli, Tommaso Trini and Maurizio Calvesi, he participated in ''Gennaio '70'', the Biennale of young Bolognese artists; in ''Arte e Critica'', in

Modena Modena (, , ; egl, label=Emilian language#Dialects, Modenese, Mòdna ; ett, Mutna; la, Mutina) is a city and ''comune'' (municipality) on the south side of the Po Valley, in the Province of Modena in the Emilia-Romagna region of northern I ...

, following a recommendation by Renato Barilli; in ''Environment'', a documentary show organized by the Italian section of

UNESCO The United Nations Educational, Scientific and Cultural Organization is a specialized agency of the United Nations (UN) aimed at promoting world peace and security through international cooperation in education, arts, sciences and culture. It ...

in Paris ("Farfalla Night!", 1970, "Greta Garbo Galà", 1971). After an empirical beginning, which lasted from 1963 to 1970, Devalle began to utilize geometry in a much more systematic way, for executional precision and truth in design obsessed him. Along with this work with photography there appeared tables that developed the creative process—real diaries of the sequence. Orthogonals, diagonals, and curves became autonomous subjects and in themselves created "effective surprises" ("Dal quadrato al cerchio", 1974, "Cinque quadrate in un quadrato", 1973). In 1973 he held the chair of Theory of Perception at the Accademia Albertina in Turin. His works were shown by Daniela Palazzoli and Luigi Carluccio at the exhibition ''Combattimenti per una imagine'' at the Modern Art Gallery of Turin. This participation presented Devalle in an international framework, putting him in contact with other artists experimenting with the manipulation of photography such as Robert Heinechen and John Baldessari. In 1975 the fashion images of the illustrated magazines were for the most part replaced by snapshots taken by himself or photographs of his family, of which photocopies were then made (that very same year, photocopying became a commercialised service in Italy). This latter work led him to use graphite and charcoal instead of the previous India ink-rotogravure combination. Carbon was not only the surrogate of the toner used in photocopying machines, but at the same time the "historical" material utilised in operations involving the transformation and integration of a photocopied image. The photographic transfers used in the beginning as a quick solution for everyday duplications—temporary phases on glossy paper or on PVC—made Devalle realize that those "designs" were not only measurable shapes and transfers, but also "ready", autonomous, and definitive results. In 1976 he was appointed chair of Theory of Perception at the Brera Academy in Milan where he relocated in 1979. He became regular Professor of Painting in 1980.
Life drawing lessons
In 1979 Regione Piemonte dedicated to him his first anthological exhibition, edited by Paolo Fossati, Maria Cristina Gozzoli, Marco Rosci and Paride Chiapatti, at Palazzo Chiablese in Turin. In 1982 he was guest of the

and of the London

Hayward Gallery The Hayward Gallery is an art gallery within the Southbank Centre in central London, England and part of an area of major arts venues on the South Bank of the River Thames. It is sited adjacent to the other Southbank Centre buildings (the Roy ...

with the exhibition "Italian Art 1960–1982".

Return to life drawing 1983–90

Suddenly, towards the end of 1983, Devalle dropped photography, which he had begun to find too restrictive a partner and reverted to drawing with a model, recovering pre-avant-garde historical movements working techniques, thus trying to find his personal position between traditional and modernity. He then began a new cycle of work: ''Ritratti'' (portraits) and ''Nature morte'' (still-lives) from life, executed in coloured pencils and pastel crayons. In 1983 he had a solo exhibition at the Galleria Lorenzelli. From 1985 to 1987 he made the designs for the ''Cultura'' inserts of the ''

Corriere della Sera The ''Corriere della Sera'' (; en, "Evening Courier") is an Italian daily newspaper published in Milan with an average daily circulation of 410,242 copies in December 2015. First published on 5 March 1876, ''Corriere della Sera'' is one of It ...

'', the Milanese daily. In 1986 he was guest of the XV

Quadriennale di Roma The Rome Quadriennale (Italian: ''Quadriennale di Roma'', also called in English the ''Rome Quadrennial'') is a foundation for the promotion of contemporary Italian art. Its name derives from the four-yearly exhibitions it is required to host by ...

with a Solo Exhibition. In 1987 he exhibited at the Feltrinelli Bookshop in Milan and, in 1988 at the Galleria Documenta of Turin and at the Galleria Nuova, Bologna.

Contemporary icons and large formats 1990–2000

The early 1990s found Devalle enriched by his experiences in designing from life (1983–1989). He returned to using photographs and collages, as a new way of creating stories; a process which was also strongly influenced by the experience he had gained working for the ''Corriere della Sera''. The photomontages were studies that would later give him new ideas for large-scale canvases. In 1992 he transferred his studio to Pessano, an industrial site in Brianza. In the same year, Paolo Biscottini organized his second anthological exhibition at the Serrone di Villa Reale in Monza, with a catalogue tracing his artistic progress starting from the sixties (the catalogue is edited with Dario Trento, Maria Mimita Lamberti for Edizioni Charta, Milan). During those years Devalle painted on big-scale canvases choosing his subjects amongst iconic figures taken from contemporary history, such as

Ayatollah Khomeini Ruhollah Khomeini, Ayatollah Khomeini, Imam Khomeini ( , ; ; 17 May 1900 – 3 June 1989) was an Iranian political and religious leader who served as the first supreme leader of Iran from 1979 until his death in 1989. He was the founder of ...

and the writer

Salman Rushdie Sir Ahmed Salman Rushdie (; born 19 June 1947) is an Indian-born British-American novelist. His work often combines magic realism with historical fiction and primarily deals with connections, disruptions, and migrations between Eastern and Wes ...

(in the Solo Exhibition at the Galleria Lorenzelli, Milan 1992), and events from crime news, such as the murder of the tourist Barbara Meller in Miami (''A Tourist Trap'', edited by Marco Rosci, with text by Giulio Palmieri, Edizioni Charta, 1994; in his solo exhibition at the ''Circolo degli Artisti'', Turin 1995, edited by Marco Rosci). The solo exhibition of 1996, ''Nomi Blasfemi'', edited by Maria Mimita Lamberti and presented at the Palazzo Massari in Ferrara and curated by Maria Mimita Lamberti, showed collages and paintings that represented some topical characters through holy texts and pictorial tradition. In 1997 Devalle left the Chair of Painting at the Brera Academy and moved to New York, for the first of a long series of journeys to the United States. In 1998, "Monaci", edited by Dario Trento, was on exhibition the Murazzi del Po, Turin. A monographic volume on the collages of the 1970s was published in 1998 by Allemandi Editore and edited by Maria Mimita Lamberti: "DEVALLE: Photomontages 1968–1983". In 1999 he moved from Queens to Manhattan. In the summer of the same year Devalle exhibited the fifty one-collages of the "STAMP-OUT" cycle, edited by Dario Trento, at the Salara of Bologna.

Last act 2000–2013

In the summer of 2002, Devalle produced the volume ''US'' with Giulio Palmieri and Nicoletta Vallorani, dedicated to the paintings realized in the United States. In 2003 he returned to Italy. ''Fame'' (2004), curated by Giovanni Romano, followed the earlier "STAMP-OUT" and "US", featuring the artist's stories and obsessions. In April 2006 the Modern Art Gallery (GAM) of Turin exhibited three large canvases ("Salvatore" 1995, "Nasdaq", 2000–01, "Pierrot and Arlequin", 2003) purchased by the De Fornaris Foundation. In the summer of 2007, Devalle exhibited, at the Museo Diocesano in Milan, ''Happy Times'', one of the 14 paintings dedicated to the theme of suicide in the cycle ''For''. In April 2008 the library of the Brera Academy hosted an anthological exhibition showcasing selected collages created between 1962 and 2007. During the summer of 2008, the Museo Diocesano staged the exhibition ''You are my destiny'', that presented a selection of large-scale canvases of the series ''For'' and ''Beauty'' and a number of portraits and studies of smaller dimensions. The catalogue of this exhibition (edition Silvana) collects essays by Carlo Bertelli, Paolo Biscottini, Flavio Fergonzi, Maria Mimita Lamberti, Giovanni Romano and Dario Trento. In 2012, thirteen collages of the 1960s, selected by Flavio Fergonzi, were showcased in the exhibition ''Beppe Devalle, Collages of the Sixties'' by the

Museo del Novecento The Museo del Novecento ("museum of the twentieth century") is a museum of twentieth-century art in Milan, in Lombardy in northern Italy. It is housed in the Palazzo dell'Arengario, near Piazza del Duomo in the centre of the city. The muse ...

br>Video ExhibitRai News
On 4 February 2013, Beppe Devalle died in Milan after suffering a long illness. On 15 May 2013, the Brera Academy commemorated the artist with a conference named ''L'arte è violenta come la vita'' ("Art is as violent as life"
Interview RAI
During the time the

of Milan remembered the artist with a temporary exhibition one of his most recent works, the large-scale painting ''Guardandovi''.

Selected exhibitions

*1961:

Torino Turin ( , Piedmontese: ; it, Torino ) is a city and an important business and cultural centre in Northern Italy. It is the capital city of Piedmont and of the Metropolitan City of Turin, and was the first Italian capital from 1861 to 1865. T ...

, Circolo degli Artisti *1963:

L'Aquila L'Aquila ( , ) is a city and ''comune'' in central Italy. It is the capital city of both the Abruzzo region and of the Province of L'Aquila. , it has a population of 70,967 inhabitants. Laid out within medieval walls on a hill in the wide valle ...

, "Alternative attuali" *1963: Biennale di Tokyo *1964:

Brussels Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Bruss ...

, Museum of Ixelles, "Phases" *1965:

, Galleria Milano *1965:

, "Alternative attuali" *1966: XXXIII Biennale di Venezia, curated by Nello Ponente *1967:

, PAC, "Salone internazionale dei giovani", curate by

Guido Ballo Guido is a given name Latinised from the Old High German name Wido. It originated in Medieval Italy. Guido later became a male first name in Austria, Germany, the Low Countries, Scandinavia, Spain, Portugal, Latin America and Switzerland. The me ...

*1967:

, "Alternative attuali" *1970:

Bologna Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nat ...

, Biennale dei giovani artisti, curated by

Renato Barilli Renatus is a first name of Latin origin which means "born again" (natus = born). In Italian, Portuguese and Spanish it exists in masculine and feminine forms: Renato and Renata. In French they have been translated to René and Renée. Renata is a ...

, Tommaso Trini and

Maurizio Calvesi Maurizio Calvesi (born 1954) is an Italian cinematographer. Born in Rome, Calvesi began his career in 1977 as a camera operator before debuting as cinematographer in 1990. In 1992 he won a special Ciak d'oro for his work in Aurelio Grimaldi's ' ...

*1972: XXXVI Biennale di Venezia *1972: Quadriennale d'Arte di Roma *1979:

, Palazzo Chiablese *1982: XLI Biennale di Venezia *1982:

London London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ...

, "Arte Italiana 1960-1982" *1986: XV Quadriennale di Roma *1992:

Monza Monza (, ; lmo, label=Lombard language, Lombard, Monça, locally ; lat, Modoetia) is a city and ''comune'' on the River Lambro, a tributary of the Po River, Po in the Lombardy region of Italy, about north-northeast of Milan. It is the capit ...

, Serrone di Villa Reale * 1995: Torino, Circolo degli Artisti, Palazzo Graneri della Roccia, a cura di Marco Rosci. *1996:

Ferrara Ferrara (, ; egl, Fràra ) is a city and ''comune'' in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream ...

, Palazzo dei Diamanti, curated by Maria Mimita Lamberti *2006:

, Galleria di Arte Moderna *2008:

, Museo Diocesano, "You are my destiny", curated by Paolo Biscottini *2008:

Accademia di Brera The Accademia di Belle Arti di Brera ("academy of fine arts of Brera"), also known as the or Brera Academy, is a state-run tertiary public academy of fine arts in Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, ca ...

*2012:

, "Beppe Devalle: Collages of the Sixties", curated by Flavio Fergonzi

Recent bibliography

* Catalogo onlin
Artgate
della

Fondazione Cariplo Fondazione Cariplo is a charitable foundation in Milan, Italy. It was created in December 1991 when the Amato law, Law no. 218 of 30 July 1990, came into force. Under this law, saving banks were required to separate into a not-for-profit found ...

, 2010, CC-BY-SA. *"Devalle. You are my destiny. Dipinti 2001-2008", Silvana Editoriale 2008. Testi di: Carlo Bertelli, Paolo Biscottini, Flavio Fergonzi, Maria Mimita Lamberti, Gianni Romano, Dario Trento *"Fame by Devalle", Segno e Progetto, Torino 2004. A cura di Gianni Romano *"US by Devalle", Segno e Progetto, Torino 2002. A cura di Nicoletta Vallorani *"Stamp Out by Devalle", Segno e Progetto, Torino 1999. A cura di Dario Trento *"Devalle. Fotomontaggi 1968-1983", Umberto Allemandi Editore, Torino 1998. Testi di: Maria Mimita Lamberti, Dario Trento *"Devalle. Nomi blasfemi", Edizioni Palazzo dei Diamanti, Ferrara 1996. A cura di Maria Mimita Lamberti *"Devalle", Charta, Milano-Firenze 1992. Testi di: Paolo Biscottini, Maria Mimita Lamberti, Dario Trento * "Santi Profeti Martiri" Edizioni Charta Torino 1995. A cura di Marco Rosci

References

External links

Beppe Devalle, sito ufficialeArtist websiteCatalogues

Videos

Beppe Devalle RAI news Museo del Novecento

Beppe Devalle Life Drawing Lessons Brera Academy

Beppe Devalle, series "FOR"

Beppe Devalle RAI Interview "Art is as Violent as Life"

Beppe Devalle Collages of the Sixties

{{DEFAULTSORT:Devalle, Beppe 20th-century Italian painters Italian male painters Italian contemporary artists Collage artists 1940 births 2013 deaths Artists from Turin Accademia Albertina alumni 20th-century Italian male artists