Ballets By Walter Piston
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Walter Hamor Piston, Jr. (January 20, 1894 – November 12, 1976), was an American
composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Defi ...
of
classical music Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also ...
, music theorist, and professor of music at Harvard University.


Life

Piston was born in Rockland, Maine at 15 Ocean Street to Walter Hamor Piston, a bookkeeper, and Leona Stover. He was the second of four children. Although his family was mainly of English origin, his paternal grandfather was a sailor named Antonio Pistone, who changed his name to Anthony Piston when he came to Maine from
Genoa, Italy Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Regions of Italy, Italian region of Liguria and the List of cities in Italy, sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of t ...
. In 1905 the composer's father, Walter Piston Sr, moved with his family to Boston, Massachusetts. Walter Jr first trained as an engineer at the Mechanical Arts High School in Boston, but was artistically inclined. After graduating in 1912, he enrolled in the
Massachusetts Normal Art School Massachusetts College of Art and Design, branded as MassArt, is a public college of visual and applied art in Boston, Massachusetts. Founded in 1873, it is one of the nation’s oldest art schools, the only publicly funded independent art school ...
, where he completed a four-year program in fine art in 1916. During the 1910s, Piston made a living playing piano and violin in dance bands and later playing violin in orchestras led by
Georges Longy Georges Longy (1868 – 1930) was a French-born oboist, conductor and composer. He is the founder of Longy School of Music. Personal life Longy was born in Abbeville, France on August 29, 1868.Jeskalian, Barbar"Georges Longy" retrieved on 24 Octobe ...
. During World War I, he joined the U.S. Navy as a band musician after rapidly teaching himself to play saxophone; he later stated that, when "it became obvious that everybody had to go into the service, I wanted to go in as a musician". While playing in a service band, he taught himself to play most wind instruments. "They were just lying around," he later observed, "and no one minded if you picked them up and found out what they could do". Piston was admitted to Harvard College in 1920, where he studied counterpoint with Archibald Davison, canon and fugue with Clifford Heilman, advanced harmony with
Edward Ballantine Edward Ballantine (August 6, 1886 – July 2, 1971), was an American composer and professor of music. Biography Edward Ballantine was born in Oberlin, Ohio, on August 6, 1886, the son of William Gay Ballantine, the fourth president of Oberlin Col ...
, and composition and music history with
Edward Burlingame Hill Edward Burlingame Hill (September 9, 1872 in Cambridge, Massachusetts – July 9, 1960 in Francestown, New Hampshire) was an American composer. Career After graduating from Harvard University in 1894, Hill studied music in Boston with John Knowl ...
. He often worked as an assistant for various music professors there, and conducted the student orchestra. In 1920, Piston married artist Kathryn Nason (1892–1976), who had been a fellow student at the Normal Art School. The marriage lasted until her death in February 1976, a few months before his own. On graduating
summa cum laude Latin honors are a system of Latin phrases used in some colleges and universities to indicate the level of distinction with which an academic degree has been earned. The system is primarily used in the United States. It is also used in some Sou ...
from Harvard, Piston was awarded a John Knowles Paine Traveling Fellowship. He chose to go to Paris, living there from 1924 to 1926. At the Ecole Nationale de Musique in Paris, he studied composition and counterpoint with Nadia Boulanger, composition with Paul Dukas and violin with George Enescu. His ''Three Pieces for Flute, Clarinet and Bassoon'' of 1925 was his first published score. He taught at Harvard from 1926 until his retirement in 1960. His students include Samuel Adler, Leroy Anderson, Arthur Berger,
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William P. Perry William P. Perry (born 1930 in Elmira, New York) is an American composer and producer of television and film. His music has been performed by the Chicago Symphony, the Saint Louis Symphony, the Detroit Symphony and the symphonic orchestras of Cin ...
. In 1936, the Columbia Broadcasting System commissioned six American composers ( Aaron Copland, Louis Gruenberg, Howard Hanson, Roy Harris,
William Grant Still William Grant Still Jr. (May 11, 1895 – December 3, 1978) was an American composer of nearly two hundred works, including five symphonies, four ballets, nine operas, over thirty choral works, plus art songs, chamber music and works fo ...
and Piston) to write works for broadcast on CBS radio. Piston wrote his Symphony No. 1 and conducted its premiere with the
Boston Symphony Orchestra The Boston Symphony Orchestra (BSO) is an American orchestra based in Boston, Massachusetts. It is the second-oldest of the five major American symphony orchestras commonly referred to as the " Big Five". Founded by Henry Lee Higginson in 1881, ...
on April 8, 1938. Piston's only dance work, ''
The Incredible Flutist ''The Incredible Flutist'' is a ballet composed by Walter Piston in 1938, his only composition for the stage. The ballet received its premiere by the Boston Pops under Arthur Fiedler on May 30 of that year. The libretto, written by Piston and Han ...
'', was written for the Boston Pops Orchestra, which premiered it with Arthur Fiedler conducting on May 30, 1938. The dancers were Hans Weiner and his company. Soon after, Piston arranged a concert suite including "a selection of the best parts of the ballet." This version was premiered by Fritz Reiner and the
Pittsburgh Symphony Orchestra The ''Pittsburgh Symphony Orchestra'' (''PSO'') is an American orchestra based in Pittsburgh, Pennsylvania. The orchestra's home is Heinz Hall, located in Pittsburgh's Cultural District, Pittsburgh, Cultural District. History The Pittsburgh Sy ...
on November 22, 1940. Leonard Slatkin and the
St. Louis Symphony Orchestra The St. Louis Symphony Orchestra is an American symphony orchestra based in St. Louis, Missouri. Founded in 1880 by Joseph Otten as the St. Louis Choral Society, the St. Louis Symphony Orchestra (SLSO) is the second-oldest professional symphony or ...
included the suite in a 1991
RCA Victor RCA Records is an American record label currently owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America. It is one of Sony Music's four flagship labels, alongside RCA's former long-time rival Columbia Records; also Aris ...
CD recording that also featured Piston's ''
Three New England Sketches ''Three New England Sketches'' by Walter Piston is a symphonic suite dating from 1959. History The ''Sketches'' were commissioned by the Worcester County Musical Association for its 100th Annual Music Festival, and the cycle is dedicated to the c ...
'' and Symphony No. 6. Piston studied the twelve-tone technique of
Arnold Schoenberg Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was as ...
and wrote works using aspects of it as early as the Sonata for Flute and Piano (1930) and the First Symphony (1937). His first fully twelve-tone work was the ''Chromatic Study on the Name of Bach'' for organ (1940), which nonetheless retains a vague feeling of key. Although he employed twelve-tone elements sporadically throughout his career, these become much more pervasive in the Eighth Symphony (1965) and many of the works following it: the Variations for Cello and Orchestra (1966), Clarinet Concerto (1967), ''Ricercare for Orchestra'', Fantasy for Violin and Orchestra (1970), and Flute Concerto (1971). In 1943, the Alice M. Ditson fund of Columbia University commissioned Piston's Symphony No. 2, which was premiered by the
National Symphony Orchestra The National Symphony Orchestra (NSO) is an American symphony orchestra based in Washington, D.C. Founded in 1930, its principal performing venue is the John F. Kennedy Center for the Performing Arts. It also performs for the annual National Mem ...
on March 5, 1944 and was awarded a prize by the New York Music Critics' Circle. His next symphony, the Third, earned a
Pulitzer Prize The Pulitzer Prize () is an award for achievements in newspaper, magazine, online journalism, literature, and musical composition within the United States. It was established in 1917 by provisions in the will of Joseph Pulitzer, who had made h ...
, as did his Symphony No. 7. His Viola Concerto and String Quartet No. 5 also later received Critics' Circle awards. Piston was awarded the Edward MacDowell Medal for his outstanding contribution to the arts by the MacDowell Colony in 1974. Piston wrote four books on the technical aspects of
music theory Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (ke ...
which are considered to be classics in their respective fields: ''Principles of Harmonic Analysis'', ''Counterpoint'', ''Orchestration,'' and ''Harmony''. The last of these introduced for the first time in theoretical literature several important new concepts that Piston had developed in his approach to music theory, notably the concept of harmonic rhythm, and the
secondary dominant A secondary chord is an analytical label for a specific harmonic device that is prevalent in the tonal idiom of Western music beginning in the common practice period: the use of diatonic functions for tonicization. Secondary chords are a typ ...
. This work went through four editions in the author's lifetime, was translated into several languages, and (with changes and additions by Mark DeVoto) was still regarded as recently as 2009 as a standard harmony text. He died at his home in Belmont, Massachusetts on November 12, 1976. His library and desk are permanently exhibited in the Piston Room, at the Boston Public Library.


Works


Ballet

*''
The Incredible Flutist ''The Incredible Flutist'' is a ballet composed by Walter Piston in 1938, his only composition for the stage. The ballet received its premiere by the Boston Pops under Arthur Fiedler on May 30 of that year. The libretto, written by Piston and Han ...
'' (1938)


Orchestral

*
Symphonies A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning com ...
** Symphony No. 1 (1937) ** Symphony No. 2 (1943) ** Symphony No. 3 (1946–47) (commissioned by the Koussevitzky Foundation) ** Symphony No. 4 (1950) (composed for the 100th anniversary of the University of Minnesota) ** Symphony No. 5 (1954) ** Symphony No. 6 (1955) (composed for the 75th anniversary of the
Boston Symphony Orchestra The Boston Symphony Orchestra (BSO) is an American orchestra based in Boston, Massachusetts. It is the second-oldest of the five major American symphony orchestras commonly referred to as the " Big Five". Founded by Henry Lee Higginson in 1881, ...
) ** Symphony No. 7 (1960) ** Symphony No. 8 (1965) *''Symphonic Piece'' (1927) *Suite, for orchestra (1929) *Concerto for Orchestra (1934) *Suite from ''The Incredible Flutist'' (1940) (The suite from ''The Incredible Flutist'' was transcribed for symphonic wind ensemble by MSgt Donald Patterson and recorded by Col. Michael Colburn with "The President's Own" United States Marine Band.) *Sinfonietta (1941) *''Fugue on a Victory Tune'', for orchestra (1944) *''Variation on a Tune by Eugene Goosens'' (1944) *Suite No. 2, for orchestra (1947) *Toccata, for orchestra (1948) * Serenata for Orchestra (1956) *''
Three New England Sketches ''Three New England Sketches'' by Walter Piston is a symphonic suite dating from 1959. History The ''Sketches'' were commissioned by the Worcester County Musical Association for its 100th Annual Music Festival, and the cycle is dedicated to the c ...
'' (1959) *Symphonic Prelude (1961) *''Lincoln Center Festival Overture'' (1962) *''Variations on a Theme by Edward Burlingame Hill'' (1963) *''Pine Tree Fantasy'' (1965) *Ricercare for Orchestra (1967) *''Bicentennial Fanfare'', for orchestra (1975)


Band and brass ensemble

*''Fanfare for the Fighting French'', for brass and percussion (1942) *''Tunbridge Fair'', for symphonic band (1950) (Commissioned by the American Bandmasters Association) *''Ceremonial Fanfare'', for brass (1969) (Commissioned by the Metropolitan Museum of Art in New York to accompany its Centennial exhibition "The Year 1200")Finding aid for the George Trescher records related to The Metropolitan Museum of Art Centennial, 1949, 1960–1971 (bulk 1967–1970)
Metropolitan Museum of Art. Retrieved 6 August 2014.


Concertante


Flute

*Flute Concerto (1971)


Clarinet

* Clarinet Concerto (1967)


Harp

*
Capriccio for Harp and String Orchestra Walter Piston's Capriccio for Harp and String Orchestra, was commissioned in 1963 by Broadcast Music Incorporated on the occasion of its twentieth anniversary, and is dedicated to the harpist Nicanor Zabaleta, who premiered it in Madrid on October 1 ...
(1963)


Piano

*Piano Concertino (1937) *Concerto for Two Pianos and Orchestra (1959)


Violin

* Violin Concerto No. 1 (1939) * Violin Concerto No. 2 (1960) * Fantasia for Violin and Orchestra (1970)


Viola

*
Viola Concerto A viola concerto is a concerto contrasting a viola with another body of musical instruments such as an orchestra or chamber music ensemble. Early examples of viola concertos include Telemann's concerto in G major and several concertos by Carl St ...
(1957)


Cello

*Variations for Cello and Orchestra (1966)


Organ

*Prelude and Allegro for Organ and Strings (1943)


Other

*Fantasy for English Horn, Harp, and Strings (1953) *Concerto for String Quartet, Wind Instruments and Percussion (1976)


Chamber/Instrumental

*String quartets ** String Quartet No. 1 (1933) ** String Quartet No. 2 (1935) ** String Quartet No. 3 (1947) ** String Quartet No. 4 (1951) ** String Quartet No. 5 (1962) *Three Pieces, for flute, clarinet, and bassoon (1925) *Sonata for Flute and Piano (1930) *Suite for Oboe and Piano (1931) *Piano Trio No. 1 (1935) *Sonata for Violin and Piano (1939) * Sonatina for Violin and Harpsichord (1945) *Interlude, for viola and piano (1942) *Flute Quintet (1942) *Partita, for violin, viola, and organ (1944) *''Divertimento'', for nine instruments (1946) *Duo for Viola and Cello (1949) *Piano Quintet (1949) *Wind Quintet (1956) *Piano Quartet (1964) *String Sextet (1964) *Piano Trio No. 2 (1966) *''Souvenirs'', for flute, viola, and harp (1967) *Duo, for cello and piano (1972) *''Three Counterpoints'', for violin, viola, and cello (1973)


Piano

*Piano Sonata (1926) npublished, withdrawn*Passacaglia (1943) *''Improvisation'' (1945) *''Variation on Happy Birthday'' (1970)


Organ

*''Chromatic Study on the Name of BACH'' (1940)


Choral

*''Carnival Song'', for male chorus and brass (1938) *March (1940) *''Psalm and Prayer of David'', for mixed chorus and seven instruments (1959) *"O sing unto the Lord a new song" (Psalm 96) *"Bow down thine ear, O Lord" (Psalm 86)


Books

* ''Principles of Harmonic Analysis''. Boston: E. C. Schirmer, 1933. * ''Harmony''. New York: W. W. Norton & Company, Inc., 1941. Reprint edition (as U.S. War Dept. Education Manual EM 601), Madison, Wisconsin: Published for the United States Armed Forces Institute by W. Norton, 1944. Revised ed, New York: W. W. Norton, 1948. Third ed., 1962. Fourth ed., revised and expanded by Mark DeVoto, 1978. . 5th edition, revised and expanded by Mark DeVoto . British editions, London: Victor Gollancz, 1949, rev. ed. 1950 (reprinted 1973), 1959, 3rd ed. 1970, 4th ed. 1982. Spanish translation, as ''Armonía'', rev. y ampliada por Mark DeVoto. Barcelona: Idea Books, 2001. Chinese version of the 2nd edition, as 和声学 'He sheng xue'' trans. Chenbao Feng and Dunxing Shen. 北京 : 人民音乐出版社 : 新华书店北京发行所发行 eijing: Ren min yin yue chu ban she : Xin hua shu dian Beijing fa xing suo fa xing 1956. Revised, 北京 : 人民音乐出版社 eijing: Ren min yin yue chu ban she 1978. * ''Counterpoint''. New York: W. W. Norton, 1947. * ''Orchestration''. New York: Norton, 1955. Russian translation, as 'Оркестровка', translation and notes by Constantine Ivanov. Moscow: Soviet Composer, 1990, .


Notes


Sources

* * * * * * * * * * * * * * * * , Deane Root, editor in chief. (Subscription access). Previously published in '' The New Grove Dictionary of Music and Musicians'', 2nd edition, edited by
Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...
and John Tyrrell. London: Macmillan, 2001. * * * *


Further reading

*Greene, David Mason (1985). ''Greene's Biographical Encyclopedia of Composers''. Garden City, New York: Doubleday. . * Levin, Neil W. (2017).
Robert Strassburg (1915–2003)
.
Milken Archive of Jewish Music The Milken Archive of Jewish Music is a collection of material about the history of Jewish Music in the United States. It contains roughly 700 recorded musical works, 800 hours of oral histories, 50,000 photographs and historical documents, an ext ...
(accessed 16 June 2017). * *


External links


Art of the States: Walter Piston
{{DEFAULTSORT:Piston, Walter 1894 births 1976 deaths American male classical composers American classical composers 20th-century classical composers Ballet composers People from Rockland, Maine American people of Italian descent Harvard Graduate School of Arts and Sciences alumni Harvard University faculty Pulitzer Prize for Music winners People from Belmont, Massachusetts Burials at Mount Auburn Cemetery American classical musicians Pupils of Edward Burlingame Hill Columbia University people 20th-century American composers 20th-century American male musicians