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Symphony No. 7 (Piston)
The Symphony No. 7 by Walter Piston is a symphony dating from 1960. History Piston's Seventh Symphony was commissioned by the Philadelphia Orchestra Association, and was premiered by that orchestra, conducted by Eugene Ormandy, on February 10, 1961. The symphony was awarded a Pulitzer Prize in 1961, which was the second time for Piston—his first was in 1948 for his Third Symphony. It bears some resemblance to Piston's '' Three New England Sketches'', composed in 1959, and for this reason as well as for parallels of structure has been compared to Beethoven's ''Pastorale'' Symphony. Analysis The work is in three movements: #Con moto #Adagio pastorale #Allegro festevole When Piston was composing his Seventh Symphony, he took into account the particular sonic character of the Philadelphia Orchestra's rich string timbres, as well as the acoustics of the Philadelphia Academy of Music where it was to be premiered. The first movement begins with a large, soaring theme, featuring a ...
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Walter Piston
Walter Hamor Piston, Jr. (January 20, 1894 – November 12, 1976), was an American composer of classical music, music theorist, and professor of music at Harvard University. Life Piston was born in Rockland, Maine at 15 Ocean Street to Walter Hamor Piston, a bookkeeper, and Leona Stover. He was the second of four children. Although his family was mainly of English origin, his paternal grandfather was a sailor named Antonio Pistone, who changed his name to Anthony Piston when he came to Maine from Genoa, Italy. In 1905 the composer's father, Walter Piston Sr, moved with his family to Boston, Massachusetts. Walter Jr first trained as an engineer at the Mechanical Arts High School in Boston, but was artistically inclined. After graduating in 1912, he enrolled in the Massachusetts Normal Art School, where he completed a four-year program in fine art in 1916. During the 1910s, Piston made a living playing piano and violin in dance bands and later playing violin in orchestras led by ...
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Recapitulation (music)
In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition. This material is most often recapitulated in the tonic key of the movement, in such a way that it reaffirms that key as the movement's home key. In some sonata form movements, the recapitulation presents a straightforward image of the movement's exposition. However, many sonata form movements, even early examples, depart from this simple procedure. Devices used by composers include incorporating a secondary development section, or varying the character of the original material, or rearranging its order, or adding new material, or omitting material altogether, or overlaying material that was kept separate in the exposition. The composer of a sonata form movement may disguise the start of the recapitulation as an extension of the de ...
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1960 Compositions
Year 196 ( CXCVI) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Dexter and Messalla (or, less frequently, year 949 ''Ab urbe condita''). The denomination 196 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus attempts to assassinate Clodius Albinus but fails, causing Albinus to retaliate militarily. * Emperor Septimius Severus captures and sacks Byzantium; the city is rebuilt and regains its previous prosperity. * In order to assure the support of the Roman legion in Germany on his march to Rome, Clodius Albinus is declared Augustus by his army while crossing Gaul. * Hadrian's wall in Britain is partially destroyed. China * First year of the '' Jian'an era of the Chinese Han Dynasty. * Emperor Xian of ...
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Symphonies By Walter Piston
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ...
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Clifford Taylor (composer)
Clifford O. Taylor (20 October 1923 in Avalon, Pennsylvania – 19 September 1987 in Abington Township, Montgomery County, Pennsylvania) was an American composer and music educator. He studied with Walter Piston and Paul Hindemith and served as chairman of the department of music composition at Temple University for 23 years. Among his compositions are three symphonies, ''The Freak Show'' (a 1975 one-act opera), several string quartets and numerous piano sonatas. In December 1971 the Philadelphia Orchestra played the world premiere of his ''Symphony No. 2''. He was married for many years to Louise Kemp, living with her in Jenkintown, PA Jenkintown is a borough in Montgomery County, Pennsylvania. It is approximately 10 miles (16 km) north of Center City Philadelphia. History The community was named for William Jenkins, a Welsh pioneer settler. Jenkintown is located just ... until his death at Abington Memorial Hospital in 1987. They had three sons, Christopher, Andrew a ...
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Howard Pollack
Howard Pollack (born March 17, 1952) is a prominent American pianist and musicologist, known for his biographies of American composers. Biography Pollack was born in Brooklyn and studied piano with Jennie Glickman while attending James Madison High School. He continued his piano studies with John Kollen and Eugene Bossart at the University of Michigan, where he received his Bachelor of Music in 1973; and with Adele Marcus at the Aspen Music Festival in 1970. He received a Master of Arts degree (1977) and Ph.D. (1981) in musicology from Cornell University, where he wrote his thesis, "Walter Piston and His Music", under the supervision of William Austin. He also studied composition privately with Samuel Adler in Rochester. After serving on the faculties of the Rochester Institute of Technology, Cornell University, and Empire State College, Pollack joined the faculty of the University of Houston in 1987, becoming John and Rebecca Moores Professor of Music in 2005. Pollack's books ...
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The Musical Quarterly
''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including Carl Engel (1930–1944), Gustave Reese (1944-45), Paul Henry Lang, who edited the journal for over 25 years, from 1945 to 1973, Joan Peyser (1977–84), Eric Salzman who served as editor from 1984 to 1991 and several others. Since 1993 ''The Musical Quarterly'' has been edited by Leon Botstein, president of Bard College and principal conductor of the American Symphony Orchestra. Originally published by G. Schirmer, Inc., it is published by Oxford University Press. References External links * Articles published before 1923at the Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, i ...
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Paul Doktor
Paul Doktor (March 28, 1917 in Vienna – June 21, 1989 in New York City) was a notable violist and orchestra conductor. The son of singer-pianist Georgine and violist Karl Doktor, at the age of five, Paul began violin studies with his father, and received his diploma from the State Academy of Music in 1938. While still in his teens, he toured as a violinist with the Adolf Busch Chamber Orchestra, but the youthful performer's mastery of the viola came to the fore when, at a few days' notice, he was asked to take over from the ailing second violist in a performance of a Felix Mendelssohn, Mendelssohn Quintet with the Busch String quartet, Quartet. His achievement was so remarkable that he was invited to join the Quartet in presenting a series of Wolfgang Amadeus Mozart, Mozart quintets at London's Wigmore Hall. From then on, Paul Doktor stuck to the instrument fate had chosen for him, and became the first violist ever to have been awarded unanimously the First Prize at the Genev ...
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Robert Whitney (conductor)
Robert Sutton Whitney (July 9, 1904 – November 22, 1986) was an American conductor and composer. He was a student of Leo Sowerby. Robert Whitney was best known for founding, in November 1937, together with the mayor of Louisville, Kentucky the Louisville Orchestra, and becoming its first conductor, a post he held until 1967.Cox, Dwayne; Morison, William James (2000). . University Press of Kentucky. p. 119. . (Its original name was the "Louisville Civic Arts Association," which was later changed to the "Louisville Philharmonic Society." The orchestra finally adopted its current name after it filed an amendment to its articles of incorporation in 1977.) His concerto grosso had earlier (1934) been performed by the Chicago Symphony Orchestra. Whitney also served as dean of the School of Music of the University of Louisville, from 1956 to 1971. He was a National Patron of Delta Omicron Delta Omicron () is a co-ed international professional music honors fraternity whose mission is ...
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Jorge Mester
Jorge Mester (born April 10, 1935, Mexico City) is a Mexican conductor of Hungarian ancestry. He has served as the artistic director for the Orquesta Filarmónica de Boca del Río, Veracruz, since it was founded in 2014. Biography He studied conducting with Jean Morel at the Juilliard School in New York City, and worked with Leonard Bernstein at the Berkshire Music Center and with Albert Wolff. In 1955 he made his debut with the National Symphony Orchestra of Mexico and in 1960 made his opera debut with '' Salome'' at the Spoleto Festival in Italy. Mester became music director of the Louisville Orchestra in 1967 and served in the post until 1979. In this time he gave over 200 world premieres of works commissioned by the orchestra. From 1970 to 1990, he was music director of the Aspen Music Festival, and there founded the Aspen Chamber Symphony. He became music director of the Pasadena Symphony Orchestra in 1984. His most recent contract extension had been through 2012, but in ...
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Louisville Orchestra
The Louisville Orchestra is the primary orchestra in Louisville, Kentucky. It was founded in 1937 by Robert Whitney (1904–1986) and Charles Farnsley, Mayor of Louisville. The Louisville Orchestra employs salaried musicians, and offers a wide variety of concert series to the community, including classical programs featuring international guest artists, pops performances, and education and family concerts. In 1942 the orchestra adopted the name of the former Louisville Philharmonic Society (founded in 1866), which it kept until 1977 before reverting to its original name. The orchestra is the resident performing group for the Louisville Ballet and the Kentucky Opera, and presents several concerts across the Kentucky/Indiana area. The orchestra performs its concerts at Whitney Hall (named for its founder) in the Kentucky Center for the Arts and The Brown Theatre. The current Music Director of the Louisville Orchestra is Teddy Abrams, who began his tenure in 2014. First Editi ...
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