(Lord God, we praise You), , is a

church cantata A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Gottfried Heinrich Stölzel, ...

for

New Year's Day New Year's Day is a festival observed in most of the world on 1 January, the first day of the year in the modern Gregorian calendar. 1 January is also New Year's Day on the Julian calendar, but this is not the same day as the Gregorian one. Wh ...

Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...

. It was first performed on 1 January 1726 in

Leipzig Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as wel ...

, as part of the composer's third cantata cycle. Its

libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...

is by Georg Christian Lehms, opening with the beginning of "", Luther's German

Te Deum The "Te Deum" (, ; from its incipit, , ) is a Latin Christian hymn traditionally ascribed to AD 387 authorship, but with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Chur ...

. The cantata's text was completed with a

stanza In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and ...

from Paul Eber's "" for the closing chorale.

History and words

Bach wrote the cantata in 1726, his third year as ''

Thomaskantor (Cantor at St. Thomas) is the common name for the musical director of the , now an internationally known boys' choir founded in Leipzig in 1212. The official historic title of the Thomaskantor in Latin, ', describes the two functions of cantor a ...

'' in

, for

, which is also the feast of the circumcision and naming of Jesus. The prescribed readings for the feast day were taken from the

Epistle to the Galatians The Epistle to the Galatians is the ninth book of the New Testament. It is a letter from Paul the Apostle to a number of Early Christian communities in Galatia. Scholars have suggested that this is either the Roman province of Galatia in sou ...

, by faith we inherit (), and from the

Gospel of Luke The Gospel of Luke), or simply Luke (which is also its most common form of abbreviation). tells of the origins, birth, ministry, death, resurrection, and ascension of Jesus Christ. Together with the Acts of the Apostles, it makes up a two-volu ...

, the Circumcision and naming of Jesus (). The cantata text is taken from a 1711 publication by Georg Christian Lehms, it centers on praise and thanksgiving without being related to the readings. The poet began with four lines from

Martin Luther Martin Luther (; ; 10 November 1483 – 18 February 1546) was a German priest, theologian, author, hymnwriter, and professor, and Order of Saint Augustine, Augustinian friar. He is the seminal figure of the Reformation, Protestant Refo ...

's German

, "" (Lord God, we praise you). The following pair of recitative and

aria In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...

deal with thanks for past gifts, while a further pair deal with a prayer for further blessings. The poet did not supply a closing chorale, but Bach chose the final

of Paul Eber's "" (Help me to praise God's goodness) (c. 1580). Bach first performed the cantata on 1 January 1726.

Scoring and structure

The cantata in six movements is scored for three vocal soloists (

alto The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by ...

tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...

, and

bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass gui ...

), a four-part choir,

corno da caccia The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth century the natural horn evolved as a separation from the trump ...

, two

oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...

oboe da caccia The oboe da caccia (; literally "hunting oboe" in Italian), also sometimes referred to as an oboe da silva, is a double reed woodwind instrument in the oboe family, pitched a fifth below the oboe and used primarily in the Baroque period of Europe ...

, two

violins The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...

viola The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of ...

, violetta (alternative in a later performance) and

basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...

Music

In the opening chorus the soprano and the horn present the liturgical melody of the ''Te Deum'', whereas the lower voices move in vivid counterpoint, but also a fourth part of oboe I and violin I. The following secco recitative ends on the words "" (O, should not therefore a new song be taken up and that we sing in heated love?). Consequently, the following movement begins

attacca A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special mus ...

(without a break) with the voices' "" (Let us celebrate, let us rejoice). This unusual movement combines elements of chorus and aria in a free da capo form. The first section is dominated by the chorus, the middle section by the bass. Musicologist Julian Mincham points out that it is "an unusual and imaginative combination of aria and chorus" and likens it to the interaction between a pastor and his flock. A second secco recitative leads to a tender aria which was accompanied by an obbligato oboe da caccia in 1726. In a later performance, likely in 1734, this was replaced by a "violetta", which can be a viola or a descant viola da gamba, according to

Johann Gottfried Walther Johann Gottfried Walther (18 September 1684 – 23 March 1748) was a German music theorist, organist, composer, and lexicographer of the Baroque era. Walther was born at Erfurt. Not only was his life almost exactly contemporaneous to that ...

. The cantata closes with a four-part chorale.

Recordings

* ''J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 1'',

Gustav Leonhardt Gustav Maria Leonhardt (30 May 1928 – 16 January 2012) was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments. Leo ...

Tölzer Knabenchor The Tölzer Knabenchor (Tölz Boys' Choir) is a German boys' choir named after the Upper Bavarian city of Bad Tölz and since 1971 based in Munich. The choir is ranked among the most versatile and sought-after boys' choirs in the world. Histor ...

, King's college choir,

Leonhardt-Consort Leonhardt-Consort, also known as the Leonhardt Baroque Ensemble, was a group of instrumentalists which its director, the keyboard player Gustav Leonhardt founded in 1955 to play baroque music. The Consort was active until around 1990, although some ...

Paul Esswood Paul Lawrence Vincent Esswood (born 6 June 1942) is an English countertenor and conductor. He is best known for his performance of Bach cantatas and the operas of Handel and Monteverdi. Along with his countrymen Alfred Deller and James Bowman ...

, Marius van Altena,

Max van Egmond Max van Egmond (born 1 February 1936 in Semarang) is a Dutch bass and baritone singer. He has focused on oratorio and Lied and is known for singing works of Johann Sebastian Bach. He was one of the pioneers of historically informed performance of B ...

, Teldec 1972 * ''Die Bach Kantate Vol. 20'', Helmuth Rilling, Gächinger Kantorei, Bach-Collegium Stuttgart,

Gabriele Schreckenbach Gabriele Schreckenbach (born in Berlin) is a German contralto singer in opera and concert and an academic voice teacher. She recorded Bach cantatas with the Gächinger Kantorei and Helmuth Rilling. She recorded choral works of Mozart, his ''Wais ...

Peter Schreier Peter Schreier (29 July 1935 – 25 December 2019) was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century. Schreier was a member of the Dresdner Kreuzchor conduct ...

Philippe Huttenlocher Philippe Huttenlocher (born 29 November 1942) is a Swiss baritone. Life and career He was born in Neuchâtel, Switzerland. He first studied violin at the conservatory in Neuchâtel, and then voice in Fribourg. In 1972, he won the international ...

, Hänssler 1981 * ''Bach Edition Vol. 4 – Cantatas Vol. 1'',

Pieter Jan Leusink Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg ( ...

Holland Boys Choir Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg (E ...

Netherlands Bach Collegium The Netherlands Bach Collegium is a Baroque orchestra based in the Netherlands. It is conducted by Pieter Jan Leusink. They are noted for their Complete Cantatas Brilliant Series, a recording of the complete Bach cantata, sacred cantatas by Johann S ...

Sytse Buwalda Sytse Buwalda (born 1965) is a Dutch counter-tenor. Life and career Buwalda studied at the Sweelinck School of Music (Conservatorium van Amsterdam) in Amsterdam and has worked with conductors such as Frans Brüggen, Gustav Leonhardt, Sigiswald K ...

Nico van der Meel Nico van der Meel is a Dutch tenor. He made his debut with the Concertgebouw Orchestra during the 1987/1988 season and made a recording of Bach's ''St John Passion'', conducted by Sigiswald Kuijken. Between 1989 and 1996, he made several tours and ...

Bas Ramselaar Bas Ramselaar (born 1961 in Amersfoort) is a Dutch Bass (voice type), bass singer and Conducting, conductor. A graduate of the Utrechts Conservatorium, he has sung with notable ensembles such as the Berliner Symphoniker, the Royal Concertgebouw Or ...

, Brilliant Classics 1999 * ''Bach Cantatas Vol. 17: Berlin / For New Year’s Day / For the Sunday After New Year'', John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, Charles Humphries, James Gilchrist,

Peter Harvey Peter Michael St Clair Harvey (16 September 19442 March 2013) was an Australian journalist and broadcaster. Harvey was a long-serving correspondent and contributor with the Nine Network from 1975 to 2013. Career Harvey studied his journalism ...

, Soli Deo Gloria 2000 * ''J. S. Bach: Complete Cantatas Vol. 16'',

Ton Koopman Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orches ...

, Amsterdam Baroque Orchestra & Choir, Bogna Bartosz, Paul Agnew,

Klaus Mertens Klaus Mertens (born 25 March 1949, in Kleve) is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice. Career Klaus Mertens took singing lessons ...

, Antoine Marchand 2001 * ''J. S. Bach: Cantatas for the Complete Liturgical Year Vol. 4: "Sie werden aus Saba alle kommen" – Cantatas BWV 16 · 65 · 153 · 154'', Sigiswald Kuijken, La Petite Bande,

Elisabeth Hermans Elisabeth Hermans is a Belgian soprano. A graduate of Lemmensinstituut in Leuven and the Antwerp Conservatory, she began performing with ensembles such as Collegium Vocale Gent, La Chapelle Royale, La Petite Bande, the Huelgas Ensemble, and the Ne ...

, Petra Noskaiová,

Jan Kobow Jan Kobow (born 1966) is a German classical tenor in concert, Lied, and Baroque opera. Professional career Jan Kobow was born and raised in Berlin. He was a singer and soloist of the ''Staats- und Domchor, Berlin'' with Christian Grube. He stud ...

Jan van der Crabben Jan van der Crabben (born 1964) is a Belgian people, Belgian baritone singer. Born in 1964 in Genk, Belgium, van der Crabben studied music at the Etterbeek Academy under the direction of Aquiles Delle Vigne and subsequently at the Royal Conserv ...

, Accent 2006 * ''J. S. Bach: Cantatas Vol. 42'', Masaaki Suzuki, Bach Collegium Japan,

Robin Blaze Robin Blaze (born 1971 in Manchester) is an English countertenor. Early life The son of Peter Blaze, a professional golfer, and Christine, Blaze and his brother Mark grew up in Shadwell, near Leeds, and was educated at Leeds Grammar School, ...

Gerd Türk Gerd Türk is a German classical tenor. Biography Gerd Türk received his first musical training as a choir boy at the cathedral of Limburg. He studied in Frankfurt and then at the Schola Cantorum Basiliensis with Richard Levitt and René Jaco ...

Peter Kooy Peter Kooij (or, internationally Kooy, born 1954, in Soest) is a Dutch bass singer who specializes in baroque music. Biography Kooij started his musical career at 6 years as a choir boy. However he started his musical studies as a violin stud ...

, BIS 2008

References

External links

*
Herr Gott, dich loben wir BWV 16; BC A 23 / Sacred cantata (New Year/Circumcision)
Bach Digital
Cantata BWV 16 Herr Gott, dich loben wir
history, scoring, sources for text and music, translations to various languages, discography, discussion, ''Bach Cantatas Website'' * Luke Dahn

bach-chorales.com {{DISPLAYTITLE:''Herr Gott, dich loben wir'', BWV 16 Church cantatas by Johann Sebastian Bach 1726 compositions