Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...

composed the

church cantata A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Gottfried Heinrich Stölzel, ...

(Make yourself ready, my spirit), 115, in Leipzig for the 22nd Sunday after

Trinity The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the F ...

and first performed it on 5 November 1724. The

chorale cantata A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the Germany, German Baroque music, Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chora ...

is based on the hymn by Johann Burchard Freystein (1695).

History and words

Bach composed the cantata in his second year in Leipzig for the 22nd Sunday after Trinity. That year, Bach composed a cycle of

chorale cantatas Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the ...

, begun on the first Sunday after

of 1724. The prescribed readings for the Sunday were from the Epistle to the Philippians, thanks and prayer for the congregation in Philippi (), and from the

Gospel of Matthew The Gospel of Matthew), or simply Matthew. It is most commonly abbreviated as "Matt." is the first book of the New Testament of the Bible and one of the three synoptic Gospels. It tells how Israel's Messiah, Jesus, comes to his people and for ...

, the parable of the unforgiving servant (). The cantata is based on a hymn in ten

stanza In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and ...

s by Johann Burchard Freystein (1695), which expands a single theme related to the Gospel: be prepared by awareness and prayer for the arrival of the Lord. An unknown poet retained the first and the last stanza as

movement Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...

s 1 and 6 of the cantata. He derived the inner movements as a sequence of alternating

aria In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...

s and recitatives from the inner stanzas, using stanza 2 for 2, stanzas 3 to 6 for 3, stanza 7 for 4, keeping the first two lines unchanged, and stanzas 8 to 9 for 5. The chorale is sung to the anonymous melody of "" (1681). Bach first performed the cantata on 5 November 1724.

Scoring and structure

The cantata in six movements is scored for four vocal soloists (

soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880&n ...

alto The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by ...

tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...

and

bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass gui ...

), a four-part choir,

horn Horn most often refers to: *Horn (acoustic), a conical or bell shaped aperture used to guide sound ** Horn (instrument), collective name for tube-shaped wind musical instruments *Horn (anatomy), a pointed, bony projection on the head of various ...

to double the soprano in the chorale, flauto traverso,

oboe d'amore The oboe d'amore (; Italian for "oboe of love"), less commonly , is a double reed woodwind musical instrument in the oboe family. Slightly larger than the oboe, it has a less assertive and a more tranquil and serene tone, and is considered the me ...

, two

violin The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...

viola The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of ...

violoncello piccolo The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D ...

and

basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...

. # Chorale: # Aria (alto): # Recitative (bass): # Aria (soprano): # Recitative (tenor): # Chorale:

Music

The opening chorus is a

chorale fantasia Chorale fantasia is a type of large composition based on a chorale melody, both works for organ, and vocal settings, for example the opening movements of Bach's chorale cantatas, with the chorale melody as a cantus firmus. History Chorale fantas ...

in the form of a

passacaglia The passacaglia (; ) is a musical form that originated in early seventeenth-century Spain and is still used today by composers. It is usually of a serious character and is often based on a bass-ostinato and written in triple metre. Origin The ter ...

. The instruments perform independent concertante chamber music, set for three parts, the flute, the oboe d'amore and the strings in unison. The soprano sings the melody as a cantus firmus, the lower voices are set partly in imitation, partly homophonic. The alto aria (Oh, sleepy soul – are you still at rest?) begins, as

Klaus Hofmann Klaus Hofmann (born 20 March 1939) is a German musicologist who is an expert on the music of Johann Sebastian Bach. Born in Würzburg, Hofmann studied after graduation (1958) from 1958 to 1959 at the University of Erlangen. He then continued his ...

notes, "as a musical sleep scene of a kind that could have graced any opera of the time". Marked

Adagio Adagio (Italian for 'slowly', ) may refer to: Music * Adagio, a Tempo#Basic tempo markings, tempo marking, indicating that music is to be played slowly, or a composition intended to be played in this manner * Adagio (band), a French progressive m ...

, the oboe d'amore plays a solo in

siciliano The siciliana or siciliano (also known as the sicilienne or the ciciliano) is a musical style or genre often included as a movement within larger pieces of music starting in the Baroque period. It is in a slow or time with lilting rhythms, ...

rhythm, leading to a "long, peaceful, quasi-'sleeping' note". The text's admonition to be vigilant ("Punishment might suddenly awaken you and, if you were not alert, conceal you in the sleep of eternal death") appears in the contrasting middle section, marked Allegro. In the soprano aria "" (But you should also pray), flute and violoncello piccolo play chamber music, to which the solo adds a "noble cantilena". The closing chorale is a four-part setting of the final call: "Therefore let us forever be alert, entreat and pray".

Recordings

* ''Bach Cantatas Vol. 5 – Sundays after Trinity II'', Karl Richter, Münchener Bach-Chor,

Münchener Bach-Orchester The (Munich Bach Orchestra) is a classical music ensemble based in Munich, Germany, which specialises in the performance of works by Johann Sebastian Bach. It was founded in 1954 by the conductor Karl Richter (conductor), Karl Richter. It works ...

Edith Mathis Edith Mathis (born 11 February 1938) is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide. She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's ''Der junge Lord' ...

Trudeliese Schmidt Trudeliese Schmidt (7 November 1942 − 24 June 2004) was a German operatic mezzo-soprano who had an international career, performing at major opera houses and festivals in Europe. The singer with a remarkable stage presence excelled in trouser ro ...

, Ernst Haefliger,

Peter Schreier Peter Schreier (29 July 1935 – 25 December 2019) was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century. Schreier was a member of the Dresdner Kreuzchor conduct ...

, Dietrich Fischer-Dieskau, Archiv Produktion 1978 * ''J. S. Bach: Das Kantatenwerk · Complete Cantatas · Les Cantates, Folge / Vol. 29 – BWV 115-117, 119'',

Nikolaus Harnoncourt Johann Nikolaus Harnoncourt or historically Johann Nikolaus Graf de la Fontaine und d'Harnoncourt-Unverzagt; () (6 December 1929 – 5 March 2016) was an Austrian conductor, particularly known for his historically informed performances of music ...

Tölzer Knabenchor The Tölzer Knabenchor (Tölz Boys' Choir) is a German boys' choir named after the Upper Bavarian city of Bad Tölz and since 1971 based in Munich. The choir is ranked among the most versatile and sought-after boys' choirs in the world. Histor ...

Concentus Musicus Wien Concentus Musicus Wien (CMW) is an Austrian baroque music ensemble based in Vienna. The CMW is recognized as a pioneer of the period-instrument performance movement. History Nikolaus Harnoncourt and Alice Harnoncourt co-founded the CMW in 1953 ...

, soloist of the Tölzer Knabenchor,

Paul Esswood Paul Lawrence Vincent Esswood (born 6 June 1942) is an English countertenor and conductor. He is best known for his performance of Bach cantatas and the operas of Handel and Monteverdi. Along with his countrymen Alfred Deller and James Bowman ...

, Kurt Equiluz,

Philippe Huttenlocher Philippe Huttenlocher (born 29 November 1942) is a Swiss baritone. Life and career He was born in Neuchâtel, Switzerland. He first studied violin at the conservatory in Neuchâtel, and then voice in Fribourg. In 1972, he won the international ...

, Teldec 1979 * ''Die Bach Kantate Vol. 57'', Helmuth Rilling, Gächinger Kantorei, Bach-Collegium Stuttgart,

Arleen Augér Joyce Arleen Auger (sometimes spelled Augér ; September 13, 1939 – June 10, 1993) was an American soprano, known for her coloratura voice and interpretations of works by Bach, Handel, Haydn, Monteverdi, Mozart, and Schubert. She won a posthum ...

, Helen Watts,

Lutz-Michael Harder Lutz-Michael Harder (4 September 1942 – 24 August 2019) was a German lyric tenor known mostly for his interpretation of Mozart opera roles and as a baroque concert soloist. He was also an academic voice teacher at the Musikhochschule Hannover. ...

Wolfgang Schöne Wolfgang Schöne (born 9 February 1940) is a German bass-baritone in opera and concert. Career Schöne was born in Bad Gandersheim. He began his studies of voice at the Hochschule für Musik und Theater Hannover with Naan Põld in 1964 and mo ...

, Hänssler 1980 * ''J. S. Bach: Cantatas with Violoncelle Piccolo'',

Christophe Coin Christophe Coin (; born 26 January 1958) is a French cellist, viola da gamba player and conductor active in the field of historically informed performance. He is the cellist of the Quatuor Mosaïques and is the director of the Ensemble Baroque de L ...

, Das Leipziger Concerto Vocale, Ensemble Baroque de Limoges,

Barbara Schlick Barbara Schlick (born 21 July 1943, Würzburg) is a German soprano who is particularly admired for interpretations of the concert literature of the baroque era. Career Schlick studied singing under at the Hochschule für Musik Würzburg and in E ...

Andreas Scholl Andreas Scholl (born 10 November 1967) is a German countertenor, a male classical singer in the alto vocal range, specialising in Baroque music. Born into a family of singers, Scholl was enrolled at the age of seven into the Kiedricher Chorbuben ...

Christoph Prégardien Christoph Prégardien (born 18 January 1956) is a German lyric tenor whose career is closely associated with the roles in Mozart operas, as well as performances of Lieder, oratorio roles, and Baroque music. He is well known for his performances an ...

Gotthold Schwarz Gotthold Schwarz (born 2 May 1952 in Zwickau) is a German Bass-baritone and conductor. Based in Leipzig, he started as a member of the Thomanerchor and has conducted the Gewandhausorchester. Between 2016 and 2021, he was the 17th Thomaskantor af ...

, Auvidis Astrée 1993 * ''J. S. Bach: Complete Cantatas Vol. 11'',

Ton Koopman Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orches ...

, Amsterdam Baroque Orchestra & Choir,

Lisa Larsson Lisa Larsson (born 14 February 1967) is a Swedish classical soprano singer. Career Larsson studied in Basel and since 1993 appeared in the ''Internationales Opernstudio'' of the Zurich Opera House under conductors such as Franz Welser-Möst, ...

Annette Markert Annette Markert (born in Kaltensundheim, Thuringia) is a German classical mezzo-soprano and alto. Career Annette Markert studied voice at the Leipzig School of Music and was engaged at the Halle Opera House in Halle, Saxony-Anhalt from 1983 to ...

Klaus Mertens Klaus Mertens (born 25 March 1949, in Kleve) is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice. Career Klaus Mertens took singing lessons ...

Antoine Marchand Antoine Marchand is a record label established in 2003 by the Dutch early music performer Ton Koopman. Antoine Marchand is the French translation of Ton Koopman. The label is distributed by Dutch Jazz and classics distributor Challenge. Koopman ...

1999 * ''Bach Edition Vol. 11 – Cantatas Vol. 5'',

Pieter Jan Leusink Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg ( ...

Holland Boys Choir Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg (E ...

Netherlands Bach Collegium The Netherlands Bach Collegium is a Baroque orchestra based in the Netherlands. It is conducted by Pieter Jan Leusink. They are noted for their Complete Cantatas Brilliant Series, a recording of the complete Bach cantata, sacred cantatas by Johann S ...

Marjon Strijk Marjon Strijk is a Dutch classical soprano. She is focused on Renaissance and Baroque music. She has recorded Bach cantatas with the Holland Boys Choir, conducted by Pieter Jan Leusink. Career Strijk studied voice with Jeanne Companjen, Eugenie ...

Sytse Buwalda Sytse Buwalda (born 1965) is a Dutch counter-tenor. Life and career Buwalda studied at the Sweelinck School of Music (Conservatorium van Amsterdam) in Amsterdam and has worked with conductors such as Frans Brüggen, Gustav Leonhardt, Sigiswald K ...

Nico van der Meel Nico van der Meel is a Dutch tenor. He made his debut with the Concertgebouw Orchestra during the 1987/1988 season and made a recording of Bach's ''St John Passion'', conducted by Sigiswald Kuijken. Between 1989 and 1996, he made several tours and ...

Bas Ramselaar Bas Ramselaar (born 1961 in Amersfoort) is a Dutch Bass (voice type), bass singer and Conducting, conductor. A graduate of the Utrechts Conservatorium, he has sung with notable ensembles such as the Berliner Symphoniker, the Royal Concertgebouw Or ...

, Brilliant Classics 1999 * ''Bach Cantatas Vol. 12: Tooting/Winchester / For the 22nd Sunday after Trinity'', John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists,

Joanne Lunn Joanne Lunn is an English classical soprano in opera and concert. Career Joanne Lunn studied at Royal College of Music, where she graduated and received the Tagore Gold Medal. Lunn performed in Monteverdi's ''L'incoronazione di Poppea'', Gluck ...

Robin Tyson Robin Tyson is an English countertenor who has a well documented career in opera, solo, and a cappella. He now works in the music management industry. He sang in the Choir of King's College, Cambridge from 1989–1992. He is known for singing a ...

, James Gilchrist,

Peter Harvey Peter Michael St Clair Harvey (16 September 19442 March 2013) was an Australian journalist and broadcaster. Harvey was a long-serving correspondent and contributor with the Nine Network from 1975 to 2013. Career Harvey studied his journalism ...

, Soli Deo Gloria 2000 * ''J. S. Bach: Cantatas Vol. 27 – Cantatas from Leipzig 1724 – BWV 5, 80, 115'', Masaaki Suzuki, Bach Collegium Japan,

Susanne Rydén Susanne Ingegerd Rydén (born 2 October 1962) is a Swedish soprano who has been called "Sweden's most renowned singer specialising in early and classical music". She has performed across Europe and abroad. She is currently the preses (chairman) o ...

Pascal Bertin Pascal Bertin (born 1965) is a French countertenor. Pascal Bertin began his singing career at the age of 11 years old with the Chœur d'Enfants de Paris, under the direction of Roger de Magnee, with whom he performed as a soloist around the world ...

Gerd Türk Gerd Türk is a German classical tenor. Biography Gerd Türk received his first musical training as a choir boy at the cathedral of Limburg. He studied in Frankfurt and then at the Schola Cantorum Basiliensis with Richard Levitt and René Jaco ...

Peter Kooy Peter Kooij (or, internationally Kooy, born 1954, in Soest) is a Dutch bass singer who specializes in baroque music. Biography Kooij started his musical career at 6 years as a choir boy. However he started his musical studies as a violin stud ...

, BIS 2003

References

Sources

*
Mache dich, mein Geist, bereit BWV 115; BC A 156 / Chorale cantata (22nd Sunday after Trinity)
Bach Digital
Cantata BWV 115 Mache dich, mein Geist, bereit
history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website

English translation,

University of Vermont The University of Vermont (UVM), officially the University of Vermont and State Agricultural College, is a Public university, public Land-grant university, land-grant research university in Burlington, Vermont. It was founded in 1791 and is amon ...

BWV 115 Mache dich, mein Geist, bereit
text, scoring,

University of Alberta The University of Alberta, also known as U of A or UAlberta, is a public research university located in Edmonton, Alberta, Canada. It was founded in 1908 by Alexander Cameron Rutherford,"A Gentleman of Strathcona – Alexander Cameron Rutherfor ...

Chapter 23 BWV 115 Mache dich, mein Geist, bereit / Come, prepare yourself, my soul.
Julian Mincham, 2010 * Luke Dahn

bach-chorales.com {{DISPLAYTITLE:''Mache dich, mein Geist, bereit'', BWV 115 Church cantatas by Johann Sebastian Bach 1724 compositions