Alcestis (play)
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''Alcestis'' (; grc-gre, Ἄλκηστις, ''Alkēstis'') is an
Athenian Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates ...
tragedy Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy ...
by the
ancient Greek Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic peri ...
playwright
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful e ...
. It was first produced at the City Dionysia festival in 438 BC. Euripides presented it as the final part of a
tetralogy A tetralogy (from Greek τετρα- ''tetra-'', "four" and -λογία ''-logia'', "discourse") is a compound work that is made up of four distinct works. The name comes from the Attic theater, in which a tetralogy was a group of three tragedies ...
of unconnected plays in the competition of tragedies, for which he won second prize; this arrangement was exceptional, as the fourth part was normally a
satyr play The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is stro ...
. Its ambiguous,
tragicomic Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most often seen in dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious ...
tone—which may be "cheerfully romantic" or "bitterly ironic"—has earned it the label of a "
problem play The problem play is a form of drama that emerged during the 19th century as part of the wider movement of realism in the arts, especially following the innovations of Henrik Ibsen. It deals with contentious social issues through debates between th ...
." ''Alcestis'' is, possibly excepting the '' Rhesus'', the oldest surviving work by Euripides, although at the time of its first performance he had been producing plays for 17 years.


Events prior to the start of the play

Long before the start of the play, King
Admetus In Greek mythology, Admetus (; Ancient Greek: ''Admetos'' means 'untamed, untameable') was a king of Pherae in Thessaly. Biography Admetus succeeded his father Pheres after whom the city was named. His mother was identified as Periclymene ...
was granted by the
Fates The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on ...
the privilege of living past the allotted time of his death. The Fates were persuaded to allow this by the god
Apollo Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label= ...
(who got them drunk). This unusual bargain was struck after Apollo was
exile Exile is primarily penal expulsion from one's native country, and secondarily expatriation or prolonged absence from one's homeland under either the compulsion of circumstance or the rigors of some high purpose. Usually persons and peoples suf ...
d from Olympus for a year and a day and spent the time in the service of the Thessalian king, a man renowned for his
hospitality Hospitality is the relationship between a guest and a host, wherein the host receives the guest with some amount of goodwill, including the reception and entertainment of guests, visitors, or strangers. Louis de Jaucourt, Louis, chevalier de J ...
who treated Apollo well. Apollo wishes to repay Admetus' hospitality and offers him freedom from death. The gift, however, comes with a price: Admetus must find someone to take his place when Death comes to claim him. The time of Admetus' death comes and he still has not found a willing substitute. His father, Pheres, is unwilling to step in and thinks that it is ludicrous that he should be asked to give up the life he enjoys so much as part of this strange deal. Finally, Admetus' devoted wife
Alcestis Alcestis (; Ancient Greek: Ἄλκηστις, ') or Alceste, was a princess in Greek mythology, known for her love of her husband. Her life story was told by pseudo-Apollodorus in his '' Bibliotheca'', and a version of her death and return from t ...
agrees to be taken in his place because she wishes not to leave her children fatherless or be bereft of her lover. At the start of the play, she is close to death.


Synopsis

In the play's
prologue A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ...
, the god
Apollo Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label= ...
comes out from Admetus' palace in
Pherae Pherae (Greek: Φεραί) was a city and polis (city-state) in southeastern Ancient Thessaly. One of the oldest Thessalian cities, it was located in the southeast corner of Pelasgiotis. According to Strabo, it was near Lake Boebeïs 90 stadia ...
(modern
Velestino Velestino ( el, Βελεστίνο; rup, Velescir) is a town in the Magnesia regional unit, Thessaly, Greece. It is the seat of the municipality Rigas Feraios. Location It is situated at elevation on a hillside, at the southeastern end o ...
in Magnesia), dressed in white and carrying his golden bow, with the intention of leaving to avoid becoming stained by the imminent death of
Alcestis Alcestis (; Ancient Greek: Ἄλκηστις, ') or Alceste, was a princess in Greek mythology, known for her love of her husband. Her life story was told by pseudo-Apollodorus in his '' Bibliotheca'', and a version of her death and return from t ...
, who is being comforted within. He offers an
exposition Exposition (also the French for exhibition) may refer to: *Universal exposition or World's Fair * Expository writing ** Exposition (narrative) * Exposition (music) *Trade fair A trade fair, also known as trade show, trade exhibition, or trade e ...
of the events leading up to this moment. He hails the arrival of
Thanatos In Greek mythology, Thanatos (; grc, Θάνατος, pronounced in "Death", from θνῄσκω ''thnēskō'' "(I) die, am dying") was the personification of death. He was a minor figure in Greek mythology, often referred to but rarely appe ...
(
Death Death is the irreversible cessation of all biological functions that sustain an organism. For organisms with a brain, death can also be defined as the irreversible cessation of functioning of the whole brain, including brainstem, and brain ...
), who, dressed in black and carrying a sword, has come to the palace in his role as
psychopomp Psychopomps (from the Greek word , , literally meaning the 'guide of souls') are supernatural creatures, spirits, entities, angels, demons or deities in many religions whose responsibility is to escort newly deceased souls from Earth to the afte ...
to lead Alcestis to the
underworld The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underwor ...
. Thanatos challenges Apollo's apparent defense of Alcestis and accuses him of "twisting slippery tricks" when he helped Admetus cheat death in the first place. Apollo reassures him and, in a passage of swift stichomythic banter, proposes a postponement of Alcestis' death, which is sarcastically rebuffed. Thanatos concludes, "you may not have what is not yours." Defeated, Apollo leaves angrily, prophesying the arrival of a man (
Heracles Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptive ...
) who will wrestle Alcestis away from Death. Alone with the audience, Thanatos warns that "this was a god of many words; but words / are not enough," before he summons the doors open with the tip of his sword and slowly enters the palace. The entry of the
chorus Chorus may refer to: Music * Chorus (song) or refrain, line or lines that are repeated in music or in verse * Chorus effect, the perception of similar sounds from multiple sources as a single, richer sound * Chorus form, song in which all verse ...
, or the "
parodos A parodos (also parode and parodus; grc, πάροδος, 'entrance', plural ), in the theater of ancient Greece, is a side-entrance to the stage, or the first song that is sung by the chorus at the beginning of a Greek tragedy. Side-entrance to ...
" sequence, follows: a chorus of fifteen men of Pherae, led by a "
coryphaeus In Attic drama, the coryphaeus, corypheus, or koryphaios (Greek κορυφαῖος ''koryphaîos'', from κορυφή ''koryphḗ́'', the top of the head) was the leader of the chorus. Hence the term (sometimes in an Anglicized form "coryphe") ...
" (chorus-leader), enter the
orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...
of the theatre. The chorus-leader complains that they are in a state of suspense, ignorant of whether they ought to be performing mourning rituals for their queen. The chorus' lyrical
ode An ode (from grc, ᾠδή, ōdḗ) is a type of lyric poetry. Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally. A classic ode is structured in three majo ...
, to which they dance as they sing, consists of two paired
stanza In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and ...
s of
strophe A strophe () is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of varyi ...
and
antistrophe Antistrophe ( grc, ἀντιστροφή, "a turning back") is the portion of an ode sung by the chorus in its returning movement from west to east, in response to the strophe, which was sung from east to west. Characteristics Usage as a lit ...
. They sing of the silence that greets their search for signs of mourning, the evidence of Alcestis' death. "When goodness dies," they lament, "all good men suffer, too." The chorus-leader concludes by dismissing the chorus' search for hope in the situation: "The King has exhausted every
ritual A ritual is a sequence of activities involving gestures, words, actions, or objects, performed according to a set sequence. Rituals may be prescribed by the traditions of a community, including a religious community. Rituals are characterized, b ...
." The first
episode An episode is a narrative unit within a larger dramatic work or documentary production, such as a series intended for radio, television or streaming consumption. The noun ''episode'' is derived from the Greek term ''epeisodion'' (), meaning t ...
begins with a maidservant, who enters from the palace in tears. When the chorus-leader presses her for news, she gives a confusing response: "She is alive. And dead." Alcestis stands, she explains, at this moment on the brink of life and death. The chorus-leader anxiously confirms that all of the customary preparations have been made for her proper burial. The maidservant joins the chorus-leader in praising Alcestis' virtue. She narrates a long description of Alcestis' prayers and preparations to die earlier that morning, when Alcestis cried over the bridal bed that will destroy her, embraced her sobbing children, and bade all farewell. She describes how Admetus held Alcestis weeping in his arms while her eyes clung to the sight of the last rays of sun she would see. The maidservant welcomes the chorus-leader to the palace and goes inside to inform Admetus of their arrival.
Alcestis Alcestis (; Ancient Greek: Ἄλκηστις, ') or Alceste, was a princess in Greek mythology, known for her love of her husband. Her life story was told by pseudo-Apollodorus in his '' Bibliotheca'', and a version of her death and return from t ...
, on her death-bed, requests that in return for her sacrifice,
Admetus In Greek mythology, Admetus (; Ancient Greek: ''Admetos'' means 'untamed, untameable') was a king of Pherae in Thessaly. Biography Admetus succeeded his father Pheres after whom the city was named. His mother was identified as Periclymene ...
never again marry, nor forget her or place a resentful stepmother in charge of their children. Admetus agrees to this and also promises to lead a life of solemnity in her honour, abstaining from the merrymaking that was an integral part of his household. Alcestis then dies. Just afterwards, Admetus' old friend
Heracles Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptive ...
arrives at the palace, having no idea of the sorrow that has befallen the place. Unwilling to turn a guest away, the king decides not to burden Heracles with the sad news and instructs the servants to make him welcome and to keep their mouths shut. By doing this, Admetus breaks his promise to Alcestis to abstain from merrymaking during the period that follows her death. Heracles gets drunk and begins to irritate the servants, who loved their queen and are bitter at not being allowed to mourn her properly. Finally, one of the servants snaps at the guest and tells him what has happened. Heracles is deeply embarrassed at his blunder and his bad behaviour and he decides to ambush and confront
Death Death is the irreversible cessation of all biological functions that sustain an organism. For organisms with a brain, death can also be defined as the irreversible cessation of functioning of the whole brain, including brainstem, and brain ...
when the funerary sacrifices are made at Alcestis' tomb. When he returns, he brings with him a veiled woman whom he tells Admetus he has won in a competition. He asks his host to take her and look after her while Heracles is away on his labours. After much discussion, he finally forces a reluctant Admetus to take her by the hand, but when he lifts the veil, he finds that it appears to be Alcestis, back from the dead. Heracles has battled Death and forced him to give her up. She cannot speak for three days, after which she will be purified and fully restored to life.


Critics' commentary

The categorization of ''Alcestis'' has been a subject of debate among literary critics. It employs both tragic and comic elements, and (when first performed) occupied a slot that was generally reserved for
satyr play The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is stro ...
s. Conacher explores how Euripides expanded the myth of Admetus and Alcestis, and added elements of comedy and folk tales. Beye also discusses legendary and fairy tale aspects of the play. ''Alcestis'' is also a popular text for
women's studies Women's studies is an academic field that draws on feminist and interdisciplinary methods to place women's lives and experiences at the center of study, while examining social and cultural constructs of gender; systems of privilege and oppress ...
. Critics have indicated that the play's central focus is Admetus rather than Alcestis. Segal, for example, has written of the play's
patriarchal Patriarchy is a social system in which positions of Dominance hierarchy, dominance and Social privilege, privilege are primarily held by men. It is used, both as a technical Anthropology, anthropological term for families or clans controll ...
aspects. The nature of
sacrifice Sacrifice is the offering of material possessions or the lives of animals or humans to a deity as an act of propitiation or worship. Evidence of ritual animal sacrifice has been seen at least since ancient Hebrews and Greeks, and possibly exi ...
, especially in ancient times, has been variously analysed by Rabinowitz, Vellacott, and Burnett, who explain that ancient Greek morality differed considerably from that of the present day. Modern interpretations of the play have been extremely varied, so much so that critics (such as Michelini and Gounaridou) have noted their failure to agree on much of anything. Gounaridou argues that Euripides meant for the play to be understood in many different ways. The psychologies and motivations of Admetus and Alcestis are especially disputed, with the question of Admetus's selfishness strongly contested.


Adaptations

There are at least seven operas based on the play, six of them named ''Alceste'': the 1674 opera by
Jean-Baptiste Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ...
, a 1750 opera by
George Frideric Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, ...
, a 1767 opera by
Christoph Willibald Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he g ...
- famous for being published with his proposals for revising operatic composition, a 1773 opera by Anton Schweitzer, and a 1768 opera by Pietro Alessandro Guglielmi.
Rutland Boughton Rutland Boughton (23 January 187825 January 1960) was an English composer who became well known in the early 20th century as a composer of opera and choral music. He was also an influential communist activist within the Communist Party of Gre ...
's 1922 opera ''Alkestis'' is based on the
Gilbert Murray George Gilbert Aimé Murray (2 January 1866 – 20 May 1957) was an Australian-born British classical scholar and public intellectual, with connections in many spheres. He was an outstanding scholar of the language and culture of Ancient Greece ...
translation. It was performed at
Covent Garden Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist si ...
by the
British National Opera Company The British National Opera Company presented opera in English in London and on tour in the British provinces between 1922 and 1929. It was founded in December 1921 by singers and instrumentalists from Thomas Beecham, Sir Thomas Beecham's Beecham O ...
and was broadcast by the nascent
British Broadcasting Company The British Broadcasting Company Ltd. (BBC) was a short-lived British commercial broadcasting company formed on 18 October 1922 by British and American electrical companies doing business in the United Kingdom. Licensed by the British Genera ...
, both in 1924. The American theatre director Robert Wilson staged a production of the play in 1986 at the
American Repertory Theater The American Repertory Theater (A.R.T.) is a professional not-for-profit theater in Cambridge, Massachusetts. Founded in 1979 by Robert Brustein, the A.R.T. is known for its commitment to new American plays and music–theater explorations; to ne ...
in
Cambridge, Massachusetts Cambridge ( ) is a city in Middlesex County, Massachusetts, United States. As part of the Boston metropolitan area, the cities population of the 2020 U.S. census was 118,403, making it the fourth most populous city in the state, behind Boston, ...
and in 1987 at the Staatstheater in
Stuttgart Stuttgart (; Swabian: ; ) is the capital and largest city of the German state of Baden-Württemberg. It is located on the Neckar river in a fertile valley known as the ''Stuttgarter Kessel'' (Stuttgart Cauldron) and lies an hour from the ...
. The production supplemented Euripides' play with material drawn from a range of sources, united by their exploration of the themes of death and rebirth.Brockett and Hildy (2003, 550). It began with Heiner Müller's ''Explosion of a Memory (Description of a Picture)'' (1985) as a
prologue A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ...
; the piece is a dream narrative partly composed using
automatic writing Automatic writing, also called psychography, is a claimed psychic ability allowing a person to produce written words without consciously writing. Practitioners engage in automatic writing by holding a writing instrument and allowing alleged spir ...
. Müller described it as a description of "a landscape beyond death" that is "an overpainting of Euripides' ''Alcestis'' which quotes the
Noh play is a major form of classical Japanese dance-drama that has been performed since the 14th century. Developed by Kan'ami and his son Zeami, it is the oldest major theatre art that is still regularly performed today. Although the terms Noh and ' ...
''Kumasaka'', the Eleventh Canto of the ''
Odyssey The ''Odyssey'' (; grc, Ὀδύσσεια, Odýsseia, ) is one of two major Ancient Greek literature, ancient Greek Epic poetry, epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by moder ...
'', and Hitchcock's '' The Birds.''" The production also utilised a Japanese kyogen play whose themes parodied those of ''Alcestis'', laser projections, a musical score by
Laurie Anderson Laurel Philips Anderson (born June 5, 1947), known as Laurie Anderson, is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and ...
, and
sound sculpture Sound art is an artistic activity in which sound is utilized as a primary medium or material. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. According to Brandon LaBelle, sound ar ...
s by composer
Robert Rutman Robert Rutman (15 May 1931 – 1 June 2021) was a German visual artist, musician, composer, and instrument builder. Best known for his work with homemade idiophones in his Steel Cello Ensemble, Rutman is regarded as a pioneer of multimedia perf ...
. T. S. Eliot's play ''
The Cocktail Party ''The Cocktail Party'' is a play by T. S. Eliot. The play was the most popular of Eliot's seven plays in his lifetime, although his 1935 play, '' Murder in the Cathedral'', is better remembered today. It focuses on a troubled married couple who, ...
'' is a modern adaption of ''Alcestis''; it was premiered at the Edinburgh Festival on 22 August 1949, directed by E. Martin Browne.


Translations

* Rev. Robert Potter, 1781 - prose
full text
* Edward Philip Coleridge, 1891 - prose
full text
*
Arthur S. Way Arthur Sanders Way (13 February 1847 – 25 September 1930), was a classical scholar, translator and headmaster of Wesley College, Melbourne, Australia. Arthur Way, son of the Rev. William Way and his wife Matilda, ''née'' Francis, was b ...
, 1912 – verse *
Gilbert Murray George Gilbert Aimé Murray (2 January 1866 – 20 May 1957) was an Australian-born British classical scholar and public intellectual, with connections in many spheres. He was an outstanding scholar of the language and culture of Ancient Greece ...
, 1915 - verse
full text
*
Richard Aldington Richard Aldington (8 July 1892 – 27 July 1962), born Edward Godfree Aldington, was an English writer and poet, and an early associate of the Imagist movement. He was married to the poet Hilda Doolittle (H. D.) from 1911 to 1938. His 50-year w ...
, 1930 – prose and verse
full text
*
Augustus T. Murray Caesar Augustus (born Gaius Octavius; 23 September 63 BC – 19 August AD 14), also known as Octavian, was the first Roman emperor; he reigned from 27 BC until his death in AD 14. He is known for being the founder of the Roman Pri ...
, 1931 – prose *
Moses Hadas Moses Hadas (June 25, 1900, Atlanta, Georgia – August 17, 1966) was an American teacher, a classical scholar, and a translator of numerous works from Greek, Hebrew, Latin, and German. Life Raised in Atlanta in a Yiddish-speaking Orthodox Je ...
and John McLean, 1936 – prose *
Richmond Lattimore Richmond Alexander Lattimore (May 6, 1906 – February 26, 1984) was an American poet and classicist known for his translations of the Greek classics, especially his versions of the ''Iliad'' and ''Odyssey''. Early life and career Born to David ...
, 1955 – verse * Dudley Fitts and Robert Fitzgerald, 1960 - verse * Philip Vellacott, 1974 – prose and verse * William Arrowsmith, 1974 – verse * David Kovacs, 1994 – prose
full text
* Paul Roche, 1998; from a Signet edition of ten plays by Euripides *
Ted Hughes Edward James "Ted" Hughes (17 August 1930 – 28 October 1998) was an English poet, translator, and children's writer. Critics frequently rank him as one of the best poets of his generation and one of the twentieth century's greatest wri ...
, 1999 – verse *
Anne Carson Anne Carson (born June 21, 1950) is a Canadian poet, essayist, translator, classicist, and professor. Trained at the University of Toronto, Carson has taught classics, comparative literature, and creative writing at universities across the Unit ...
, 2006 – prose and verse * Diane Arnson Svarlien, 2007 – verse * George Theodoridis, 2008 – prose
full text
*Rachel Kitzinger, 2016 - verse * Brian Vinero, 2019: verse


Notes


Sources

* Banham, Martin, ed. 1998. ''The Cambridge Guide to Theatre.'' Cambridge: Cambridge University Press. . * Brockett, Oscar G. and Franklin J. Hildy. 2003. ''History of the Theatre''. Ninth edition, International edition. Boston: Allyn and Bacon. . * Fitts, Dudley, ed. 1960a. ''Four Greek Plays''. New York: Harcourt, Brace & World. . * ---. 1960b. Introduction. In Fitts (1960a, 143–145). * Fitts, Dudley, and Robert Fitzgerald. 1960. ''The Alcestis of Euripides''. By Euripides. In Fitts (1960a, 149-199). * L. P. E. Parker, 2007 ''Euripides Alcestis with Introduction and Commentary''. Oxford (Oxford University Press). * Weber, Carl, ed. & trans. 1989. ''Explosion of a Memory: Writings by Heiner Müller''. By
Heiner Müller Heiner Müller (; 9 January 1929 – 30 December 1995) was a German (formerly East German) dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdr ...
. New York: Performing Arts Journal Publications. .


Further reading

* Padilla, Mark W.
"Gifts of Humiliation: Charis and Tragic Experience In Alcestis"
American Journal of Philology The ''American Journal of Philology'' is a quarterly academic journal established in 1880 by the classical scholar Basil Lanneau Gildersleeve and published by the Johns Hopkins University Press. It covers the field of philology, and related areas ...
, 121(2) (2000) pp. 179–211.


External links

* * * {{Authority control Plays by Euripides Thessalian mythology Women and death Tragicomedy plays Plays set in ancient Greece Plays adapted into operas