Carl Weber (theatre Director)
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Carl Weber (theatre Director)
Carl Weber (7 August 192525 December 2016) was a theatre director and a professor of drama at Stanford University. He was Bertolt Brecht's directing assistant and a dramaturg and actor at the Berliner Ensemble theatre company in 1952. After Brecht's death in 1956, Weber remained as a director of the company. He directed in major theatres in Germany, America, Canada and elsewhere since 1957. He produced English translations of German dramatist Heiner Müller. He was born in Dortmund, Germany, and died in Los Altos, California. Plays directed *''The Day of the Great Scholar Wu'', Berliner Ensemble, Berlin, Germany, 1955 *''Private Life of the Master Race'', Berliner Ensemble, 1957 *''Puntila'', Friedrich Wolf Theater, Neu-Strelitz, Germany, 1958 *''Mad Money'', Luebeck, Germany, 1959 *''Mother Courage'', Luebeck, 1960 *''Die Hose'', Deutsches Theater, Berlin, Germany, 1961 *''Trumpets and Drums'', Luebeck, 1962 *''Andorra'', Luebeck, 1962 *''The Parasite'', Luebeck, 1962 *''The Ge ...
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Theatre Director
A theatre director or stage director is a professional in the theatre field who oversees and orchestrates the mounting of a theatre production such as a play, opera, dance, drama, musical theatre performance, etc. by unifying various endeavors and aspects of production. The director's function is to ensure the quality and completeness of theatre production and to lead the members of the creative team into realizing their artistic vision for it. The director thereby collaborates with a team of creative individuals and other staff to coordinate research and work on all the aspects of the production which includes the Technical and the Performance aspects. The technical aspects include: stagecraft, costume design, theatrical properties (props), lighting design, set design, and sound design for the production. The performance aspects include: acting, dance, orchestra, chants, and stage combat. If the production is a new piece of writing or a (new) translation of a play, the director ...
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Heiner Mueller
__NOTOC__ Heiner is a German male name, a diminutive of Heinrich, and also a surname. Given name *Heiner Backhaus (born 1982), professional footballer *Heiner Baltes (born 1949), former football defender *Heiner Brand (born 1952), former West German handball player *Heiner Dopp (born 1956), former field hockey player from West Germany *Heiner Dreismann, PhD, the former president and CEO of Roche Molecular Systems *Heiner Geißler (born 1930), German politician with the Christian Democratic Union (CDU) party *Heiner Goebbels (born 1952), German composer and music director *Heiner Lauterbach (born 1953), German actor *Heiner Möller (born 1952), West German former handball player *Heiner Mühlmann (born 1938), German philosopher *Heiner Müller (1929–1995), German dramatist, poet, writer, essayist and theatre director *Heiner Zieschang (1936–2004), German mathematician *Klaus-Heiner Lehne (born 1957), German politician and Member of the European Parliament for North Rhine-Westph ...
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People From Dortmund
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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2016 Deaths
This is a list of deaths of notable people, organised by year. New deaths articles are added to their respective month (e.g., Deaths in ) and then linked here. 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 See also * Lists of deaths by day The following pages, corresponding to the Gregorian calendar, list the historical events, births, deaths, and holidays and observances of the specified day of the year: Footnotes See also * Leap year * List of calendars * List of non-standard ... * Deaths by year {{DEFAULTSORT:deaths by year ...
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1925 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slip ...
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Österreichische Mediathek
The Österreichische Mediathek ("Austrian Mediathek") is the Austrian archive for sound recordings and videos on cultural and contemporary history. It was founded in 1960 as Österreichische Phonothek (Austrian Phonothek) by the Ministry of Education and has been a branch of the Technisches Museum Wien (Vienna Technical Museum) since 2001. As video and sound archive, the Österreichische Mediathek is responsible for the preservation of the Austrian audio-visual cultural heritage (with the exception of film on photographic carrier material and photography). Duties and responsibilities The Österreichische Mediathek collects audio-visual media published or produced in Austria, as well as international recordings relating to Austria. Further responsibilities include the selective recording of TV and radio programmes received in Austria. In order to preserve its collections, the Österreichische Mediathek specializes in digitisation and digital long-term archiving of audio and video ...
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Fabel
A ''Fabel'' is a critical analysis of the plot of a play. It is a dramaturgical technique that was pioneered by Bertolt Brecht, a 20th century German theatre practitioner . ''Fabel'' should not be confused with 'fable', which is a form of short narrative (hence the retention of the original German spelling in its adoption into English usage). Elizabeth Wright argues that it is "a term of art which cannot be adequately translated".Wright, Elizabeth. 1989. ''Postmodern Brecht: A Re-Presentation''. Critics of the Twentieth Century Ser. London and New York: Routledge. . p.28. A critical term As a critical term, a fabel includes three interrelated but distinct aspects: firstly, an analysis of the events portrayed in the story. In an epic production, this analysis would focus on the social interactions between the characters and the causality of their behaviour from a historical materialist perspective; the ''fabel'' summarizes "the moral of the story not in a merely ethical sense, b ...
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Epic Theater
Epic theatre (german: episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas. Epic theatre is not meant to refer to the scale or the scope of the work, but rather to the form that it takes. Epic theatre emphasizes the audience's perspective and reaction to the piece through a variety of techniques that deliberately cause them to individually engage in a different way. The purpose of epic theatre is not to encourage an audience to suspend their disbelief, but rather to force them to see their world as it is. History The term " epic theatre" comes from Erwin Piscator who coined it during his first year as director of Berlin's Volksbühne (1924–27).Wiles (1980). Piscator aimed to encourage playwrights to address issues related to "contemporary existence." This new subject matter would ...
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Peter Palitzsch
Peter Palitzsch (11 September 1918 – 18 December 2004) was a German theatre director. He worked with Bertolt Brecht in his Berliner Ensemble from the beginning in 1949, and was in demand internationally as a representative of Brecht's ideas. He was a theatre manager at the Staatstheater Stuttgart and the Schauspiel Frankfurt. Many of his productions were invited to the Berliner Theatertreffen festival. He worked internationally from 1980. Life Born in Deutmannsdorf near Löwenberg, Silesia, the son of a merchant, Palitzsch grew up in Dresden. After gymnasium, he attended a to become a graphic artist for advertisement. He ran an advertising agency together with his brother . He served in the military for five years and was a prisoner of war for a short time. When he returned to the destroyed Dresden, he was among the founders of the local chapter of the Red Cross. He began his career at the theatre in 1945 as a dramaturge for the Dresdner Volksbühne. Bertolt Brecht called ...
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Drama
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's '' Poetics'' (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Greek word meaning "deed" or " act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional generic division between comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''play'' or ''game'' (translating the Anglo-Saxon ''pleġan'' or Latin ''ludus'') was the standard term for dramas until William Shakespeare's time—just as its creator was a ''play-maker'' rather than a ''dramatist'' and the building was a ''play-house'' r ...
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Dortmund
Dortmund (; Westphalian nds, Düörpm ; la, Tremonia) is the third-largest city in North Rhine-Westphalia after Cologne and Düsseldorf, and the eighth-largest city of Germany, with a population of 588,250 inhabitants as of 2021. It is the largest city (by area and population) of the Ruhr, Germany's largest urban area with some 5.1 million inhabitants, as well as the largest city of Westphalia. On the Emscher and Ruhr rivers (tributaries of the Rhine), it lies in the Rhine-Ruhr Metropolitan Region and is considered the administrative, commercial, and cultural center of the eastern Ruhr. Dortmund is the second-largest city in the Low German dialect area after Hamburg. Founded around 882,Wikimedia Commons: First documentary reference to Dortmund-Bövinghausen from 882, contribution-list of the Werden Abbey (near Essen), North-Rhine-Westphalia, Germany Dortmund became an Imperial Free City. Throughout the 13th to 14th centuries, it was the "chief city" of the Rhine, Westphali ...
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Heiner Müller
Heiner Müller (; 9 January 1929 – 30 December 1995) was a German (formerly East German) dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdramatic theatre."With Beckett's death Müller becomes the theatre's greatest living poet." ''The Village Voice'', quoted on the backcover of Müller's ''Theatremachine'' (1995). The phrase "enigmatic and fragmentary pieces" comes from the article on Müller in ''The Cambridge Guide to Theatre'' (Banham 1995, 765). Among others, Elizabeth Wright assesses Müller's contribution to a postmodern drama in ''Postmodern Brecht'' (1989). Biography Müller was born in Eppendorf, Saxony. He joined the Social Democratic Party of Germany in 1946 which was in the course of the forced merger of the KPD and SPD subsumed into the Socialist Unity Party of Germany (Sozialistische Einheitspartei Deutschlands, SED). He was soon expelled for lacking enthusiasm ...
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