Adrian Le Roy
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Adrian Le Roy (c.1520–1598) was an influential French music publisher, lutenist, mandore player, guitarist, composer and music educator.


Life

Le Roy was born in the town of
Montreuil-sur-Mer Montreuil (; also nl, Monsterole), also known as Montreuil-sur-Mer (; pcd, Montreu-su-Mér or , literally ''Montreuil on Sea''), is a sub-prefecture in the Pas-de-Calais department, northern France. It is located on the Canche river, not far fr ...
in northern France to a wealthy family. Very little is known about his formative years, but he was probably a chorister and studied the lute, guitar and
cittern The cittern or cithren ( Fr. ''cistre'', It. ''cetra'', Ger. ''Cister,'' Sp. ''cistro, cedra, cítola'') is a stringed instrument dating from the Renaissance. Modern scholars debate its exact history, but it is generally accepted that it is d ...
with various teachers. He became an accomplished musician and entered the service of, first, Claude de Clermont, then, Jacques II (Baron de Semblançay and Viscount of Tours), both members of the aristocracy who had influence at
court A court is any person or institution, often as a government institution, with the authority to adjudicate legal disputes between parties and carry out the administration of justice in civil, criminal, and administrative matters in acco ...
. In 1546 he met the publisher Jean de Brouilly in Paris and married his daughter Denise de Brouilly. Le Roy and his cousin Robert Ballard (c.1525–1588) founded the printing firm "Le Roy & Ballard", and in August 1551 obtained a royal privilege from Henry II to print music. In February 1553, the company was awarded the title of "Imprimeur du Roi en musique" (previously held by
Pierre Attaignant Pierre Attaingnant (or Attaignant) (c. 1494 – late 1551 or 1552) was a French music publisher, active in Paris. Life Attaingnant is considered to be first large-scale publisher of single-impression movable type for music-printing, thus making it ...
). This office, which was renewed by successive monarchs, gave the company legal protection against competitors and commercially valuable prestige.See Harr, p. 172. Royal patronage was a major factor in the company's success since it ensured both a ready supply of new music from the court musicians and a market for its publications. Over the following two decades other rival companies dropped out of the market and from the 1570s onwards Le Roy & Ballard enjoyed a virtual monopoly in music publishing. The publishing house lasted to the 19th century. While Robert Ballard looked after the business side, Le Roy assumed the role of an artistic director. He achieved renown as a composer and arranger of songs and instrumentals, his published work including at least six books of tablature for the lute, five volumes for the guitar and arrangements for the cittern. Le Roy also helped to ensure the success of composer
Orlande de Lassus Orlande de Lassus ( various other names; probably – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with Giovanni Pierluigi da Pale ...
, introducing him to court and publishing his music. Le Roy's book ''L'Instruction pour la mandore'' gives modern historians hints as to the instruments origins and design. Although lost now, Pierre Trichet commented on things he read in Le Roy's book that tell us the instrument came to France by way of Navarre and Biscay. Trichet also lets us know that Le Roy, the author of a mandore
method Method ( grc, μέθοδος, methodos) literally means a pursuit of knowledge, investigation, mode of prosecuting such inquiry, or system. In recent centuries it more often means a prescribed process for completing a task. It may refer to: *Scien ...
book, did own the instrument which he wrote about.James Tyler: The Mandore in the 16th and 17th Centuries
Le Roy died in Paris in 1598.


Some Published Works

*''Premier Livre de Tablature de Luth'' (1551). *''Briefve et facile instruction'' (1551). *''Tiers Livre de Tablature de Luth'' (1552). *''Cinquiesme Livre de Guiterre'' (1554). *''Second Livre de Guiterre'' (1556). *''Instruction de Luth'' (1557). *''Sixiesme Livre de Luth'' (1559). *''A Briefe and Easye Instrution to Learne the Tableture to Conducte and Dispose the Hande unto the Lute'' (1568; 2nd ed. 1574); English translation by Alford. *''Livre d'air de cours miz sur le Luth'' (1571): Solo songs with lute accompaniments.See George J. Buelow: ''A History of Baroque Music'' (Bloomington, Ind.: Indiana University Press, 2004), pp. 156 ff. *''Les Instructions pour le Luth'' (1574) *''L'Instruction pour la mandore'' (1585)


Bibliography

*Keith Calmes: ''Guitar Music of the 16th Century'' (Pacific, Missouri: Mel Bay, 2008), pp. 46 ff. *James Harr:
European Music, 1520-1640
' (Martlesham, Surrey: The Boydell Press, 2006)), p. 172 ff. *
François Lesure François Lesure (23 May 1923 in Paris – 21 June 2001) was a French librarian and musicologist. Biography François Lesure studied at the Sorbonne, the École nationale des chartes (graduated in 1950), the École pratique des hautes étude ...
& Geneviève Thibault: ''Bibliographie des éditions musicales d'Adrian Le Roy et Robert Ballard, 1551–1598'' (Paris: Société française de musicologie / Heugel, 1955; reprint: Paris: Bibliothèque nationale de France, 2002). *James Tyler & Paul Sparks:
The Guitar and its Music: From the Renaissance to the Classical Era
' (Oxford: Oxford University Press, 2007), p. 17 ff.


References


External links


Lute tablature


* *. * {{DEFAULTSORT:Le Roy, Adrian 1520s births 1598 deaths 16th-century classical composers French Baroque composers Composers for lute French classical musicians French guitarists French lutenists French male classical composers French male guitarists People from Montreuil, Pas-de-Calais Sheet music publishers (people) Year of birth uncertain 17th-century male musicians