''Armida'' is an

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

in three acts by

Josef Mysliveček Josef Mysliveček (9 March 1737 – 4 February 1781) was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant com ...

set to a libretto by Giovanni Ambrogio Migliavacca based on an earlier libretto by

Philippe Quinault Philippe Quinault (; 3 June 1635 – 26 November 1688), French dramatist and librettist, was born in Paris. Biography Quinault was educated by the liberality of François Tristan l'Hermite, the author of ''Marianne''. Quinault's first play w ...

. It is one of many operas set at the time of the

Crusades The Crusades were a series of religious wars initiated, supported, and sometimes directed by the Latin Church in the medieval period. The best known of these Crusades are those to the Holy Land in the period between 1095 and 1291 that were ...

that is based on characters and incidents from

Torquato Tasso Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' ( Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between ...

's epic poem ''

La Gerusalemme liberata ''Jerusalem Delivered'', also known as ''The Liberation of Jerusalem'' ( it, La Gerusalemme liberata ; ), is an epic poem by the Italian poet Torquato Tasso, first published in 1581, that tells a largely mythified version of the First Crusade i ...

''. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as '' opera seria''. It incorporates many elements from the operatic "reform" movement of the 1770s, including short vocal numbers and short choruses incorporated into the fabric of the drama and lavish use of accompanied

recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat ...

Performance history

The opera was first performed at the Teatro alla Scala in Milan on 26 December 1779 to open the theater's operatic carnival season of 1780 as one of the earliest operas ever performed there. It was a spectacular failure that necessitated the substitution of many of the

aria In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompa ...

s for works of

Giuseppe Sarti Giuseppe Sarti (also Sardi; baptised 1 December 1729 – 28 July 1802) was an Italian opera composer. Biography He was born at Faenza. His date of birth is not known, but he was baptised on 1 December 1729. Some earlier sources say he was born o ...

and Francesco Bianchi. The first performance of the opera since its first run in Milan took place in Lisbon on 22 May 2015 in the form of a semi scenic version sponsored by the Orquestra Metropolitana de Lisboa. There is no reason to believe that an anonymous production of ''Armida'' staged in Lucca in 1778 made use of any of Mysliveček's music, in spite of multiple claims in the musicological literature that it constituted the original version of the Milan opera of 1780.

Connection with Mozart

One of the arias substituted out of the production was "Il caro mio bene" (Act III, scene 1), a vocal piece so much admired by

Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...

that he arranged it for voice and piano with the new text "Ridente la calma," K. 152 (210a). In this form, it would become one of his most frequently-performed

concert aria A concert aria is normally a free-standing aria or opera-like scene (''scena'') composed for singer and orchestra, written specifically for performance in concert rather than as part of an opera. Concert arias have often been composed for particula ...

s. The aria was originally sung by Mysliveček's friend and professional collaborator Luigi Marchesi in the role of Rinaldo. The tenor

Valentin Adamberger Valentin Adamberger, also known by his Italian name Adamonti, (22 February 1740 or 6 July 174324 August 1804) was a German operatic tenor. His voice was universally admired for its pliancy, agility, and precision, and several composers of note, su ...

, who would create the role of Belmonte in Mozart's opera ''

Die Entführung aus dem Serail ' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Di ...

'' in Vienna in 1782, was also present as a cast member.

Roles

Vocal set pieces

(taken from the score in the Ajuda Palace in Lisbon,
the only complete score of the opera) Act I, scene 1 - Aria of Fenicia, "Perche d'affano oppressa"
Act I, scene 2 - Aria of Sidonia, "Vuoi che turbi"
Act I, scene 3 - Aria of Armida, "So che amor lusinga"
Act I, scene 4 - Aria of Idraote, "Molto soffrir condanna"
Act I, scene 6 - Chorus with Fenicia, "L'orme seguiam d'Armida"
Act I, scene 7 - Duet for Armida and Idraote, "Ah, del fellon nel sangue"
Act I, scene 8 - Aria of Rinaldo, "Dal mio core amor"
Act I, scene 8 - Accompanied recitative for Idraote, "Qui si dimori"
Act I, scene 9 - Accompanied recitative for Rinaldo, "Più queste spiaggie"
Act I, scene 9 - Aria of Rinaldo, "Più non vi sento in seno"
Act I, scene 10 - Aria of Artemidoro, "Se amica vuoi la sorte"
Act I, scene 10 - Chorus with naiad and shepherdess, "Nel più felice tempo"
Act I, scene 11 - Accompanied recitative for Armida, "Qual turbame"
Act I, scene 11 - Aria of Armida, "Cedo l'armi il cor" Act II, scene 1 - Aria of Ubaldo, "Di luce un raggio"
Act II, scene 3 - Aria of Fenicia, "Arta vanta d'ogn'altra maggiore"
Act II, scene 4 - Aria of Rinaldo, "Ah, disponi di mia sorte"
Act II, scene 5 - Accompanied recitative for Armida, "Vieni, odio implacabile"
Act II, scene 5 - Chorus of furies Act II, scene 6 - Aria of Armida, "Se il mio duolo, se il mio fato"
Act II, scene 7 - Aria of Odio, "Mi chiamerai ma in vano"
Act II, scene 9 - Chorus with Lucinda, "Ecco la calma"
Act II, scene 9 - Cavatina of Lucinda, "Qui senza stento"
Act II, scene 9 - Duet for Lucinda and the Cavalier Danese, "Qual v'a più bel piacer"
Act II, scene 11 - Cavatina of Melissa, "Perche veder deggio"
Act II, scene 11 - Aria of Ubaldo, "Ah, troppo barbara ragion tiranna"
Act II, scene 12 - Duet for Armida and Rinaldo, "È felice la mia sorte" Act III, scene 1 - Aria for an "Amante fortunata" with chorus, "Il piacer tranquillo"
Act III, scene 1 - Aria of Rinaldo, "Il caro mio bene"
Act III, scene 2 - Aria of the Cavalier Danese, "Vieni ormai"
Act III, scene 3 - Aria of Armida, "Idol mio, serena i rai e consola il tuo dolor"
Act III, scene 4 - Accompanied recitative for Armida, "Il traditor Rinaldo"

References

* Freeman, Daniel E. ''Josef Mysliveček, "Il Boemo."'' Sterling Heights, Mich.: Harmonie Park Press, 2009. {{DEFAULTSORT:Armida (Myslivecek) Italian-language operas Operas by Josef Mysliveček 1780 operas Opera seria Operas Operas based on works by Torquato Tasso Opera world premieres at La Scala Operas set in the Levant