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Antonio Beato (1835–1906), also known as Antoine Beato, was an Italian-British photographer. He is noted for his genre works, portraits, views of the architecture and landscapes of Egypt and other locations in the Mediterranean region. He was the younger brother of photographer Felice Beato (1832–1909), with whom he sometimes worked. Antonio and his brother were part of a small group of commercial photographers who were the first to produce images of the Orient on a large scale.


Life and work

Little is known of Antonio Beato's origins and early life. He was probably born in
Venetian Venetian often means from or related to: * Venice, a city in Italy * Veneto, a region of Italy * Republic of Venice (697–1797), a historical nation in that area Venetian and the like may also refer to: * Venetian language, a Romance language s ...
territory sometime after 1832, and later became a naturalised British citizen. His elder brother Felice Beato, at least, was born in Venice, but the family may have moved to
Corfu Corfu (, ) or Kerkyra ( el, Κέρκυρα, Kérkyra, , ; ; la, Corcyra.) is a Greek island in the Ionian Sea, of the Ionian Islands, and, including its small satellite islands, forms the margin of the northwestern frontier of Greece. The isl ...
, which had been a Venetian possession until 1814 when it was acquired by Britain. Antonio often used the French version of his given name, going by Antoine Beato. It is presumed that he did so because he mainly worked in Egypt, which had a large French-speaking population. The existence of a number of photographs signed "Felice Antonio Beato" and "Felice A. Beato", led many scholars to assume that there was one photographer who somehow photographed at the same time in places as distant as Egypt and Japan. In 1983, it was shown that " Felice Antonio Beato" represented two brothers, Felice Beato and Antonio Beato, who regularly worked together, sharing a signature. The confusion arising from the signatures continues to cause problems in identifying which of the two photographers was the creator of any given image. Virtually nothing is known about his training in photography. He may have become interested in photography through his brother, Felice, who is believed to have met the British photographer James Robertson in Malta in 1850, and purchased photographic equipment in Paris in around 1851, and later that year accompanied Robertson to Constantinople in 1851. Antonio joined his brother and Robertson in Malta in around 1853. A partnership, known as "Robertson & Beato" was formed in late 1853 or early 1854 in
Pera Pera may refer to: Places * Pera (Beyoğlu), a district in Istanbul formerly called Pera, now called Beyoğlu ** Galata, a neighbourhood of Beyoğlu, often referred to as Pera in the past * Pêra (Caparica), a Portuguese locality in the district of ...
, Constantinople. However, it is not entirely clear whether it was Antonio or Felice who was involved in the partnership. Some scholars believe that it was in fact, Antonio. By the 1850s, tourist travel to Middle East created strong demand for photographs as souvenirs. Beato, and his brother were part of a group of early photographers who made their way to the East to capitalise on this demand. These pioneering photographers included Frenchmen,
Félix Bonfils Félix Adrien Bonfils (8 March 1831 – 1885) was a French photographer and writer who was active in the Middle East. He was one of the first commercial photographers to produce images of the Middle East on a large scale and amongst the fir ...
(1831-1885); Gustave Le Gray (1820-1884) and
Hippolyte Arnoux Hippolyte Arnoux (active ca. 1860 – ca. 1890) was a French photographer and publisher. He was one of the first photographers to produce images of Egypt and documented the Suez Canal project with extensive photographs and a publication. Life an ...
, brothers Henri and Emile Bechard and the Greek Zangaki brothers, many of whom were in Egypt at the same time and entered into both formal and informal working partnerships. These early photographers, including Antonio and his brother, were among the first commercial photographers to produce images on a large scale in the Middle East. In late 1854 or early 1855, the Beato brothers' sister, Leonilda Maria Matilda Beato, married her brothers' business partner, James Robertson. The couple had three daughters, Catherine Grace (b. 1856), Edith Marcon Vergence (b. 1859) and Helen Beatruc (b. 1861). A number of the firm's photographs produced in the 1850s are signed Robertson, Beato and Co. and it is believed that "and Co." refers to Antonio. In July 1858 Antonio joined Felice in Calcutta. Felice had been in India since the beginning of the year photographing the aftermath of the Indian Rebellion of 1857. Antonio also photographed in India until December 1859 when he left Calcutta, probably for health reasons, and headed for Malta by way of Suez. Antonio Beato went to Cairo towards the end 1859 or early 1860 and spent two years there before moving to Luxor where he opened a photographic studio in 1862 (until his death in 1906) and began producing tourist images of the people and architectural sites of the area. In the late 1860s, Antonio was in partnership with the French photographer, Hippolyte Arnoux. Beato's images of Egypt were distinctly different from those of other photographers working in the region. Whereas most photographers focussed on the grandeur of monuments and architecture, Beato concentrated on scenes of everyday life. In 1864, at a time when his brother Felice was living and photographing in Japan, Antonio photographed members of Ikeda Nagaoki's Japanese mission who were visiting Egypt on their way to France. Antonio Beato died in Luxor in 1906. His widow published a notice of his death while offering a house and equipment for sale. A
Freemason Freemasonry or Masonry refers to fraternal organisations that trace their origins to the local guilds of stonemasons that, from the end of the 13th century, regulated the qualifications of stonemasons and their interaction with authorities ...
, he was member of a masonic Lodge in Beirut and later joined the Bulwer Lodge' Nr. 1068 in Cairo and was co-petitioner for the foundation of the Grecia Lodge Nr. 1105 in the Egyptian capital.


Collections (selection)

Photographs by Antonio Beato are held in the following permanent collections: * The Metropolitan Museum of Art, New York * The
Royal Collection The Royal Collection of the British royal family is the largest private art collection in the world. Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the ...
, London * J. Paul Getty Museum, Los Angeles * Conway Library, The Courtauld Institute of Art, London *
Brooklyn Museum The Brooklyn Museum is an art museum located in the New York City borough of Brooklyn. At , the museum is New York City's second largest and contains an art collection with around 1.5 million objects. Located near the Prospect Heights, Crown H ...
, New York * American Academy in Rome, Rome * Harvard Art Museums, Mass. * National Gallery of Canada, Ottawa *
Art Institute of Chicago The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 mill ...
, Chicago * Victoria and Albert Museum, London


See also

* History of photography * List of Orientalist artists *
Orientalism In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist p ...


References


Further reading

* ''Antonio e Felice Beato'' (Venice: Ikona Photo Gallery, 1983). * Bennett, Terry. ''Early Japanese Images'' (Rutland, Vermont: Charles E. Tuttle Company, 1996), 126, 143, pl. 118. * Borcoman, James. ''Magicians of Light'' (Ottawa: The National Gallery of Canada, 1993), 82, 267. * Clark, John. ''Japanese Exchanges in Art, 1850s to 1930s with Britain, continental Europe, and the USA: Papers and Research Materials'' (Sydney: Power Publications, 2001), 89–92, 115.
The New York Public Library, s.v. "Beato, Antonio"
Accessed 27 September 2006.
The New York Public Library, "Louxor : Temple de Amenhophis, corte est"
Accessed 27 September 2006. * Osman, Colin. "Antonio Beato: Photographs of the Nile" ''History of Photography'', vol. 14, no. 2 (April–June 1990), 101–110. * Oztuncay, Bahattin. ''James Robertson: Pioneer Photography in the Ottoman Empire'' (Istanbul: Eran, 1992), 13, 25–26, 32. * Perez, Nissan N. ''Focus East: Early Photography in the Near East, 1839–1885'' (New York: Harry N. Abrams, Inc. 1988), 131, 127. * Rosenblum, Naomi. ''A World History of Photography'' (New York: Abbeville Press, 1984), 121–122.
Union List of Artists Names, s.v. "Beato, Antonio"
Accessed 3 April 2006. * Zannier, Italo. ''Verso oriente: Fotografie di Antonio e Felice Beato'' (Florence: Alinari, 1986).


External links


Work by Antonio Beato
at the University of Michigan Museum of Art
Work by Antonio Beato
at the Getty Museum
Work by Antonio Beato
at the Metropolitan Museum of Art
Work by Antonio Beato
at the Cleveland Museum of Art
Work by Antonio Beato
at the Harvard Art Museums {{DEFAULTSORT:Beato, Antonio 1835 births 1906 deaths 19th-century Italian photographers Architectural photographers British Freemasons 20th-century Italian photographers 20th-century British male artists 20th-century Italian male artists Orientalist painters British portrait photographers Photography in Egypt Photography in Greece Photography in India Pioneers of photography 19th-century British photographers 19th-century British male artists 19th-century Italian male artists Early photographers in Palestine 20th-century British photographers