Anthology (Ensemble Renaissance Album)
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Anthology is the 13th album by Ensemble Renaissance, released in 1997 on the Al Segno label in
Germany Germany,, officially the Federal Republic of Germany, is a country in Central Europe. It is the second most populous country in Europe after Russia, and the most populous member state of the European Union. Germany is situated betwe ...
. The double disc is the greatest hits compilation of the Medieval and Renaissance music; the material on this ''Anthology'' are remasters from Ensemble's LPs '' Greatest Hits 3'', '' Mon amy'', '' Hommage a l'amour''. The first disc ''Hommage a l'amour'' is a collection of the European
Medieval music Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and followed by the Renaissance ...
, beginning with
goliard The goliards were a group of generally young clergy in Europe who wrote satirical Latin poetry in the 12th and 13th centuries of the Middle Ages. They were chiefly clerics who served at or had studied at the universities of France, Germany, Spa ...
tunes from the codices
Carmina Burana ''Carmina Burana'' (, Latin for "Songs from Benediktbeuern" 'Buria'' in Latin is a manuscript of 254 poems and dramatic texts mostly from the 11th or 12th century, although some are from the 13th century. The pieces are mostly bawdy, irreverent ...
and Cambridge Songs, trouvere and
minnesang (; "love song") was a tradition of lyric- and song-writing in Germany and Austria that flourished in the Middle High German period. This period of medieval German literature began in the 12th century and continued into the 14th. People who wr ...
er songs, Spanish monophonic songs from the
Cantigas de Santa Maria The ''Cantigas de Santa Maria'' (, ; "Canticles of Holy Mary") are 420 poems with musical notation, written in the medieval Galician-Portuguese language during the reign of Alfonso X of Castile ''El Sabio'' (1221–1284). Traditionally, they ar ...
and polyphonic songs from the
Llibre Vermell de Montserrat The ''Llibre Vermell de Montserrat'' (, "Red Book of Montserrat") is a manuscript collection of devotional texts containing, amongst others, some late medieval songs. The 14th-century manuscript was compiled in and is still located at the monaster ...
, traveler's dances from the Balkan, England, France, and especially Italian
Trecento The Trecento (, also , ; short for , "1300") refers to the 14th century in Italian cultural history. Period Art Commonly, the Trecento is considered to be the beginning of the Renaissance in art history. Painters of the Trecento included Giotto ...
dances from the famous London manuscript 29987. The second disc ''Mon amy'' is dedicated to the friendly atmosphere of the
Renaissance music Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Tr ...
with works from the
Cancionero de Palacio The Cancionero de Palacio (Madrid, Biblioteca Real, MS II–1335), or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of arou ...
, dance collections by
Tielman Susato Tielman (or Tylman) Susato (''c.'' 1510/15 – after 1570) was a Renaissance composer, instrumentalist and publisher of music in Antwerp. Biography While Susato's exact place of birth is unknown, some scholars believe that because of his n ...
,
Claude Gervaise Claude Gervaise (1525–1583) ; these dates are contradicted by other sources was a French composer, editor and arranger of the Renaissance, who is remembered mainly for his association with renowned printer Pierre Attaingnant, and for his instru ...
,
Michael Praetorius Michael Praetorius (probably 28 September 1571 – 15 February 1621) was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms ba ...
, Italian renaissance madrigals and tunes, and also music of the Elizabethan epoch and Shakespeare's theatre, including
John Dowland John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", " Come again", "Flow my tears", " I saw my Lady weepe", ...
.


Track listing

All tracks produced by Ensemble Renaissance.


Personnel

The following people contributed to the ''Anthology'' *
Dragana Jugović del Monaco Dragana del Monaco (Serbian Cyrillic: Драгана дел Монако; born 1963) is a Serbian mezzo-soprano opera singer. She received her doctorate from the Faculty of Arts and Music at Belgrade University, where she majored in solo singing ...
 –
mezzo-soprano A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C ...
*Vojka Đorđević –
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
*Ljudmila Gross –
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
*Miroslav Marković –
baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the r ...
*Dragan Mlađenović –
tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...
,
crumhorn The crumhorn is a double reed instrument of the woodwind family, most commonly used during the Renaissance period. In modern times, particularly since the 1960s, there has been a revival of interest in early music, and crumhorns are being play ...
s, sopranino
recorder Recorder or The Recorder may refer to: Newspapers * ''Indianapolis Recorder'', a weekly newspaper * ''The Recorder'' (Massachusetts newspaper), a daily newspaper published in Greenfield, Massachusetts, US * ''The Recorder'' (Port Pirie), a news ...
,
rauschpfeife Rauschpfeife is a commonly used term for a specific type of capped conical reed musical instrument of the woodwind family, used in Europe in the 16th and 17th centuries. In common with the crumhorn and cornamuse, it is a wooden double-reed inst ...
, jew's harp,
bağlama The ''bağlama'' or ''saz'' is a family of plucked string instruments, long-necked lutes used in Ottoman classical music, Turkish folk music, Turkish Arabesque music, Azerbaijani music, Kurdish music, Armenian music and in parts of Syria, Iraq ...
*Georges Grujić – recorders, sopranino rauschpfeife, bass crumhorn, soprano/bass
cornamuse The cornamuse is a double reed instrument dating from the Renaissance period. It is similar to the crumhorn in having a windcap over the reed and cylindrical bore. The only evidence for the cornamuse comes from a description and a few comments b ...
, tenor
rackett The rackett, raggett, cervelas, or sausage bassoon is a Renaissance-era double reed wind instrument, introduced late in the sixteenth century and already superseded by bassoons at the end of the seventeenth century. Description There are fou ...
*Dragan Karolić – recorders, tenor/bass cornamuse *Marko Štegelman –
bagpipe Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Nor ...
s *Miomir Ristić –
fiddle A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, th ...
,
rebec The rebec (sometimes rebecha, rebeckha, and other spellings, pronounced or ) is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings. Origi ...
,
percussion instruments A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excl ...
*Vladimir Ćirić –
vielle The vielle is a European bowed stringed instrument used in the medieval period, similar to a modern violin but with a somewhat longer and deeper body, three to five gut strings, and a leaf-shaped pegbox with frontal tuning pegs, sometimes with a ...
, baroque
violin The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
, rebec,
oud , image=File:oud2.jpg , image_capt=Syrian oud made by Abdo Nahat in 1921 , background= , classification= * String instruments *Necked bowl lutes , hornbostel_sachs=321.321-6 , hornbostel_sachs_desc=Composite chordophone sounded with a plectrum , ...
,
psaltery A psaltery ( el, ψαλτήρι) (or sawtry, an archaic form) is a fretboard-less box zither (a simple chordophone) and is considered the archetype of the zither and dulcimer; the harp, virginal, harpsichord and clavichord were also inspired by ...
, bağlama, percussion instruments *Zoran Kostadinović – rebec *Svetislav Madžarević –
lute A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can ref ...
,
vihuela The vihuela () is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar (figure-of-eight form offering strength and portability) but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of t ...
, percussion instruments *Slobodan Vujisić –
šargija thumb The ''šargija'' ( sh, šargija, шаргија; sq, sharki or sharkia), anglicized as ''shargia'', is a plucked, fretted long necked lute used in the folk music of various Balkan countries, including Bosnia and Herzegovina, Serbia, Cr ...
, renaissance lute, oud *Zoran Kočišević –
double bass The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox addit ...
*Boris Bunjac – percussion instruments *Jovan Horvat – percussions


References


External links


album on allmusic
{{DEFAULTSORT:Anthology 1997 albums Ensemble Renaissance albums