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Cambridge Songs
The Cambridge Songs (''Carmina Cantabrigiensia'') are a collection of Goliardic medieval Latin poems found on ten leaves (ff. 432–41) of the ''Codex Cantabrigiensis'' (''C'', MS Gg. 5.35), now in Cambridge University Library. History and content The songs as they survive are copies made shortly before or after the Norman Conquest (1066). They may have been collected by an English scholar while travelling on the continent sometime after the last datable song (1039), and brought back with him to the church of Saint Augustine at Canterbury, where they were copied and where the ''Codex'' was long kept. The original manuscript was possibly lost in a fire that struck Saint Augustine's in 1168. The dialect of the few vernacular portions found in some of the songs is in the North Rheno-Franconian dialect of Old High German, suggesting that the Goliard or Goliards who composed them came from the north or middle Rhineland, probably the area between Trier, Cologne, and Xanten. It has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmina Cantabrigiensia Manuscr-C-fol436v
The ''Odes'' ( la, Carmina) are a collection in four books of Latin lyric poetry, lyric poems by Horace. The Horatian ode format and style has been emulated since by other poets. Books 1 to 3 were published in 23 BC. A fourth book, consisting of 15 poems, was published in 13 BC. The ''Odes'' were developed as a conscious imitation of the short lyric poetry of Greek originals – Pindar, Sappho and Alcaeus of Mytilene, Alcaeus are some of Horace's models. His genius lay in applying these older forms to the social life of Rome in the age of Augustus. The ''Odes'' cover a range of subjects – Love, Friendship, Wine, Religion, Morality, Patriotism; poems of eulogy addressed to Augustus and his relations; and verses written on a miscellany of subjects and incidents, including the uncertainty of life, the cultivation of tranquility and contentment, and the observance of moderation or the "Golden mean (philosophy), golden mean." The ''Odes'' have been considered traditionally by Englis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
France In The Middle Ages
The Kingdom of France in the Middle Ages (roughly, from the 10th century to the middle of the 15th century) was marked by the fragmentation of the Carolingian Empire and West Francia (843–987); the expansion of royal control by the House of Capet (987–1328), including their struggles with the virtually independent principalities (duchies and counties, such as the Normandy#Norman expansion, Norman and County of Anjou, Angevin regions) that had developed following the Viking invasions and through the piecemeal dismantling of the Carolingian Empire and the creation and extension of administrative/state control (notably under Philip II of France, Philip II Augustus and Louis IX of France, Louis IX) in the 13th century; and the rise of the House of Valois (1328–1589), including the protracted dynastic crisis against the House of Plantagenet and their Angevin Empire, dominated by the Kingdom of England, cumulating in the Hundred Years' War (1337–1453), compounded by the catastr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Latin Poetry
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Saxon England (journal)
''Anglo-Saxon England'' is an annual peer-reviewed interdisciplinary academic journal covering the study of various aspects of history, language, and culture in Anglo-Saxon England. It has been published since 1972 by Cambridge University Press and is available in print and digital form. The first forty volumes of the journal included a bibliography porividng an overview of the past year's work in Anglo-Saxon studies; a cumulative bibliography is now available online, published by Cambridge University Press. The journal's motto, 'here one can still see their track', is drawn from King Alfred's Old English translation of ''Cura pastoralis''. Ever edition of the journal has, as its front cover, an image of the obverse of Alfred’s ‘London Monogram’ penny. Its current editors are Simon Keynes, Rosalind Love and Rory Naismith (all based at the University of Cambridge). Previous editors include Malcolm Godden, Peter A. Clemoes and Michael Lapidge Michael Lapidge, FBA (born 8 Feb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salian Dynasty
The Salian dynasty or Salic dynasty (german: Salier) was a dynasty in the High Middle Ages. The dynasty provided four kings of Germany (1024–1125), all of whom went on to be crowned Holy Roman emperors (1027–1125). After the death of the last Ottonian emperor in 1024, the Kingdom of Germany and later the entire Holy Roman Empire passed to Conrad II, a Salian. He was followed by three more Salian rulers: Henry III, Henry IV, and Henry V. They established their monarchy as a major European power. The Salian dynasty developed a permanent administrative system based on a class of public officials answerable to the crown. Origins and name Modern historians suppose that the Salians descended from the Widonids, a prominent noble kindred emerging in the 7th century. Their estates were located at the confluence of rivers Moselle and Saar and they supported the Carolingians. The Widonids' eastward expansion towards the river Rhine started after they founded Hornbach Abbey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clerici Vagabundi
''Clerici vagantes'' or ''vagabundi'' (singular ''clericus vagans'' or ''vagabundus'') is a medieval Latin term meaning "wandering clergy" applied in early canon law to those clergy who led a wandering life either because they had no benefice or because they had deserted the church to which they had been attached. The term refers also to wandering students, ex-students, and even professors, "moving from town to town in search of learning and still more of adventure, nominally clerks but leading often very unclerical lives". Recently, the belief that the clerici vagantes played an important role in the literary atmosphere of the so-called Renaissance of the 12th century, for the kind of fresh poetry in medieval Latin called ''goliardic poetry'', in which famous wandering scholars (''scholares vagantes''; in German ''fahrenden Schüler'') like Hugh Primas and the anonymous Archpoet (both 12th century) satirically criticised the Medieval Church, has been questioned. History As e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minstrel
A minstrel was an entertainer, initially in medieval Europe. It originally described any type of entertainer such as a musician, juggler, acrobat, singer or fool; later, from the sixteenth century, it came to mean a specialist entertainer who sang songs and played musical instruments. Description Minstrels performed songs which told stories of distant places or of existing or imaginary historical events. Although minstrels created their own tales, often they would memorize and embellish the works of others. Frequently they were retained by royalty and high society. As the courts became more sophisticated, minstrels were eventually replaced at court by the troubadours, and many became wandering minstrels, performing in the streets; a decline in their popularity began in the late 15th century. Minstrels fed into later traditions of travelling entertainers, which continued to be moderately strong into the early 20th century, and which has some continuity in the form of today's bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequence (poetry)
A sequence (Latin: ''sequentia'', plural: ''sequentiae'') is a chant or hymn sung or recited during the liturgical celebration of the Eucharist for many Christian denominations, before the proclamation of the Gospel. By the time of the Council of Trent (1543–1563) there were sequences for many feasts in the Church's year. The sequence has always been sung directly before the Gospel, after the Alleluia. The 2002 edition of the General Instruction of the Roman Missal, however, reversed the order and places the sequence before the Alleluia. The form of this chant inspired a genre of Latin poetry written in a non- classical metre, often on a sacred Christian subject, which is also called a sequence. The Latin sequence in literature and liturgy The Latin sequence has its beginnings, as an artistic form, in early Christian hymns such as the ''Vexilla Regis'' of Venantius Fortunatus. Venantius modified the classical metres based on syllable quantity to an accentual metre more easil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neume
A neume (; sometimes spelled neum) is the basic element of Western and Eastern systems of musical notation prior to the invention of five-line staff notation. The earliest neumes were inflective marks that indicated the general shape but not necessarily the exact notes or rhythms to be sung. Later developments included the use of heightened neumes that showed the relative pitches between neumes, and the creation of a four-line musical staff that identified particular pitches. Neumes do not generally indicate rhythm, but additional symbols were sometimes juxtaposed with neumes to indicate changes in articulation, duration, or tempo. Neumatic notation was later used in medieval music to indicate certain patterns of rhythm called rhythmic modes, and eventually evolved into modern musical notation. Neumatic notation remains standard in modern editions of plainchant. Etymology The word "neume" entered the English language in the Middle English forms "newme", "nevme", "neme" in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfenbüttel
Wolfenbüttel (; nds, Wulfenbüddel) is a town in Lower Saxony, Germany, the administrative capital of Wolfenbüttel District. It is best known as the location of the internationally renowned Herzog August Library and for having the largest concentration of timber-framed buildings in Germany. It is an episcopal see of the Evangelical Lutheran Church in Brunswick. It is also home to the Jägermeister distillery, houses a campus of the Ostfalia University of Applied Sciences, and the Landesmusikakademie of Lower Saxony. Geography The town center is located at an elevation of on the Oker river near the confluence with its Altenau tributary, about south of Brunswick and southeast of the state capital Hannover. Wolfenbüttel is situated about half-way between the Harz mountain range in the south and the Lüneburg Heath in the north. The Elm-Lappwald Nature Park and the Asse hill range stretch east and southeast of the town. With a population of about 52,000 people, Wolfe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italy In The Middle Ages
The history of Italy in the Middle Ages can be roughly defined as the time between the collapse of the Western Roman Empire and the Italian Renaissance. The term "Middle Ages" itself ultimately derives from the description of the period of "obscurity" in Italian history during the 9th to 11th centuries, the saeculum obscurum or "Dark Age" of the Roman papacy as seen from the perspective of the 14th to 15th century Italian Humanists. Late Antiquity in Italy lingered on into the 7th century under the Ostrogothic Kingdom and the Byzantine Empire under the Justinian dynasty, the Byzantine Papacy until the mid 8th century. The "Middle Ages" proper begin as the Byzantine Empire was weakening under the pressure of the Muslim conquests, and most of the Exarchate of Ravenna finally fell under Lombard rule in 751. From this period, former states that were part of the Exarchate and were not conquered by the Lombard Kingdom, such as the Duchy of Naples, became de facto independent states, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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