Aerial modern dance is a

subgenre Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for ...

modern dance Modern dance is a broad genre of western concert or theatrical dance which included dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th ...

first recognized in the

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in the 1970s. The

choreography Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who c ...

incorporates an apparatus that is often attached to the ceiling, allowing performers to explore space in three dimensions. The ability to incorporate vertical, as well as horizontal movement paths, allows for

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s in choreography and movement.

Overview

There are two types of aerial dance. In vertical dance a dancer is suspended in a harness from a rope or cable and explores the difference in gravity, weightlessness and varied movement possibilities offered by the suspended state. In the second type a dancer or acrobat intertwines the use of the floor or a wall with their aerial apparatus. The first utilizes the strength and expression of dance with an altered state to communicate contemporary ideas. In the second, the dancer uses dance as a way to indicate that their work is less trick-based than circus arts, and in some cases hopes that disassociating with the circus makes their work appear more contemporary and artistic. One of the first choreographers to utilize what we now think of as aerial dance was Trisha Brown. She called her dances (1968–1971) "equipment pieces". Please see the video of a reproduction of one of her early pieces. They are not “dancey” pieces, but by placing the pedestrians on the side wall, Brown illustrates the choreography of everyday movement. She was notably the first choreographer to pull dancers up into the air. She choreographed multiple pieces off the ground, some involving projection and multimedia, using air and wall surfaces in novel ways. In the late '90s an Argentinian aerial dance troupe named De La Guarda gained notoriety in London for their show combining performance art with aerial dance. The troupe is no longer touring, but some previous members have started a new company called Cuerda Producciones that continues to create aerial dance theater pieces. Wanda Moretti of Italy is creating a vertical dance network aimed at collecting knowledge for artists and professionals in the field. Moretti says, “From its beginning 30 years ago, vertical dance evolved from the multiple practices and influences of its initial instigators. It was born from the desire to explore space, environment and become a place where everything was possible.” Aerial modern pieces, whether

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or ensemble, often involve partnering. The apparatus used has its own motion, which changes the way a dancer must move in response. The introduction of a new element changes the dancer’s balance, center, and orientation in space. Aerial modern dancers gather annually for workshops in Boulder, Colorado,

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, in

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, and

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. Another early influence on aerial modern dance,

Terry Sendgraff Terry Sendgraff is an American modern dancer and choreographer known as the founder of the Motivity dance method. She is often credited as being the founder of modern aerial dance. Biography Sendgraff moved to San Francisco in 1971 and began ...

, is credited with inventing the "motivity" trapeze. Sendgraff actively performed, choreographed and taught in the

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from the early 1970s, until announcing her retirement in 2005 at the age of 70, when she handed over her aerial dance business to Cherie Carson. The motivity trapeze came about as a result of an exploration on a low-hung circus trapeze. The ropes twisted together, causing the apparatus to spin. By formalizing this, hooking both ropes to a single point of attachment, Ms. Sendgraff used the apparatus to spin, twist, as well as fly in a straight line and in a circle.

Workshops

In Boulder, Frequent Flyers Productions produces the Aerial Dance Festival which been held every year since its inception in July 1999. Here workshops, performances, and discussions bring together dancers,

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circus A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and uni ...

artin Brighton, England every summer. In Italy, an emerging aerial dance company, brought the contemporary dance discipline to a vertical stage. The performance of the Company is distinguished from others by the details of the choreography and the harmony of the movement, typical elements of classic dance. Aerial dance is an art form that is incredibly demanding and requires a high degree of strength, power, flexibility, courage, and grace to practice.

Site dance

Other examples of aerial modern dance are the site-specific works of Joanna Haigood of the Zaccho Dance Theatre, Amelia Rudolph of " Project Bandaloop," and Sally Jacques' Blue Lapis Light. Haigood’s work is based on careful research of the

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and

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impact of found spaces, and the translation of these memories into the movements performed in that space. Project Bandaloop combines rock-

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with dance in performances that scale and/or descend

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s, rock walls, and tall buildings across the world. Video of their outdoor work is sometimes integrated into indoor performances, projected onto screens or trampolines behind the dancers on stage. Blue Lapis Light uses multiple apparatuses, such as aerial silks, harnesses, and bungees to create dances on bridges, office buildings, hotels, and other outdoor spaces.

References

External links

* Croft, Clare
"Flying into the Unknown"
The DanceView Times, Washington, D.C. edition 1.9: November 24, 2003

History. * Forbord, Austin & Trott, Shelley

(2000) * Eagly, Ursula

Creative Capital {{DEFAULTSORT:Aerial Dance Contemporary dance Modern dance Dances

Overview

Workshops

Site dance

See also

References

Further reading

External links