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Modern Dance
Modern dance is a broad genre of western concert or theatrical dance which included dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors. In the late 19th century, modern dance artists such as Isadora Duncan, Maud Allan, and Loie Fuller were pioneering new forms and practices in what is now called aesthetic or free dance. These dancers disregarded ballet's strict movement vocabulary (the particular, limited set of movements that were considered proper to ballet) and stopped wearing corsets and pointe shoes in the search for greater freedom of movement. Throughout the 20th century, sociopolitical concerns, major historical events, and the development of other art forms contributed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Dance
Free dance is a 20th-century dance form that preceded modern dance. Rebelling against the rigid constraints of classical ballet, Loie Fuller, Isadora Duncan and Ruth St. Denis (with her work in theater) developed their own styles of free dance and laid the foundations of American modern dance with their choreography and teaching. In Europe, Rudolf Laban, Emile Jaques-Dalcroze and François Delsarte developed their own theories of human movement and methods of instruction that led to the development of European modern and Expressionist dance. Free dance was prolific in Central and Eastern Europe, where national schools were created, such as the School of Musical Movement (Heptachor), in Russia, and the Orkesztika School, in Hungary Hungary ( hu, Magyarország ) is a landlocked country in Central Europe. Spanning of the Carpathian Basin, it is bordered by Slovakia to the north, Ukraine to the northeast, Romania to the east and southeast, Serbia to the south, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Modern Dance
''The Modern Dance'' is the debut album by American rock band Pere Ubu. It was released in January 1978 by record label Blank. A 5.1 surround sound version was released as the DVD-Audio side of a DualDisc in 2005. Critical reception ''The Modern Dance'' has been critically acclaimed. Reviewing for ''The Village Voice'' in 1978, Robert Christgau wrote that "even though there's too much '' Radio Ethiopia'' and not enough 'Redondo Beach,'" he would be "listening through the failed stuff—the highs are worth it." In '' Christgau's Record Guide: Rock Albums of the Seventies'' (1981), he reaffirmed that "the highs are worth it, and the failed stuff ain't bad" in his revised review. Ken Tucker, writing in ''Rolling Stone'', called it vivid and exhilarating, even if "harsh and willfully ugly". ''NME'' named ''The Modern Dance'' the 11th best album of 1978. ''Fact'' placed the record at number 31 on its list of the 100 best albums of the 1970s. Track listing Personnel Pere Ubu * D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katherine Dunham
Katherine Mary Dunham (June 22, 1909 – May 21, 2006) was an American dancer, choreographer, anthropologist, and social activist. Dunham had one of the most successful dance careers of the 20th century, and directed her own dance company for many years. She has been called the "matriarch and queen mother of black dance."Joyce Aschenbenner, ''Katherine Dunham: Dancing a Life'' (Urbana: University of Illinois Press, 2002). While a student at the University of Chicago, Dunham also performed as a dancer, ran a dance school, and earned an early bachelor's degree in anthropology. Receiving a post graduate academic fellowship, she went to the Caribbean to study the African diaspora, ethnography and local dance. She returned to graduate school and submitted a master's thesis to the anthropology faculty. She did not complete the other requirements for that degree, however, as she realized that her professional calling was performance and choreography. At the height of her career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' |
Abstractionism
Abstractionism is the theory that the mind obtains some or all of its concepts by abstracting them from concepts it already has, or from experience.Geach, Peter (1957) Mental Acts - Their Contents and Their Objects. Routledge Kegan Paul. One may, for example, abstract 'green' from a set of experiences which involve green along with other properties. Also, for example, one may abstract a generic concept like 'vegetable' from the already possessed concepts of its instances (carrot, broccoli, onion, etc.) This view was criticized by George Berkeley and Peter Geach. Development Abstractionism has its roots in Aristotle's writings, particularly those rejecting the Platonic theory of Forms. They were adopted and developed further by the Scholastics so that the doctrine became entrenched in the seventeenth century. John Locke also developed his own theory of abstract ideas although it was against the Scholastic theory of essences. For him, ideas originate through the senses and the mat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Taylor (choreographer)
Paul Belville Taylor Jr. (July 29, 1930 – August 29, 2018) was an American dancer and choreographer. He was one of the last living members of the third generation of America's modern dance artists.The Columbia Electronic Encyclopedia, 6th ed Retrieved 28 February 2016. He founded the Paul Taylor Dance Company in 1954 in New York City. Early life and education Taylor was born in Wilkinsburg, Pennsylvania, to Paul Belville Taylor Sr., a physicist, and to the former Elizabeth Rust Pendleton. He grew up in and around Washington, DC. By his teens, he had grown to more than six feet in height. He was a student of painting and swam and competed on the swim team, for which he was the recipient of a swimming scholarship, at Syracuse University in the late 1940s. Upon discovering dance through books at the school library, Taylor created his first piece of choreography on Syracuse University Dance department students, which was entitled ''Hobo Ballet''. Taylor then transferred to Juil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Halprin
Anna Halprin (born Hannah Dorothy Schuman; July 13, 1920 – May 24, 2021) was an American choreographer and dancer. She helped redefine dance in postwar America and pioneer the experimental art form known as postmodern dance and referred to herself as a breaker of the rules of modern dance. In the 1950s, she established the San Francisco Dancers' Workshop to give artists like her a place to practice their art. Exploring the capabilities of her own body, she created a systematic way of moving using kinesthetic awareness. With her husband, landscape architect Lawrence Halprin, she developed the RSVP cycles, a creative methodology that includes the idea of scores and can be applied broadly across all disciplines. Many of her creations have been scores, including ''Myths'' in the 1960s which gave a score to the audience, making them performers as well, and a highly participatory ''Planetary Dance (''1987). Influenced by her own battle with cancer and her healing journey, Halprin bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Sokolow
Anna Sokolow (February 9, 1910, Hartford, Connecticut – March 29, 2000, Manhattan, New York City) was an American dancer and choreographer known for the social justice focus and theatricality of her work, and for her support of the development of Modern Dance in Mexico and in Israel. At the beginning of her career, Sokolow was a principal dancer in the Martha Graham Company (1930-1938) and she soon became an independent choreographer who went on to form multiple dance companies throughout her life beginning with “Dance Unit” in the 1930s and later The Player's Project which launched in 1971 and re-launched in the 1980s. Sokolow choreographed for and set her work on companies around the world, including major companies such as Batsheva Dance Company, Alvin Ailey American Dance Theater, The Jose Limón Dance Company, Joffery Ballet and the Daniel Lewis Dance Company. Her work continues to be performed by the Sokolow Theatre/Dance Ensemble in New York City. Her work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erick Hawkins
Frederick "Erick" Hawkins (April 23, 1909November 23, 1994) was an American modern-dance choreographer and dancer. Early life Frederick Hawkins was born in Trinidad, Colorado, on April 23, 1909. He majored in Greek civilization at Harvard University, graduating in 1930. A performance by the German dancers Harald Kreutzberg and Yvonne Georgi so impressed him that he went to Austria to study dance with the former. Later, he studied at the School of American Ballet. Career Soon he was dancing with George Balanchine's American Ballet. In 1937, he choreographed his first dance, ''Show Piece'', which was performed by Ballet Caravan. The next year, Hawkins was the first man to dance with the company of the famous modern dancer and choreographer Martha Graham. In 1939, he officially joined her troupe, dancing male lead in a number of her works, including ''Appalachian Spring'' in 1944. They married in 1948. He left her troupe in 1951 to found his own, and they divorced in 1954. Not lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Talley Beatty
Talley Beatty (22 December 1918 – 29 April 1995) was born in Cedar Grove, Louisiana, a section of Shreveport, but grew up in Chicago, Illinois. He is considered one of the greatest of African American choreographers, and also bears the titles dancer, doctor, and dance company director. After studying under Katherine Dunham and Martha Graham, Beatty went on do solo work and choreograph his own works which center on the social issues, experiences, and everyday life of African Americans. Beatty and his technique and style of dancing were both praised and criticized by critics and dancers of his day. Dance background Beatty began studying dance at the age of eleven with Katherine Dunham. He learned her style of dancing, which was heavily based on her African and Caribbean studies of dance in the West Indies. He was a part of Dunham’s company and performed in several shows with them. He also trained under Martha Graham in the 1940s. He left the Dunham troupe in 1946 to continue his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merce Cunningham
Mercier Philip "Merce" Cunningham (April 16, 1919 – July 26, 2009) was an American dancer and choreographer who was at the forefront of American modern dance for more than 50 years. He frequently collaborated with artists of other disciplines, including musicians John Cage, David Tudor, Brian Eno, and graphic artists Robert Rauschenberg, Bruce Nauman, Andy Warhol, Roy Lichtenstein, Frank Stella, and Jasper Johns; and fashion designer Rei Kawakubo. Works that he produced with these artists had a profound impact on avant-garde art beyond the world of dance. As a choreographer, teacher, and leader of the Merce Cunningham Dance Company, Cunningham had a profound influence on modern dance. Many dancers who trained with Cunningham formed their own companies. They include Paul Taylor, Remy Charlip, Viola Farber, Charles Moulton, Karole Armitage, Deborah Hay, Robert Kovich, Foofwa d'Imobilité, Kimberly Bartosik, Flo Ankah, Jan Van Dyke, Jonah Bokaer, and Alice Reye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pearl Primus
Pearl Eileen Primus (November 29, 1919 – October 29, 1994) was an American dancer, choreographer and anthropologist. Primus played an important role in the presentation of African dance to American audiences. Early in her career she saw the need to promote African dance as an art form worthy of study and performance. Primus' work was a reaction to myths of savagery and the lack of knowledge about African people. It was an effort to guide the Western world to view African dance as an important and dignified statement about another way of life. Background Born in Port of Spain, Trinidad, Pearl Primus was two years old when she moved with her parents, Edward Primus and Emily Jackson, to New York City in 1921. In 1940, Primus received her bachelor's degree from Hunter College in biology and pre-medical science. As a graduate student in biology, she realized that her dreams of becoming a medical researcher would be unfulfilled, due to racial discrimination at the time that imposed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
