Abelardo Rodríguez Urdaneta
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Abelardo Rodríguez Urdaneta (June 24, 1870 – January 11, 1933) was a Dominican sculptor, photographer, painter and educator. A prolific artist, he was one of the first successful multidisciplinary artists of the modern art era in the Dominican Republic and considered to be one of the forerunners of Dominican sculpture, photography, and painting. His creative work consists of a large number of portraits, busts, statues, monuments and pictorial paintings in which he collected important moments in the country’s history that reflected the lives of social leaders, merchants, and families of the time. In 1908, Urdaneta opened an academy of drawing, painting and sculpture that trained many prominent artists, including
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, Genoveva Báez, Aida Ibarra and Fernando 'Tuto' Báez. He kept his academy active until 1933, the year of his death. At present, many of his works are conserved in the Museum of Modern Art and
Museo Bellapart The Museo Bellapart is a private art museum in Santo Domingo, Dominican Republic. Its collection includes artwork from the mid-19th century to the 1960s.
in Santo Domingo. In the Autonomous University of Santo Domingo, his statue, "Caonabo,” stands. Two reproductions made in Italy of this work are in the Mirador Park and in Santiago. One of the streets in the Gascue neighborhood bears his name and the house where he was born became a museum that preserves archives, photos, paintings, and chronicles. In honor of his work, the Rodríguez Urdaneta Photography Contest, created in April 1981, and the Abelardo Rodríguez Urdaneta FUNGLODE Photography Contest, created in 2007, are named after him.


Biography

Urdaneta was born in Santo Domingo in June 24, 1870, to parents Isabel Rodríguez Urdaneta, of
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descent, and doctor Manuel Guerrero Peña, who had a fondness for the violin and painting. He had two sisters, Eloísa and Rosalía. At the age of 13, he was enrolled in the workshop of Juan Fernández Corridor, a Spanish painter who opened an academy in Santo Domingo from 1883 to 1886. Later he enrolled under the tutelage of Dominican painter
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, considered one of the first master painters of the country, later participating in the First National Art Show (1890), in which he exhibited together with his teachers and with fellow disciples
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, and among others. He later learned the artistic fundamentals of photography as a pupil of Julio Pou, a Dominican photographer, and Spaniard Francisco Adrover. In 1894 he began working as a freelance professional photographer, shortly becoming one of the most socially demanded national photographers of the time. Urdaneta married Graciela Núñez, with whom he had 5 children: Elena, Rafael, Abelardito, José Angel, and a child who died very young. His reputation as a handsome artistic gentleman led to extramarital love affairs that resulted in even more descendants. He became despressed following the loss of artistic works caused by
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(1930). On his deathbed, next to him was only the Aragonese Esther Laclaustro Dorse, his last lover, who lived with him for 25 years (1908-1933), since almost all of his children lived abroad, as well as Graciela Núñez, the official widow who died in New York in 1939.^ De los Santos. pg 261


Artistic Career

Urdaneta was known as one of the preeminent photographers of the country, going on to photograph many influential socialites of the time. In 1898, his photo of Arturo Pellerano Alfau was published, considered to be the first photograph published in a Dominican magazine. Since 1901, his photographic studio came to be somewhat of a cultural center in Santo Domingo, visited by many prominent personalities, from politicians to artists including José Martí, Eugenio de Hostos, and Delia Weber. In 1890, Abelardo completed his oil portrait of Juan Pablo Duarte. The image, inspired in great part by the earlier works of
Alejandro Bonilla Alejandro Bonilla Correa-Cruzado (1820–1901) was Dominican Republic painter and teacher born in Santo Domingo, considered one of the fathers of the national Dominican pictorial tradition. A close friend to the founding fathers of Dominican in ...
(1820-1901), is today the most recognized and admired reproduction of the founding father. In general, Urdaneta’s portrait and pictorial paintings are of the romantic and neoclassicist style. Furthermore, Urdaneta is considered to be the father of modern Dominican sculpture. In 1903 he created his most celebrated sculpture, "One of many", of a wounded soldier, left on the ground, with torn clothes and bare chest, for which he obtained the most recognition in the Republic and the world. In 2009 this sculpture was removed due to remodeling of the Galicia Park. His other most famous sculpture is "Caonabo", of the Taino rebel that evoke the Spanish injustices against the indigenous peoples of the island. In 1908 with support from the central government of
Ramón Cáceres Ramón Arturo Cáceres Vasquez (15 December 1866, Moca, Dominican Republic – 19 November 1911, Santo Domingo), nicknamed Mon Cáceres, was a Dominican politician and minister of the Armed Forces. He was the 31st president of the Dominican Repu ...
, he opened an academy of drawing, painting and sculpture that trained many future artists. He taught there until his death.


Politics

Urdaneta was a vocal opponent of the First U.S. Occupation from 1916 - 1924. His "Invocación" poster in which Dominican Republic is represented as a female figure with arms raised and hands held by the claws of an eagle, became widely circulated throughout the country.


Selected works

*El Extraviado *Los Jugadores *Juramento de Duarte *Cupido *Pedazo de costa *Recuerdos del Sur, *El Menphis, *El Castini *A la mar *Paisaje del crepúsculo *Barcas *Abnegación *La libertad de Cuba *(El asesinato del Presidente Ramón Cáceres *Horacio Vásquez *Escudo Constitucional Dominicano *La figura de Juan Pablo Duarte *La Libertad *La Independencia *Invocación *Cabeza de indio Siboney *Los náufragos del tres de Septiembre *El último Tributo


Gallery

File:Al Amor que Llega.jpg, Al Amor que Llega File:Urdaneta El extraviado.png, Rodriguez Urdaneta, "El extraviado.” 1907 File:Delia Weber standing, 1918. By the studio of Abelardo Rodríguez Urdaneta.jpg File:Urdaneta Perfil de Mujer.jpg, Abelardo Rodríguez Urdaneta. Perfil de Mujer, Year unknown / Sin fecha. File:Urdaneta Miseria Humana.jpg, Abelardo Rodríguez Urdaneta. “Miseria Humana. c. unknown File:Urdaneta Duarte bust.png, Abelardo Rodríguez Urdaneta. Self portrait with Duarte bust. C. unknown File:Urdaneta de Hostos portrait.png, Abelardo Rodríguez Urdaneta. Eugenio María de Hostos. C. 1908 File:Urdaneta Caonabo.jpg, Abelardo Rodríguez Urdaneta. Caonabo File:Urdaneta Mujer de espalda.png, Abelardo Rodríguez Urdaneta. Urdaneta. Mujer de espalda. date unknown File:Urdaneta Marina.png, Abelardo Rodríguez Urdaneta. Marina. date unknown.


References

{{DEFAULTSORT:Urdaneta, Abelardo Rodriguez 1870 births 1933 deaths People from Santo Domingo 19th-century Dominican Republic artists 20th-century Dominican Republic artists 20th-century Dominican Republic painters Dominican Republic male artists Male painters 20th-century male artists Dominican Republic sculptors 19th-century sculptors 20th-century sculptors 20th-century photographers 19th-century photographers Art educators White Dominicans