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Ṭawīl
''Ṭawīl'' ( ar, طويل, literally 'long'), or ''al-Ṭawīl'' (), is a Meter (poetry), meter used in classical Arabic poetry. It comprises distich, distichs (''bayt'') of two 'lines'—in Arabic usually written side by side, with a space dividing them, the first being called the ''sadr'' (صدر, literally "chest") and the other the ''ʿajuz'' (عجز, literally "belly"). Its basic form is as follows (the symbol ''–'' representing a long syllable, ''⏑'' representing a short syllable, and ''x'' representing a syllable that can be short or long): : , ⏑ – x , ⏑ – – – , ⏑ – x , ⏑ – ⏑ – , (2×) This form can be exemplified through the traditional mnemonic ' (). The final syllable of every distich rhymes throughout the whole poem; a long poem might comprise a hundred distichs. In Classical verse, each distich is a complete syntactic unit. Variations The ''Encyclopaedia of Islam'' records three sub-types of ''ṭawīl'' hemistich, of whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Prosody
( ar, اَلْعَرُوض, ) is the study of metre (poetry), poetic meters, which identifies the meter of a poem and determines whether the meter is sound or broken in lines of the poem. It is often called the ''Science of Poetry'' ( ar, عِلْم اَلشِّعْر, ). Its laws were laid down by Al-Khalil ibn Ahmad al-Farahidi, Al-Khalīl ibn Aḥmad al-Farāhīdī (d. 786), an early Arab lexicographer and philologist. In his book ( ar, العرض), which is no longer extant, he described 15 types of meter. Later Al-Akhfash al-Akbar described a 16th meter, the . Following al-Khalil, the Arab prosodists scan poetry not in terms of syllables but in terms of vowelled and unvowelled letters, which were combined into larger units known as or "peg" (pl. ) and "cord" (pl. ). These larger units make up feet (, pl. ). Western prosodists, on the other hand, usually analyse the meters in terms of syllables, which can be long (–), short (u) and ''anceps'' (x), that is, a syllable wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Rhythm
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Poetry
Arabic poetry ( ar, الشعر العربي ''ash-shi‘ru al-‘Arabīyyu'') is the earliest form of Arabic literature. Present knowledge of poetry in Arabic dates from the 6th century, but oral poetry is believed to predate that. Arabic poetry is categorized into two main types, rhymed or measured, and prose, with the former greatly preceding the latter. The rhymed poetry falls within fifteen different meters collected and explained by al-Farahidi in ''The Science of ‘ Arud''. Al-Akhfash, a student of al-Farahidi, later added one more meter to make them sixteen. The meters of the rhythmical poetry are known in Arabic as "seas" (''buḥūr''). The measuring unit of seas is known as "''taf‘īlah''," and every sea contains a certain number of taf'ilas which the poet has to observe in every verse (''bayt'') of the poem. The measuring procedure of a poem is very rigorous. Sometimes adding or removing a consonant or a vowel can shift the ''bayt'' from one meter to another. Also, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Distich
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopaedia Of Islam
The ''Encyclopaedia of Islam'' (''EI'') is an encyclopaedia of the academic discipline of Islamic studies published by Brill. It is considered to be the standard reference work in the field of Islamic studies. The first edition was published in 1913–1938, the second in 1954–2005, and the third was begun in 2007. Content According to Brill, the ''EI'' includes "articles on distinguished Muslims of every age and land, on tribes and dynasties, on the crafts and sciences, on political and religious institutions, on the geography, ethnography, flora and fauna of the various countries and on the history, topography and monuments of the major towns and cities. In its geographical and historical scope it encompasses the old Arabo-Islamic empire, the Islamic countries of Iran, Central Asia, the Indian sub-continent and Indonesia, the Ottoman Empire and all other Islamic countries". Standing ''EI'' is considered to be the standard reference work in the field of Islamic studies. E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imru' Al-Qais
Imruʾ al-Qais Junduh bin Hujr al-Kindi ( ar, ٱمْرُؤ ٱلْقَيْس جُنْدُح ٱبْن حُجْر ٱلْكِنْدِيّ, ALA-LC: ''ʾImruʾ al-Qays Junduḥ ibn Ḥujr al-Kindīy'') was an Arab king and poet in the 6th century, and also the last king of Kindite. He is sometimes considered the father of Arabic poetry. His qaṣīda, or long poem, "Let us stop and weep" (Arabic: قفا نبك ''qifā nabki'') is one of the seven Mu'allaqat, poems prized as the best examples of pre-Islamic Arabian verse. Imru' al-Qais was born in the Al Qassim region of northern Arabia sometime in the early 6th century AD. His father was said to be Hujr bin al-Harith ( / ''Ḥujr ibn al-Ḥārith''), the Kindite monarchy's regent over the tribes of Asad and Ghatfan, and it is believed that Imru' al-Qais was born in the territory of Asad. His mother was said to be Fatimah bint Rabi'ah al-Taghlibi ( / ''Fāṭimah bint Rabī‘ah al-Taghlibī''). Legend has it that Imru' al-Qais w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mu'allaqat
The Muʻallaqāt ( ar, المعلقات, ) is a group of seven long Arabic poems. The name means The Suspended Odes or The Hanging Poems, the traditional explanation being that these poems were hung in the Kaaba in Mecca, while scholars have also suggested that the hanging is figurative, as if the poems "hang" in the reader's mind. Along with the ''Mufaddaliyat'', ''Jamharat Ash'ar al-Arab'', ''Asma'iyyat'', and the ''Hamasah'', the ''Mu'allaqāt'' are considered the primary source for early Arabic poetry. Scholar Peter N. Stearns goes so far as to say that they represent "the most sophisticated poetic production in the history of Arabic letters." History Compilation The original compiler of the poems may have been Hammad al-Rawiya (8th century). The grammarian Ahmad ibn Muhammad al-Nahhas (d. 949 CE) says in his commentary on the ''Mu'allaqat'': "The true view of the matter is this: when Hammad al-Rawiya saw how little men cared for poetry, he collected these seven pieces, u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nabaṭī Poetry
Nabaṭī ( ar, الشعر النبطي), historically also known as najdi, is a vernacular Arabic poetry that stems from the Arabic varieties of the Arabian Peninsula. It exists in contrast to the poetry written according to the classical rules of literary Arabic. Also known as "the people's poetry" and "Bedouin poetry", nabati has a long heritage, with examples of the nabati form referenced by the medieval historian Ibn Khaldun in his ''Muqaddimah'' (Introduction), first published in 1377. Nabati poetry has a pedigree that reaches back centuries. Bedouin poets composed verse similar in structure, theme, metre and rhyme to the works of Imru'l Qays and other pre-Islamic poets. These qasidas set the classical standard for hundreds of years. Remarkably, until quite recently, verse composed by illiterate Bedouin masters of the art has remained close in spirit and language to these examples. Prominent historical nabati poets include Ibn Daher who lived in Ras Al Khaimah in the 16th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basit
''Basīṭ'' ( ar, بسيط), or ''al-basīṭ'' (البسيط), is a metre used in classical Arabic poetry. The word literally means "extended" or "spread out" in Arabic. Along with the '' ṭawīl'', '' kāmil'', and '' wāfir'', it is one of the four most common metres used in pre-Islamic and classical Arabic poetry. Form of the metre The metrical form of the basīṭ is often as follows (where "–" is a long syllable, "u" is a short syllable, and "x" is , i.e., a syllable which can be either long or short): :, x – u – , x u – , – – u – , u u – , The mnemonic words (''tafāʿīl'') used by Arab prosodists to describe this metre are: ' (). The metre is usually used in couplets of eight feet each. Example An example is the '' qasīda'' by al-Mutanabbi (915-965): “The poet reproaches Sayf al-Dawla” (king of Aleppo), a poem of 38 couplets, from which comes the well-known verse: : : : :, u – u – , u u – , – – u – , u u – , :, u – u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Poetry Forms
Arabic (, ' ; , ' or ) is a Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walter de Gruyter GmbH & Co. KG, Berlin/Boston, 2011. Having emerged in the 1st century, it is named after the Arab people; the term "Arab" was initially used to describe those living in the Arabian Peninsula, as perceived by geographers from ancient Greece. Since the 7th century, Arabic has been characterized by diglossia, with an opposition between a standard prestige language—i.e., Literary Arabic: Modern Standard Arabic (MSA) or Classical Arabic—and diverse vernacular varieties, which serve as mother tongues. Colloquial dialects vary significantly from MSA, impeding mutual intelligibility. MSA is only acquired through formal education and is not spoken natively. It is the language of literature, official documents, and formal written medi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
