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Basit
''Basīṭ'' ( ar, بسيط), or ''al-basīṭ'' (البسيط), is a metre used in classical Arabic poetry. The word literally means "extended" or "spread out" in Arabic. Along with the '' ṭawīl'', '' kāmil'', and '' wāfir'', it is one of the four most common metres used in pre-Islamic and classical Arabic poetry. Form of the metre The metrical form of the basīṭ is often as follows (where "–" is a long syllable, "u" is a short syllable, and "x" is , i.e., a syllable which can be either long or short): :, x – u – , x u – , – – u – , u u – , The mnemonic words (''tafāʿīl'') used by Arab prosodists to describe this metre are: ' (). The metre is usually used in couplets of eight feet each. Example An example is the '' qasīda'' by al-Mutanabbi (915-965): “The poet reproaches Sayf al-Dawla” (king of Aleppo), a poem of 38 couplets, from which comes the well-known verse: : : : :, u – u – , u u – , – – u – , u u – , :, u – u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tawil
''Ṭawīl'' ( ar, طويل, literally 'long'), or ''al-Ṭawīl'' (), is a meter used in classical Arabic poetry Arabic poetry ( ar, الشعر العربي ''ash-shi‘ru al-‘Arabīyyu'') is the earliest form of Arabic literature. Present knowledge of poetry in Arabic dates from the 6th century, but oral poetry is believed to predate that. Arabic poetry .... It comprises distichs (''bayt'') of two 'lines'—in Arabic usually written side by side, with a space dividing them, the first being called the ''sadr'' (صدر, literally "chest") and the other the ''ʿajuz'' (عجز, literally "belly"). Its basic form is as follows (the symbol ''–'' representing a long syllable, ''⏑'' representing a short syllable, and ''x'' representing a syllable that can be short or long): : , ⏑ – x , ⏑ – – – , ⏑ – x , ⏑ – ⏑ – , (2×) This form can be exemplified through the traditional mnemonic ' (). The final syllable of every distich rhymes througho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Poetry
Arabic poetry ( ar, الشعر العربي ''ash-shi‘ru al-‘Arabīyyu'') is the earliest form of Arabic literature. Present knowledge of poetry in Arabic dates from the 6th century, but oral poetry is believed to predate that. Arabic poetry is categorized into two main types, rhymed or measured, and prose, with the former greatly preceding the latter. The rhymed poetry falls within fifteen different meters collected and explained by al-Farahidi in ''The Science of ‘ Arud''. Al-Akhfash, a student of al-Farahidi, later added one more meter to make them sixteen. The meters of the rhythmical poetry are known in Arabic as "seas" (''buḥūr''). The measuring unit of seas is known as "''taf‘īlah''," and every sea contains a certain number of taf'ilas which the poet has to observe in every verse (''bayt'') of the poem. The measuring procedure of a poem is very rigorous. Sometimes adding or removing a consonant or a vowel can shift the ''bayt'' from one meter to another. Also, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamil (metre)
''Kāmil'' (Arabic "the perfect") is the second commonest metre (after the '' ṭawīl'') used in pre-Islamic and classical Arabic poetry.Golston, Chris & Riad, Tomas (1997)"The Phonology of classical Arabic meter" ''Linguistics'' 35 (1997), 111-132; p. 120. The usual form of the metre is as follows (where "–" represents a long syllable, "u" a short syllable, and "uu" one long or two shorts): :, uu – u – , uu – u – , uu – u – , The mnemonic words (''tafāʿīl'') used by Arab prosodists to describe this metre are: ' (). The ''kāmil'' resembles the ''wāfir'' metre in that it makes use of '' biceps'' elements (that is, places in the verse where two short syllables can be replaced by one long one). In Arabic poetry The ''kāmil'' metre has been used for Arabic poetry since early times and accounts for about 18%-20% of the poems in early collections. Two of the famous seven pre-Islamic Mu‘allaqāt poems (the 4th and 6th) are written in the ''kāmil'' metre. One ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wafir
Wāfir (, literally 'numerous, abundant, ample, exuberant') is a meter used in classical Arabic poetry. It is among the five most popular metres of classical Arabic poetry, accounting (alongside '' ṭawīl'', ''basīṭ'', '' kāmil'', and ''mutaqārib'') for 80-90% of lines and poems in the ancient and classical Arabic corpus. Form The metre comprises paired hemistichs of the following form (where "–" represents a long syllable, "u" a short syllable, and "uu" one long or two shorts): :, u – uu – , u – uu – , u – – , Thus, unlike most classical Arabic metres, ''wāfir'' allows the poet to substitute one long syllable for two shorts, an example of the prosodic element known as a ''biceps''. Thus allows ''wāfir'' lines to have different numbers of syllables from each other, a characteristic otherwise only found in '' kāmil'', '' mutadārik'' and some forms of ''basīṭ''. ''Wāfir'' is traditionally represented with the mnemonic (''tafāʿīl'') ' (). History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qasida
The qaṣīda (also spelled ''qaṣīdah''; is originally an Arabic word , plural ''qaṣā’id'', ; that was passed to some other languages such as fa, قصیده or , ''chakameh'', and tr, kaside) is an ancient Arabic word and form of writing poetry, often translated as ode, passed to other cultures after the Arab Muslim expansion. The word ''qasidah'' is still used in its original birthplace, Arabia, and in all Arab countries. Well known ''qasā'id'' include the Seven Mu'allaqat and Qasida Burda ("Poem of the Mantle") by Imam al-Busiri and Ibn Arabi's classic collection "The Interpreter of Desires". The classic form of qasida maintains a single elaborate metre throughout the poem, and every line rhymes on the same sound.Akiko Motoyoshi Sumi, ''Description in Classical Arabic Poetry: ''Waṣf'', Ekphrasis, and Interarts Theory'', Brill Studies in Middle Eastern literatures, 25 (Leiden: Brill, 2004), p. 1. It typically runs from fifteen to eighty lines, and sometimes more th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al-Mutanabbi
Abū al-Ṭayyib Aḥmad ibn al-Ḥusayn al-Mutanabbī al-Kindī ( ar, أبو الطيب أحمد بن الحسين المتنبّي الكندي; – 23 September 965 AD) from Kufa, Abbasid Caliphate, was a famous Abbasid-era Arab poet at the court of the Hamdanid emir Sayf al-Dawla in Aleppo, and for whom he composed 300 folios of poetry. His poetic style earned him great popularity in his time and many of his poems are not only still widely read in today's Arab world but are considered to be proverbial. He started writing poetry when he was nine years old. He is well known for his sharp intelligence and wittiness. Among the topics he discussed were courage, the philosophy of life, and the description of battles. As one of the greatest, most prominent and influential poets in the Arabic language, much of his work has been translated into over 20 languages worldwide. His great talent brought him very close to many leaders of his time, whom he extolled in return for money and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biceps
The biceps or biceps brachii ( la, musculus biceps brachii, "two-headed muscle of the arm") is a large muscle that lies on the front of the upper arm between the shoulder and the elbow. Both heads of the muscle arise on the scapula and join to form a single muscle belly which is attached to the upper forearm. While the biceps crosses both the shoulder and elbow joints, its main function is at the elbow where it flexes the forearm and supinates the forearm. Both these movements are used when opening a bottle with a corkscrew: first biceps screws in the cork (supination), then it pulls the cork out (flexion). Structure The biceps is one of three muscles in the anterior compartment of the upper arm, along with the brachialis muscle and the coracobrachialis muscle, with which the biceps shares a nerve supply. The biceps muscle has two heads, the short head and the long head, distinguished according to their origin at the coracoid process and supraglenoid tubercle of the sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abu Nuwas
Abū Nuwās al-Ḥasan ibn Hānī al-Ḥakamī (variant: Al-Ḥasan ibn Hānī 'Abd al-Awal al-Ṣabāḥ, Abū 'Alī (), known as Abū Nuwās al-Salamī () or just Abū Nuwās Garzanti ( ''Abū Nuwās''); 756814) was a classical Arabic poet, and the foremost representative of the modern (''muhdath'') poetry that developed during the first years of Abbasid Caliphate. He also entered the folkloric tradition, appearing several times in '' One Thousand and One Nights''. Early life Abu Nuwas was born in the province of Ahvaz (modern Khuzestan Province) of the Abbasid Caliphate, either in the city of Ahvaz or one of its adjacent districts. His date of birth is uncertain, he was born sometime between 756 and 758. His father was Hani, a Syrian or Persian who had served in the army of the last Umayyad caliph Marwan II (). His mother was a Persian named Gulban, whom Hani had met whilst serving in the police force of Ahvaz. When Abu Nuwas was 10 years old, his father died. In his ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalectic
A catalectic line is a metrically incomplete line of verse, lacking a syllable at the end or ending with an incomplete foot. One form of catalexis is headlessness, where the unstressed syllable is dropped from the beginning of the line. A line missing two syllables is called brachycatalectic. In English Poems can be written entirely in catalectic lines, or entirely in acatalectic (complete) lines, or a mixture, as the following carol, composed by Cecil Frances Alexander in 1848: :Once in Royal David's city (8 syllables) : Stood a lowly cattle shed, (7 syllables) :Where a mother laid her Baby (8 syllables) : In a manger for His bed: (7 syllables) :Mary was that mother mild, (7 syllables) :Jesus Christ her little Child. (7 syllables) It has been argued that across a number of Indo-European languages, when the two types of line are mixed in this way, the shorter line tends to be used as a coda at the end of a period or stanza. Blunt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andalusi Nubah
Andalusī nūbah (نوبة أندلسيّة), also transliterated nūba, nūbā, or nouba (pl. nūbāt), or in its classical Arabic form, nawba, nawbah, or nōbah, is a music genre found in the North African Maghreb, Maghrib states of Morocco, Algeria, Tunisia, and Libya but, as the name indicates, it has its origins in Arabo-Andalusian music, Andalusi music. The name replaced the older use of ''sawt (music), sawt'' and originated from the musician waiting behind a curtain to be told it was his turn or ''nawbah'' by the ''sattar'' or curtain man. The North African cities have inherited a particularly Andalusian musical style of Granada. The term ''gharnati'' (Granadan) in Morocco designates a distinct musical style from "Tarab Al Ala" originating in Córdoba, Spain, Córdoba and Valencia, according to the authors Rachid Aous and Mohammed Habib Samrakandi in the latter's book ''Musiques d'Algérie''. Form, texts, and performance According to tradition, there were initially 24 nubat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morocco
Morocco (),, ) officially the Kingdom of Morocco, is the westernmost country in the Maghreb region of North Africa. It overlooks the Mediterranean Sea to the north and the Atlantic Ocean to the west, and has land borders with Algeria to the east, and the disputed territory of Western Sahara to the south. Mauritania lies to the south of Western Sahara. Morocco also claims the Spanish exclaves of Ceuta, Melilla and Peñón de Vélez de la Gomera, and several small Spanish-controlled islands off its coast. It spans an area of or , with a population of roughly 37 million. Its official and predominant religion is Islam, and the official languages are Arabic and Berber; the Moroccan dialect of Arabic and French are also widely spoken. Moroccan identity and culture is a mix of Arab, Berber, and European cultures. Its capital is Rabat, while its largest city is Casablanca. In a region inhabited since the Paleolithic Era over 300,000 years ago, the first Moroccan s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
