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ﾃ」ila Cathedral
The Cathedral of the Saviour ( es, Catedral de Cristo Salvador) is a Catholic church in ﾃ」ila in the south of Old Castile, Spain. It was built in the late Romanesque and Gothic architectural traditions. It was planned as a cathedral-fortress, its apse being one of the turrets of the city walls. It is surrounded by a number of houses or palaces, the most important being: the Palace of the Veladas, the Palace of the Infant King () , and the Palace of Valderrﾃ｡banos, which were responsible for the defence of the ("The Gate of the Loyal Ones") also known as ("The Flour Weigh Gate"). History It is not known exactly when the construction of the cathedral began. Two theories exist. One states that Alvar Garcﾃｭa started its construction in 1091 inside the remains of a previous Romanesque Church of the Saviour, which was left in ruins as a result of successive Muslim attacks, and that Alfonso VII of Castile raised the money necessary to build it. Other historians believe the cathed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathedral Of Leﾃｳn
A cathedral is a church that contains the ''cathedra'' () of a bishop, thus serving as the central church of a diocese, conference, or episcopate. Churches with the function of "cathedral" are usually specific to those Christian denominations with an episcopal hierarchy, such as the Catholic, Eastern Orthodox, Anglican, and some Lutheran churches.New Standard Encyclopedia, 1998 by Standard Educational Corporation, Chicago, Illinois; page B-262c Church buildings embodying the functions of a cathedral first appeared in Italy, Gaul, Spain, and North Africa in the 4th century, but cathedrals did not become universal within the Western Catholic Church until the 12th century, by which time they had developed architectural forms, institutional structures, and legal identities distinct from parish churches, monastic churches, and episcopal residences. The cathedral is more important in the hierarchy than the church because it is from the cathedral that the bishop governs the area under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir 窶 these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transept
A transept (with two semitransepts) is a transverse part of any building, which lies across the main body of the building. In cruciform churches, a transept is an area set crosswise to the nave in a cruciform ("cross-shaped") building within the Romanesque and Gothic Christian church architectural traditions. Each half of a transept is known as a semitransept. Description The transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery, or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis and to the transept. Upon its four piers, the crossing may support a spire (e.g., Salisbury Cathedral), a central tower (e.g., Gloucester Cathedral) or a crossing dome (e.g., St Paul's Cathedral). Since the altar is usually located at the east end of a church, a transept extends to the north and south. The north and south end walls often hold decorated windows of stained glass, such as rose windows, in sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retrochoir
In church architecture, a retroquire (also spelled retrochoir), or back-choir, is the space behind the high altar in a church or cathedral, which sometimes separates it from the end chapel. It may contain seats for the church choir. An example of a retroquire is within Winchester Cathedral, which was built between 1200 and 1230 to house a shrine for Saint Swithun. See also * Cathedral diagram * Choir (architecture) * Ante-choir * Church Church may refer to: Religion * Church (building), a building for Christian religious activities * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * C ... References Architectural elements Church architecture {{Architecturalelement-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambulatory
The ambulatory ( la, ambulatorium, 窶walking place窶) is the covered passage around a cloister or the processional way around the east end of a cathedral or large church and behind the high altar. The first ambulatory was in France in the 11th century but by the 13th century ambulatories had been introduced in England and many English cathedrals were extended to provide an ambulatory. The same feature is often found in Indian architecture and Buddhist architecture generally, especially in older periods. Ritual circumambulation or parikrama around a stupa or cult image is important in Buddhism and Hinduism. Often the whole building was circumambulated, often many times. The Buddhist chaitya hall always allowed a path for this, and the Durga temple, Aihole (7th or 8th century) is a famous Hindu example. The term is also used to describe a garden feature in the grounds of a country house. A typical example is the one shown, which stands in the grounds of Horton Court in Gloucest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell-ringer
A bell-ringer is a person who rings a Bell (instrument), bell, usually a church bell, by means of a rope or other mechanism. Despite some automation of bells for random swinging, there are still many active bell-ringers in the world, particularly those with an advanced ringing tradition such as Full circle ringing, full-circle or Russian ringing, which are artistic and skilled performances which are difficult to automate. The term campanologist is popularly misused to refer to a bell-ringer, but this properly refers to someone who studies bells, which is known as campanology. Although in some places carillons are used to sound bells, they are "played" by carillonneurs, not by bell-ringers, and are associated with the ringing of tunes in the Western musical tradition. Full-circle ringing English full-circle ringing In England, it is estimated there are about 40,000 bell-ringers ringing on ring of bells, rings of bells in the English Full circle ringing, full-circle style. This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Guas
Juan Guas (c. 1430-33 – c. 1496) was a Spanish artist and architect of French origin. He worked in a group of architects to create the Isabelline style. Born in Saint-Pol-de-Lﾃｩon, he moved to Spain when he was young, and is often thought to have been Spanish. Among his notable buildings are: * Monasterio de San Juan de los Reyes, Toledo *Palacio del Infantado, Guadalajara * Segovia Cathedral - Guas worked on the original cathedral and his cloister and part of his facade were transferred to the new site and rebuilt next to Hontaﾃｱon's cathedral church a generation later. * Castle of Belmonte. * Colegio de San Gregorio * Monastery of El Paular, Cloister A cloister (from Latin ''claustrum'', "enclosure") is a covered walk, open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth. The attachment of a cloister to a cathedral or church, commonly against a .... References *Encyclopﾃｦdia Britannic 15th-century Spanish ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625窶1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675窶1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classicism
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection, restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the ''Discobolus'' Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as Cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
