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Yūzen
is a Japanese resist dyeing technique where dyes are applied inside outlines of dyed or undyed rice-paste resist, which may be drawn freehand or stencilled; the paste keeps the dye areas separated. Originating in the 17th century, the technique became popular as both a way of subverting sumptuary laws on dress fabrics, and also as a way to quickly produce kimono that appeared to be painted freehand with dyes. The technique was named after Miyazaki Yūzen, a 17th century fan painter who perfected the technique. Miyazaki Yūzen's fan designs became so popular that a book called the was published in 1688, showing similar patterns applied to (the predecessor of the kimono). A fashion for elaborate pictorial designs lasted until 1692. Technique There are several subtypes of technique. The first is , sometimes also called . First, a sketch is drawn freehand on the cloth or paper, using a black heat-labile ink made from dayflowers. A paste of rice powder, rice paste, rice bran a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miyazaki Yūzen
, also known as Miyazaki Yūzensai or Yūzenzai, was a Japanese fan painter who perfected the fabric dyeing technique. Biography Miyazaki was born in Kyoto Kyoto (; Japanese: , ''Kyōto'' ), officially , is the capital city of Kyoto Prefecture in Japan. Located in the Kansai region on the island of Honshu, Kyoto forms a part of the Keihanshin metropolitan area along with Osaka and Kobe. , the ci ... in 1654. He was originally a fan painter, but is also known for his work with . Miyazaki painted his most popular fan designs on kimono, and they were wildly popular. He used rice paste to resist-dye the cloth in a method that he named . It later became known as simply . This technique made it easier for Miyazaki to paint his designs directly on the kimono, making them more expressive. His designs were so popular that they were published as a book called the in 1688. References {{DEFAULTSORT:Miyazaki, Yūzen 1654 births 1736 deaths Japanese textile artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kosode (Running Waters And Wheels With Mallets)
The was a type of short-sleeved Japanese garment, and the direct predecessor of the kimono. Though its component parts directly parallel those of the kimono, its proportions differed, typically having a wider body, a longer collar and narrower sleeves. The sleeves of the were typically sewn to the body entirely, and often featured heavily rounded outer edges. The was worn in Japan as common, everyday dress from roughly the Kamakura period (1185–1333) until the latter years of the Edo period (1603–1867), at which a point its proportions had diverged to resemble those of modern-day kimono; it was also at this time that the term ''kimono'', meaning "thing to wear on the shoulders", first came into use when referring to the garment formerly known as the . History Originating in the Heian period as an undergarment for both men and women, the was a plain white garment, typically made of silk, worn directly next to the skin. Both men and women wore layered, wrap-fronted, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Universelle (1900)
The Exposition Universelle of 1900, better known in English as the 1900 Paris Exposition, was a world's fair held in Paris, France, from 14 April to 12 November 1900, to celebrate the achievements of the past century and to accelerate development into the next. It was held at the esplanade of Les Invalides, the Champ de Mars, the Trocadéro and at the banks of the Seine between them, with an additional section in the Bois de Vincennes, and it was visited by more than 50 million people. Many international congresses and other events were held within the framework of the Exposition, including the 1900 Summer Olympics. Many technological innovations were displayed at the Fair, including the ''Grande Roue de Paris'' ferris wheel, the '' Rue de l'Avenir'' moving sidewalk, the first ever regular passenger trolleybus line, escalators, diesel engines, electric cars, dry cell batteries, electric fire engines, talking films, the telegraphone (the first magnetic audio recorder), the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basil Hall Chamberlain
Basil Hall Chamberlain (18 October 1850 – 15 February 1935) was a British academic and Japanologist. He was a professor of the Japanese language at Tokyo Imperial University and one of the foremost British Japanologists active in Japan during the late 19th century. (Others included Ernest Satow and W. G. Aston.) He also wrote some of the earliest translations of haiku into English. He is perhaps best remembered for his informal and popular one-volume encyclopedia ''Things Japanese'', which first appeared in 1890 and which he revised several times thereafter. His interests were diverse, and his works include an anthology of poetry in French. Early life Chamberlain was born in Southsea (a part of Portsmouth) on the south coast of England, the son of an Admiral William Charles Chamberlain and his wife Eliza Hall, the daughter of the travel writer Basil Hall. His younger brother was Houston Stewart Chamberlain. He was brought up speaking French as well as English, even before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pile (textile)
Pile is the raised surface or nap of a fabric, consisting of upright loops or strands of yarn."Pile." ''The Oxford English Dictionary''. 2nd ed. 1989. Examples of pile textiles are carpets, corduroy, velvet, plush, and Turkish towels. The word is derived from Latin ''pilus'' for "hair". " Online Etymology Dictionary. Douglas Harper, Historian. retrieved from 10 September 2007. Length and density The surface and the yarn in these fabrics are also called "pile". In particular "pile length" or "pile depth" refer to the length of the yarn strands (half-length of the loops). Pile length affects and is affected by |
Velvet
Weave details visible on a purple-colored velvet fabric Velvet is a type of woven tufted fabric in which the cut threads are evenly distributed, with a short pile, giving it a distinctive soft feel. By extension, the word ''velvety'' means "smooth like velvet". In the past, velvet was typically made from silk. Today, velvet can be made from linen, cotton, wool and synthetic fibers. Construction and composition left, Illustration depicting the manufacture of velvet fabric Velvet is woven on a special loom that weaves two thicknesses of the material at the same time. The two pieces are then cut apart to create the pile effect, and the two lengths of fabric are wound on separate take-up rolls. This complicated process meant that velvet was expensive to make before industrial power looms became available, and well-made velvet remains a fairly costly fabric. Velvet is difficult to clean because of its pile, but modern dry cleaning methods make cleaning more feasible. Velvet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bingata
( ryu, 紅型, literally "red style") is a traditional stencilled resist dyeing technique originating in Okinawa Prefecture. typically features a busy pattern of repeating nature motifs such as fish, flowers and fauna in a number of bright colours. is worn during traditional Ryukyuan festivals and traditional arts performances. dates from the Ryūkyū Kingdom period (14th century), when the island of Okinawa experienced an influx of foreign goods and manufacturing techniques. It is believed to have developed as a synthesis of Indian, Chinese, and Javanese dyeing processes. Terminology The term was noted in the early 20th century Okinawan usage by Dr. Yoshitaro Kamakura, a Japanese scholar, to refer to painting with dyes. was then defined by Kamakura after he had studied the ancient records as connoting cochineal red with cinnabar, which was imported from Fujian, China. Cinnabar red is the most important colour in the production of . Kamakura then concluded that the te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okinawa
is a prefecture of Japan. Okinawa Prefecture is the southernmost and westernmost prefecture of Japan, has a population of 1,457,162 (as of 2 February 2020) and a geographic area of 2,281 km2 (880 sq mi). Naha is the capital and largest city of Okinawa Prefecture, with other major cities including Okinawa, Uruma, and Urasoe. Okinawa Prefecture encompasses two thirds of the Ryukyu Islands, including the Okinawa, Daitō and Sakishima groups, extending southwest from the Satsunan Islands of Kagoshima Prefecture to Taiwan ( Hualien and Yilan Counties). Okinawa Prefecture's largest island, Okinawa Island, is the home to a majority of Okinawa's population. Okinawa Prefecture's indigenous ethnic group are the Ryukyuan people, who also live in the Amami Islands of Kagoshima Prefecture. Okinawa Prefecture was ruled by the Ryukyu Kingdom from 1429 and unofficially annexed by Japan after the Invasion of Ryukyu in 1609. Okinawa Prefecture was officially founded in 1879 by the Empi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanae Mori
was a Japanese fashion designer. She was one of only two Japanese women to have presented her collections on the runways of Paris and New York, and the first Asian woman to be admitted as an official ''haute couture'' design house by the Fédération française de la couture in France. Her fashion house, opened in Japan in 1951, grew to become a $500 million international business by the 1990s. Career Mori was born on 8 January 1926 in Muikaichi, Shimane. After graduating from Tokyo Women's Christian University, she married and attended dress-making school. She opened her first atelier, Hiyoshiya, in 1951, and over the next several years designed costumes for hundreds of movies. In 1965, she presented her first New York City collection, "East Meets West." Twelve years later, she opened an haute couture showroom in Paris, leading to her 1977 appointment as a member of the Chambre syndicale de la couture parisienne. Mori designed three consecutive uniforms for the flight a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moriguchi Kako
is a city located in Osaka Prefecture, Japan. , the city had an estimated population of 142,655 in 73353 households and a population density of 11,000 persons per km². The total area of the city is . Geography Moriguchi borders the northeastern part of Osaka City and faces the Yodo River on the north. It is formed in a "U" shape around Kadoma City. Originally, there were many low-lying areas and many lotus root fields, but the area is now almost completely urbanized. Surrounding municipalities Osaka Prefecture *Osaka ( Higashiyodogawa-ku, Asahi-ku, Tsurumi-ku) * Settsu * Kadoma * Neyagawa Climate Moriguchi has a Humid subtropical climate (Köppen ''Cfa'') characterized by warm summers and cool winters with light to no snowfall. The average annual temperature in Moriguchi is 15.6 °C. The average annual rainfall is 1475 mm with September as the wettest month. The temperatures are highest on average in August, at around 27.7 °C, and lowest in January, at arou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsujigahana
is a Japanese fabric dyeing technique that originated in the Muromachi period. History The name ''tsujigahana'' translates to "flowers at the crossroads". Documents from the Muromachi and Momoyama periods use the term to describe garments, but are unclear about whether the term refers to color, motifs, or dyeing methods. During the 20th century, scholars redefined ''tsujigahana'' to refer to a specific textile technique that uses stitch-resist dyeing (''nuishime shibori'') and ink painting to decorate a plain weave, lightweight fabric, often silk. The fabric is often further embellished using embroidery and gold leaf. Historically, tsujigahana garments were worn by the Japanese upper class during the 16th century. After the death of a man, these garments would have been preserved as family heirlooms. However, for tsujigahana garments owned by women, these garments were often donated to Buddhist temples to pay for the memorial service. Temples deconstructed these garments into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obi (sash)
An is a belt of varying size and shape worn with both traditional Japanese clothing and uniforms for Japanese martial arts styles. Originating as a simple thin belt in Heian period Japan, the developed over time into a belt with a number of different varieties, with a number of different sizes and proportions, lengths, and methods of tying. The , which once did not differ significantly in appearance between men and women, also developed into a greater variety of styles for women than for men. Despite the kimono having been at one point and continuing to appear to be held shut by the , many modern are too wide and stiff to function in this way, with a series of ties known as , worn underneath the , used to keep the kimono closed instead. are categorised by their design, formality, material, and use, and can be made of a number of types of fabric, with heavy brocade weaves worn for formal occasions, and some lightweight silk worn for informal occasions. are also made from m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.Detail._Matsuzakaya_Collection.jpg "Click for more on -> Yūzen")
