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Tsujigahana
is a Japanese fabric dyeing technique that originated in the Muromachi period. History The name ''tsujigahana'' translates to "flowers at the crossroads". Documents from the Muromachi and Momoyama periods use the term to describe garments, but are unclear about whether the term refers to color, motifs, or dyeing methods. During the 20th century, scholars redefined ''tsujigahana'' to refer to a specific textile technique that uses stitch-resist dyeing (''nuishime shibori'') and ink painting to decorate a plain weave, lightweight fabric, often silk. The fabric is often further embellished using embroidery and gold leaf. Historically, tsujigahana garments were worn by the Japanese upper class during the 16th century. After the death of a man, these garments would have been preserved as family heirlooms. However, for tsujigahana garments owned by women, these garments were often donated to Buddhist temples to pay for the memorial service. Temples deconstructed these garments into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Itchiku Kubota
(1917–2003) was a Japanese textile artist. He was most famous for reviving and in part reinventing an otherwise lost late 15th- to early 16th-century textile dye technique known as (lit. "flowers at the crossroads"), which became the main focus for much of his life's work. As homage to the original technique and its legacy, he named the technique . Kubota devised a new method of dyeing that produce unique richly coloured products, and he experimented with modern fabrics that would take well to the dyes and stitch-resist work. Biography Itchiku Kubota was born in Kanda, Tokyo, in 1917, the son of an antique dealer. Kubota grew up in an environment rich with opportunities to view traditional Japanese art: the neighbourhood in which he lived was filled with dye workshops. In 1931, at the age of 14, Kubota left school to become the apprentice of Kobayashi Kiyoshi, a Tokyo-based kimono artist who specialized in hand-painted dyework (a paste resist-dyeing technique). Kubota als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Handicrafts
Traditional in Japan have a long tradition and history. Included in the category of traditional crafts are handicrafts produced by an individual or a group, as well as work produced by independent studio artists working with traditional craft materials and/or processes. History Japanese craft dates back since humans settled on its islands. Handicrafting has its roots in the rural crafts – the material-goods necessities – of ancient times. Handicrafters used naturally- and indigenously-occurring materials. Traditionally, objects were created to be used and not just to be displayed and thus, the border between craft and art was not always very clear. Crafts were needed by all strata of society and became increasingly sophisticated in their design and execution. Craft had close ties to folk art, but developed into fine art, with a number of aesthetic schools of thought, such as , arising. Craftsmen and women therefore became artisans with increasing sophistication. However, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kosode Fragment With Fan Roundels, Flowering Vines, And Wild Ginger Leaves LACMA M
The was a type of short-sleeved Japanese garment, and the direct predecessor of the kimono. Though its component parts directly parallel those of the kimono, its proportions differed, typically having a wider body, a longer collar and narrower sleeves. The sleeves of the were typically sewn to the body entirely, and often featured heavily rounded outer edges. The was worn in Japan as common, everyday dress from roughly the Kamakura period (1185–1333) until the latter years of the Edo period (1603–1867), at which a point its proportions had diverged to resemble those of modern-day kimono; it was also at this time that the term ''kimono'', meaning "thing to wear on the shoulders", first came into use when referring to the garment formerly known as the . History Originating in the Heian period as an undergarment for both men and women, the was a plain white garment, typically made of silk, worn directly next to the skin. Both men and women wore layered, wrap-fronted, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muromachi Period
The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the '' Nanboku-chō'' or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which begi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plain Weave
Plain weave (also called tabby weave, linen weave or taffeta weave) is the most basic of three fundamental types of textile weaving, weaves (along with satin weave and twill). It is strong and hard-wearing, and is used for fashion and furnishing fabrics. In plain weave cloth, the warp (weaving), warp and weft threads cross at right angles, aligned so they form a simple criss-cross pattern. Each weft thread crosses the warp threads by going over one, then under the next, and so on. The next weft thread goes under the warp threads that its neighbor went over, and vice versa. * Balanced plain weaves are fabrics in which the warp and weft are made of threads of the same weight (size) and the same number of Units of textile measurement#Ends per inch, ends per inch as Units of textile measurement#Picks per inch, picks per inch. * Basketweave (weaving), Basketweave is a variation of plain weave in which two or more threads are bundled and then woven as one in the warp or weft, or bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silk
Silk is a natural protein fiber, some forms of which can be woven into textiles. The protein fiber of silk is composed mainly of fibroin and is produced by certain insect larvae to form cocoons. The best-known silk is obtained from the cocoons of the larvae of the mulberry silkworm ''Bombyx mori'' reared in captivity (sericulture). The shimmering appearance of silk is due to the triangular prism-like structure of the silk fibre, which allows silk cloth to refract incoming light at different angles, thus producing different colors. Silk is produced by several insects; but, generally, only the silk of moth caterpillars has been used for textile manufacturing. There has been some research into other types of silk, which differ at the molecular level. Silk is mainly produced by the larvae of insects undergoing complete metamorphosis, but some insects, such as webspinners and raspy crickets, produce silk throughout their lives. Silk production also occurs in hymenoptera ( bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Temples
A Buddhist temple or Buddhist monastery is the place of worship for Buddhists, the followers of Buddhism. They include the structures called vihara, chaitya, stupa, wat and pagoda in different regions and languages. Temples in Buddhism represent the pure land or pure environment of a Buddha. Traditional Buddhist temples are designed to inspire inner and outer peace. Architecture Its architecture and structure varies from region to region. Usually, the temple consists not only of its buildings, but also the surrounding environment. The Buddhist temples are designed to symbolize five elements: fire, air, water, earth and wisdom. India The design of temples in India was influenced by the idea of a place of worship as a representation of the universe. For Buddhist temple complexes one tall temple is often centrally located and surrounded by smaller temples and walls. This center surrounded by oceans, lesser mountains and a huge wall. A Chaitya, Chaitya hall or Chaitya-griha r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhism In Japan
Buddhism has been practiced in Japan since about the 6th century CE. Japanese Buddhism () created many new Buddhist schools, and some schools are original to Japan and some are derived from Chinese Buddhist schools. Japanese Buddhism has had a major influence on Japanese society and culture and remains an influential aspect to this day.Asia SocietBuddhism in Japan accessed July 2012 According to the Japanese Government's Agency for Cultural Affairs estimate, , with about 84 million or about 67% of the Japanese population, Buddhism was the religion in Japan with the second most adherents, next to Shinto, though a large number of people practice elements of both. According to the statistics by the Agency for Cultural Affairs in 2021, the religious corporation under the jurisdiction of the Ministry of Education, Culture, Sports, Science and Technology in Japan had 135 million believers, of which 47 million were Buddhists and most of them were believers of new schools of Buddhism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kimono
The is a traditional Japanese garment and the national dress of Japan. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn left side wrapped over right, unless the wearer is deceased. The kimono is traditionally worn with a broad sash, called an , and is commonly worn with accessories such as zōri sandals and socks. Kimono have a set method of construction and are typically made from a long, narrow bolt of cloth known as a , though Western-style fabric bolts are also sometimes used. There are different types of kimono for men, women, and children, varying based on the occasion, the season, the wearer's age, and – less commonly in the modern day – the wearer's marital status. Despite the kimono's reputation as a formal and difficult-to-wear garment, there are types of kimono suitable for both formal and informal occasions. The way a person wears their kimono is known as . Though previously been the most common Japanese garm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibori
is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric. History Some discussion exists as to the origin of as a technique within Japan, and indeed, the exact country of origin of some of the earliest surviving examples. Much of the debate surrounds the technical capacities within Japan at the time to produce the variety of fabrics seen in some of the earliest examples. One of the earliest written descriptions of dates to 238 CE, where it was recorded in the Chinese document '' Chronicles of the Clans of Wei'' () that Queen Himiko gifted the Emperor of the Wei dynasty over of "spotted cloth" – potentially describing a form of wax-resist decoration on the fabric. The earliest surviving examples of -dyed cloth date back to the mid-8th century, donated to the Tōdai-ji Buddhist temple in Nara in 756 CE, as part of the goods donated by the Emperor Shōmu upon his death. The techniques seen on these earliest fragments show bound resi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to the Tok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
