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Xote
Xote (, ) is a Brazilian music genre and dance with a binary or quaternary rhythm. It is the local equivalent of the German schottische. Xote is a common type of forró dancing. The word ''xote'' is a corruption of the German word ''schottisch'' meaning Scottish; the ''schottische'' is related to the Scottish polka. The schottische was brought to Brazil by José Maria Toussaint in 1851,"Xote". ''Nova enciclopédia Barsa'' (electronic version). and it was a dance popular among the upper classes during the reign of Emperor Pedro II. Later, black slaves danced their own adaptations of the dance, adding their own influences, converting it into a dance that was more popular and well known. This period was when the style came to be known as ''xote'' or ''xótis''. The xote is a very versatile dance and has a number of local versions, such as the southern version called ''xote gaúcho''. The dance may incorporate steps from other Latin American dances, such as salsa, rumba and mam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forró
The term forró (*) refers to a musical genre, a rhythm, a dance and the event itself where forró music is played and danced. Forró is an important part of the culture of the Northeastern Region of Brazil. It encompasses various dance types as well as a number of different musical genres. Their music genres and dances have gained widespread popularity in all regions of Brazil, especially during the Brazilian June Festivals. Forró has also become increasingly popular all over the world, with a well-established forró scene in Europe. Origin of the music A theory on the origin of forró music is that it originated on the farms and plantations in Ceará and all over northeast Brazil, where farmers and workers used to sing to the cows and together with each other as they gathered coffee and other crops like sugarcane, corn, and vegetables. They had a different song for each crop, and for each phase of the collection. As the farmers and field hands corralled cows and carri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schottische
The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina (" chotis"Spanish Wikipedia and " chamamé"), Finland (" jenkka"), France, Italy, Norway (""), Portugal and Brazil ('' xote'', '), Spain (''chotis''), Sweden, Denmark ("schottis"), Mexico ( Norteño music), and the United States, among other nations. The schottische is considered by '' The Oxford Companion to Music'' to be a kind of slower polka, with continental-European origin. The schottische basic step is made up of two sidesteps to the left and right, followed by a turn in four steps. In some countries, the sidesteps and turn are replaced by Strathspey hopping steps. Schottisches danced in Europe (in the context of balfolk), where they originated, are different from how they are danced in the United States. The European (or Continental) versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schottische
The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina (" chotis"Spanish Wikipedia and " chamamé"), Finland (" jenkka"), France, Italy, Norway (""), Portugal and Brazil ('' xote'', '), Spain (''chotis''), Sweden, Denmark ("schottis"), Mexico ( Norteño music), and the United States, among other nations. The schottische is considered by '' The Oxford Companion to Music'' to be a kind of slower polka, with continental-European origin. The schottische basic step is made up of two sidesteps to the left and right, followed by a turn in four steps. In some countries, the sidesteps and turn are replaced by Strathspey hopping steps. Schottisches danced in Europe (in the context of balfolk), where they originated, are different from how they are danced in the United States. The European (or Continental) versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Social Dance
Social dances are dances that have a social functions and context. Social dances are intended for participation rather than performance. They are often danced merely to socialise and for entertainment, though they may have ceremonial, competitive and erotic functions. Many social dances of European origin are in recent centuries partner dances ''(see Ballroom dance)'' but this is quite rare elsewhere, where there may instead be circle dances or line dances, perhaps reserved for those of a certain age, gender or social position. Social dance in the west The types of dance performed in social gatherings change with social values. Social dance music of the 14th century has been preserved in manuscript, though without proper choreography, for dances such as the '' ballo'', carol, ''stampita, saltarello, trotto and roto(dance). The 15th century is the first period from which written records of dances exist. A manuscript from Brussels highlights the Burgundian court dance, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance In Brazil
The culture of Brazil is primarily Western, being derived from Portuguese culture, as well as the cultural and ethnic mixing that occurred between the Indigenous peoples, Portuguese colonizers and Africans. In the late 19th and early 20th centuries, Italians, Spaniards, Germans, Austrians, Arabs, Armenians, Japanese, Chinese, Koreans, Greeks, Poles, Swiss, Ukrainians and Russians settled in Brazil, playing an important role in its culture as it started to shape a multicultural and multiethnic society. As consequence of three centuries of colonization by the Portuguese empire, the core of Brazilian culture is derived from the culture of Portugal. The numerous Portuguese inheritances include the language, cuisine items such as rice and beans and ''feijoada'', the predominant religion and the colonial architectural styles. These aspects, however, were influenced by African and Indigenous American traditions, as well as those from other Western European countries. Some aspects of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazilian Music
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, música nativista, pagode, tropicália, choro, maracatu, embolada (coco de repente), frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel. Samba has become the most known form of Brazilian music worldwide, especially because of the country's carnival, although bossa nova, which had Antônio Carlos Jobim as one of its most acclaimed composers and performers, have received much attention abroad since the 1950s, when the song " Desafinado", interpreted by João Gilberto, was first released. The first four winners of the Shell Brazilian Music pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jenkka
Jenkka () is a fast Finnish partner dance found in Finnish folk dance, the Finnish version of the schottische. It is danced to music in or time signature, with about 140 beats per minute. Men and women do similar steps. The initial dance position is with the man to the left of the woman both facing in the direction of the line of dance, with their inner arms on each other's waists. The dancers go forward in a run similar to that of the polka: "left-right-left-hop (on the left foot)", "right-left-right-hop". After that they join the free arms, assume the face-to-face closed dance position and proceed with the chain of pivot turns stepping "left-right-left-right" or "left-hop-right-hop". The runs of similar steps are normally started at the beginnings of musical phrases. Finnish actor and musician Georg Malmstén composed many jenkkas. See also *Letkajenkka Letkajenkka, also known as Letkajenkaa in English and many other languages, is a Finnish dance. History of the mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamamé
Chamamé ( Guarani for: party, disorder) is a folk music genre from Northeast Argentina and Argentinian Mesopotamia. In 2020, Chamamé was inscribed in UNESCO's Intangible cultural heritage list after it was nominated by Argentina in 2018. Chamamé is also a traditional musical style appreciated in borders zone of South America, as Paraguay, Uruguay and Brazil, mainly in the South Region of Brazil (Rio Grande do Sul, Santa Catarina and Paraná) and Mato Grosso do Sul. Jesuit reductions in the area encouraged cultural growth that lasted until the Jesuits were expelled by the Spanish Crown in the late 18th century. Within this area, Yapeyú, Corrientes was a centre of musical culture that many point to as the birthplace of the original Chamamé. Further mixing with instruments such as the Spanish guitar, then the violin and the accordion, finally resulted in what is currently known as "Chamamé". There are recordings of Chamamé dating back to the early 20th century, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mambo (dance)
Mambo is a Latin dance of Cuba which was developed in the 1940s when the music genre of the same name became popular throughout Latin America. The original ballroom dance which emerged in Cuba and Mexico was related to the danzón, albeit faster and less rigid. In the United States, it replaced rhumba as the most fashionable Latin dance. Later on, with the advent of salsa and its more sophisticated dance, a new type of mambo dance including breaking steps was popularized in New York. This form received the name of "salsa on 2", "mambo on 2" or "modern mambo". History The origins In the mid-1940s, bandleaders devised a dance for a new form of music known as mambo (music), taking its name from the 1938 song Mambo, a charanga composed by Orestes Lopez which had popularized a new form of danzon which later was known as danzon mambo. This style was a syncopated, less rigid form of the danzón which allowed the dancers to more freely express themselves during the last section, know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salsa (dance)
Salsa is a latin dance, associated with the music genre of the same name, which was first popularized in the United States in the 1960s in New York City. Salsa is an amalgamation of Cuban dances, such as mambo, pachanga and rumba, as well as American dances such as swing and tap. Origin Salsa dancing — as a dance to accompany salsa music — was popularized in the 1960s. It was primarily developed by Puerto Ricans and Cubans living in New York in the late 1960s and early 1970s. Different regions of Latin America and the United States (including countries in the Caribbean) have distinct salsa styles, such as Cuban, Puerto Rican, Colombian, and New York styles. Salsa dance socials are commonly held in nightclubs, bars, ballrooms, restaurants, and outside, especially when part of an outdoor festival. Some debate exists about the exact origins of the name "salsa". Some claim it originated from something musicians shouted while playing to generate excitement. The term was po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song " El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor, became a hit, becoming the first Latin song to sell 1 million copies in the United States. The s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin American Dance
Latin dance is a general label, and a term in partner dance competition jargon. It refers to types of ballroom dance and folk dance that mainly originated in Latin America. The category of Latin dances in the international dancesport competitions consists of the cha-cha-cha, rumba, samba, paso doble, and also the jive of United States origin. Social Latin dances (Street Latin) include salsa, mambo, merengue, rumba, bachata, bomba and plena. There are many dances which were popular in the first part of the 20th century, but which are now of only historical interest. The Cuban danzón is a good example. Perreo is a Puerto Rican dance associated with reggaeton music with Jamaican and Caribbean influences. Argentinian folk dances are chacarera, escondido and zamba, also tango used to be a popular dance until the mid-20th century. Cueca is Chilean folk dance. Uruguayan folk dances are pericón, polka, ranchera, etc, also candombe is a common street and parade dance in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
