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Waterleaf (architecture)
In architecture, a waterleaf is a distinctive sculptural motif used on the capitals of columns and pilasters in European buildings during the late twelfth century. It is a highly simplified plant motif, characteristic of the "late Norman" style of Romanesque architecture. A waterleaf capital is formed of broad, smooth leaf-shapes (typically four in number), unribbed except for a central fold, which curve upward and outward before curling over at the tips where they meet the abacus (the flat slab at the top of the column, normally square but sometimes octagonal). The curled tip of the waterleaf may be small and neat or large and bulbous; it usually curves inward towards the abacus, but may occasionally turn outwards (both forms can sometimes be seen in adjacent capitals of the same period, as for example at Geddington, Northamptonshire, UK.
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Architecture
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. The practice, which began in the prehistoric era, has been used as a way of expressing culture for civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century AD treatise '' De architectura'' by the Roman architect Vitruvius, according to whom a good building embodies , and (durability, utility, and beauty). ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ...
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Column
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term ''column'' applies especially to a large round support (the shaft of the column) with a capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a ''post''. Supports with a rectangular or other non-round section are usually called ''piers''. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces. Other compression members are often termed "columns" because of the similar stress conditions. Columns are frequently used to support beams or arches on which the upper parts of walls or ceilings rest. In architecture, "column" refers to such a structural element that also has certain proportional and decorative featur ...
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Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ...
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Norman Architecture
The term Norman architecture is used to categorise styles of Romanesque architecture developed by the Normans in the various lands under their dominion or influence in the 11th and 12th centuries. In particular the term is traditionally used for English Romanesque architecture. The Normans introduced large numbers of castles and fortifications including Norman keeps, and at the same time monasteries, abbeys, churches and cathedrals, in a style characterised by the usual Romanesque rounded arches (particularly over windows and doorways) and especially massive proportions compared to other regional variations of the style. Origins These Romanesque styles originated in Normandy and became widespread in northwestern Europe, particularly in England, which contributed considerable development and where the largest number of examples survived. At about the same time, a Norman dynasty that ruled in Sicily produced a distinctive variation–incorporating Byzantine and Saracen influen ...
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Romanesque Architecture
Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the 11th century, this later date being the most commonly held. In the 12th century it developed into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. The Romanesque style in England and Sicily is traditionally referred to as Norman architecture. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplic ...
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Abacus (architecture)
In architecture, an abacus (from the Greek ''abax'', slab; or French ''abaque'', ''tailloir''; plural abacuses or abaci) is a flat slab forming the uppermost member or division of the capital of a column, above the bell. Its chief function is to provide a large supporting surface, tending to be wider than the capital, as an abutment to receive the weight of the arch or the architrave above. The diminutive of abacus, abaculus, is used to describe small mosaic tiles, also called abaciscus or tessera, used to create ornamental floors with detailed patterns of chequers or squares in a tessellated pavement. Definition In classical architecture, the shape of the abacus and its edge profile varies in the different classical orders. In the Greek Doric order, the abacus is a plain square slab without mouldings, supported on an echinus. In the Roman and Renaissance Doric orders, it is crowned by a moulding (known as "crown moulding"). In the Tuscan and Roman Doric capital, it may r ...
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Octagon
In geometry, an octagon (from the Greek ὀκτάγωνον ''oktágōnon'', "eight angles") is an eight-sided polygon or 8-gon. A '' regular octagon'' has Schläfli symbol and can also be constructed as a quasiregular truncated square, t, which alternates two types of edges. A truncated octagon, t is a hexadecagon, . A 3D analog of the octagon can be the rhombicuboctahedron with the triangular faces on it like the replaced edges, if one considers the octagon to be a truncated square. Properties of the general octagon The sum of all the internal angles of any octagon is 1080°. As with all polygons, the external angles total 360°. If squares are constructed all internally or all externally on the sides of an octagon, then the midpoints of the segments connecting the centers of opposite squares form a quadrilateral that is both equidiagonal and orthodiagonal (that is, whose diagonals are equal in length and at right angles to each other).Dao Thanh Oai (2015), "Equilatera ...
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Geddington
Geddington is a village and civil parish on the A4300, previously A43, in North Northamptonshire between Kettering and Corby. The population of the civil parish at the 2011 census was 1,503, virtually unchanged from 1,504 at the 2001 census. The villages name means 'Farm/settlement connected Gaete' or 'farm/settlement connected with Geiti'. Alternatively, 'goat place farm/settlement'. The village contains an Eleanor cross. The monument dates from 1294, when the crosses were raised as a memorial by Edward I (1239–1307) to his late wife, Eleanor of Castile (1241–1290). There were originally 12 monuments, one in each resting place of the funeral procession as they travelled to Westminster Abbey. The Geddington cross is one of only three Eleanor crosses still standing; the other two being in Hardingstone (near Northampton) and Waltham Cross, although remnants and reconstructions of the lost ones can also be seen at other sites. The Geddington cross is regarded as the best pres ...
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Abacus (architecture)
In architecture, an abacus (from the Greek ''abax'', slab; or French ''abaque'', ''tailloir''; plural abacuses or abaci) is a flat slab forming the uppermost member or division of the capital of a column, above the bell. Its chief function is to provide a large supporting surface, tending to be wider than the capital, as an abutment to receive the weight of the arch or the architrave above. The diminutive of abacus, abaculus, is used to describe small mosaic tiles, also called abaciscus or tessera, used to create ornamental floors with detailed patterns of chequers or squares in a tessellated pavement. Definition In classical architecture, the shape of the abacus and its edge profile varies in the different classical orders. In the Greek Doric order, the abacus is a plain square slab without mouldings, supported on an echinus. In the Roman and Renaissance Doric orders, it is crowned by a moulding (known as "crown moulding"). In the Tuscan and Roman Doric capital, it may r ...
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Branchwork
Branchwork on the baptismal font of Worms Cathedral Branchwork or branch tracery (german: Astwerk , Dutch: Lofwerk of Loofwerk) is a type of architectural ornament often used in late Gothic architecture and the Northern Renaissance, consisting of knobbly, intertwined and leafless branches. Branchwork was particularly widespread in Central European art between 1480 and 1520 and can be found in all media. The intellectual origin of branchwork lies in theories in Renaissance humanism about the origins of architecture in natural forms and barely-treated natural materials. In artistic terms it often follows scrolling patterns that had long been used with thinner stem and tendril plant forms. The development of the representation of thicker tree branches had a long history in the crosses in representations of the Crucifixion of Jesus, and the popular subject of the Tree of Jesse. Origins and meanings Traditionally branchwork was conceived as a typical ornament of late Gothic ar ...
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