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Vocal Tessitura
In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or characteristic) timbre. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given part of a musical piece. Hence, in musical notation, ''tessitura'' is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used. Hence, it is referred to as the "heart" of a range. For example, throughout the entirety of Wagner's ''Ring'', the music written for the tenor role of Siegfried ranges from C to C, but the tessitura is described as high because the phrases are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scientific Pitch Notation
Scientific pitch notation (SPN), also known as American standard pitch notation (ASPN) and international pitch notation (IPN), is a method of specifying musical Pitch (music), pitch by combining a musical Note (music), note name (with accidental (music), accidental if needed) and a number identifying the pitch's octave. Although scientific pitch notation was originally designed as a companion to scientific pitch (see below), the two are not synonymous. Scientific pitch is a pitch standard—a system that defines the specific frequencies of particular pitches (see below). Scientific pitch notation concerns only how pitch names are notated, that is, how they are designated in printed and written text, and does not inherently specify actual frequencies. Thus, the use of scientific pitch notation to distinguish octaves does not depend on the pitch standard used. Nomenclature The notation makes use of the traditional tone names (A to G) which are followed by numbers showing which octa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Opera Terminology
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Perception
''Music Perception: An Interdisciplinary Journal'' is a peer-reviewed academic journal published by University of California Press five times a year. It was founded by Diana Deutsch. According to the ''Journal Citation Reports'', the journal has a 2018 impact factor of 1.152. Succession of editors *Diana Deutsch, Founding Editor *Jamshed Bharucha *Robert Gjerdingen Robert O. Gjerdingen is a scholar of music theory and music perception, and is an emeritus professor at Northwestern University. His most influential work focuses on the application of ideas from cognitive science, especially theories about sc ... * Lola Cuddy * Catherine (Kate) J. Stevens References External links ''Music Perception'' on University of California Press Journals website {{Music psychology Music journals University of California Press academic journals English-language journals Publications established in 1983 5 times per year journals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bulletin Of The Council For Research In Music Education
The ''Bulletin of the Council for Research in Music Education'' is a quarterly academic journal covering music education. It is published by the University of Illinois Press on behalf of the Council for Research in Music Education. History The journal was established in 1963 by Charles Leonhard and Richard J. Colwell at the University of Illinois at Urbana–Champaign as ''Council of Research in Music Education'' and obtained its current name in the following year. The initial volume was published as part of "plans for an organization to encourage research in music education hich hadbeen in process for more than a year." Its contents reflected two perceived needs for research in music education: (a) the need "for a means through which interest may be stimulated, guidance may be given, and some actual assistance offered to would-be researchers," and (b) the need "of disseminating information concerning research which has already taken place, whose findings the teacher may util ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Register (music)
A register is the "height" or range of a note, set of pitches or pitch classes, melody, part, instrument, or group of instruments. A higher register indicates higher pitch. *Example 1: Violins are in a higher register than cellos. In woodwind and brass instruments, the word register usually distinguishes pitch ranges produced using different normal modes of the air column, with higher registers produced by overblowing. Often the timbres of different woodwind instrument registers tend to be markedly different. *Example 2: The Western concert flute plays approximately three and a half octaves and generally has three complete registers and one partial register. The musical note C4 (corresponding to middle C on the piano) would be in that instrument's first register, whereas C5 (one octave higher) would be in its second register. However, on the clarinet the notes from (written) G4 or A4 to B4 sometimes are regarded as a separate "throat register", even though both they and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extension (music)
In music, an extension is a set of musical notes that lie outside the standard range or tessitura. Staff A note that lies outside the lines of a musical staff is an extension of the staff. The note will lie on a ledger line. Middle C, for example, is an extension note on both treble and bass clefs, however is not outside the grand staff. Soprano C and Deep C lie two ledger lines above treble and below bass respectively (as well as the grand staff). Instruments An instrumental extension is a range of playable notes outside the normal range of the instrument. A baritone horn, if played by a skillful player, can be played an octave above the normal range. Since this is not standard, these notes would be an extension. (See also: Crook (music)). With the bowed string instruments, lower pitches than the standard range are sometimes used through scordatura in which the lowest string is tuned down a note or two. The double bass sometimes uses a C extension extending the range of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fach
The German system (; literally "compartment" or "subject of study", here in the sense of "vocal specialization") is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices. It is used worldwide, but primarily in Europe, especially in German-speaking countries and by repertory opera houses. The ' system is a convenience for singers and opera houses. It prevents singers from being asked to sing roles which they are incapable of performing. Opera companies keep lists of available singers by ' so that when they are casting roles for an upcoming production, they do not inadvertently contact performers who would be inappropriate for the part. Below is a list of ' (), their ranges as written on sheet music, and roles generally considered appropriate to each. When two names for the ' are given, the first is in more common use today. Where possible, an English and/or Italian equivalent of each ' is listed; however, not all ' hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loudness
In acoustics, loudness is the subjectivity, subjective perception of sound pressure. More formally, it is defined as, "That attribute of auditory sensation in terms of which sounds can be ordered on a scale extending from quiet to loud". The relation of physical attributes of sound to perceived loudness consists of physical, physiological and psychological components. The study of apparent loudness is included in the topic of psychoacoustics and employs methods of psychophysics. In different industries, loudness may have different meanings and different measurement standards. Some definitions, such as LKFS, ITU-R BS.1770 refer to the relative loudness of different segments of electronically reproduced sounds, such as for broadcasting and cinema. Others, such as ISO 532A (Stevens loudness, measured in sones), ISO 532B (Eberhard Zwicker, Zwicker loudness), DIN 45631 and ASA/ANSI S3.4, have a more general scope and are often used to characterize loudness of environmental noise. More ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of Singing
The ''Journal of Singing'' is the peer-reviewed journal sponsored and published by the National Association of Teachers of Singing (NATS). Published five times a year, the journal provides current information regarding the teaching of singing as well as results of recent research in the field. A refereed journal, it serves as a historical record and is a venue for teachers of singing and other scholars to share the results of their work in areas such as history, diction, voice science, medicine, and especially voice pedagogy Vocal pedagogy is the study of the art and science of voice instruction. It is used in the teaching of singing and assists in defining what singing is, how singing works, and how proper singing technique is accomplished. Vocal pedagogy covers a .... The journal was formerly known as the ''NATS Bulletin.'' Access to archived articles is only through NATS membership. External links ''Journal of Singing'' on NATS website Education magazines Professional an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
