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Vishvarupa
Vishvarupa (, IAST: ) is an iconographical form and theophany of a Hindu deity, most commonly associated with Vishnu in contemporary Hinduism. Though there are multiple Vishvarupa theophanies, the most celebrated is in the '' Bhagavad Gita'', given by Krishna in the epic ''Mahabharata'', which was told to Pandava prince Arjuna on the battlefield of Kurukshetra in the war between the Pandavas and Kauravas. Vishvarupa is considered the supreme form of Vishnu, where the whole universe is described as contained within him. Literary descriptions ''Bhagavad Gita'' In the climactic war in the ''Mahabharata'', the Pandava prince Arjuna and his brothers fight against their cousins, the Kauravas with Krishna as his charioteer. Faced with the moral dilemma of whether or not to fight against and kill his own family, Arjuna has a crisis of conscience. To appease him, Krishna discourses with Arjuna about life and death as well as dharma (duty) and yoga in form of the ''Bhagavad Gi ...
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Vishvarupa Vishnu, Kingdom Of Kashmir, Jammu & Kashmir, 6th Century CE
Vishvarupa (, IAST: ) is an iconographical form and theophany of a Hindu deity, most commonly associated with Vishnu in contemporary Hinduism. Though there are multiple Vishvarupa theophanies, the most celebrated is in the ''Bhagavad Gita'', given by Krishna in the epic '' Mahabharata'', which was told to Pandava prince Arjuna on the battlefield of Kurukshetra in the war between the Pandavas and Kauravas. Vishvarupa is considered the supreme form of Vishnu, where the whole universe is described as contained within him. Literary descriptions ''Bhagavad Gita'' In the climactic war in the '' Mahabharata'', the Pandava prince Arjuna and his brothers fight against their cousins, the Kauravas with Krishna as his charioteer. Faced with the moral dilemma of whether or not to fight against and kill his own family, Arjuna has a crisis of conscience. To appease him, Krishna discourses with Arjuna about life and death as well as dharma (duty) and yoga in form of the ''Bh ...
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Bhagavad Gita
The Bhagavad Gita (; sa, श्रीमद्भगवद्गीता, lit=The Song by God, translit=śrīmadbhagavadgītā;), often referred to as the Gita (), is a 700- verse Hindu scripture that is part of the epic ''Mahabharata'' (chapters 23–40 of book 6 of the Mahabharata called the Bhishma Parva), dated to the second half of the first millennium BCE and is typical of the Hindu synthesis. It is considered to be one of the holy scriptures for Hinduism. The Gita is set in a narrative framework of a dialogue between Pandava prince Arjuna and his guide and charioteer Krishna. At the start of the dharma yuddha (or the "righteous war") between the Pandavas and the Kauravas, Arjuna is preoccupied by a moral and emotional dilemma and despairs about the violence and death the war will cause in the battle against his kin. Wondering if he should renounce the war, he seeks Krishna's counsel, whose answers and discourse constitute the Gita. Krishna counsels Arjuna to "fu ...
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Narada Found Vishnu As Macroform
Narada ( sa, नारद, ), or Narada Muni, is a sage divinity, famous in Hindu traditions as a travelling musician and storyteller, who carries news and enlightening wisdom. He is one of mind-created children of Brahma, the creator god. He appears in a number of Hindu texts, notably the Mahabharata, regaling Yudhishthira with the story of Prahalada and the Ramayana as well as tales in the Puranas. A common theme in Vaishnavism is the accompaniment of a number of lesser deities such as Narada to offer aid to Vishnu upon his descent to earth to combat the forces of evil, or enjoy a close view of epochal events. He is also referred to as ''Rishiraja'', meaning the king of all sages. He was gifted with the boon of knowledge regarding the past, present, and the future. Hinduism In Indian texts, Narada travels to distant worlds and realms (Sanskrit: ''lokas''). He is depicted carrying a khartal (musical instrument) and the veena, and is generally regarded as one of the great ma ...
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Theophany
Theophany (from Ancient Greek , meaning "appearance of a deity") is a personal encounter with a deity, that is an event where the manifestation of a deity occurs in an observable way. Specifically, it "refers to the temporal and spatial manifestation of God in some tangible form." Where the deity does not take tangible form (outward manifestation), the broader term used for inward manifestation is divine revelation or divine inspiration. Where the spirit of god is manifest in a person the term used is divine incarnation, avatar or personification of the deity. Traditionally the term "theophany" was used to refer to appearances of the gods in ancient Greek and in Near Eastern religions. While the ''Iliad'' is the earliest source for descriptions of theophanies in classical antiquity (which occur throughout Greek mythology), probably the earliest description appears in the Epic of Gilgamesh. In the specific usage for Christians and Jews, with respect to the Bible, ''theophany'' r ...
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Dharma
Dharma (; sa, धर्म, dharma, ; pi, dhamma, italic=yes) is a key concept with multiple meanings in Indian religions, such as Hinduism, Buddhism, Jainism, Sikhism and others. Although there is no direct single-word translation for ''dharma'' in European languages, it is commonly translated as "righteousness", "merit" or "religious and moral duties" governing individual conduct.Britannica, The Editors of Encyclopaedia. (9 April 2019)Dharma. ''Encyclopedia Britannica''. Accessed 14 September 2021. In Hinduism, dharma is one of the four components of the ''Puruṣārtha'', the aims of life, and signifies behaviours that are considered to be in accord with '' Ṛta'', the order that makes life and universe possible. It includes duties, rights, laws, conduct, virtues and "right way of living".see: *"Dharma", ''The Columbia Encyclopedia'', 6th Ed. (2013), Columbia University Press, Gale, ; *Steven Rosen (2006), Essential Hinduism, Praeger, , Chapter 3. It had a transtempor ...
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Rudras
Rudras refer to the forms of the god Rudra, whose traditions have since been associated with Shiva. They make up eleven of the thirty-three gods in the Vedic pantheon.Hopkins pp. 172-3 They are at times identified with the storm deities referred to as Maruts, while at other times considered distinct from them. While the ''Vamana Purana'' describes Rudras as the sons of Kashyapa and Aditi, Maruts are described distinct from the Rudras as the 49 sons of Diti, sister of Aditi, and the attendants of Indra, rather than Rudra. Birth and names The ''Ramayana'' tells they are eleven of the 33 children of the sage Kashyapa and his wife Aditi, along with the 12 Adityas, 8 Vasus and 2 Ashvins, constituting the Thirty-three gods.Mani pp. 654–5 The ''Vamana Purana'' describes the Rudras as the sons of Kashyapa and Aditi. The ''Matsya Purana'' notes that Surabhi – the mother of all cows and the "cow of plenty" – was the consort of Brahma and their union produced the eleven Rudras. Here ...
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Vasus
The Vasus () refers to a group of deities in Hinduism associated with fire and light. They are described to be the attendant deities of Indra, and later Vishnu. Generally numbering eight and classified as the Ashtavasu, they are described in the Ramayana as the children of Kashyapa and Aditi, and in the Mahabharata as the sons of Manu or Dharma and a daughter of Daksha named Vasu. They are eight among the thirty-three gods featured in the Vedas. Etymology The Sanskrit term ''Vasu''(s) is translated as the "bright ones". List There are varying lists of the eight Vasus in different texts, sometimes only because particular deities have varying names. The following are names and meanings according to the Brihadaranyaka Upanishad, Manava Purana, and according to the Mahabharata, as normally equated: Though the ''Shatapatha Brahmana'' uses the '' Brhad-Aranyaka'' names, most later texts follow the ''Mahabharata'' names with the exception that Āpa 'water' usually appears in place ...
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Nandaka
Nandaka () or Nandaki, is the sword of the Hindu god Vishnu. Nandaka is generally depicted in images where Vishnu is represented with more than his usual four arms. The sword is compared to knowledge in Hindu scriptures. In Sri Vaishnavism (a major Vaishnava tradition), the saints Annamacharya and Peyalvar are considered to be the avatars of Nandaka. Legend According to the ''Agni Purana'', the creator-god Brahma was performing a sacrifice on Mount Meru. The hundred-armed asura Loha obstructed the same. Vishnu manifested before Brahma from the sacrificial fire. Vishnu seized the sword called Nandaka from the asura and unsheathed it. The sword is described as blue-hued with a gem-studded handle. Wielding his mace, the asura drove several heavenly beings from the mountain. Vishnu slew the asura with the sword; the severed parts of the asura's body fell on earth and turned into iron due to their contact with Nandaka. Vishnu blessed the asura that his fallen body-parts will be emplo ...
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Gada (weapon)
The gada (Sanskrit: गदा ''gadā'', Kannada: ''ಗದೆ'', Telugu: ''గద'', Tamil: ''கதை'', Malay: ''gedak'', Old Tagalog: ''batuta'') is a mallet or blunt mace from the Indian subcontinent. Made either of wood or metal, it consists essentially of a spherical head mounted on a shaft, with a spike on the top. Outside India, the gada was also adopted in Southeast Asia, where it is still used in silat. The weapon might have Indo-Iranian origins as Old Persian also uses the word ''gadā'' to mean club; see for example the etymology of Pasargadae. The gada is the main weapon of the Hindu God Hanuman. Known for his strength, Hanuman is traditionally worshipped by wrestlers in the Indian subcontinent and Southeast Asia. Vishnu also carries a gada named Kaumodaki in one of his four hands. In the epic ''Mahabharata'', the fighters Balarama, Bhima, Duryodhana, Jarasandha and others were said to be masters of the gada. Gada-yuddha The martial art of wielding the gada i ...
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Sudarshana Chakra
Sudarshana Chakra (Sanskrit: सुदर्शन चक्र, lit. "disc of auspicious vision", IAST: Sudarśana Chakra) is a spinning, celestial discus with 108 serrated edges, attributed to Vishnu and Krishna in the Hindu scriptures. The Sudarshana Chakra is generally portrayed on the right rear hand of the four hands of Vishnu, who also holds the Panchajanya (conch), the Kaumodaki (mace), and the Padma (lotus). While in the Rigveda, the Chakra was Vishnu's symbol as the wheel of time and by the late period, the Sudarshana Chakra emerged as an ayudhapurusha (an anthropomorphic form), as a fierce form of Vishnu, used for the destruction of demons. As an ''ayudhapurusha'', the deity is known as Chakraperumal or Chakratalvar. Etymology The word ''Sudarshana'' is derived from two Sanskrit words – ''Su''(सु) meaning "good/auspicious" and ''Darshana'' (दर्शन) meaning "vision". In the Monier-Williams dictionary the word Chakra is derived from the root क् ...
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Duryodhana
Duryodhana ( sa, दुर्योधन, ) also known as Suyodhana, is the primary antagonist in the Hindu epic ''Mahabharata.'' He was the eldest of the Kauravas, the hundred sons of the blind king Dhritarashtra and his queen Gandhari. Being the first-born son of the blind king, he was the crown prince of the Kuru Kingdom and its capital of Hastinapura, often forced into ceding the title to his cousin Yudhishthira, who was older than him. Karna was the prince's closest friend. Notably, Duryodhana, with significant assistance from Karna, performs the Vaishnava Yagna when the Pandavas are in exile. Duryodhana used his greater skill in wielding the mace to defeat his opponents. He was also an extremely courageous warrior and was said to be a good ruler. Duryodhana's greed and arrogance were the two qualities said to have led to his downfall in the Mahabharata. Etymology The Sanskrit word, ''Duryodhana'' means "invincible" in battle. Birth When Gandhari's pregnancy continue ...
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Narayana
Narayana (Sanskrit: नारायण, IAST: ''Nārāyaṇa'') is one of the forms and names of Vishnu, who is in yogic slumber under the celestial waters, referring to the masculine principle. He is also known as Purushottama, and is considered the Supreme Being in Vaishnavism. Etymology L. B. Keny proposes that Narayana was associated with the Dravidian, and ultimately, the Indus Valley Civilisation, prior to his syncretism with Vishnu. To this end, he states that the etymology of the deity is associated with the Dravidian ''nara'', meaning water, ''ay'', which in Tamil means "to lie in a place", and ''an'', which is the masculine termination in Dravidian languages. He asserts that this is also the reason why Narayana is represented as lying on a serpent in the sea. He quotes, "This Nārāyana of the Āryan pantheon seems to be the supreme being of the Mohenjo-Darians, a god who was probably styled Ān, a name still kept in Tamil literature as Āndivanam, the prototype ...
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