|
Vegetation Goddess
A vegetation deity is a nature deity whose disappearance and reappearance, or life, death and rebirth, embodies the growth cycle of plants. In nature worship, the deity can be a god or goddess with the ability to regenerate itself. A vegetation deity is often a fertility deity. The deity typically undergoes dismemberment (see ''sparagmos''), scattering, and reintegration, as narrated in a myth or reenacted by a religious ritual. The cyclical pattern is given theological significance on themes such as immortality, resurrection, and reincarnation. Vegetation myths have structural resemblances to certain creation myths in which parts of a primordial being's body generate aspects of the cosmos, such as the Norse myth of Ymir. In mythography of the 19th and early 20th century, as for example in '' The Golden Bough'' of J.G. Frazer, the figure is related to the "corn spirit", "corn" in this sense meaning grain in general. That triviality is giving the concept its tendency to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief Libation Louvre AO276
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmology
Cosmology () is a branch of physics and metaphysics dealing with the nature of the universe. The term ''cosmology'' was first used in English in 1656 in Thomas Blount (lexicographer), Thomas Blount's ''Glossographia'', and in 1731 taken up in Latin by German philosophy, German philosopher Christian Wolff (philosopher), Christian Wolff, in ''Cosmologia Generalis''. Religious cosmology, Religious or mythological cosmology is a body of beliefs based on Mythology, mythological, Religion, religious, and Esotericism, esoteric literature and traditions of Cosmogony, creation myths and eschatology. In the science of astronomy it is concerned with the study of the chronology of the universe. Physical cosmology is the study of the observable universe's origin, its large-scale structures and dynamics, and the ultimate fate of the universe, including the laws of science that govern these areas. It is investigated by scientists, such as astronomers and physicists, as well as Philosophy, ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osiris
Osiris (, from Egyptian ''wsjr'', cop, ⲟⲩⲥⲓⲣⲉ , ; Phoenician: 𐤀𐤎𐤓, romanized: ʾsr) is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother, Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire. Osiris was at times considered the eldest son of the earth god Geb and the sky goddess Nut, as well as being brother and husband of Isis, and brother of Set, Nephthys, and Horus the Elder, with Horus the Younger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Egyptian Religion
Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals that formed an integral part of ancient Egyptian culture. It centered on the Egyptians' interactions with many deities believed to be present in, and in control of the world. Rituals such as prayer and offerings were provided to the gods to gain their favor. Formal religious practice centered on the pharaohs, the rulers of Egypt, believed to possess divine powers by virtue of their positions. They acted as intermediaries between their people and the gods, and were obligated to sustain the gods through rituals and offerings so that they could maintain Ma'at, the order of the cosmos, and repel Isfet, which was chaos. The state dedicated enormous resources to religious rituals and to the construction of temples. Individuals could interact with the gods for their own purposes, appealing for help through prayer or compelling the gods to act through magic. These practices were distinct from, but closel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tammuz (deity)
Dumuzid or Tammuz ( sux, , ''Dumuzid''; akk, Duʾūzu, Dûzu; he, תַּמּוּז, Tammûz),; ar, تمّوز ' known to the Sumerians as Dumuzid the Shepherd ( sux, , ''Dumuzid sipad''), is an ancient Mesopotamian god associated with shepherds, who was also the first and primary consort of the goddess Inanna (later known as Ishtar). In Sumerian mythology, Dumuzid's sister was Geshtinanna, the goddess of agriculture, fertility, and dream interpretation. In the ''Sumerian King List'', Dumuzid is listed as an antediluvian king of the city of Bad-tibira and also an early king of the city of Uruk. In ''Inanna's Descent into the Underworld'', Inanna perceives that Dumuzid has failed to properly mourn her death and, when she returns from the Underworld, allows the '' galla'' demons to drag him down to the Underworld as her replacement. Inanna later regrets this decision and decrees that Dumuzid will spend half the year in the Underworld, but the other half of the year with her, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ereshkigal
In Mesopotamian mythology, Ereshkigal ( sux, , lit. "Queen of the Great Earth") was the goddess of Kur, the land of the dead or underworld in Sumerian religion, Sumerian mythology. In later myths, she was said to rule Irkalla alongside her husband Nergal. Sometimes her name is given as Irkalla, similar to the way the name Hades was used in Greek mythology for both the underworld and its ruler, and sometimes it is given as Ninkigal, lit. "Lady of the Great Earth". Ereshkigal was only one of multiple deities regarded as rulers of the underworld in Mesopotamia. The main temple dedicated to her was located in Kutha, a city originally associated with Nergal, and her cult had a very limited scope. No personal names with "Ereshkigal" as a theophoric element are known. In the ancient Sumerian poem ''Inanna#Descent into the underworld, Inanna's Descent to the Underworld'', Ereshkigal is described as Inanna's older sister. However, they were not commonly associated with each other. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ishtar
Inanna, also sux, 𒀭𒊩𒌆𒀭𒈾, nin-an-na, label=none is an ancient Mesopotamian goddess of love, war, and fertility. She is also associated with beauty, sex, divine justice, and political power. She was originally worshiped in Sumer under the name "Inanna", and later by the Akkadians, Babylonians, and Assyrians under the name Ishtar, (occasionally represented by the logogram ). She was known as the "Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main cult center. She was associated with the planet Venus and her most prominent symbols included the lion and the eight-pointed star. Her husband was the god Dumuzid (later known as Tammuz) and her , or personal attendant, was the goddess Ninshubur (who later became conflated with the male deities Ilabrat and Papsukkal). Inanna was worshiped in Sumer at least as early as the Uruk period ( 4000 BCE – 3100 BCE), but she had little cult activity before the conques ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inanna
Inanna, also sux, 𒀭𒊩𒌆𒀭𒈾, nin-an-na, label=none is an List of Mesopotamian deities, ancient Mesopotamian goddess of love, war, and fertility. She is also associated with beauty, sex, Divine law, divine justice, and political power. She was originally worshiped in Sumer under the name "Inanna", and later by the Akkadian Empire, Akkadians, Babylonian religion, Babylonians, and Assyrians under the name Ishtar, (occasionally represented by the logogram ). She was known as the "Queen of heaven (antiquity), Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main Cult (religious practice), cult center. She was associated with the planet Venus and her most prominent symbols included the Lion of Babylon, lion and the Star of Ishtar, eight-pointed star. Her husband was the god Dumuzid (later known as Tammuz) and her , or personal attendant, was the goddess Ninshubur (who later became conflated with the male deities Ilabrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesopotamian Religion
Mesopotamian religion refers to the religious beliefs and practices of the civilizations of ancient Mesopotamia, particularly Sumer, Akkad, Assyria and Babylonia between circa 6000 BC and 400 AD, after which they largely gave way to Syriac Christianity practiced by today's Assyrians. The religious development of Mesopotamia and Mesopotamian culture in general, especially in the south, was not particularly influenced by the movements of the various peoples into and throughout the area. Rather, Mesopotamian religion was a consistent and coherent tradition which adapted to the internal needs of its adherents over millennia of development. The earliest undercurrents of Mesopotamian religious thought are believed to have developed in Mesopotamia in the sixth millennium BC, coinciding with the region beginning to be permanently settled. The earliest evidence of Mesopotamian religion date to the mid-fourth millennium BC, coinciding with the invention of writing, and involved the wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Friedrich Otto
Walter Friedrich Gustav Hermann Otto (22 June 1874, in Hechingen – 23 September 1958, in Tübingen) was a German classical philologist particularly known for his work on the meaning and legacy of Greek religion and mythology, especially as represented in his seminal 1929 work ''The Homeric Gods''. Life Walter F. Otto was born to pharmacist Hermann Ernst Otto in Hechingen (Baden-Württemberg), Germany in 1874. In 1882, after his family moved to Stuttgart, Otto began attending the Eberhard-Ludwigs-Gymnasium. Instead of completing the Abitur, he took the so-called ''Konkurs'' exam, the successful completion of which secured him admission to the Tübinger Stift. As was expected of him by the Stift, Otto began studying Protestant theology, but switched to classical philology after two semesters, and continued his studies under professors Otto Crusius, Ludwig Schwabe and Wilhelm Schmid. Schmid convinced Otto to transfer from Tübingen to Bonn, where he completed his studies under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Golden Bough
''The Golden Bough: A Study in Comparative Religion'' (retitled ''The Golden Bough: A Study in Magic and Religion'' in its second edition) is a wide-ranging, comparative study of mythology and religion, written by the Scottish anthropologist Sir James George Frazer. ''The Golden Bough'' was first published in two volumes in 1890; in three volumes in 1900; and in twelve volumes in the third edition, published 1906–1915. It has also been published in several different one-volume abridgments. The work was aimed at a wide literate audience raised on tales as told in such publications as Thomas Bulfinch's '' The Age of Fable, or Stories of Gods and Heroes'' (1855). The influence of ''The Golden Bough'' on contemporary European literature and thought was substantial. Summary Frazer attempted to define the shared elements of religious belief and scientific thought, discussing fertility rites, human sacrifice, the dying god, the scapegoat, and many other symbols and practices whose in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_01.JPG "Click for more on -> Relief Libation Louvre AO276")
.jpg "Click for more on -> Inanna")
