Visual Poetry
Literary theorists have identified visual poetry as a development of concrete poetry but with the characteristics of intermedia in which non-representational language and visual elements predominate. Differentiation from concrete poetry As the literary and artistic experiments of the 1950s that were at first loosely grouped together as concrete poetry extended further into the ambiguous sphere which Dick Higgins described in 1965 as 'Intermedia', it became apparent that such creations were further and further divorced from the representational language with which poetry had hitherto been associated and that they needed to be categorised as a separate phenomenon. In her survey, Concrete Poetry: A World View (1968), Mary Ellen Solt, observed that certain trends included under the label Concrete Poetry were tending towards a “New Visual Poetry”. Its chief characteristic is that it leaves behind the old poetic function of orality and is therefore distinct from the ancient traditio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Literary Theory
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. Culler 1997, p.1 Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social prophecy, and interdisciplinary themes relevant to how people interpret meaning. In the humanities in modern academia, the latter style of literary scholarship is an offshoot of post-structuralism. Searle, John. (1990)"The Storm Over the University" ''The New York Review of Books'', December 6, 1990. Consequently, the word ''theory'' became an umbrella term for scholarly approaches to reading texts, some of which are informed by strands of semiotics, cultural studies, philosophy of language, and continental philosophy. History The practice of literary theory became a profession in the 20th century, but it has historical roots that run as far back as ancient Greece (Aristotle's ''Poetics'' is an often cited early e ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Michel Seuphor
Fernand Berckelaers (10 March 1901, in Borgerhout – 12 February 1999, in Paris), pseudonym Michel Seuphor ( anagram of Orpheus), was a Belgian painter. Seuphor established a literary magazine, ''Het Overzicht'', in Antwerp in 1921. He moved in Dutch, Belgian, and French avant-garde circles. He associated at various points with Theo van Doesburg and Piet Mondrian, and was influenced by their iconic Neo-plasticist works. Along with Joaquin Torres-Garcia and Pierre Daura, Seuphor founded the abstract artists' group Cercle et Carré which included Wassily Kandinsky and Le Corbusier. In 1934, Seuphor moved to Anduze in the South of France following his marriage. Seuphor wrote and edited three books; ''A Dictionary of Abstract Painting'' (Tudor Publishing Co., 1958), ''Abstract Painting: 50 Years of Accomplishment'' (Dell Laurel Edition, 1964), and "The Sculpture of this Century" (George Braziller, Inc. NY, 1960). These volumes, now out of print, remain among the most valuable do ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Concrete Poetry
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. It is sometimes referred to as visual poetry, a term that has now developed a distinct meaning of its own. Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject. Development Though the term ‘concrete poetry’ is modern, the idea of using letter arrangements to enhance the meaning of a poem is old. Such shaped poetry was popular in Greek Alexandria during the 3rd and 2nd centuries BCE, although only the handful which were collected together in the Greek Anthology now survive. Examples include poems by Simmias of Rhodes in the shape of an egg, wings and a ha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Video Poetry
Video poetry is poetry in video form. It is also known as videopoetry, video-visual poetry, poetronica, poetry video, media poetry, or Cin(E)-Poetry depending on the length and content of the video work and the techniques employed (e.g. digital technology) in its creation. Video poetry is a wide-ranging category where very different typologies of works converge. Some video poetry works use digital elaboration to achieve Digital poetry that is entirely generated by software. When absent of digital effects, video poetry is akin to performance works or a poetry reading recorded in video (digital or analogue) but goes beyond the straightforward act of recording to establish a link with video art. In this sense, video poetry is a particular form of video art comprising poetry texts elaborated at various acoustic and visual levels. Authors In 1978, Canadian poet Tom Konyves used the term "videopoetry" to describe "Sympathies of War", his first work in the genre, and is considered ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Something Else Press
Something Else Press was founded by Dick Higgins in 1963. It published many important Intermedia texts and artworks by such Fluxus artists as Higgins, Ray Johnson, Alison Knowles, Allan Kaprow, George Brecht, Daniel Spoerri, Robert Filliou, Al Hansen, John Cage, Emmett Williams and by such important modernist figures as Gertrude Stein, Henry Cowell, and Bern Porter. History Background The Something Else Press was an early publisher of Concrete poetry and other works by Fluxus artists throughout the 1960s. During the 1960s in New York City some of the artists who worked at the Something Else Press included Editor-in-Chief Emmett Williams, artist Alison Knowles, poet Larry Freifeld, novelist Mary Flanagan, artist Ronnie Landfield, and publisher/founder Dick Higgins. Fluxus artist and scholar Ken Friedman acted as general manager for Higgins from California in 1970 and 1971. Originally located in Chelsea in Manhattan, the Something Else Press eventually relocated to West ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Concrete And Visual Poets
Below is a partial list of concrete poets and visual poets with article written, where appropriate, from around the world. India Binayak Dutta Belgium * Guy Bleus Brazil * Eduardo Kac * Augusto de Campos * Haroldo de Campos * Décio Pignatari * Philadelpho Menezes Australia * Jas H. Duke Tim Gaze* Peter Murphy * Pi O * Amanda Stewart * Richard Tipping Austria * Friedrich Achleitner * H. C. Artmann * Ernst Jandl Canada * Jim Andrews * Gary Barwin * Shaunt Basmajian * Derek Beaulieu * Earle Birney * bill bissett * Christian Bök * Barbara Caruso * Judith Copithorne * Paul Dutton * Helen Hajnoczky * Paul Hartal * Lionel Kearns * Nobuo Kubota * Camille Martin * Steve McCaffery * bpNichol * Joe O'Sullivan * Angela Rawlings * Steven Ross Smith * Andrew Suknaski * George Swede * David UU (David W. Harris) * Darren Wershler-Henry Czechoslovakia * Bohumila Grögerová * Václav Havel * Josef Hiršal * Radoslav Rochallyi * Jiri Kolar * Eduard Ovčáček France * Pierre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Haptic Poetry
Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, but to be touched and manipulated. Indeed, in haptic poetry, the sense of touch (and, to a lesser extent, the other senses) is equal to, if not more important than, the sense of sight, yet both text-based poetry and haptic poetry have the same goals: to create an aesthetic effect in the minds of the intended audience. History The history of "poetic objects" may be traced back to the Dada productions of Marcel Duchamp and Kurt Schwitters, and to the surrealistic boxes of Joseph Cornell (among others), as well as Fluxus objects and editions, but an even older tradition of charms, talismans, Gnostic gems, seals, and fetishistic objects exists. A further tradition exists in the use and exploration of braille in the creation of literary texts. Yet another and more recent tradition that feeds into the idea of "poetic ob ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Digital Poetry
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps. A significant portion of current publications of poetry are available either only online or via some combination of online and offline publication. There are many types of 'digital poetry' such as hypertext, kinetic poetry, computer generated animation, digital visual poetry, interactive poetry, code poetry, holographic poetry (holopoetry), experimental video poetry, and poetries that take advantage of the programmable nature of the computer to create works that are interactive, or use generative or combinatorial approach to create text (or one of its states), or involve sound poetry, or take advantage of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Asemic Writing
Asemic may refer to: * Asemia Asemia is the term for the medical condition of being unable to understand or express any signs or symbols. It is a more severe condition than aphasia, which is the inability to understand linguistic signs. Asemia is caused by damage to the areas ..., a communication disorder * Asemic writing {{disambig ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dom Sylvester Houédard
Dom or DOM may refer to: People and fictional characters * Dom (given name), including fictional characters * Dom (surname) * Dom La Nena (born 1989), stage name of Brazilian-born cellist, singer and songwriter Dominique Pinto * Dom people, an ethnic group in the Middle East * Domba or Dom, an ethnic group in India * Doms, people of indigenous origin found in the Indian state of West Bengal Arts and entertainment * ''Dom'' (film), a 1958 Polish film * ''DOM'' (album), a 2012 album by German singer Joachim Witt * DOM (band), a band from Worcester, Massachusetts, US Linguistics * Differential object marking, a linguistic phenomenon * Dom language, spoken in Papua New Guinea Places * Dom (mountain), Switzerland, the third highest mountain in the Alps * Overseas department, (''Département d'outre-mer''), a department of France that is outside metropolitan France * Dóm Square, a large town square in Szeged, Hungary * Dominican Republic (ISO 3166-1 country code) * Douglas–Ch ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Piet Mondrian
Pieter Cornelis Mondriaan (), after 1906 known as Piet Mondrian (, also , ; 7 March 1872 – 1 February 1944), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century. He is known for being one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements. Mondrian's art was highly utopian and was concerned with a search for universal values and aesthetics. He proclaimed in 1914: "Art is higher than reality and has no direct relation to reality. To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man." His art, however, always remained rooted in nature. H ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Concrete Poetry
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. It is sometimes referred to as visual poetry, a term that has now developed a distinct meaning of its own. Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject. Development Though the term ‘concrete poetry’ is modern, the idea of using letter arrangements to enhance the meaning of a poem is old. Such shaped poetry was popular in Greek Alexandria during the 3rd and 2nd centuries BCE, although only the handful which were collected together in the Greek Anthology now survive. Examples include poems by Simmias of Rhodes in the shape of an egg, wings and a ha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |