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Viola Repertoire
This article lists notable compositions within the viola repertoire. The list includes works in which the viola is a featured instrument (i.e., viola solos, concertos, viola and piano duos, etc.). The list is ordered by composer surname. A * Julia Adolphe (born 1988) :: ''Unearth, Release'' (2016) * Kurt Atterberg (1887–1974) :: Sonata in B minor for cello (or violin, or viola, or horn) and piano, Op. 27 (1925) B * Johann Sebastian Bach (1685–1750) :: ''Brandenburg Concerto'' No. 6 in B-flat major, BWV 1051 (1721) * Béla Bartók (1881–1945) :: Concerto for viola and orchestra in A minor, Sz. 120, BB128 (1945); completed in 1949 by Tibor Serly * Ludwig van Beethoven (1770–1827) :: ''Serenade'' in D major for flute, violin and viola, Op. 25 (1795) * Luciano Berio (1925–2003) :: ''Sequenza VI'' for solo viola (1967) * Hector Berlioz (1803–1869) :: ''Harold en Italie'', symphony for orchestra with viola obbligato, Op. 16, H. 68 (1834) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surname
In some cultures, a surname, family name, or last name is the portion of one's personal name that indicates one's family, tribe or community. Practices vary by culture. The family name may be placed at either the start of a person's full name, as the forename, or at the end; the number of surnames given to an individual also varies. As the surname indicates genetic inheritance, all members of a family unit may have identical surnames or there may be variations; for example, a woman might marry and have a child, but later remarry and have another child by a different father, and as such both children could have different surnames. It is common to see two or more words in a surname, such as in compound surnames. Compound surnames can be composed of separate names, such as in traditional Spanish culture, they can be hyphenated together, or may contain prefixes. Using names has been documented in even the oldest historical records. Examples of surnames are documented in the 11th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Bloch
Ernest Bloch (July 24, 1880 – July 15, 1959) was a Swiss-born American composer. Bloch was a preeminent artist in his day, and left a lasting legacy. He is recognized as one of the greatest Swiss composers in history. As well as producing musical scores, Bloch had an academic career that culminated in his recognition as Professor Emeritus at the University of California, Berkeley in 1952. Biography Bloch was born in Geneva on July 24, 1880 to Jewish parents. He began playing the violin at age 9, and began composing soon after. He studied music at the conservatory in Brussels, where his teachers included the celebrated Belgian violinist Eugène Ysaÿe. He then traveled around Europe, moving to Germany (where he studied composition from 1900–1901 with Iwan Knorr at the Hoch Conservatory in Frankfurt), on to Paris in 1903 and back to Geneva before settling in the United States in 1916, taking US citizenship in 1924. He held several teaching appointments in the US, where his pupil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canto Popolare (Elgar)
''Canto Popolare'' is an arrangement for viola with piano accompaniment, made by the English composer Edward Elgar. It is from the viola solo in the central section of his concert-overture ''In the South (Alassio)'', written in 1904. Following the success of the overture, Elgar was asked to make arrangements of the melody for any instrument: the most important being the version for viola with piano accompaniment, edited by the violist Alfred Hobday. The vocal version, " In Moonlight", was set to words by Percy Bysshe Shelley. Other versions were for small orchestra; and for violin, cello and clarinet accompanied by piano. The composer sent corrected proofs of the arrangements to the publisher Novello & Co at the end of September 1904. "Canto popolare" (Italian) means "folk song" and the melody has been described as coming from a Neapolitan love song. Elgar first suggested that the melody had come from a popular Italian song, but later admitted that it was his own invention. Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Elgar
Sir Edward William Elgar, 1st Baronet, (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the ''Enigma Variations'', the ''Pomp and Circumstance Marches'', concertos for Violin Concerto (Elgar), violin and Cello Concerto (Elgar), cello, and two symphony, symphonies. He also composed choral works, including ''The Dream of Gerontius'', chamber music and songs. He was appointed Master of the King's Musick in 1924. Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-consci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata For Flute, Viola And Harp (Debussy)
Claude Debussy's ''Six sonatas for various instruments, composed by Claude Debussy, French musician'' () was a projected cycle of sonatas that was interrupted by the composer's death in 1918, after he had composed only half of the projected sonatas. He left behind his sonatas for cello and piano (1915), flute, viola and harp (1915), and violin and piano (1916–1917). History From 1914, the composer, encouraged by the music publisher Jacques Durand, intended to write a set of six sonatas for various instruments, in homage to the French composers of the 18th century. The First World War, along with the composers Couperin and Rameau, inspired Debussy as he was writing the sonatas. Durand, in his memoirs entitled ''Quelques souvenirs d'un éditeur de musique'', wrote the following about the sonatas' origin: After his famous String Quartet, Debussy had not written any more chamber music. Then, at the Concerts Durand, he heard again the Septet with trumpet by Saint-Saëns and his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola Sonata (Rebecca Clarke)
Rebecca Clarke composed the Sonata for Viola and Piano, attributed to the year 1919, when the composer was 33 years old. Clarke had moved to the United States in 1916, after being disowned by her father. She had been supporting herself with some success as a soloist. Career The first reference to the Viola Sonata was upon its submission to a composition competition sponsored by Clarke's neighbour, Elizabeth Sprague Coolidge. Out of 72 entries, Clarke's Sonata tied for first with a piece by the Swiss composer, Ernest Bloch. In the end Bloch was declared the winner, despite all the judges favouring Clarke—it was decided that declaring Clarke the winner would smack of favouritism on Coolidge's part. It was also suspected by some that the name "Rebecca Clarke" was a pen-name of a male composer, as few imagined the possibility of a competent woman writing such music. Premiere The piece had its première at the Berkshire Music Festival in 1919, and was well received. It, along with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morpheus (Rebecca Clarke)
''Morpheus'' is a composition for viola and piano by the English composer and violist Rebecca Clarke. It was written in 1917 when Clarke was pursuing a performing career in the United States. The piece shows off the impressionistic musical language Clarke had developed, modeled on the music of Claude Debussy and Ralph Vaughan Williams, that is also apparent in her Viola Sonata. The harmonies are ethereal and otherworldly; the title is the name of a Greek god, who was especially associated with sleep and dreams. Clarke gave the first performance of the work in a recital at the Aeolian Hall in New York City in February 1918, and subsequently performed it at Carnegie Hall in the spring of 1918 to great acclaim. She listed the work on the program and signed the autograph score with the pen-name 'Anthony Trent'. Clarke was self-conscious about having a long list of pieces followed by her name in the composer's place. While the media had light praise for compositions bearing Clarke's n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebecca Clarke (composer)
Rebecca Helferich Clarke (27 August 1886 – 13 October 1979) was a British-American classical composer and violist. Internationally renowned as a viola virtuoso, she also became one of the first female professional orchestral players. Rebecca Clarke claimed both British and American nationalities and spent substantial periods of her life in the United States, where she permanently settled after World War II. She was born in Harrow and studied at the Royal Academy of Music and Royal College of Music in London. Stranded in the United States at the outbreak of World War II, she married composer and pianist James Friskin in 1944. Clarke died at her home in New York at the age of 93. Although Clarke's output was not large, her work was recognised for its compositional skill and artistic power. Some of her works have yet to be published (and many were only recently published); those that were published in her lifetime were largely forgotten after she stopped composing. Scholarship a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto For Clarinet, Viola, And Orchestra
The Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88, by Max Bruch was composed in 1911 for his son, Max Felix Bruch, and received its first performance in 1912, with Willy Hess (viola) and the composer's son Max Felix Bruch (clarinet) as the soloists. It consists of three movements: # Andante con moto # Allegro moderato # Allegro molto The work is sometimes arranged and performed as a concerto for violin and viola. A typical performance lasts approximately 20 minutes. It premiered on 5 March 1912. MUSIKPRODUKTION JÜRGEN HÖFLICH Recordings *Bruch: Concerto for Clarinet, Viola, and Orchestra; Eight Pieces for Clarinet, Viola, and Piano; Schumann: Märchenerzählungen / Tommaso Placidi (cond.), Steven Kanoff, ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Bruch
Max Bruch (6 January 1838 – 2 October 1920) was a German Romantic composer, violinist, teacher, and conductor who wrote more than 200 works, including three violin concertos, the first of which has become a prominent staple of the standard violin repertoire. Early life and education Max Bruch was born in 1838 in Cologne to Wilhelmine (), a singer, and August Carl Friedrich Bruch, an attorney who became vice president of the Cologne police. Max had a sister, Mathilde ("Till"). He received his early musical training under the composer and pianist Ferdinand Hiller, to whom Robert Schumann dedicated his Piano Concerto in A minor. The Bohemian composer and piano virtuoso Ignaz Moscheles recognized the aptitude of Bruch. At the age of nine, Bruch wrote his first composition, a song for his mother's birthday. From then on, music was his passion. His studies were enthusiastically supported by his parents. He wrote many minor early works including motets, psalm settings, piano pieces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Two Songs For Voice, Viola And Piano
Two Songs for Voice, Viola and Piano, Op. 91, were composed by Johannes Brahms for his friends Joseph Joachim and his wife Amalie. The full title is ''Zwei Gesänge für eine Altstimme mit Bratsche und Klavier'' (Two songs for an alto voice with viola and piano). The text of the first song, "Gestillte Sehnsucht" (Longing at rest), is a poem by Friedrich Rückert, composed in 1884. The text of the second, "Geistliches Wiegenlied" (Sacred lullaby) was written by Emanuel Geibel after Lope de Vega, and set to music in 1863. They were published together in 1884. Composition history The celebrated violinist Joachim, who also played viola, married Amalie Schneeweiss in 1863. She appeared as a contralto singer under the stage name Amalie Weiss. Both were friends of Brahms, who composed the song "Geistliches Wiegenlied" for the occasion of their wedding; he withdrew it but sent it again a year later for the baptism of their son, named Johannes after Brahms. Probably in 1884, Brahm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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