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Venu
The ''venu'' (Sanskrit: ; /मुरळि; ''muraļi'') is one of the ancient transverse flutes of Indian classical music. It is an aerophone typically made from bamboo, that is a side blown wind instrument. It continues to be in use in the South Indian Carnatic music tradition. It is referred to as nadi and tunava in the Rigveda and other Vedic texts of Hinduism. In northern Indian music, a similar flute is called '' bansuri''. In the south, it is also called by various other names such as ''pullanguḻal'' (புல்லாங்குழல்) in Tamil (Tamil Nadu), ''oodakuḻal ''(ഓടകുഴൽ) or '' kurungu kuḻal '' (കുറുന് കുഴൽ) in Malayalam (Kerala) and ''ಕೊಳಲು (koḷalu)'' or ಮುರಳಿ (muraļi) in Kannada (Karnataka) . It is known as ''pillana grōvi'' (పిల్లన గ్రోవి) or ''vēṇuvu'' (వేణువు) in Telugu (Andhra Pradesh & Telangana). It is also called as Carnatic Flute. The ''venu'' i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bansuri
A bansuri is an ancient side blown flute originating from the Indian subcontinent. It is an aerophone produced from bamboo and metal like material used in Hindustani classical music. It is referred to as ''nadi'' and ''tunava'' in the ''Rigveda'' and other Vedic texts of Hinduism. Its importance and operation is discussed in the Sanskrit text ''Natya Shastra''. A ''bansuri'' is traditionally made from a single hollow shaft of bamboo with six or seven finger holes. Some modern designs come in ivory, fiberglass and various metals. The six hole instrument covers two and a half octaves of music. The ''bansuri'' is typically between and in length, and the thickness of a human thumb. One end is closed, and few centimeters from the closed end is its blow hole. Longer ''bansuris'' feature deeper tones and lower pitches. The traditional design features no mechanical keys, and the musician creates the notes they want by covering and uncovering the various finger holes. The ''ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bansuri
A bansuri is an ancient side blown flute originating from the Indian subcontinent. It is an aerophone produced from bamboo and metal like material used in Hindustani classical music. It is referred to as ''nadi'' and ''tunava'' in the ''Rigveda'' and other Vedic texts of Hinduism. Its importance and operation is discussed in the Sanskrit text ''Natya Shastra''. A ''bansuri'' is traditionally made from a single hollow shaft of bamboo with six or seven finger holes. Some modern designs come in ivory, fiberglass and various metals. The six hole instrument covers two and a half octaves of music. The ''bansuri'' is typically between and in length, and the thickness of a human thumb. One end is closed, and few centimeters from the closed end is its blow hole. Longer ''bansuris'' feature deeper tones and lower pitches. The traditional design features no mechanical keys, and the musician creates the notes they want by covering and uncovering the various finger holes. The ''ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swara
Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or ''saptaka''. More comprehensively, it is the ancient Indian concept about the complete dimension of musical pitch. Most of the time a ''svara'' is identified as both musical note and tone, but a tone is a precise substitute for sur, related to tunefulness. Traditionally, Indians have just seven ''svara''s/notes with short names, e.g. saa, re/ri, ga, ma, pa, dha, ni which Indian musicians collectively designate as ''saptak'' or ''saptaka''. It is one of the reasons why ''svara'' is considered a symbolic expression for the number seven. Origins and history Etymology The word ''swara'' or ''svara'' (Sanskrit: स्वर) is derived from the root ''svr'' which means "to sound". To be precise, the ''svara'' is defined in the Sanskrit ''nirukt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palladam Sanjiva Rao
Palladam Sanjiva Rao (1882–1962) was an Indian flautist and carnatic musician from the state of Tamil Nadu. Personal life Sanjiva Rao was born in 1882 in the town of Palladam near Coimbatore in a Thanjavur Marathi family. Sanjiva Rao learnt music under Shatkala Narasayya and Sirkazhi Narayanaswamy and learnt flute from Sarabha Sastri for seven years. He was awarded the prestigious title of "Sangita Kalanidhi" for his services to Classical Indian Music by the Music Academy Chennai. His playing is noted for its unique style and the tonality. He also received the Sangeetha Kalasikhamani Sangeetha Kalasikhamani or Sangita Kalasikhamani (Sanskrit: saṅgītakalāśikhāmaṇi) (sangeetha = music, kala = art, sikhamaṇi = A gem of a diadem or crest) is the title awarded yearly to an expert Carnatic music Carnatic music, kno ... award bestowed on him by The Indian Fine Arts Society, Chennai in 1943. References * * http://www.thehindu.com/features/friday-review/music/a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the '' Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the '' Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
India
India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago., "Y-Chromosome and Mt-DNA data support the colonization of South Asia by modern humans originating in Africa. ... Coalescence dates for most non-European populations average to between 73–55 ka.", "Modern human beings—''Homo sapiens''—originated in Africa. Then, int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veena
The ''veena'', also spelled ''vina'' ( sa, वीणा IAST: vīṇā), comprises various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps.Vina: Musical Instrument Encyclopædia Britannica (2010) The many regional designs have different names such as the ''Rudra veena'', the ''Saraswati veena'', the ''Vichitra veena'' and others. The North Indian ''rudra veena'', used in Hindustani classical music, is a stick zither. About 3.5 to 4 feet (1 to 1.2 meters) long to fit the measurements of the musician, it has a hollow body and two large resonating gourds under each end. It has four main strings which are melodic, and three auxiliary drone strings. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamaka (music)
Gamaka (also spelled gamakam) refer to ornamentation that is used in the performance of North and South Indian classical music. Gamaka can be understood as embellishment done on a note or between two notes. Present-day Carnatic music uses at least fifteen different kinds of ornamentation. Gamaka is any graceful turn, curve or cornering touch given to a single note or a group of notes, which adds emphasis to each raga's individuality. ''Gamaka can be understood as any movement done on a note or in between two notes.'' The unique character of each raga is given by its gamakas, making their role essential rather than decorative in Indian music. Nearly all Indian musical treatises have a section dedicated to describing, listing and characterising gamakas. The term ''gamaka'' itself means "ornamented note" in Sanskrit. Gamakas involve the variation of pitch of a note, using oscillations or glides between notes. Each raga has specific rules on the types of gamakas that might be appli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrabass Flute
The contrabass flute is one of the rarer members of the flute family. Typically seen in flute ensembles, it is sometimes also used in solo and chamber music situations. Its range is similar to the regular concert flute, except it is pitched two octaves lower; the lowest performable note is two octaves below middle C (the lowest C on the cello). Many contrabass flutes in C are also equipped with a low B (in the same manner as many modern standard-sized flutes are). Contrabass flutes are only available from select flute makers. Sometimes referred to as the "gentle giant" of the flute family, the contrabass retains the facility for trills, as found elsewhere in the flute world. The contrabass' ease of arpeggiation is moderate and thus equivalent to the rest of the flute family. The contrabass flute requires a much greater air volume to produce sound than most other wind instruments, and a broader, slower air stream is needed to produce a solid tone. The upper registers (middle C an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Govinda
Govinda (), also rendered Govind and Gobind, is an epithet of Vishnu which is also used for his avatars such as Krishna. The name appears as the 187th and the 539th name of Vishnu in '' Vishnu Sahasranama''. The name is also popularly addressed to Krishna, referring to his youthful activity as a cowherd boy. Vishnu, or Krishna, is regarded as the supreme God in the Vaishnava tradition and also by much of the pan-Hindu tradition. Etymology In the word "Govinda", "Govu" means ''Indriyas''. Govinda therefore means the all-pervading, omnipresent ruler of the sense organs, or ''Indriyas''. "Govu" also means 'Vedas'. Hence Govinda is the supreme being who can be known through the Vedas. Govinda can also be translated as "protector of cows". Interpretations ''Govinda'' is a name of Krishna and also appears as the 187th and 539th name of Vishnu in the Vishnu Sahasranama, the 1,000 names of Vishnu.''Sri Vishnu Sahasranama'', commentary by Sri Sankaracharya, pgs. 69 and 115, translat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Contrabass Flute
The double contrabass flute (also octobass flute; subcontrabass flute) is the largest and lowest pitched metal flute, with of tubing (the hyperbass flute, an octave lower, is made from PVC and wood). It is pitched in the key of C, three octaves below the regular flute (two octaves below the bass, and one octave below the contrabass).Its lowest note is C1, one octave below the cello's lowest C and the lowest C on the piano. This flute is relatively easy to play in comparison to most other large flutes. Despite the tendency of the larger sizes of flute to be softer than their higher pitched relatives, the double contrabass flute has a relatively powerful tone, although it usually benefits from amplification in ensembles. The Japanese firm of Kotato & Fukushima sell their double contrabass flutes for US$48,000. Their main use has been in large flute choir A flute ensemble is an instrumental chamber ensemble consisting of members of the flute family. Flute quartet In a more tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
