Triple Concerto
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Triple Concerto
A triple concerto (Italian: ''Concerto triplo'', German: ''Tripelkonzert'') is a concerto with three soloists. Such concertos have been composed from the Baroque period, including works by Corelli, Vivaldi, Bach and Telemann, to the 21st century, such as two works by Dmitri Smirnov. The most famous example is Beethoven's Triple Concerto for violin, cello and piano. His combination of solo instruments, a piano trio, was often used also in later works. History Many works in the genre concerto grosso were composed for three solo instruments, including Corelli's concerti grossi, Op. 6, for a trio (''concertino'') of two violins and cello. 1714. Antonio Vivaldi wrote several concertos for the same combination of instruments, published for example in ''L'estro armonico'' in 1711. Based on Italian models, Johann Sebastian Bach composed concertos for multiple instruments, including his Fourth ''Brandenburg Concerto'', BWV 1049, with solo parts for violin and two recorders, his Fif ...
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Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ...
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Fifth Brandenburg Concerto
Johann Sebastian Bach wrote his fifth '' Brandenburg Concerto'', BWV 1050.2 (formerly 1050), for harpsichord, flute and violin as soloists, and an orchestral accompaniment consisting of strings and continuo. An early version of the concerto, BWV 1050.1 (formerly 1050a), originated in the late 1710s. On 24 March 1721 Bach dedicated the final form of the concerto to Margrave Christian Ludwig of Brandenburg. History In his Weimar period (1708–1717) Bach was involved in the concerto genre, mainly through copying and transcribing. The earliest extant sources of Bach's own concerto compositions date from his Köthen period (1717–1723), where the 1721 autograph of the six '' Brandenburg Concertos'' takes a central place. Nonetheless, around half a dozen of Bach's extant concertos, including some of the ''Brandenburg Concertos'' and lost models of his later harpsichord concertos, seem to have had their roots in his Weimar period. Most of what Bach may have l ...
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Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ...
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Triple Concerto, BWV 1044
The ''Triple Concerto'', BWV 1044, is a concerto in A minor for traverso, violin, harpsichord, and string orchestra by Johann Sebastian Bach. He based the composition on his Prelude and Fugue BWV 894 for harpsichord and on the middle movement of his Organ Sonata BWV 527, or on earlier lost models for these compositions. History Bach based the ''Triple Concerto'' on two earlier compositions. The outer movements of BWV 1044 are based on a lost model which was also a model for the ''Prelude and Fugue in A minor'' for solo harpsichord, BWV 894.Schulenberg 2006pp. 145–146/ref> However, BWV 894 is listed as the model for the outer movements of BWV 1044.Spitta 1899 Vol. 1p. 420/ref> BDW The middle movement of BWV 1044 is based on the middle movement of the '' Trio Sonata for Organ in D minor'', BWV 527,Spitta 1899 Vol. 3pp. 142–146/ref>Rust 1869p. XXI (Preface)/ref> or on an earlier model ...
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Telemann-Werke-Verzeichnis
The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a genre number, a letter indicating the key (in some cases), and a work number. The genre number indicates the general type or medium of the work. A major key is in upper case, a minor key in lower case. The second number is the work's number within the genre. For example, Telemann's ''Concerto polonois in B flat major for strings and basso continuo'' is TWV 43:B3. His ''Orchestral suite in D major'' is TWV 55:D18, and his ''Overture in G minor'' is TWV 55:g4. Vocal works were catalogued in a similar way by Werner Menke in the Telemann-Vokalwerke-Verzeichnis (Telemann Vocal Works Catalogue), abbreviated TVWV. For example, Telemann's ''Johannes-Passion'' is TVWV 5:42. His ''Times of the Day'' cantata is TVWV 20:39. Genre numbering Genres of vocal wor ...
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BWV 1064
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichords (BWV 1060–1062), two concertos for three harpsichords (BWV 1063 and 1064), and one concerto for four harpsichords (BWV 1065). Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and ''Brandenburg Concerto'' No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord (BWV 1059) which adds an oboe to the strings and continuo. Most of Bach's harpsichord concertos (with the exception of the 5th ''Brandenburg Concerto'') are thought to be arrangements made from earlier concertos for melodic instruments probably written in Köthen. In many cases, only the harpsichord version has survived. They are among the first ...
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C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" an ...
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BWV 1063
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichords (BWV 1060–1062), two concertos for three harpsichords (BWV 1063 and 1064), and one concerto for four harpsichords (BWV 1065). Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and ''Brandenburg Concerto'' No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord (BWV 1059) which adds an oboe to the strings and continuo. Most of Bach's harpsichord concertos (with the exception of the 5th ''Brandenburg Concerto'') are thought to be arrangements made from earlier concertos for melodic instruments probably written in Köthen. In many cases, only the harpsichord version has survived. They are among the first co ...
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D Minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Music in D minor Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key. ''The Art of Fugue'' by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Bach's ''Chromatic Fantasia and Fugue'' in D minor. Mozart's Requiem is written primarily in D minor, as are the famous Queen of the Night Aria, "Der ...
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BWV 1057
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichords (BWV 1060–1062), two concertos for three harpsichords (BWV 1063 and 1064), and one concerto for four harpsichords (BWV 1065). Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and ''Brandenburg Concerto'' No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord (BWV 1059) which adds an oboe to the strings and continuo. Most of Bach's harpsichord concertos (with the exception of the 5th ''Brandenburg Concerto'') are thought to be arrangements made from earlier concertos for melodic instruments probably written in Köthen. In many cases, only the harpsichord version has survived. They are among the first ...
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Philipp Spitta
Julius August Philipp Spitta (27 December 1841 – 13 April 1894) was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach. Life He was born in , near Hoya, and his father, also called Philipp Spitta, was a theologian and wrote the Protestant collection of hymns entitled ''Psalter und Harfe''. As a child, the younger Spitta learnt the piano, pipe organ, and musical composition. He studied theology and classical philology at the University of Göttingen from 1860, graduating in 1864 with a Ph.D. for a dissertation on Tacitus (''Der Satzbau bei Tacitus'', 1866). While at university, he composed, wrote a biography of Robert Schumann, and became friends with Johannes Brahms. He became a teacher of Ancient Greek and Latin language in, successively, Reval, Sondershausen, and Leipzig, while pursuing his interest in and lecturing on music history in general and Johann Sebastian Bach in particular. His Bach study began to be publi ...
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Tafelmusik (Telemann)
is a collection of instrumental compositions by Georg Philipp Telemann (1681–1767), published in 1733. The original title is . The work is one of Telemann's most widely known compositions; it is the climax and at the same time one of the last examples of courtly table music. Publication The composition addressed predominantly wealthy music lovers. The complete set of parts of the extensive work, engraved in copper, cost 8 Reichsthaler — an exorbitant price, considering the fact that Johann Sebastian Bach received the same sum as remuneration for a complete orchestra at a court concert. More than 200 subscribers were found who were willing to pay the price in advance and whose name, social status, and address were published in the first edition. The illustrious list comprised crowned heads, noblewomen, and merchants as well as German and non-German musicians and composers — among others George Frideric Handel from London, Johann Georg Pisendel and Johann Joachim ...
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