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The Flying Lizards
The Flying Lizards were an experimental English new wave band, formed in 1976. They are best known for their eccentric cover version of Barrett Strong's "Money", featuring Deborah Evans-Stickland on lead vocals, which reached the UK and US record charts in 1979. They followed this with their self-titled album that year, which reached number 60 on the UK Albums Chart. Career Formed and led by record producer David Cunningham, the group were a loose collective of avant-garde and free-improvising musicians, including David Toop and Steve Beresford as instrumentalists, with Deborah Evans-Stickland, Patti Palladin and Vivien Goldman as main vocalists. In August 1979 the Flying Lizards appeared twice on the BBC's ''Top of the Pops'' performing their hit single "Money (That's What I Want)". They also appeared in February 1980, performing follow-up single "TV". Virgin Records extended the band's recording contract after the success of "Money". The group released their début album ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad music genre, genre of Punk Music, punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the music production, production techniques of dub music, dub and disco; and ideas from art and politics, including critical theory, modernist art, Film, cinema and modernist literature, literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire (band), Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire (band), Cabaret Voltaire, Magazine (band), Magazine, Pere Ubu, Joy Division, Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Chart
A record chart, in the music industry, also called a music chart, is a ranking of recorded music according to certain criteria during a given period. Many different criteria are used in worldwide charts, often in combination. These include record sales, the amount of radio airplay, the number of downloads, and the amount of streaming activity. Some charts are specific to a particular musical genre and most to a particular geographical location. The most common period covered by a chart is one week with the chart being printed or broadcast at the end of this time. Summary charts for years and decades are then calculated from their component weekly charts. Component charts have become an increasingly important way to measure the commercial success of individual songs. A common format of radio and television programmes is to run down a music chart. Chart hit A ''chart hit'' is a recording, identified by its inclusion in a chart that uses sales or other criteria to rank popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy, Miss Lizzy
"Dizzy, Miss Lizzy" is a rock and roll song written and recorded by Larry Williams in 1958. Although identified as a "genuine rock & roll classic", it had limited success on the record charts. Seven years later, the Beatles recorded the song, and John Lennon performed it with the Plastic Ono Band in 1969. Recording At the end of 1957, Williams scored with one of his biggest hits, " Bony Moronie". On February 19, 1958, he entered the Radio Recorders studio in Hollywood, California, to record a potential follow-up. He was again was backed by some well-known session musicians, including René Hall, who is credited as the band leader and with supplying the distinctive guitar riff. However, it is Williams' vocal that makes the song stand out, according to music journalist Gene Sculatti, "at ease with its own intensity hat isfinally out of Richard's shadow" ( Little Richard and Williams were both signed to Specialty Records). Release and charts Specialty released "Dizzy, Miss Liz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Get Up (I Feel Like Being A) Sex Machine
"Get Up (I Feel Like Being a) Sex Machine" is a song recorded by James Brown with Bobby Byrd on backing vocals. Released as a two-part single in 1970, it was a no. 2 R&B hit and reached no. 15 on the ''Billboard'' Hot 100. In 2004, "Sex Machine" was ranked number 326 on ''Rolling Stone'' magazine's list of the 500 greatest songs of all time. In the 2021 update of the list it had risen to 196. Analysis "Sex Machine" was one of the first songs Brown recorded with his new band, The J.B.'s. In comparison with Brown's 1960s solo funk hits such as " Papa's Got a Brand New Bag", the band's inexperienced horn section plays a relatively minor part. Instead, the song centers on the insistent riff played by brothers Bootsy and Catfish Collins on bass and guitar and Jabo Starks on drums, along with the call and response interplay between Brown and Byrd's vocals, which consist mostly of exhortations to "get up / stay on the scene / like a sex machine". During the song's final vocal pass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Brown
James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, dancer, musician, record producer and bandleader. The central progenitor of funk music and a major figure of 20th century music, he is often referred to by the honorific nicknames "the Hardest Working Man in Show Business", "Godfather of Soul", "Mr. Dynamite", and "Soul Brother No. 1". In a career that lasted more than 50 years, he influenced the development of several music genres. Brown was one of the first 10 inductees into the Rock and Roll Hall of Fame at its inaugural induction in New York on January 23, 1986. Brown began his career as a gospel singer in Toccoa, Georgia. He first came to national public attention in the mid-1950s as the lead singer of the Famous Flames, a rhythm and blues vocal group founded by Bobby Byrd. With the hit ballads " Please, Please, Please" and " Try Me", Brown built a reputation as a dynamic live performer with the Famous Flames and his backing band, sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sloane Ranger
In the United Kingdom, a Sloane Ranger, or simply a Sloane, is a stereotypical upper-middle or upper-class person, typically although not necessarily a young one, who embodies a very particular upbringing and outlook. The Sloane Ranger style is a uniform, effortless, and unambitious although sophisticated one. The television character Tim Nice-But-Dim, an Old Ardinian, is thought by some to be a good example of a Sloane Ranger. The term is a pun based on references to Sloane Square, a location in Chelsea, London, famed for the wealth of its residents and frequenters, and the television character '' The Lone Ranger''. Social stratum The term dates from 1975 when aspiring writer Peter York had conversations with Ann Barr (then features editor of UK magazine ''Harpers & Queen'') about what had become a recognisable ''tribe'' of young people living in Chelsea and parts of Kensington. This led to an article for the magazine, defining the characteristics of this slice of Englis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Summertime Blues
"Summertime Blues" is a song co-written and recorded by American rock artist Eddie Cochran. It was written by Cochran and his manager Jerry Capehart. Originally a single B-side, it was released in August 1958 and peaked at number 8 on the ''Billboard'' Hot 100 on September 29, 1958, and number 18 on the UK Singles Chart. It has been covered by many artists, including being a number-one hit for country music artist Alan Jackson, and scoring notable hits in versions by Blue Cheer, The Who, and Brian Setzer, the last of whom recorded his version for the 1987 film '' La Bamba'', in which he portrayed Cochran. Jimi Hendrix performed it in concert. T. Rex recorded their own rendition of the song for their self titled debut album '' T. Rex'' in 1970 and performed it live. Lyrics The song is about the struggle between a teenager and his parents, his boss and his congressman during the summer. The narrator resents having to take a job in order to earn pocket money, and he cannot go o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Cochran
Ray Edward Cochran (; October 3, 1938 – April 17, 1960) was an American rock and roll musician. Cochran's songs, such as " Twenty Flight Rock", "Summertime Blues", " C'mon Everybody" and " Somethin' Else", captured teenage frustration and desire in the mid-1950s and early 1960s. He experimented with multitrack recording, distortion techniques, and overdubbing even on his earliest singles. He played the guitar, piano, bass, and drums. His image as a sharply dressed and attractive young man with a rebellious attitude epitomized the stance of the 1950s rocker, and in death he achieved iconic status. Cochran was involved with music from an early age, playing in the school band and teaching himself to play blues guitar. In 1954, he formed a duet with the guitarist Hank Cochran (no relation). When they split the following year, Eddie began a songwriting career with Jerry Capehart. His first success came when he performed the song "Twenty Flight Rock" in the film ''The Girl Can't He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodern
Postmodernism is an intellectual stance or Rhetorical modes, mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by philosophical skepticism, skepticism toward the "meta-narrative, grand narratives" of modernism, opposition to epistemological, epistemic certainty or stability of meaning (semiotics), meaning, and emphasis on ideology as a means of maintaining political power. Claims to objective fact are dismissed as naïve realism, with attention drawn to the instrumental conditionality, conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-reference, self-referentiality, epistemological relativism, moral relativism, pluralism (philosophy), pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity (philosophy), identity, hierar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top Of The Pops
''Top of the Pops'' (''TOTP'') is a British music chart television programme, made by the BBC and originally broadcast weekly between 1January 1964 and 30 July 2006. The programme was the world's longest-running weekly music show. For most of its history, it was broadcast on Thursday evenings on BBC One. Each show consisted of performances of some of the week's best-selling popular music records, usually excluding any tracks moving down the chart, including a rundown of that week's singles chart. This was originally the Top 20, though this varied throughout the show's history. The Top 30 was used from 1969, and the Top 40 from 1984. Dusty Springfield's " I Only Want to Be with You" was the first song featured on ''TOTP'', while the Rolling Stones were the first band to perform, with " I Wanna Be Your Man". Snow Patrol were the last act to play live on the weekly show when they performed their single " Chasing Cars". Special editions were broadcast on Christmas Day (and us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
