Terribilità
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Terribilità
Terribilità, the modern Italian spelling, (or terribiltà, as Michelangelo's 16th century contemporaries tended to spell it) is a quality ascribed to his art that provokes terror, awe, or a sense of the sublime in the viewer. It is perhaps especially applied to his sculptures, such as his figures of ''David'' or in ''Moses''. Pope Julius II was apparently the first to describe Michelangelo as a ''uomo terribile'' ("terror-inducing man"), apparently describing his difficult character as much as his art. This ''terribilità'', also references the neoplatonics of humanists such as Marsilio Ficino, who had known Michelangelo in his youth. Michelangelo's friend and collaborator Sebastiano del Piombo reported in a letter to him of 15 October 1520 on a private audience with Pope Leo X. After praising Michelangelo's work, the pope continued "But he is ''terribile'', as you see; one cannot deal with him". Sebastiano responded "that your ''terribile'' character did not harm anyone, a ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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David (Michelangelo)
''David'' is a masterpiece of Renaissance sculpture, created in marble between 1501 and 1504 by the Italian artist Michelangelo. ''David'' is a marble statue of the Biblical figure David, a favoured subject in the art of Florence. ''David'' was originally commissioned as one of a series of statues of prophets to be positioned along the roofline of the east end of Florence Cathedral, but was instead placed in a public square, outside the Palazzo Vecchio, the seat of civic government in Florence, in the Piazza della Signoria, where it was unveiled on 8 September 1504. The statue was moved to the Galleria dell'Accademia, Florence, in 1873, and later replaced at the original location by a replica. Because of the nature of the figure it represented, the statue soon came to symbolize the defence of civil liberties embodied in the Republic of Florence, an independent city-state threatened on all sides by more powerful rival states and by the hegemony of the Medici family. The ey ...
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Moses (Michelangelo)
''Moses'' ( it, Mosè ; c. 1513–1515) is a sculpture by the Italian High Renaissance artist Michelangelo Buonarroti, housed in the church of San Pietro in Vincoli in Rome. Commissioned in 1505 by Pope Julius II for his tomb, it depicts the biblical figure Moses with horns on his head, based on a description in chapter 34 of Exodus in the Vulgate, the Latin translation of the Bible used at that time. Commissioning and history Pope Julius II commissioned Michelangelo to build his tomb in 1505 and it was finally completed in 1545; Julius II died in 1513.Erwin Panofsky (1937The First Two Projects of Michelangelo's Tomb of Julius IIThe Art Bulletin 19(4):561-579 The initial design by Michelangelo was massive and called for over 40 statues. The statue of Moses would have been placed on a tier about 3.74 meters high (12 ft 3 in), opposite a figure of St. Paul. In the final design, the statue of Moses sits in the center of the bottom tier. Description Giorgio Vasari in the ''Lif ...
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Pope Julius II
Pope Julius II ( la, Iulius II; it, Giulio II; born Giuliano della Rovere; 5 December 144321 February 1513) was head of the Catholic Church and ruler of the Papal States from 1503 to his death in February 1513. Nicknamed the Warrior Pope or the Fearsome Pope, he chose his papal name not in honour of Pope Julius I but in emulation of Julius Caesar. One of the most powerful and influential popes, Julius II was a central figure of the High Renaissance and left a significant cultural and political legacy. As a result of his policies during the Italian Wars, the Papal States increased its power and centralization, and the office of the papacy continued to be crucial, diplomatically and politically, during the entirety of the 16th century in Italy and Europe. In 1506, Julius II established the Vatican Museums and initiated the rebuilding of the St. Peter's Basilica. The same year he organized the famous Swiss Guards for his personal protection and commanded a successful campa ...
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Neoplatonism
Neoplatonism is a strand of Platonism, Platonic philosophy that emerged in the 3rd century AD against the background of Hellenistic philosophy and Hellenistic religion, religion. The term does not encapsulate a set of ideas as much as a chain of thinkers. But there are some ideas that are common to it. For example, the Monism, monistic idea that all of reality can be derived from a single principle, "the One". Neoplatonism began with Ammonius Saccas and his student Plotinus (c. 204/5 – 271 AD) and stretched to the 6th century AD. After Plotinus there were three distinct periods in the history of neoplatonism: the work of his student Porphyry (philosopher), Porphyry (3rd to early 4th century); that of Iamblichus (3rd to 4th century); and the period in the 5th and 6th centuries, when the Academies in Alexandria and Athens flourished. Neoplatonism had an enduring influence on the subsequent history of philosophy. In the Middle Ages, neoplatonic ideas were studied and discussed ...
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Marsilio Ficino
Marsilio Ficino (; Latin name: ; 19 October 1433 – 1 October 1499) was an Italian scholar and Catholic priest who was one of the most influential humanist philosophers of the early Italian Renaissance. He was an astrologer, a reviver of Neoplatonism in touch with the major academics of his day, and the first translator of Plato's complete extant works into Latin. His Florentine Academy, an attempt to revive Plato's Academy, influenced the direction and tenor of the Italian Renaissance and the development of European philosophy. Early life Ficino was born at Figline Valdarno. His father, Diotifeci d'Agnolo, was a physician under the patronage of Cosimo de' Medici, who took the young man into his household and became the lifelong patron of Marsilio, who was made tutor to his grandson, Lorenzo de' Medici. Giovanni Pico della Mirandola, the Italian humanist philosopher and scholar was another of his students. Career and thought Platonic Academy During the sessions at ...
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Sebastiano Del Piombo
Sebastiano del Piombo (; c. 1485 – 21 June 1547) was an Italian painter of the High Renaissance and early Mannerism, Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian School (art), Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted. Born Sebastiano Luciani, after coming to Rome he became known as ''Sebastiano Veneziano'' or ''Viniziano'' ("Sebastian the Venetian"), until in 1531 he became the Keeper of the Seals#Papacy, Keeper of the Seal to the Papacy, and so got the nickname ''del Piombo'' ("of the Lead") thereafter, from his new job title of ''piombatore''. Friends like Michelangelo and Ariosto called him ''Fra Bastiano'' ("Brother Bastian"). Never a ...
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Pope Leo X
Pope Leo X ( it, Leone X; born Giovanni di Lorenzo de' Medici, 11 December 14751 December 1521) was head of the Catholic Church and ruler of the Papal States from 9 March 1513 to his death in December 1521. Born into the prominent political and banking Medici family of Republic of Florence, Florence, Giovanni was the second son of Lorenzo de' Medici, ruler of the Florentine Republic, and was elevated to the Cardinal (Catholicism), cardinalate in 1489. Following the death of Pope Julius II, Giovanni was elected pope after securing the backing of the younger members of the College of Cardinals, Sacred College. Early on in his rule he oversaw the closing sessions of the Fifth Council of the Lateran, but struggled to implement the reforms agreed. In 1517 he led a costly War of Urbino, war that succeeded in securing his nephew Lorenzo de' Medici, Duke of Urbino, Lorenzo di Piero de' Medici as Duke of Urbino, but reduced papal finances. In Protestant circles, Leo is associated with g ...
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Casa Buonarroti
Casa Buonarroti is a museum in Florence, Italy. The building was a property owned by the sculptor Michelangelo, which he left to his nephew, Leonardo Buonarroti. The house was converted into a museum dedicated to the artist by his great nephew, Michelangelo Buonarroti the Younger. Its collections include two of Michelangelo's earliest sculptures, the ''Madonna of the Stairs'' and the ''Battle of the Centaurs''. A ten-thousand book library includes the family's archive and some of Michelangelo's letters and drawings. The Galleria is decorated with paintings commissioned by Buonarroti the Younger and created by Artemisia Gentileschi and other early seventeenth-century Italian artists. History On March 3, 1508, Michelangelo, who had moved to Rome three years earlier to work on the Tomb of Pope Julius II, bought four adjoining buildings at the corner of via Ghibellina and via Santa Maria (now via Buonarroti), just north of the Basilica di Santa Croce. He acquired another adjacent struc ...
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Art History
Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to an ever-evolving definition of art. Art history encompasses the study of objects created by different cultures around the world and throughout history that convey meaning, importance or serve usefulness primarily through visual representations. As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style or sanctioning an entire style or movement; and art theory or "philosophy of art", which is concerned with the fundamental nature of art. One branch of this area of study is aesthetics, wh ...
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