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Tapan (drum)
The davul, dhol, tapan, atabal or tabl is a large double-headed drum that is played with mallets. It has many names depending on the country and region. These drums are commonly used in the music of the Middle East and the Balkans. These drums have both a deep bass sound and a thin treble sound due to their construction and playing style, where different heads and sticks are used to produce different sounds on the same drum. Names Some names of davuls include: *''dhol'' ( hy, դհոլ) *''dawola/davola'' ( syr, ܛܲܒܼܠܵܐ) *''dohol'' ( fa, دهل dohol) *''doli'' ( ka, დოლი doli) *''davul'' ( tr, davul, lit=drum) *''dahol'' ( ku, dahol, sdh, Dîweł) *''davil'' ( ta, davil) *''davula'' ( Sinhala: දවුල) *''tupan'' ( Goranian: tupan) *''daul'', ''tǎpan'', ''tupan'' ( bg, тъпан, тупан) *''goč'', ''tapan'', ''tupan'' ( sr, гоч, тапан, тупан) *''tapan, tupan'' ( mk, тапан, тупан) *''tobă/dobă'' ( ro , tobă) *''tabl'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walnut
A walnut is the edible seed of a drupe of any tree of the genus ''Juglans'' (family Juglandaceae), particularly the Persian or English walnut, '' Juglans regia''. Although culinarily considered a "nut" and used as such, it is not a true botanical nut. After full ripening, the shell is discarded and the kernel is eaten. Nuts of the eastern black walnut (''Juglans nigra'') and butternuts ('' Juglans cinerea'') are less commonly consumed. Characteristics Walnuts are rounded, single-seeded stone fruits of the walnut tree commonly used for food after fully ripening between September and November, in which the removal of the husk at this stage reveals a browning wrinkly walnut shell, which is usually commercially found in two segments (three or four-segment shells can also form). During the ripening process, the husk will become brittle and the shell hard. The shell encloses the kernel or meat, which is usually made up of two halves separated by a membranous partition. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamancheh
The kamancheh (also kamānche or kamāncha) ( fa, کمانچه, az, kamança, hy, Քամանչա, ku, کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parkapzuk
The ''parkapzuk'' ( hy, Պարկապզուկ) is a droneless, horn-belled bagpipe played in Armenia. The double-chanters each have five or six finger-holes, but the chanters are tuned slightly apart, giving a "beat" as the soundwaves of each interfere, resulting in a penetrating tone. Researchers in 1996 and 1997 noted they recorded one of the last active pipers of that time. The Parkapzuk is made of sheep or lamb skin, which has been gutted and hardened. The size of the 'bag', depends on the player's comfortable size. The pipes are made of wood. Wood was the original material, preferably wood from an apricot tree, but today some of the pipes have been made of plastic, as it is cheaper and less difficult to make. Some sources indicate that the ''parkapzuk'' is single chantered, while others indicate it is double-chantered like the ''tulum Tulum (, yua, Tulu'um) is the site of a pre-Columbian Mayan walled city which served as a major port for Coba, in the Mexican state of Qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shvi
The shvi ( hy, շվի, "whistle", pronounced ''sh-vee'') is an Armenian fipple flute with a labium mouth piece. Commonly made of wood ( apricot, boxwood, or ebony) or bamboo and up to in length, it typically has a range of an octave and a-half. The ''tav shvi'' is made from apricot wood, it is up to long, and is tuned 1/4 lower producing a more lyrical and intimate sound. The shvi is up to 12 inches in length and is made of reed, bark of willows, or walnut wood. It has 8 holes on the front, 7 of which are used while playing, and one thumbhole. One octave is obtained by blowing normally into the shvi and a second octave is attained by blowing with slightly more force (i.e., overblowing). The lower octave has a timbre similar to a recorder whereas the higher octave sounds similar to a piccolo or flute. 8-hole traditional flute. The shvi is played with the mouth. Typically, most Armenian duduk or zurna players learn the shvi before moving on to either instrument. See also *Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sring
The sring ( hy, սրինգ, also transliterated as ) is a shepherd's flute originating in Armenia. Sring is also the common term for end-blown flutes in general. These flutes are made either of a stork bone, bamboo, wood from the apricot tree or cane and have or eight finger holes, producing a diatonic scale. The Armenian musicologist Komitas Soghomon Soghomonian, ordained and commonly known as Komitas, ( hy, Կոմիտաս; 22 October 1935) was an Armenian priest, musicologist, composer, arranger, singer, and choirmaster, who is considered the founder of the Armenian national sch ... believed that the sring was the most characteristic among the Armenian instruments. Blul The ' instrument, which is similar in structure to the kaval, is a particular variety of the sring family of flutes. It is often considered a modern evolution of the medieval sring, with the primary differences being the presence of ring-shaped zones, both ends being thickened, and the resulting sound be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duduk
The duduk ( ; hy, դուդուկ ) or tsiranapogh ( hy, ծիրանափող, meaning “apricot-made wind instrument”), is an ancient Armenian double reed woodwind instrument made of apricot wood. It is indigenous to Armenia. Variations of the Armenian duduk appear throughout the Caucasus and the Middle East, including Azerbaijan, Georgia, Russia, Turkey, and Iran. Duduk, Balaban, and Mey are almost identical, except for historical and geographical differences. It is commonly played in pairs: while the first player plays the melody, the second plays a steady drone called ''dum'', and the sound of the two instruments together creates a richer, more haunting sound. The unflattened reed and cylindrical body produce a sound closer to the English horn than the oboe or bassoon. Unlike other double reed instruments like the oboe or shawm, the duduk has a very large reed proportional to its size. UNESCO proclaimed the Armenian duduk and its music as a Masterpiece of the Intangib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goblet Drum
The goblet drum (also chalice drum, tarabuka, tarabaki, darbuka, darabuka, derbake, debuka, doumbek, dumbec, dumbeg, dumbelek, toumperleki, tumbak, or zerbaghali; arz, دربوكة / Romanized: ) is a single-head membranophone with a goblet-shaped body. It is most commonly used in the traditional music of Egypt, where it is considered the National symbol of Egyptian Shaabi Music. The instrument is also featured in traditional music from West Asia, North Africa, South Asia, and Eastern Europe. The African djembe is also a goblet membranophone. This article focuses on the Middle Eastern and North African goblet drum. History The origin of the term ''Darbuka'' probably lies in the Arabic word "daraba" ("to strike"). Goblet drums have been around for thousands of years and were used in Mesopotamian and Ancient Egyptian cultures. They were also seen in Babylonia and Sumer from as early as 1100 BCE. On Sulawesi, large goblet drums are used as temple instruments and placed on the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyrian Folk/pop Music
Assyrian folk/pop music, also known as Assyrian folk-pop or modern Syriac music ( syr, ܡܘܣܝܩܝ ܣܦܝܢܘܬܐ ܐܬܘܪܝܬܐ/ܣܘܪܝܝܬܐ), is the musical style of the Assyrian people derived from traditional music that includes a broad range of stylistic varieties, which would also encompass fusions of Western genres such as pop, electronic, Latin, jazz and/or classical music, with a melodic basis of Assyrian folk. Background Assyrian folk music claims to be the descendant of the music of their ancient Upper Mesopotamian ancestors that has survived in the liturgical music of the Syriac Churches. Assyrian songs are generally sung in Iraqi Koine, a standard variety of Assyrian Neo-Aramaic. However, older songs mostly had an Urmian dialect and tribal-folk music tend to contain Tyari dialects. Themes tend to focus on longing, melancholy, strife and love issues. Assyrian songs are usually lengthy, tending to be around 5 minutes long on average. Composition Assyrian folk can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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