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Taepyeongso
The ''taepyeongso'' (lit. "big peace wind instrument"; also called ''hojok'', ''hojeok'' 호적 號笛/ 胡 笛, ''nallari'', or ''saenap'', 嗩 吶) is a Korean double reed wind instrument in the shawm or oboe family, probably descended from the Persian sorna and closely related to the Chinese suona. It has a conical wooden body made from ''yuja'' (citron), ''daechu'' (jujube), or yellow mulberry wood, with a metal mouthpiece and cup-shaped metal bell. It originated during the Goryeo period (918–1392). The loud and piercing sound it produces has kept it confined mostly to Korean folk music (especially " farmer's band music") and to marching bands, the latter performed for royalty in the genre known as ''daechwita''. It is, however, also used sparingly in other genres, including Confucian, Buddhist and Shamanist ritual musics, neo-traditional/fusion music and kpop, included in works such as "Lalalay" by Sunmi (2019). Writings English Written sources in English are scarce. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farmer's Band Music
''Pungmul'' (; ) is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on rural holidays, at other village community-building events, and to accompany shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively used in political protest during the pro-democracy movement, although today it is most often seen as a performing art. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during the colonial era (1910–1945). The Cultural Heritage Administration of South Korea uses this term in designating the folk tradition as an Important Intangible Cultural Property. Opposition from performers and scholars toward its usag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Reed
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from 13. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daechwita
Daechwita () is a genre of Korean traditional music consisting of military music played by wind and percussion instruments, generally performed while marching or as a static performance. Instrumentation Instruments used include ''nabal'' (brass horn), ''nagak'' (seashell horn), and ''taepyeongso'' (shawm), with '' jing'' (gong), '' jabara'' (cymbals), and ''yonggo'' (hangul: 용고; hanja: 龍鼓; drum painted with dragon designs and played with hard mallets). This style of Korean military music is often used in the reenactment of the Guard Changing Ceremony at Seoul's Gyeongbok Palace, as well as in Deoksu Palace. A special daechwita today is under the service of the Traditional Guard Unit, 3rd Infantry Division, Republic of Korea Army, and is the only one that also has the ''Ulla'' (small tuned gongs), '' Pungmul-buk'' and ''Galgo'' in its instrumentation. This is the same case for traditional Korean bands outside the homeland, which also have a pungmul marching percussion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pungmul
''Pungmul'' (; ) is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on rural holidays, at other village community-building events, and to accompany shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively used in political protest during the pro-democracy movement, although today it is most often seen as a performing art. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during the colonial era (1910–1945). The Cultural Heritage Administration of South Korea uses this term in designating the folk tradition as an Important Intangible Cultural Property. Opposition from performers and scholars toward its u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suona
''Suona'' (IPA: /swoʊˈnɑː/, ), also called ''dida'' (from Cantonese / '' īdá'), ''laba'' or ''haidi'', is a traditional Chinese music instrument with double-reed horn. The suona's basic design originated in ancient Iran, then called "Surna". Suona appeared in China around the 3rd century. It had a distinctively loud and high-pitched sound, and was used frequently in Chinese traditional music ensembles, particularly in those that perform outdoors. It was an important instrument in the folk music of northern China, particularly in provinces of Shandong and Henan, where it has long been used for festival and military purposes. It is still being used, in combination with sheng mouth organs, gongs, drums, and sometimes other instruments in weddings and funeral processions. Such wind and percussion ensembles are called ''chuida'' () or ''guchui'' (; this name refers to the ''suona'' itself in Taiwanese Hokkien). Stephen Jones has written extensively on its use in ritual music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuzu
Yuzu (''Citrus junos'', from Japanese or ) is a citrus fruit and plant in the family Rutaceae of East Asian origin. Yuzu has been cultivated mainly in East Asia, though recently also in New Zealand, Australia, Spain, Italy, and France. It is believed to have originated in central China as an F1 hybrid of the ''mangshanyeju'' subspecies of mandarin orange and the ichang papeda. and Supplement Description This fruit resembles a small grapefruit with uneven skin and can be either yellow or green depending on the degree of ripeness. ''Yuzu'' fruits, which are very aromatic, typically range between in diameter but can be as large as a regular grapefruit (up to , or larger). Yuzu forms an upright shrub or small tree, which commonly has many large thorns. Leaves are notable for a large, leaf-like petiole, resembling those of the related makrut lime and ichang papeda, and are heavily scented. Yuzu closely resembles sudachi (''Citrus sudachi'', a Japanese citrus from Toku ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lalalay
"Lalalay" (, stylized in all caps) is a song recorded by South Korean singer Sunmi, released on August 27, 2019, by Makeus Entertainment as a single. Sunmi wrote and co-produced the song with Frants. Background and composition The song was announced and confirmed by Sunmi on August 17, 2019 through a promotional poster on various social media accounts. "Lalalay" runs for two minutes and fifty-four seconds. It was written by Sunmi and produced by her and Frants. Tamar Herman of ''Billboard'' describes the song as a "Latin pop and dancehall elements with traditional Korean sounds, incorporating the traditional Korean horn instrument known as a taepyeongso." Music video The music video was directed by Choi Yongseok (Lumpens). It was uploaded on 1theK's channel and Sunmi's official channel on August 27, 2019. As of April 2021, the video has over 33 million views combined on both channels. Credits and personnel Credits adapted from Tidal. * Sunmi – vocals, songwriting, compositi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gyeongbokgung
Gyeongbokgung (), also known as Gyeongbokgung Palace or Gyeongbok Palace, was the main royal palace of the Joseon dynasty. Built in 1395, it is located in northern Seoul, South Korea. The largest of the ''Five Grand Palaces'' built by the Joseon dynasty, Gyeongbokgung served as the home of Kings of the Joseon dynasty, the Kings' households, as well as the government of Joseon. Gyeongbokgung continued to serve as the main palace of the Joseon dynasty until the premises were destroyed by fire during the Imjin War (1592–1598) and abandoned for two centuries. However, in the 19th century, all of the palace's 7,700 rooms were later restored under the leadership of Prince Regent Heungseon during the reign of King Gojong. Some 500 buildings were restored on a site of over 40 hectares. The architectural principles of ancient Korea were incorporated into the tradition and appearance of the Joseon royal court. In the early 20th century, much of the palace was systematically destroye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Center For The Traditional Korean Performing Arts
The National Gugak Center, located in Seoul, South Korea, is the primary institution of learning for Korean traditional music (), including both court music and folk music. It was founded in 1951 through a merger of Korean musical organizations. It is dedicated to "preserving and promoting traditional Korean music." Through academic courses, private study, ensembles, research, and performances, it preserves Korea's ancient musical traditions, including the ancient court ritual music called ''aak'' as well as the ritual music performed for the Jongmyo (royal ancestral shrine) and the Munmyo (Confucian shrine). Historical musical organizations While Korean court music dates back to the music institute of the Silla kingdom in the 7th century, the present is the direct successor to the Jangakwon music institution of the Joseon Dynasty. Jangakwon went through various name changes until 1945: *Jangakwon 장악원 掌樂院 (1470) *Gyobangsa 교방사 敎坊司 (1897) *Jangakgw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanja
Hanja (Hangul: ; Hanja: , ), alternatively known as Hancha, are Chinese characters () used in the writing of Korean. Hanja was used as early as the Gojoseon period, the first ever Korean kingdom. (, ) refers to Sino-Korean vocabulary, which can be written with Hanja, and (, ) refers to Classical Chinese writing, although "Hanja" is also sometimes used to encompass both concepts. Because Hanja never underwent any major reforms, they are mostly resemble to ''kyūjitai'' and traditional Chinese characters, although the stroke orders for some characters are slightly different. For example, the characters and as well as and . Only a small number of Hanja characters were modified or are unique to Korean, with the rest being identical to the traditional Chinese characters. By contrast, many of the Chinese characters currently in use in mainland China, Malaysia and Singapore have been simplified, and contain fewer strokes than the corresponding Hanja characters. In Japan, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The National Centre For The Traditional Korean Arts
The National Gugak Center, located in Seoul, South Korea, is the primary institution of learning for Korean traditional music (), including both court music and folk music. It was founded in 1951 through a merger of Korean musical organizations. It is dedicated to "preserving and promoting traditional Korean music." Through academic courses, private study, ensembles, research, and performances, it preserves Korea's ancient musical traditions, including the ancient court ritual music called ''aak'' as well as the ritual music performed for the Jongmyo (royal ancestral shrine) and the Munmyo (Confucian shrine). Historical musical organizations While Korean court music dates back to the music institute of the Silla kingdom in the 7th century, the present is the direct successor to the Jangakwon music institution of the Joseon Dynasty. Jangakwon went through various name changes until 1945: *Jangakwon 장악원 掌樂院 (1470) *Gyobangsa 교방사 敎坊司 (1897) *Jangakg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xianjiang
Xinjiang, SASM/GNC: ''Xinjang''; zh, c=, p=Xīnjiāng; formerly romanized as Sinkiang (, ), officially the Xinjiang Uygur Autonomous Region (XUAR), is an autonomous region of the People's Republic of China (PRC), located in the northwest of the country at the crossroads of Central Asia and East Asia. Being the largest province-level division of China by area and the 8th-largest country subdivision in the world, Xinjiang spans over and has about 25 million inhabitants. Xinjiang borders the countries of Mongolia, Russia, Kazakhstan, Kyrgyzstan, Tajikistan, Afghanistan, Pakistan and India. The rugged Karakoram, Kunlun and Tian Shan mountain ranges occupy much of Xinjiang's borders, as well as its western and southern regions. The Aksai Chin and Trans-Karakoram Tract regions, both administered by China, are claimed by India. Xinjiang also borders the Tibet Autonomous Region and the provinces of Gansu and Qinghai. The most well-known route of the historic Silk Road ran throug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
